Comic Review: Dazzler, Issue #33 – Chiller!

Published: August, 1984
Written by: Michael Carlin
Art by: Mark Bright, Vince Colletta, Andy Yanchus, Bill Sienkiewicz (cover)

Marvel Comics, 22 Pages

Review:

I’ll be honest, I only ever wanted to buy this comic book because it has an incredible cover. It’s something I wanted to add to my collection just because of how badass it looks.

Well, now I do own it but I made the mistake of reading it.

Obviously, I wanted to enjoy this loose parody of Michael Jackson’s Thriller but it was barely a parody and read more like a really boring whodunit that was completely devoid of clarity, suspense or a reason to care.

This isn’t the standard for Marvel books of the ’80s. It’s simplistic, slow, utterly pointless and pretty damn strange but not in a good way.

Sure, there is a Vincent Price reference and even a character that is a complete ripoff of Thriller era Michael Jackson. Also, Dazzler finds herself acting in a music video very similar to Thriller but nothing in this excited me or brought me back to the magic of what Thriller was.

Additionally, Dazzler’s powers come off as incredibly lame in this, as she only taps into her light powers when she needs a flashlight. Well, okay… she did use her light blast to burst out of the grave but she spent the whole comic hiding her power from others and then uses them on a music video set, surrounded by dozens of people with no apparent repercussions.

The story wasn’t terrible, it just wasn’t fun, had no energy and was duller than a plastic knife melted on a burner.

Rating: 5/10
Pairs well with: I’m assuming other Dazzler comics from the era, as well as other solo X-Men books of the ’80s.

Documentary Review: So Much Damage: How Image Comics Changed the World (2017)

Original Run: November 20th, 2017
Directed by: Jon Erwin
Written by: Michael Avila
Music by: Paul Terry

Syfy, 5 Episodes, 15 Minutes (per episode)

Review:

This is the second documentary I have seen on Image Comics but this isn’t just a rehash of what was already covered in the slightly superior The Image Revolution.

This one was broken out into five 15 minute web episodes and put out by Syfy, who used to be the much cooler Sci-Fi Channel before they changed their channel’s spelling into something stupid.

Anyway, like The Image Revolution this documentary interviews all the key players and gets their stories. But what I like most about this is how it spends a good deal of time talking more about modern Image Comics and not just the revolution of 1991. As cool as that revolt was, modern Image has grown into something that I don’t feel any of the founding members could have fathomed back then.

It’s always fun to hear these guys talk about themselves, their experiences and the creation of Image, as it was a really exciting thing for me to experience as a fan in 1991. It was and still is the coolest thing that happened in the comic book industry in my lifetime.

So this certainly stirs up nostalgia but that doesn’t mean that this survives on that alone. It’s informative, has a good pace and is well organized and presented.

Younger comic book fans today will probably find some value in this, even though it’s made to attract the older fans who remember all of this like it was yesterday.

Rating: 7.5/10
Pairs well with: The Image Revolution and Chris Claremont’s X-Men.

 

Comic Review: Batgirl: Year One

Published: September 3rd, 2000 – December 31st, 2000
Written by: Scott Beatty, Chuck Dixon
Art by: Javier Pulido, Robert Campanella

DC Comics, 203 Pages

Review:

Batgirl: Year One has been paired up in a trade paperback format with Robin: Year One in some releases and for good reason.

Mainly, this is done by the same creative team and it has a similar tone, art style and narrative structure.

This was released a year before Robin: Year One and is equally as good, if not a wee bit better. Reason being, this has a threat that feels larger, a plot that’s more cohesive over the multiple issues, as well as more characters that come into the story in ways that really help to flesh out Barbara Gordon’s origin.

Scott Beatty and Chuck Dixon wrote a body of work that is close to being a masterpiece and is one of the best Batgirl stories ever produced, hands down.

Just like with Robin: Year One, which I already reviewed, I absolutely love the art of Javier Pulido and Robert Campanella. It has a pristine look while also looking retro for the time where this is set. It has a similar feel to Jeph Loeb and Tim Sale’s Batman epics, also from the same time period, and it even kind of channels elements from Batman: The Animated Series, which was still very fresh in people’s minds in 2000.

If you know Barbara Gordon, this book just feels right. Contrary to a lot of her more modern stories, this is the Batgirl I want to read about. I have loved this character since first experiencing her on the ’60s Batman TV show. While that was campy as hell, Barbara always resonated with me and I always loved when she showed up alongside the Dynamic Duo.

Batgirl: Year One is a classic in my opinion. It isn’t something that I hear a lot of people reflect on but it was a real high point in the careers of all the creators involved and for the character.

Rating: 9.25/10
Pairs well with: Robin: Year One, as well as the Batman related books by Jeph Loeb and Tim Sale.

Comic Review: Web of Venom: Venom Unleashed

Published: January 9th, 2019
Written by: Ryan Stegman
Art by: Juan Gedeon, Kyle Hotz, Ryan Stegman (cover)

Marvel Comics, 33 Pages

Review:

I’ve been really enjoying all of the Donny Cates Venom stuff between the ongoing series and the other Web of Venom one-shots. This one wasn’t written by Cates, however, but it was written by Venom artist Ryan Stegman.

Considering that Stegman knows Venom just as much as Cates, at this point, makes this a pretty interesting and unique take on the modern Venom world.

The story shows the Venom symbiote take the form of a dog in an effort to protect Eddie Brock. Recently, Venom went through some heavy shit and he can no longer communicate to Brock in the same way. He’s damaged but he still has loyalty to Brock.

Also, this continues to add more depth to the return of Carnage, who we saw working his way back into Venom’s story back in the previous Web of Venom one-shot.

Stegman got to take a break from the art, apart from the cover, but Juan Gedeon and Kyle Hotz’s art was more than satisfactory.

Overall, this was a quick, fun read and it served to enrich the current Venom mythos.

But now I’m tired of waiting for the big Carnage return. I want that sinister bastard back because when used the right way, he makes Venom stories more interesting. In the hands of Donny Cates, I’m sure we’re in for some really great issues coming up.

Rating: 8/10
Pairs well with: the recent Donny Cates Venom series and its Web of Venom spinoffs.

Comic Review: Cyco KO!

Published: September 6th, 2018 – December 19th, 2018
Written by: Robert Feldman
Art by: Robert Feldman, Peter Simeti

Alterna Comics, 67 Pages

Review:

I’ve been picking up everything from Alterna Comics, as of late. I wasn’t quite sure how I would feel about Cyco KO, as I’m not a big reader of humor comics but it still had some interesting character design and looked like something I’d probably find some enjoyment with.

Well, it was funnier than I expected. The tone and style of the humor is similar to old school Adult Swim programming before it got shitty.

Each issue is really its own story and you don’t have to read one to read the others but all three still work well as one body of work.

While this was a really fun comic, I feel like I just got my feet wet with the character and his universe. I hope that this spawns more miniseries or an ongoing title. Alterna seems to prefer doing limited runs, however.

This is a cool, exciting comic and if you like your stories humorous, bizarre and unique, than this is probably a comic book that you’ll want to pick up.

Rating: 7.75/10
Pairs well with: Alterna’s other recent releases but especially the more humorous stuff like Mr. Crypt and Baron Rat.

Talking Pulp’s Pull List – 1st Quarter, 2019

This is my personal pull list as it stands, right now. From month to month it changes, as I read a lot of limited series stuff but I figured that doing a quarterly update would be cool for my readers that keep up with current comics.

So this is what I have my local comic shop pull for me each month, most of which I will review every time I get to the end of a story arc.

I’ve broken them out by publisher and alphabetized the list to make it flow easier.

And if there’s anything you like that I’m not reading, tell me in the comments.

Strikeouts are what I removed and a double asterisk** means I just added it.

Marvel Comics:
-Conan the Barbarian**
-Daredevil
-Dead Man Logan
-Guardians of the Galaxy (upcoming Donny Cates run)
-The Immortal Hulk**
-Infinity Wars
-Infinity Wars: Sleepwalker
-The Invaders**
-Killmonger**
-Man Without Fear**
-Marvel Knights 20th
-Marvel 2-In-One
-Mr. & Mrs. X
-The Punisher
-Return of Wolverine
-The Savage Sword of Conan**
-Superior Spider-Man
-Typhoid Fever
-Venom
-Wolverine: The Long Night**
-X-Force**

DC Comics:
-Batgirl
-Batman: Damned
-Batman: Kings of Fear
-The Batman Who Laughs**
-Deathstroke
-Detective Comics
-Doomsday Clock
-Drowned Earth (all related crossover titles)
-Electric Warriors
-The Green Lantern
-Justice League Dark
-Justice League Odyssey
-Nightwing
-Red Hood: Outlaw
-Sideways
-The Silencer
-Suicide Squad
-Suicide Squad: Black Files

Dark Horse Books:
-Mystery Science Theater 3000
-Stranger Things
-Umbrella Academy: Hotel Oblivion

Dynamite Entertainment:
-Battlestar Galactica Classic
-The Shape of Elvira

IDW Publishing:
-G.I. Joe: A Real American Hero
-New Upcoming Transformers**

Image Comics:
-Murder Falcon
-Spawn**

Valiant Comics:
-Bloodshot: Rising Spirit

Comic Review: Nightwing: Knight Terrors

Published: October 3rd, 2018 – January 9th, 2019
Written by: Benjamin Percy
Art by: Travis Moore, Christopher Mooneyham, Klaus Janson, Tamra Bonvillain, Nick Filardi

DC Comics, 184 Pages

Review:

So I was reading Nightwing like a good, long-time Dick Grayson fan, enjoying the story that wrapped up in issue 49 and then all of a sudden, I picked up issue 50 and felt completely lost. Somewhere between the issues, in another comic title that isn’t Nightwing, our title hero was shot in the head, lost his memory, quit being Nightwing and changed his name to Rick because the editors were sick of fans making Dick joke memes.

Color me lost.

Regardless, I said “fuck it” and kept Nightwing added to my pull list because I figured that I’d still give it a shot. I mean, I’ve been a fan of the character my whole life and sometimes a little change is good.

…and then sometimes it isn’t.

This hurt my head, probably even more than that bullet hurt Dick Rick Grayson’s head. Wait… it’s “Ric”? I guess DC’s gotta make him edgy and shit.

So this story is about Dick walking around feeling sorry for himself, treating those who love him like total shit and then being all smuggy and douchey about it like some Millennial communist that hates his rich ass parents because they embarrassed him by picking him up from an Occupy rally in the family Porsche.

Anyway, while Dick is busy sucking at life and starting a career of cab driving in the hood, some actual heroic people find his old stash of Nightwing suits and decide to put them on and take up the mantle. So this new but inexperienced team of four Nightwings end up in over their head, thanks to Scarecrow. The real Nightwing ends up having to step in and save them, even though he’s still just Dick being a dick.

This was a damn challenge to get through but I wanted to believe that this was going to build to something worthwhile. After this seven issue story arc, I’m done. Nightwing is off of my pull list, as one of the best DC Comics titles has been reduced to canary cage liner.

Well, at least I have twenty-plus years of back issues I can revisit where Dick isn’t an insufferable asshole and he does a lot more than just mope and bitch like a petulant toddler.

Rating: 2.75/10
Pairs well with: some douchebag teen’s private diary about their fucked up suburban parents.