Published: September, 2019
Written by: Ethan Van Sciver
Art by: Ethan Van Sciver, Kyle Ritter
All Caps Comics, 80 Pages
There was about a ten year period where I checked out of comics from the late ’90s until the late ’00s. But what brought me back was the artwork of the era and primarily, the work of Ethan Van Sciver on Green Lantern. At the time, I didn’t know who Ethan was, I was just captivated by his detail, as well as the colors of those books.
It wasn’t until later that I learned more about him and sought out a lot more of his work and frankly, I always found it breathtaking and it’s kind of responsible for re-igniting my love for the comic book medium.
So when I had heard that Van Sciver was leaving DC due to some bullshit involving politics and comic industry insanity, I wanted to follow him into whatever his next big endeavor would be.
Cyberfrog: Bloodhoney is the first part of a four-part story arc. Also, it resurrects a character that Ethan created while at Harris Comics in the ’90s. Initially, I wasn’t a huge fan of the concept but the art that he showed, leading up to the launch of his campaign was all high quality stuff and some of his best work. So I got in on his crowdfunding campaign fairly early.
It was a hell of a waiting game, however, as this was two months shy of being a year late. While that was frustrating, once I got the book in my hand, all that sort of vanished and I was just ecstatic to have it and to finally be able to read it.
What I saw, page after page, was an exceptional work of art. This was, visually, the greatest thing that Ethan Van Sciver has ever done. Seeing the incredible detail on every single page makes me realize that this needed a lot more time than Ethan initially planned for. Plus, the book doubled in size since it was first announced. That doesn’t excuse it being as late as it was but I hope Ethan has learned from this process and will give us more accurate dates on his future campaigns.
This wasn’t just Ethan’s baby though, as a lot of the credit has to go to colorist Kyle Ritter. While Ethan is a top notch illustrator, Ritter’s colors truly take this to another level. Ritter is absolutely a top talent in the comic book industry beyond just his color work. But I’m so glad that he got this gig, was able to show the world what he was capable of and I’m looking forward to his upcoming StarBlades comic.
As far as the story goes, Ethan also wrote this. However, that’s the one aspect of this project where I had some reservations. Not because I didn’t think he could do it but because he doesn’t have much experience as an actual comic book writer. However, working with a guy like Geoff Johns for as long as he did, he probably picked some things up.
While I can’t say that this is as good of a story as the Green Lantern books that Ethan worked on, this is still a better written comic book than what has become the industry standard in 2019. Ethan very clearly has a vision for these characters and where he wants to take them and it all just comes together and works magnificently.
Although, I’ve heard some people complain a bit about the book’s structure and how it’s third act just kind of ends in the middle of the story. I had no problem with this whatsoever, as it seemed to end in a natural place for a story that is going to have three more installments. I won’t spoil how this ends but it is satisfying, after what the first act in this issue laid out for us.
Ultimately, this was pretty fantastic. Ethan Van Sciver made a damn good comic book and even if the concept itself didn’t grab me, after experiencing it, I’m now invested and looking forward to the rest of the story. That means that this did its job and it actually exceeded my expectations.
Also, I didn’t give a shit about the chromium cover but after seeing it, the cover looks absolutely incredible.
Pairs well with: Ethan’s Green Lantern and Flash stuff, as well as the original Cyberfrog run at Harris Comics.