Comic Review: Spider-Man: The Sinister Six

Published: June 1st, 1964
Written by: Stan Lee
Art by: Steve Ditko

Marvel Comics, 75 Pages

Review:

This story premiered in the first ever Amazing Spider-Man annual. Plus, it was written by Stan “The Man” Lee and drawn by the great Steve Ditko.

The plot is pretty standard fair for ’60s Marvel and it sees six of Spider-Man’s toughest villains come together to form the original version of the Sinister Six. That being said, the Sinister Six have been one of my favorite villain groups of all-time and this storyline didn’t just create a supervillain team to test a single hero but it created a trend in the comic book medium that saw other heroes have to take on similar teams of multiple rogues.

I like how the plot was structured, in that Spider-Man had to run the gauntlet on the Sinister Six and fought each one individually. This is actually a great setup for the future, which would see the Sinister Six up the ante and take on Spidey all at once. However, in future battles, Spidey would get some help of his own.

This group consisted of Doctor Octopus, The Vulture, Kraven the Hunter, Electro, Mysterio and the Sandman. While the group would rotate some other villains in over the course of time, I really liked this group and how having them come together in this story made it feel like a Spider-Man themed Royal Rumble.

For a first time reader, this had to be a fun read, as it forced Spider-Man to face multiple challenges in the same story. Plus, it just looks great with the Ditko art.

This is not my favorite Sinister Six story but we wouldn’t have gotten the other ones without this happening first. Plus, it’s quintessential Stan Lee in how this all plays out.

It’s hard not to love this.

Rating: 8.25/10
Pairs well with: other Stan Lee and Steve Ditko era Spider-Man comics.

Comic Review: Street Angel: After School Kung Fu Special

Published: April 26th, 2017
Written by: Brian Maruca, Jim Rugg
Art by: Jim Rugg

Image Comics, 43 Pages

Review:

I’ve been aware of the Street Angel comic for a few years but I wasn’t too familiar with Jim Rugg until seeing him on Cartoonist Kayfabe alongside Ed Piskor (and sometimes Tom Scioli). Since then, I’ve come to admire his style and his opinion on comics, especially his recommendations.

This is the first Street Angel title I picked up and it was a lot of fun. It’s an easy, quick read at 43 pages.

I thought that the story was cute and energetic and I loved the art style, overall.

The plot deals with middle schooler Jesse Sanchez, who goes to the worst school in the worst ghetto of Angel City. She’s a homeless skateboarder and a badass martial artist. She fights all types of villains but here, she deals with a male bully in a fight after school.

None of the comic books share any actual continuity, from what I understand, but that’s fine, as each story is self-contained and works well on its own and doesn’t require any knowledge from other Street Angel tales.

Ultimately, this was a cool comic. If I’m being honest, I wish it were a bit longer or that the story somehow carried on in another release, as it ends in a place where you want to see what develops next between Jesse and the bully due to the result of their fight.

There are a lot of ongoing comics that don’t have enough meat and potatoes to justify them carrying on past a single arc. This, however, could benefit from that, as I like the characters and want to get to know them more intimately.

Rating: 7.25/10
Pairs well with: other Street Angel comics, as well as Jim Rugg’s other work.

Comic Review: Before Watchmen: Crimson Corsair

Published: July 4th, 2012 – March 13th, 2013
Written by: Len Wein
Art by: John Higgins
Based on: Watchmen by Alan Moore

DC Comics, 57 Pages

Review:

I actually wasn’t expecting a prequel to The Black Freighter part of the Watchmen story when I started reading the Before Watchmen series but low and behold, we were given one and it was written by the great Len Wein with art by the always solid John Higgins.

Out of all the Before Watchmen stories I have read, thus far, this one is my least favorite. That’s not to say that it isn’t good, I enjoyed it quite a bit but it resonated the least with me, even though I’m a big fan of swashbuckler stories.

I think the problem with it is that within the context of what Before Watchmen is, this doesn’t really fit. The Black Freighter was a comic book within the comic book. In the Wathcmen world, it is fiction and read within the comic’s own pages. It was also made into an animated film to be spliced into the motion picture but was cut from the final version and later released on DVD and then edited back into The Ultimate Cut of the film.

So with the other comics in this series fleshing out the backstories of the main characters, this one just seemed unnecessary. It’s still cool that it exists but the story here isn’t anywhere near as good as The Black Freighter. And this doesn’t really add anything to that tale either.

If you are a fan of dark, swashbuckling comics like The Black Freighter, then this will probably be interesting to you. But if you want to know more about the Watchmen world itself, this isn’t a necessary read.

Rating: 7/10
Pairs well with: other Before Watchmen stories, as well as Watchmen and Doomsday Clock.

Vids I Dig 001: Fear, Loathing, and Comics at the Basement Sale

The Pittsburgh Comics Gang investigates the New Dimension Comics Basement Sale – a bi-annual event during which a trove of over half a million comics is opened for public perusal and consumption.

Video by Julie Sokolow

Featuring the artists:
Ed Piskor (Wizzywig, Hip Hop Family Tree)
Jim Rugg (Street Angel, Afrodisiac)
Tom Scioli (Godland, American Barbarian)
Jasen Lex (The Aweful Science Fair, Gypsy Lounge)
with
Todd McDevitt (Owner of New Dimension Comics)
Amanda Bowen (Archivist at New Dimension Comics)

Comic Review: Whoa, Nellie!

Published: 1996
Written by: Jaime Hernandez
Art by: Jaime Hernandez

Fantagraphics Books, 60 Pages

Review:

I’ve known of the Love & Rockets comic book series for quite some time. However, I wasn’t aware of this spinoff title until I saw Jim Rugg talk about it in an episode of Cartoonist Kayfabe (a YouTube channel that every fan of the comic book medium should be subscribed to).

This looked like my cup of tea, though. I love indie comics, I love ’90s comics and I love old school territory wrestling before Vince McMahon bought the entire world.

Whoa, Nellie is a lot of fun but overall, the story is a bit short at only three issues. I would’ve liked to have gotten to know these characters better but it still told a good, self-contained story over those three issues.

I really like the art style of Jaime Hernandez, it’s clean, crisp and the way he captures action, primarily all wrestling holds and moves, is pretty dynamic and damn accurate. He’s got a good sense of anatomy, even if he uses more of a cartoonist’s style than a more highly detailed Marvel or DC style.

Even though this is over twenty years-old, it feels like a comic from a bygone era before that. It respects its subject matter and it also seems to exist in a world that’s very true to it.

Rating: 7/10
Pairs well with: other Love & Rockets comic book stories.

Film Review: Captain America (1990)

Release Date: December 14th, 1990 (UK)
Directed by: Albert Pyun
Written by: Stephen Tolkin, Lawrence Block
Based on: Captain America by Joe Simon, Jack Kirby
Music by: Barry Goldberg
Cast: Matt Salinger, Ronny Cox, Scott Paulin, Ned Beatty, Darren McGavin, Francesca Neri, Michael Nouri

21st Century Film Corporation, Marvel Enterprises, Jadran Film, 97 Minutes, 124 Minutes (Director’s Cut)

Review:

“Assassination isn’t worth the trouble. It took me two years to find Sirhan. Three to find Oswald. The King job alone cost me over twenty million dollars. What do we get for our pains? Saints. Martyrs to the cause.” – Red Skull

Somehow this attracted the talents of Ronny Cox, Ned Beatty and Darren McGavin. Although, I’m not sure why. There couldn’t have been much money for them to make and had they read the script, they probably would have ran away. I mean, I can only assume that they didn’t read the script.

This movie has a terrible reputation and it is very apparent pretty much immediately, as to why. At the same time, it’s not that bad and is almost enjoyable for its cheesiness and its lighthearted, playful nature.

It is very clear that Marvel had no idea on how to make movies with their characters at this point in history. Granted, it’s not Marvel’s fault, as they didn’t have the control they have in modern times and they were just selling off the film rights to their key characters in an effort to stay financially afloat. But this was produced by one half of the duo behind Cannon Films and yet it didn’t even come close to matching their action pictures in quality, gravitas or fun.

Matt Salinger looked the part for Captain America but he wasn’t qualified for the role. Really, no one in the cast was qualified to do anything other than the three actors I mentioned in this review’s first sentence.

Red Skull at least looked cool when he was actually Red Skull. However, for the majority of the movie, he is just a scarred up looking Italian mobster guy. This film also has his daughter, known as Sin in the comics, but she is a poor version of the character that doesn’t amount to much.

The story is hard to follow but mostly just because it’s boring and paying attention is hard to do with this movie, as I’d rather mindlessly scroll social media feeds on my smart phone than try to stay locked on this picture.

I can’t say that this is as bad as Roger Corman’s Fantastic Four movie from 1994 but this makes the 1989 Punisher movie look like the 2004 Punisher movie.

This isn’t a film worth watching unless you enjoy torturing yourself or you love Captain America so much that you’ve tattooed his entire costume under your street clothes.

Rating: 4/10
Pairs well with: other terrible early Marvel films like 1994’s Fantastic Four and 1989’s The Punisher but at least that one was much better than this. Also, the ’70s Captain America live action stuff and The Incredible Hulk TV movies.

Comic Review: Red Hood and the Outlaws, Vol. 3: Bizarro Reborn

Published: April 24th, 2018
Written by: Scott Lobdell
Art by: Joe Bennett, Tyler Kirkham, Dextor Soy

DC Comics, 188 Pages

Review:

Out of all the volumes of the Red Hood comic that focus on the trio of Red Hood, Artemis and Bizarro, this is my favorite.

Man, this story was solid as hell and it was also a pretty emotional due to how we see Bizarro die, come back to life as a super-genius and then find out that he is still going to devolve into a dumb brute again.

For long-time fans of Jason Todd, this is especially emotional, as we see him finally find a sense of family that has eluded him for so long. He’s no longer alone, he’s with people he loves but you get the sense that it’s all going to be taken away from him in the near future. Re-reading these issues now, it certainly adds more context to his more recent stories.

Scott Lobdell has done such a fantastic job with this series and even though my pull list from my local comic shop keeps shrinking, this is a series I just don’t want to give up. It’s much better than the industry standard in modern times and it is awesome that there is top tier talent working on a book that mainly features B or C level characters.

This volume actually collects three short story arcs, which see cameos from a lot of cool characters like the modern Suicide Squad, Nightwing, the modern Bat-family, Lex Luthor and others.

I’m also now a big fan of Dexter Soy’s art style. I didn’t know much about him before this series but the issues he works on just look fantastic.

Red Hood and the Outlaws is one of the best DC Comics titles of the last few years. I wish more people would read it, even if the most recent stuff is a bit different due to Jason Todd being alone, once again. But I feel as if that’s leading to him reuniting with his Outlaw family.

With DC cancelling a bunch of titles in the very near future, I really hope that this isn’t one of them.

Rating: 8.75/10
Pairs well with: the other Red Hood and the Outlaws collections post-Rebirth. Also, the recent Bat-family titles: NightwingBatgirl and also the current runs on Suicide Squad and Deathstroke.