Also known as: National Lampoon’s Loaded Weapon 1 (complete title) Release Date: February 5th, 1993 Directed by: Gene Quintano Written by: Don Holley, Gene Quintano, Tori Tellem Music by: Robert Folk Cast: Emilio Estevez, Samuel L. Jackson, Kathy Ireland, Frank McRae, Tim Curry, William Shatner, Jon Lovitz, Lance Kinsey, Denis Leary, F. Murray Abraham, Danielle Nicolet, Beverly Johnson, Ken Ober, Bill Nunn, Lin Shaye, James Doohan, Erik Estrada, Larry Wilcox, Corey Feldman, Whoopi Goldberg, Paul Gleason, Phil Hartman, Richard Moll, J. T. Walsh, Rick Ducommun, Vito Scotti, Charles Napier, Charles Cyphers, Denise Richards, Allyce Beasley, Joyce Brothers, Charlie Sheen, Robert Shaye, Chirstopher Lambert (deleted scene), Bruce Willis (uncredited)
National Lampoon, 3 Arts Entertainment, New Line Cinema, 84 Minutes
“Nice weather? You think we’re having… nice weather? I guess you didn’t lose the only one that meant anything in your life. I guess you don’t feel burned out by the human misery and despair perpetrated by the criminal vermin that infest every pore of this decaying city, forcing you to guzzle cheap wine and cheaper whiskey to dull the pain that shatters your heart, rips at your soul, and keeps your days forever gray. What flavor Icee you got today?” – Colt
Regular readers of this site probably already know that I’m not a big fan of parody movies outside of Mel Brooks’ work. However, ever now and again, I discover a parody film that is actually quite good.
I never saw National Lampoon’s Loaded Weapon 1 because I didn’t have much interest, even when it came out in 1993 and I was a huge Lethal Weapon fan. These films tend to be predictable, lame and lowest common denominator humor. While this is pretty low brow and a bit predictable, it wasn’t lame and it was actually really well done and executed.
I think this stands above other films like it because it has a really solid cast with several heavy-hitters that just commit to the material so convincingly, it makes everything work. You buy into the goofy jokes and the absurdity of it all and frankly, Emilio Estevez and Samuel L. Jackson had good chemistry. I wouldn’t say that it was on the level of Mel Gibson and Danny Glover but they played off of each other nicely and looked like they were having a blast playing these characters.
WIlliam Shatner and Tim Curry were both enjoyable as villain characters. Shatner went into this with no fucks given and it just made his performance that much more entertaining. I loved his accent, his facial expressions and the guy isn’t just a sci-fi legend, he’s a master of comedic timing.
This ridiculous film is just a lot of fun. If you like buddy action films and have a sense of humor, you’ll probably dig this.
Rating: 6.75/10 Pairs well with: the Lethal Weapon films and the dozen other movies this parodies, as well as other parody films of the time.
Release Date: June 7th, 1985 Directed by: Richard Donner Written by: Chris Columbus, Steven Spielberg Music by: Dave Grusin Cast: Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman, Kerri Green, Martha Plimpton, Jonathan Ke Huy Quan, John Matuszak, Robert Davi, Joe Pantoliano, Anne Ramsey, Mary Ellen Trainor
Amblin Entertainment, Warner Bros., 109 Minutes
“Don’t you realize? The next time you see sky, it’ll be over another town. The next time you take a test, it’ll be in some other school. Our parents, they want the best of stuff for us. But right now, they got to do what’s right for them. Because it’s their time. Their time! Up there! Down here, it’s our time. It’s our time down here. That’s all over the second we ride up Troy’s bucket.” – Mikey
Cyndi Lauper sang that the “Goonies ‘r’ good enough” and frankly, I have to agree with her.
This is a perfect movie for kids… and adults, really. It’s fun, funny, full of adventure, danger, treasure, good feelings, friendship, imagination, wonderment and a bit of swashbuckling.
On top of that, every single person in the cast is absolutely perfect, top to bottom. This was just a special movie where everything seemed to go right, especially in regards to the actors chosen for each specific role.
On one side, you have the kids and their hulk-like ally Sloth. On the other side, you have the Fratelli crime family.
Every kid in this is great and they had spectacular chemistry. You believed that they were all friends and it was impossible not to root for them. With the Fratellis, you had another group that worked damn well together. Honestly, as a kid I kind of wanted a Fratelli spinoff movie. Sadly, Anne Ramsey died a few years after this but I’ve always wanted to see Robert Davi and Joe Pantoliano come together as gangster brothers again.
Apart from the casting, you had a wonderful script penned by Chris Columbus from a story written by Steven Spielberg. With Richard Donner directing, it’s kind of hard to imagine this failing, even before seeing the picture.
It’s very rare that I come across someone that hasn’t seen the film. It’s reputation precedes it and for good reason. It has stood the test of time and it’s not something that loses steam the more you watch it. In fact, at least for me, it’s a film that I appreciate more with every viewing. It’s hard to peg as to why that is but man, it’s a film that just brings you to a special place; it’s magical and it is full of optimism when most entertainment, at least in modern times, is pretty nihilistic.
The Goonies gives one hope because it is exactly what entertainment needs to be, pleasant and enjoyable escapism that leaves you with a positive feeling despite whatever crap your day threw at you.
It’s perfectly paced, there isn’t a dull moment and every frame of the film… hell, every line spoken, has a purpose and has real meaning behind it.
The Goonies also benefits from its stupendous score by Dave Grusin, a guy who isn’t as well known as John Williams, James Horner or Alan Silvestri but was still able to create a theme and a score that was good enough to rival the best work of those three great film composers.
For what it is, The Goonies is absolutely perfect. If you don’t like it, you probably aren’t human or at least don’t have a heart.
Rating: 10/10 Pairs well with:The Monster Squad, E.T. the Extra-Terrestrial and The Explorers.
Release Date: September 10th, 2011 (Toronto International Film Festival) Directed by: Morgan Spurlock Written by: Jeremy Chilnick, Morgan Spurlock, Joss Whedon Music by: Jeff Peters Cast: Joss Whedon, Guillermo del Toro, Kevin Smith, Stan Lee, Kenneth Branagh, Eli Roth, Seth Rogen, Thomas Jane, Seth Green, Edgar Wright, Corey Feldman, Paul Scheer, Todd McFarlane, Matt Groening, Frank Miller, Gerard Way, Grant Morrison, Paul Dini, Joe Quesada, various
Mutant Enemy, Thomas Tull Productions, Warrior Poets, 88 Minutes
“I think the fans are the most important thing in the comic book business. And I might add, in any form of entertainment. I feel… you gotta be nice to the fans because without them… you’re nothing.” – Stan Lee
Here we go, these nerdy fan documentaries are a dime a dozen but I guess this one got some recognition for being well produced and for featuring a slew of famous nerd-centric personalities.
I didn’t know that this was a Morgan Spurlock film until I was already watching it. Had I known that, I probably wouldn’t have watched it. Reason being, I think the guy’s a f’n hack and disingenuous. His most popular film Super Size Me was unwatchable to anyone that can see through a ruse, which it was. It wasn’t science, it wasn’t a real test to see how fast food effects you, it was one man’s entertaining mockumentary, sold as a legit documentary and damnation of the fast food industry. His documentary series on FX was also mostly a big bullshit endeavor where he went into everything with a bias then cherry picked info and edited everything down to the narrative he wanted. He’s the reason behind the modern alteration to an old phrase, “No shit, Spurlock!”
Anyway, this is exactly what you’d think it is. A bunch of famous nerdy types talk about their nerdy shit and their love for the San Diego Comic Con, which is barely about comic books at this point and isn’t anywhere near as cool as it once was. You missed the boat by a decade or so, Spurlock.
The only thing I really liked about this was seeing the behind the scenes stuff on cosplay. I don’t normally give a shit about cosplay but it was interesting to see, nonetheless.
As far as the interviewees, the only one that stuck with me was Stan Lee. Everything else was edited so choppy that the vast majority of comments could have been things out of context and then just thrown together for Spurlock to manufacture whatever narrative he was going for. Stan Lee’s bit was heartwarming though but that’s because he’s Stan Lee and he always has eloquent shit to say.
You’d probably be alright if you never watched this. It doesn’t do anything to inspire you to go to San Diego Comic Con. If anything, it told me to stay away because I like comics and don’t give a crap about massive celebrity panels or Joss Whedon publicly ranting about lefty hysteria.
Rating: 5/10 Pairs well with: any of the dozens of other documentaries about nerd conventions or nerdy hobbies, there are so many.
Release Date: July 27th, 1987 (New York City premiere) Directed by: Joel Scumacher Written by: Janice Fischer, James Jeremias, Jeffrey Boam Music by: Thomas Newman Cast: Corey Feldman, Corey Haim, Jason Patric, Kiefer Sutherland, Jami Gertz, Edward Herrmann, Barnard Hughes, Dianne Wiest, Alex Winter, Jamison Newlander, Kelly Jo Minter
Warner Bros., 98 Minutes
“One thing about living in Santa Carla I never could stomach; all the damn vampires.” – Grandpa
The Lost Boys might not have been the biggest film of 1987 but it was still a pretty huge deal. Every kid and teen wanted to see it. It starred the two Coreys, both of whom were really hot commodities at the time, and it was a teen vampire movie that had comedy and charm.
When I was a kid, I thought David, the vampire played by Kiefer Sutherland was the coolest guy in the film and I was cheering for the vampires to win because who didn’t want to join an undead gang that looked like an ’80s goth band?
This was directed by Joel Schumacher, years before he put nipples on Batman’s suit. Say what you will about the man’s Batman films but this came out when he was at the top of his game and it’s probably his best movie, although I also liked Flatliners and Falling Down.
Schumacher mixed all the elements together really well but the decade of the ’80s sort of had it’s own cinematic magic too. But what you have here is a film that can tap into a child’s imagination, deliver amazement, wonder and still give us something that’s very adult in a lot of respects. This has a lot of lighthearted, funny moments but it also conveys a real darkness and dread that goes beyond other teen or kid horror comedies of the decade. There’s just something primal about this movie that puts it ahead of great films like Fright Night and Monster Squad.
I can’t say that this is a film that boasts great acting but it doesn’t need to. All the actors play their parts really damn well though and they all feel authentic. Unlike a lot of ’80s films featuring young people, this doesn’t try to lump its characters into archetypes or caricatures and I think that’s why this works so much better than other films like it.
The Lost Boys truly is a magical and fantastical experience. It might not play as well for modern audiences lacking the nostalgia for it but I’d much rather watch this than something like Twilight. Full disclosure, I don’t even want to watch Twilight to review it.
Rating: 8.75/10 Pairs well with: For ’80s teen horror comedy: Fright Night, Night of the Creeps, Night of the Comet and Monster Squad. For the Coreys: License to Drive and Dream A Little Dream.
Also known as: They Live and Drive in L.A. (working title), Daddy’s Cadillac (Germany) Release Date: July 6th, 1988 Directed by: Greg Beeman Written by: Neil Tolkin Music by: Jay Ferguson Cast: Corey Haim, Corey Feldman, Carol Kane, Richard Masur, Heather Graham, James Avery
Davis Entertainment, 20th Century Fox, 88 Minutes
“Les, that license in your wallet, that’s not an ordinary piece of paper, that is a driver’s license, and its not only a driver’s license, it’s an automobile license, and it’s not only an automobile license, it’s a license to live, a license to be free, a license to go wherever, whenever and with whomever you choose.” – Dean
The world and all of its cultures are diverse enough to provide us with countless types of cheese. In fact, I love cheese. Who doesn’t love cheese? So being that I am a cheese connoisseur with an incredibly diverse palate, there is still just one cheese that I have to put above all others: ’80s cheese.
License to Drive is ’80s cheese that is so robust, with a beautiful texture and a richness to it, that it’s place in history can’t be denied. Is it the best example of ’80s cheese? Well, no. But it is still a good, solid example of its flavors and characteristics.
In the late ’80s, there was a powerful union that nothing could stand against: The Two Coreys, or just simply, The Coreys. While both of them were uber popular on their own, the Earth’s gravity sort of shifted when they started teaming up to do movies. This was their second film. The first was The Lost Boys, which is considered by many to be a classic. License to Drive isn’t quite a classic but it is still a fun romp with The Coreys that doesn’t pit them against vampires but instead pits them against the fascist system that makes it hard for slackers to get their driver’s license.
Frankly, Corey Haim’s Les is quite the shithead. All he cares about is getting his license but won’t put in the work to study for it. He doesn’t even know basic stuff and completely bombs the written test. However, he lies to his family and friends but that backfires. So what does he do? He steals his grandpa’s car because all he cares about is wooing Heather Graham. The film plays on and Haim doesn’t seem to learn anything or grow up. But it’s an ’80s teen movie that puts more emphasis on materialism and being cool than it does on life itself.
It’s the wacky adventures that make this work though. Haim and Feldman are good together and both have charisma. Heather Graham is also fantastic in this, even though she is drunk and passed out for a big portion of the movie. The real highlight for me though, was the sequence of Corey Haim taking his driving test with James Avery a.k.a. Uncle Phil from The Fresh Prince of Bel-Air. I’ve always enjoyed Avery but this is one of the best things he’s ever done. I mean, he’s perfect in this, even if he only has a few minutes of screen time.
The Coreys were once the epitome of teenage cool and this was a cool movie, even if it was nonsensical and sort of soulless.
Plus, I loved his parents, as Carol Kane has always made me laugh and Richard Masur is just fun to watch in these sort of roles.
Rating: 7/10 Pairs well with: Other movies featuring both or just one of the Coreys: The Lost Boys, Dream a Little Dream, National Lampoon’s Last Resort, Lucas, The Goonies, The ‘Burbs.
Also known as: Tales From the Crypt Presents: Bordello of Blood (complete title) Release Date: August 16th, 1996 Directed by: Gilbert Adler Written by: A. L. Katz, Gilbert Adler, Robert Zemeckis, Bob Gale Music by: Chris Boardman Cast: Dennis Miller, Erika Eleniak, Angie Everhart, Chris Sarandon, Corey Feldman, Aubrey Morris, Whoopi Goldberg (cameo), William Sadler (cameo), John Kassir, Phil Fondacaro
EC Comics, Universal Pictures, 87 Minutes
“[talking to a she-vampire] I’d rather Crazy Glue my dick to the bullet train than fuck you.” – Rafe Guttman
I recently revisited Tales From the Crypt‘s Demon Knight. So I figured that I’d also go back and revisit Bordello of Blood. I remember not being as fond of this as I was Demon Knight but hey, it’s got Corey Feldman as a vampire in it, which is probably something that every teen girl wanted to see since The Lost Boys came out. I’ve never been a teen girl but I did like The Lost Boys and Corey Feldman.
This also has Dennis Miller in it as Dennis Miller. Well, not really. Miller always seems to play some version of himself though and here, he is Dennis Miller as a private eye trying to woo Playboy model Erika Eleniak. His character’s name is Rafe Guttman, which seems fitting for a Miller character.
Probably the real highlight from a casting perspective is Chris Sarandon, who was a fantastic vampire in the classic Fright Night. Here, he isn’t a vampire he is a guitar-wielding rock star televangelist that runs a megachurch but is somewhat responsible for the vampiric activity in the film. Sarandon plays such a kooky character in this and he’s simply great.
The story was penned by Robert Zemeckis and Bob Gale, the guys behind the Back to the Future movies. This is nowhere near the greatness of those films but it is a fun and entertaining movie.
I don’t think this is as good of a picture as Demon Knight but that is mostly because this doesn’t even come close to the level of insanity and intensity that we got in that film. This movie is crazy and has some nice gory bits but Demon Knight was batshit crazy, where this is just more of a wild ride.
This is definitely worth a watch if you’ve got ninety minutes to kill and just want some dumb, mindless, badass fun in your horror. It’s certainly a product of the ’90s and fits well within the Tales From the Crypt franchise.
Rating: 7/10 Pairs well with: Anything related to Tales From the Crypt.
Release Date: March 7th, 2014 (SXSW) Directed by: Elijah Drenner Music by: Jason Brandt Cast: Dick Miller, Lainie Miller, Gilbert Adler, Allan Arkush, Julie Corman, Roger Corman, Joe Dante, Fred Dekker, William Sadler, Robert Picardo, Ernest R. Dickerson, Corey Feldman, Robert Forster, Zach Galligan, Jonathan Haze, Jack Hill, Leonard Maltin, John Sayles, Mary Woronov
Autumn Rose Productions, End Films, 91 Minutes
If you don’t know who Dick Miller is or at least recognize his face, you were probably born after the year 2000. Even then, if you’ve ever watched a film before that time, you have most likely seen him at one point or a dozen.
Dick Miller was in everything from the 1950s through the 1990s. No, seriously, he was. Well, at least it seemed like he was in everything. The man has 180 credits to his name according to IMDb. Growing up in the ’80s, I saw him pop up a few times a year in the coolest movies of the time. The one that will always stand out the most for me was his part in Gremlins, which was the first time I remember seeing him. Every time I saw Mr. Miller after that was always a nice treat.
As I got older and went back and watched older films, especially when I found a love for Roger Corman’s pictures, I started to experience a younger and hip Dick Miller. He started his career in a lot of those early Roger Corman pictures and that association would serve him well, as all the young directors who rose to prominence, who were influenced by Corman, started hiring Miller for their films.
This documentary goes back and shows Miller’s early life, how he made the connection with Corman and how his career blossomed in unseen ways because of it. I love that it goes through his long history in films and interviews a lot of the people who were there alongside him. It also talks to the directors who hired him and have a love for his work.
Dick Miller is a guy that deserves some sort of lifetime achievement award for his contributions to the films he was a part of. He was a mainstay in Hollywood for decades and if he was in a movie it sort of legitimized it as cool. It didn’t matter when he got older either, as he took over the screen in his cameos in a lot of Joe Dante’s pictures.
That Guy Dick Miller is a pretty awesome documentary for fans who grew up watching this guy work. Even if you aren’t familiar with him, this is probably still enjoyable and will give you a solid appreciation for the man and the films he was a part of.
Rating: 8.25/10 Pairs well with: Other showbiz documentaries: Corman’s World and Harry Dean Stanton: Partly Fiction.
Release Date: February 17th, 1989 Directed by: Joe Dante Written by: Dana Olsen Music by: Jerry Goldsmith Cast: Tom Hanks, Bruce Dern, Carrie Fisher, Rick Ducommun, Corey Feldman, Wendy Schaal, Henry Gibson, Brother Theodore, Courtney Gains, Dick Miller, Robert Picardo, Nicky Katt, Billy Jacoby (voice)
“[finds a femur] Ray, there’s no doubt anymore. This is real. Your neighbors are murdering people. They’re chopping them up. They’re burying them in their backyard. Ray… this is Walter.” – Art Wiengartner
The ‘Burbs is a rare dark comedy that hits all the right notes. Joe Dante was the perfect person to direct the script and the film was also perfectly cast.
While Tom Hanks was already building a name for himself and was a really good comedic performer that could handle more serious or dramatic material, it was this picture that really cemented his status, at least for me.
Hanks wowed people with a dramatic turn in Nothing In Common and even though The ‘Burbs doesn’t get as serious as that film, Hanks could flip the switch from comedy to serious on a dime, which he did here flawlessly. This and Big, which came out just a year prior, are the two films that made me a Tom Hanks fan. Following this up with the underappreciated Joe Versus the Volcano was also a great move by Hanks.
The cast is rounded out by Bruce Dern, Carrie Fisher, Corey Feldman and Canadian comedian Rick Ducommun – a guy that probably should have had more prominent roles like this. The Klopek family, who were the focal point of suburban curiosity, were played by Henry Gibson – who is always fun, Brother Theodore – who was tailor made for this film, as well as Courtney Gains, who creeped out audiences a few years prior in Children of the Corn. You also get to see a young Nicky Katt, before he would become more recognized in his work with director Richard Linklater. Joe Dante also dips into the well of his regulars and gives us cameos by the great Dick Miller and the awesome Robert Picardo.
Mundane suburban life is at the center of the movie, as it follows three very bored suburban men and their wariness over the strange new neighbors who moved onto their street: the Klopeks. As the story progresses, they suspect the Klopeks are murderers. The plot escalates to the point that they can’t resist the temptation of digging up the Klopek’s yard and breaking into their house when they leave one day.
The film is highly comedic but is also a mystery and a thriller with a touch of horror added in. It is a pretty awesome mix and Dante worked his magic to great results.
It is also a highly stylized picture but in a subtle way. It was filmed on the Universal backlot and utilized some of the houses seen in famous sitcoms and other films. In fact, the house that Hanks lives in was used a few years earlier in another Hanks film, Dragnet. The generic suburban look makes it so that this neighborhood could be any neighborhood but it also has a sort of fantasy feel to it. It’s grounded in reality but it skews reality.
The ‘Burbs is solid, through and through. While it has gotten more popular over time, it wasn’t a critical success in 1989. When I first saw it, most of the kids I talked to hadn’t seen it. As I got older and time rolled on, I found more and more people that loved the film after discovering it on video or cable. Still, it surprisingly only has a 49 percent rating on Rotten Tomatoes.
While not explicitly horror, this is a film I have to pop on almost annually around Halloween.
With the upcoming release of the new Teenage Mutant Ninja Turtles film, which is a reboot, I wanted to revisit the original film series. I hadn’t seen these movies since the 90s and I hadn’t seen the 2007 CGI sequel at all. I remember really liking the first two and finding the third one to be pretty boring. Maybe it was because it was missing their main antagonist, Shredder. Regardless of all that, here’s what I felt about these films now.
Teenage Mutant Ninja Turtles (1990):
Release Date: March 30th, 1990 Directed by: Steve Barron Written by: Todd W. Langen, Bobby Herbeck Based on:Teenage Mutant Ninja Turtles by Kevin Eastman, Peter Laird Music by: John Du Prez Cast: Judith Hoag, Elias Koteas, Robbie Rist, Brian Tochi, Corey Feldman, Kevin Clash, Sam Rockwell, Scott Wolf (uncredited)
Golden Harvest, Limelight Entertainment, 888 Productions, Mirage Enterprises, Northshore Investments, New Line Cinema, 93 Minutes
“Damn.” – Raphael
This first film in the series was the best of the original trilogy. It was gritty, it was fun, it was action packed and it embodied everything that made the TMNT franchise unique and awesome. Seeing this in the theater as a 5th grader, blew my damn mind.
The turtle costumes were phenomenal, the facial animatronics were outstanding and the range of movement the martial artists had inside the suits was uncanny. The acting in this film, considering what it is, wasn’t bad. Elias Koteas as Casey Jones and Judith Hoag as April O’Neil were both really good. I cared about their characters and even their romance.
My favorite part in the whole film though, had to be Shredder. For a live-action movie based on a comic book, especially for the era, he looked fantastic and menacing. I can’t even imagine a better looking Shredder in a real world sense.
Splinter was also pretty great and Kevin Clash (most famous for playing Sesame Street‘s Elmo) provided him with a good voice that gave a sense of authority and respect to a character that is really just an animatronic rat.
The movie never stops once it gets going. It actually flies by pretty quickly and is well-paced. Props to the writers who made a really good script and to the director, who orchestrated how it all went down.
Look for a very young Sam Rockwell playing a thug in a few scenes.
Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991):
Release Date: March 22nd, 1991 Directed by: Michael Pressman Written by: Todd W. Langen Based on:Teenage Mutant Ninja Turtles by Kevin Eastman, Peter Laird Music by: John Du Prez Cast: Paige Turco, David Warner, Ernie Reyes Jr., François Chau, Kevin Nash, Vanilla Ice, Robbie Rist, Brian Tochi, Kevin Clash, Frank Welker
Golden Harvest, Mirage Enterprises, Northshore Investments, New Line Cinema, 88 Minutes
“Go, ninja! Go, ninja! Go!” – Vanilla Ice
It didn’t take long for Golden Harvest and New Line Cinema to pop out a sequel. This movie came out less than a year before its predecessor. While it still turned out pretty well, you can feel that it is lacking in quality from the first film and that they didn’t prepare for it as well.
Also, the turtles use their weapons a lot less than the first movie because busybody assholes thought that the darker and more violent tone of the previous film was too much for kids to handle. The lack of darker tone, hurt this movie.
Unfortunately, neither Judith Hoag or Elias Koteas returned for this film. I’m not sure why but due to the film being rushed out, one could assume that it had to do with scheduling conflicts. The April O’Neil character is still in the film but was recast with Paige Turco.
I do still like this movie but I miss the atmosphere of the first one. These aren’t films that you should take too seriously, but this one got a bit too campy and the script just wasn’t as good.
The edition of David Warner to the cast, an actor I have always enjoyed, as well as Ernie Reyes Jr., who is still the best kid martial artist I have ever seen, was a treat. Vanilla Ice also shows up to give us the greatest ninja-themed rap song of all-time.
Shredder was better looking in this film, as they retrofitted his helmet and made the sharp edges on it look like bad ass buzzsaw blades. However, when he became Super Shredder, he was just ridiculous and completely pointless as he killed himself in about ten seconds. Although it was cool that wrestling legend Kevin Nash was the guy in the Super Shredder suit.
The evil mutants that they made to combat the Turtles, were horrible. They should’ve done what kids were familiar with and gave us the famous Turtle villains Bebop and Rocksteady. Instead, we got Tokka and Rahzar. Stupid names for stupid characters.
All bullshit aside, I still really enjoy this film for what it is but it lacks in a lot of areas compared to the first.
Teenage Mutant Ninja Turtles III (1993):
Release Date: March 19th, 1993 Directed by: Stuart Gillard Written by: Stuart Gillard Based on:Teenage Mutant Ninja Turtles by Kevin Eastman, Peter Laird Music by: John Du Prez Cast: Paige Turco, Elias Koteas, Vivian Wu, Sab Shimono, Stuart Wilson, Brian Tochi, Robbie Rist, Corey Feldman
Golden Harvest, Clearwater Holdings, New Line Cinema, 96 Minutes
“I think I swallowed a frog. I hope it wasn’t an ancestor.” – Donatello
Some people call this film Turtles In Time but that was the name of a TMNT video game. This film plot-wise, is completely unrelated to that game but they do share a time travel element.
I remember watching this just once as a kid and that was on video, as I didn’t even bother to see it in the theater. I just found the idea of the Turtles traveling back to feudal Japan to not be a story worthy enough to carry a film. It seemed like a bad one-off episode of the cartoon and at least those episodes are just twenty minutes.
Watching it now, over twenty years later, I still don’t like the film. It is boring, soulless and flat. There is really nothing interesting or redeeming about the film. Elias Koteas shows back up, after skipping out on the second film, but he is essentially wasted.
The villain is some evil British guy who comes off like an unfunny poor man’s version of Rik Mayall. Had he actually been played by Rik Mayall and humorously, the film may have been a tad bit better. But even Rik Mayall couldn’t have saved it.
The Turtles were also redesigned for this movie and they look like shit. They added a bunch of spots to them, gave them bigger eyes that looked incredibly fake and their animatronics were clunky at best.
After all that time to heal and accept this for what it is, I still hate this film.
Release Date: March 17th, 2007 (Grauman’s Chinese Theatre premiere) Directed by: Kevin Munroe Written by: Kevin Munroe Based on:Teenage Mutant Ninja Turtles by Kevin Eastman, Peter Laird Music by: Klaus Badelt Cast: Chris Evans, Sarah Michelle Gellar, Mako, Kevin Smith, Patrick Stewart, Ziyi Zhang, Laurence Fishburne
Imagi Animation Studios, Warner Bros., 87 Minutes
“Duuuude.” – Michelangelo
This film is considered the fourth in the series and takes place quite some time after the others. It is also the first (and only) to be CGI instead of live-action.
This movie is pretty good. There is a lot story-wise that makes this one the best written of the series. There is a whole subplot about Raphael being a masked vigilante hero on a motorcycle, which would be great as its own standalone movie.
Also, Casey Jones is back in a much more expanded role, as he teams up with Raphael on their vigilante adventures. Although I wish Elias Koteas would’ve voiced Casey Jones, Chris Evans did a solid job.
There is another cool subplot about Leonardo living and training in solitude in Central America, which added a lot of depth to his character and his struggle as a leader.
As for the CGI, it was very well done. It wasn’t Pixar or DreamWorks level but it held its own and it was fluid and worked great with the action sequences of the film. The only thing that seemed off was that the voices were different. For instance, Splinter seemed like an entirely different character and this kind of gets in the way of consistency with the live action films. However, the Laurence Fishburne narration was fantastic.
Having now watched the original trilogy again and this film, I’d rank this as second behind the original.