Also known as: Decentralized: The Story of Blockchain (working title)
Release Date: October 26th, 2018 (New York City premiere)
Directed by: Alex Winter
Written by: Alex Winter
Music by: Bill Laswell
Cast: Rosario Dawson (narrator), Alex Winter (interviewer), various
SingularDTV, Futurism Studios, Breaker, 84 Minutes
After watching Alex Winter’s documentary Deep Web, I was left wanting more. He followed that one up a few years later with this, which covers similar topics but with the majority of its focus on blockchain technology and cryptocurrencies.
What I liked most about this film is that it describes these complex things and ideas really damn well. It makes this somewhat palatable for the layman.
Also, this interviews several people who know what they’re talking about while also featuring comments from many of blockchain and crypto’s detractors along with some great rebuttals.
A big part of the documentary follows the story of Lauri Love, a British hacker and activist that was wanted by the United States for alleged activities as a member of the hacker collective Anonymous. His story is really damn interesting and the film does a solid job of telling it.
If you have an interest in this stuff and haven’t seen this documentary, you should probably check it out. Alex Winter does great work and presents these subjects well.
Pairs well with: other documentaries about cypherpunk stuff like blockchain, cryptocurrency, hacking, etc. Especially, those by Alex Winter.
If you grew up in the ’80s (and I’m assuming the ’70s), you probably remember walking into book stores and seeing amazing but terrifying artwork adorning the covers of hundreds of horror paperbacks.
Some of those images were burned into my mind for life. Some of them I forgot about. However, this book brought them all back and it was cool as hell seeing all these covers once again.
This book is more than just some art book full of classic horror novel cover art, though.
The author, Grady Hendrix did a superb job of outlining the history behind the art that decorated these book covers for a few decades.
He talks about his own experience and appreciation for these books but he also breaks down all the subgenres and discusses the history and details behind them.
There is a lot to digest here between the great chapters that Hendrix wrote, as well as the hundreds of pages of stupendous art.
Plus, this book is top notch with high quality paper, images and construction.
This will definitely be a book I pick up and reference over the years, especially when looking for inspiration for my own stories.
RETRO RELAPSE is a series of older articles from various places where I used to write before Talking Pulp.
*Written in 2016.
At this point, everyone should be aware of the Dennis Wideman incident from the other night.
If you aren’t, in a nutshell, he took a hard hit, which was missed by the refs. He responded by violently knocking down linesman Don Henderson. Now while Wideman says it wasn’t intentional, the video evidence is pretty damning. And whether or not he was dazed and meant to hit an opposing player, he still struck a referee and it was still a massive illegal hit even if he did strike a player.
Between this incident by the Calgary Flames, often times aggressive, defenseman and the recent sucker punch thrown by the Los Angeles Kings’ Milan Lucic, which also hit a ref, there has been a recent trend of Slap Shot style goonery.
The thing is, Slap Shot is a slapstick comedy movie and it is also about 40 years old. The NHL isn’t a backyard wrestling federation and has evolved significantly since those days. But some players still seem to draw inspiration from the fictional Hanson Bros. and the Charlestown Chiefs.
And sure, all the hockey purists, myself included, love a certain level of aggression in the sport. I will always defend fighting as part of the sport’s tradition and heritage. I’ve also seen the negative effects of what happens when you don’t allow fighting in hockey by witnessing ridiculous hits in the college and junior levels of the game where players have no real outlet to blow off steam other than smashing a guy into the boards more violently than necessary.
That is the point of fighting. It is to blow off steam or to let two men on the ice settle their beef with a bit of gentlemanly fisticuffs instead of an all out war on the human bodies of everyone in their vicinity.
At the end of the day, however, you never, ever hit an official.
But everything I am saying here is agreed upon by most, except for Neanderthals and pacifists.
I fully support the hefty suspension on Wideman and I think most people do. In fact, I may even say that it is too light. But that is up to the League to decide and they have.
If the NHL doesn’t make examples out of guys like Wideman and Lucic, things like this will become more commonplace. If that were to happen, there’d be a lot more push back by those opposed to hockey violence. More of these situations would add credibility to their argument. And even though these incidents aren’t true examples of what fighting in hockey is, it won’t matter. If the game is perceived as too violent, it is only a matter of time before the NHL has to crackdown.
If the NHL does feel as if its hand is forced to crackdown, we are looking at a league without fighting or a very diet form of fighting. The effects of that will create more violence in how the game is played on the ice. There will be harder hits and more injuries. This will have a bigger negative impact on the sport and be truly counterproductive to the solution pushed forward by those with these biases and criticisms. It’s like politics, some big change is born with good intentions but finds itself plagued by unintended consequences. Although, it doesn’t take a genius to see the writing on the wall.
The game is already evolving away from fighting anyway. I think it will always exist, to a degree, unless it is completely banned. But the old school giant goon of yesteryear is having a much harder time finding a job in the modern NHL. Teams would rather fill their rosters spots with snipers and d-men that can actually play defense. Also, the game is getting faster each year and big thugs can’t keep up with the action. And all this is reflected in the fact that fights have been decreasing each year.
Unfortunate things happen in hockey but it’s the same in all sports. Regardless, if it is caused by a few knuckleheaded individuals doesn’t matter to the busybodies. And that is why examples have to be made.
I just hope other players learn from incidents like these and have more respect for the game, their livelihood, the players and the officials on the ice.
Release Date: January 26th, 2020 (Sundance)
Directed by: Matt Wolf
Music by: Owen Pallett
Stacey Reiss Productions, Impact Partners, RadicalMedia, Neon, 113 Minutes
I was pretty stoked to see this documentary when the trailer came out but honestly, it was really disappointing.
This seemed like such a wasted opportunity to tell a great story about the people and all the shenanigans around Biosphere2, including the people behind the project, its genesis and how everything panned out.
This was a story that was a big part of my life around middle school age, as I had a science teacher that was obsessed with it and gave us constant updates while also having her curriculum kind of tie to the Biosphere2 experiment.
I actually had no idea how interesting the story actually was until seeing this and learning about the group and how they came together, a quarter of a century before being locked up together in the world’s first biodome.
Sadly, the documentary doesn’t seem to dig deep enough in its nearly two-hour running time. It just scratches the surface and gives you some insight. It even has the real people in the film giving their accounts of events. However, this really needed more meat and because of that, should have probably been expanded into a multipart series.
I left this feeling like I knew the story but the real details were glossed over and I didn’t get to feel like I really knew these people, as much as I should.
Still, this was interesting enough to justify its existence and it was a decent way to spend two hours but I know that there is a lot more to the story that we didn’t get and that left me unfulfilled and underwhelmed.