Published: December, 2020 Written by: Eric J. Berry, Charles Bonetti Art by: Gifney Richata, Gingerfoxy
Wikid Publishing, 96 Pages (total)
This was a crowdfunded comic that I backed a few years ago. I think that it initially failed and had problems funding but eventually, after multiple campaigns, it got the money to come to life.
I didn’t mind waiting and I remember the price for these three comics as being rather low when compared to other campaigns out there. Being that I thought it was a good value and that it had a strong tokusatsu vibe to it, I supported it.
I’m glad that I finally got these three issues in my hands and I was impressed by the overall quality of the books, the paper stock, the printing and the colors. I work in a field where I manage a lot of print jobs and this did not disappoint in that regard. So extreme kudos to the creators for not taking shortcuts.
As far as the story goes, this is straight comedy and it parodies the tokusatsu, kaiju and mech genres of Japanese sci-fi.
The best thing about this was that it was actually funny and the jokes landed well. I liked the bumbling hero and seeing him rise to the challenge in spite of his generally buffoonery and the lack of faith from his allies.
This was a fun, amusing and most importantly, entertaining comic. It was a value, in my eyes, from day one and honestly, the finished product exceeded expectations.
Rating: 6.25/10 Pairs well with: other comedy tokusatsu inspired comics.
Also known as: Leprechaun 6, Leprechaun 6: Back In Da Hood (working titles), Leprechaun 6: Back to Tha’ Hood (alternative title) Release Date: December 30th, 2003 Directed by: Steven Ayromlooi Written by: Steven Ayromlooi Based on: characters by Mark Jones Music by: Michael Whittaker Cast: Warwick Davis, Tangi Miller, Laz Alonso, Page Kennedy, Sherrie Jackson, Donzaleigh Abernathy, Keesha Sharp, Sticky Fingaz, Shiek Mahmud-Bey
Lions Gate Entertainment, 90 Minutes
“Don’t you presume to tell me right from wrong. You compromised all you believed in once you got the gold, just like all those before you. Your kind is weak, and will always give in to your selfish yearnings.” – Leprechaun
So I was not looking forward to watching this after reviewing the previous film in the original Leprechaun film series. However, I was pleasantly surprised and this somewhat redeemed the series and at least brought it back to the quality level of the first three movies.
That’s not necessarily high quality but they’re at least pretty palatable for horror fans that like the occasional laugh.
The five previous films were made by Trimark but this one was made by Lions Gate, who ended up absorbing Trimark after the atrocious fifth picture. With that, I feel like Lions Gate wanted to salvage this series and make a decent sequel.
I feel like they succeeded, even though this ended up being the last installment of the original string of films. They’d be rebooted later, twice, but no one cared either time because without Warwick Davis, you don’t have the Leprechaun.
Anyway, this film was actually funnier and the jokes mostly landed. Also, it felt a bit more grounded, as the Leprechaun can’t just summon any random spell for plot convenience, essentially being omnipotent.
It’s not specifically shown or stated that the Leprechaun’s magic has limitations in this film but he seems severely powered down and acts more like a supernaturally strong slasher when he kills. He almost feels like a miniature, festive Jason Voorhees with the ability to teleport.
Another thing Lions Gate did was that they updated the Leprechaun’s look. And they did a good job, as he looks a lot cooler, menacing and more serious in this installment.
Additionally, compared to the previous movie, the cast in this one was a lot more likable. I especially loved Page Kennedy in this, as he made me smile every damn time he was onscreen. He has tremendous charisma and even though he’s had a pretty good career since 2003, more people should hire him.
My only big gripe about the movie was the the Leprechaun’s death scene was heinously weak. Especially considering that this is his final sendoff.
Still, this fixed the damage created by the two previous chapters in Warwick Davis’ six-film Leprechaun run.
Rating: 5.5/10 Pairs well with: the other Leprechaun movies starring Warwick Davis.
Release Date: May 4th, 1982 (USA Film Festival) Directed by: Carl Reiner Written by: Carl Reiner, George Gipe, Steve Martin Music by: Miklos Rozsa, Steve Goodman Cast: Steve Martin, Rachel Ward, Reni Santoni, Carl Reiner, George Gaynes
Aspen Film Society, Universal Pictures, 88 Minutes
“I hadn’t seen a body put together like that since I’d solved the case of the Murdered Girl with the Big Tits.” – Rigby Reardon
How is it that this film has existed for nearly forty years but I hadn’t even known of its existence until more recently. Maybe I saw it in video stores, as a kid, and it just didn’t jump out at me. However, being a lover of Steve Martin and classic film-noir, this felt like it could be something that was right up my alley.
In short, it most certainly was and I liked this movie a lot. However, it’s far from perfect and I think that its constant reliance on old film footage that features old film stars was really overused, even if that was the creative direction of the picture.
I loved seeing Steve Martin interact with the greatest stars of the silver screen and I certainly love that Humphrey Bogart’s version of Philip Marlowe was a big part of the story. However, some scenes came off a bit clunky and unnatural. But I guess it’s hard trying to make this feel more organic when Martin rarely has another actor to actually banter with. It’s hard reading a scene as it plays out and nailing that comedic timing.
Still, a lot of the jokes and one-liners in this movie were hilarious and Martin was the real high point of the film, making this much greater than it would’ve otherwise been.
The film looked stupendous, though, and Carl Reiner did a hell of a job behind the camera and managing the overall aesthetic of the picture. It matched with the classic film-noir clips quite well and in modern HD, this really looks crisp and pristine.
All in all, this was a weird but entertaining experiment. I can see why it might not have connected with mainstream audiences in 1982 and fell down most people’s memory holes but it still features a fantastic, memorable performance by Steve Martin in his prime.
Rating: 7/10 Pairs well with: other Steve Martin comedies of the ’80s and early ’90s.
Also known as: Leprechaun 5: In the Hood (alternative title) Release Date: March 28th, 2000 Directed by: Rob Spera Written by: Doug Hall, Jon Huffman, William Wells, Alan Reynolds, Rob Spera Based on: characters by Mark Jones Music by: Nicholas Rivera Cast: Warwick Davis, Ice-T, Coolio (cameo)
Trimark Pictures, 90 Minutes
“A friend with weed is a friend indeed, but a friend with gold is the best I’m told.” – Leprechaun
While the fourth film is where the series starts to really drop off in quality, this fifth film is where it turns into a total piece of shit.
This completely ignores the events of the fourth film, which was set in the future in outer space. Or maybe, chronologically that one is the final movie. But then again, I guess it doesn’t matter, as none of these movies really seemed tied to previous installments.
Anyway, the idea of having the Leprechaun go against Ice-T is kind of intriguing but when the script and the direction are quite deplorable, you get a stupid, mundane picture that might be a turd but can’t even stay afloat.
There is actually one amusing scene where the owner of a pawn shop makes fun of the film’s three protagonists but that’s about it. Even the Leprechaun’s one-liners seem tired by this point and even though the series needed to sort of reinvent itself, this was a massive misstep.
I can’t fault Warwick Davis, he seems to love playing this character and getting a paycheck in the process but five movies deep, even he can’t keep this franchise going.
The main characters in this story are rappers and they draw the ire of an evil rap producer/gangster. Just think Suge Knight, as played by Ice-T.
The music is absolute crap. This film came out in 2000 but these rappers sound like a group from a West Coast gangsta rap demo that got rejected in 1991.
In the end, the Leprechaun raps poorly too but he’s at least better than the actual rappers. This is only worth checking out for that scene and you can just watch it on YouTube, anyway.
Rating: 2.25/10 Pairs well with: the other Leprechaun movies starring Warwick Davis.
Also known as: The Quest (working title) Release Date: June 26th, 1988 (Beverly Hills premiere) Directed by: John Landis Written by: David Sheffield, Barry W. Blaustein, Eddie Murphy Music by: Nile Rodgers Cast: Eddie Murphy, Arsenio Hall, James Earl Jones, John Amos, Madge Sinclair, Shari Headley, Paul Bates, Eriq La Salle, Frankie Faison, Vanessa Bell, Louie Anderson, Allison Dean, Sheila Jackson, Jake Steinfeld, Calvin Lockhart, Samuel L. Jackson, Vondie Curtis-Hall, Cuba Gooding Jr., Don Ameche (cameo), Ralph Bellamy (cameo)
Eddie Murphy Productions, Paramount Pictures, 116 Minutes
“Do not alert him to my presence. I shall deal with him myself.” – King Jaffe Joffer
I’ve reviewed a lot of films lately that I know inside and out but hadn’t seen in their entirety in well over a decade. This is one of those films and after rewatching it, I realized how much I missed the good feelings that this generates, as well as how infectious Prince Akeem’s optimism is. This is really something that I hope is not lost in the sequel, which comes out in a few months.
At it’s core, this is a modern fairytale romance. While it doesn’t feature magic and mythic creatures, it does feature a great quest that sees its protagonist travel to a strange, foreign land in an effort to find treasure.
This treasure is his true love and in seeking her out, he defies his father, the King of Zamunda, as well as centuries of tradition. But in the end, love conquers all and this film conveys that message so splendidly that I feel like it’s impossible not to adore this motion picture.
Eddie Murphy is at his absolute best in this classic but his performance is maximized by Arsenio Hall, his real life best friend and a guy that plays off of him so perfectly well that it feels like they’ve been a comedy team for years when this is actually, their first movie together.
Beyond the two leads, this film is perfectly cast from top-to-bottom. It’s frankly an all-star cast that features a lot of the top black talent of the time, as well as Louie Anderson in what’s still his most memorable role.
I love the scenes with Murphy and John Amos, as well as the ones with his storyline father, James Earl Jones. Murphy holds his own alongside these legends and this is the one film where he really proves that he is the prime time talent that most assumed he was.
Also, this is the first picture where Murphy, as well as Hall, play multiple characters. This worked so well that it would go on to be a trope in several Eddie Murphy movies in the ’90s and beyond. I can only assume that many of these extra characters will also make their returns in the upcoming sequel. I hope we see the old guys from the barber shop again, even though it’d be shocking if they were still alive 33 years later.
The most important thing that needed to work in this film was the relationship that develops between Akeem and Lisa. It’s a great, simple love story and the two had dynamite chemistry and the emotion of their best scenes shined through, making this a much better picture than it really needed to be.
One thing that really jumps out, that I didn’t notice or appreciate until now, is the music. Nile Rodgers orchestrated an incredible score full of memorable pieces that make certain scenes and sequences, magical. In fact, his King Jaffe Joffer theme is so damn good it’s iconic in my book.
All in all, this is a film where everything went right and I feel as if it exceeded the expectations that even its producers had. John Landis was truly a master of ’80s comedy and this is one great example of how good of a comedic director he was.
As much as I have always loved this movie, I don’t think that I ever had the appreciation that I have for it now. It’s a pretty close to perfect romantic comedy, which is a genre I’m not a massive fan of. But when you make one so great, the genre doesn’t matter and the end result is something that far exceeds the label of “chick flick”.
Rating: 9/10 Pairs well with: other John Landis comedies, as well as Eddie Murphy’s ’80s and early ’90s films.
Also known as: Leprechaun 4 (shortened title) Release Date: 1996 (Russia) Directed by: Brian Trenchard-Smith Written by: Dennis Pratt Based on: characters by Mark Jones Music by: Dennis Michael Tenney Cast: Warwick Davis, Brent Jasmer, Jessica Collins, Tim Colceri, Miguel A. Nunez Jr., Debbe Dunning, Gary Grossman, Rebekah Carlton, Rick Peters, Geoff Meed, Michael Cannizzo, Ladd York, Guy Siner
Blue Rider Pictures, VIDMark Entertainment, Trimark Pictures, 95 Minutes
“No one leaves this ship unless I so say! Say so.” – Dr. Mittenhand
This is the point in the Leprechaun franchise where the movies started to get more bad than good. I still like this one, though, as the drastic change of setting at least freshened things up and opened the series up for even more campiness.
Additionally, Warwick Davis is always entertaining in this role and he had some great moments in this picture. There’s the scene where the Leprechaun gets a lightsaber and the awesome kill where the Leprechaun explodes out of a dude’s dick who is about to have some hot sex.
The sets looked incredibly cheap and the CGI effects were extremely subpar, even for the mid-’90s. However, the makeup effects of the mutant spider guy were really good and looked badass.
I also liked the cast for the most part between the commander with the metal head who gives us a weird drag show, the hot doctor, the hot princess and the inclusion of one of my favorite character actors, especially in horror, Miguel A. Nunez Jr.
Positives aside, this is still kind of shit and actually tough to get through in one sitting.
Honestly, this is worth checking out if you really love the Leprechaun character and you have a weird appreciation for horror franchises that end up going to outer space once the well runs dry. If you don’t, you might end up banging your head against the coffee table.
Rating: 4.5/10 Pairs well with: the other Leprechaun movies starring Warwick Davis.
Release Date: December 14th, 1988 Directed by: Frank Oz Written by: Dale Launer, Stanley Shapiro, Paul Henning Based on:Bedtime Story by Stanley Shapiro, Paul Henning Music by: Miles Goodman Cast: Steve Martin, Michael Caine, Glenne Headly, Anton Rodgers, Barbara Harris, Ian McDiarmid, Dana Ivey, Meagen Fay, Frances Conroy, Louis Zorich
Orion Pictures, 110 Minutes, 104 Minutes (TV cut)
“His name is – James. No. His name is – James Josephson. Oh, no, no! James Lawrence. Lawrence! Lawrence! Lawrence. Lawrence Fells. Lawrence Fings. Forest Lawrenceton. La – Lars. Lars! Lawrence. Lawrence Lacko. Lawrence. His name is James Jessenden. Lawrence Fells. Lawrence Jesterton. Lawrence Jesterton.” – Freddy Benson, “Lawrence Jamieson?” – Inspector Andre, “Yes! Yes! Yes! We’re like this!” – Freddy Benson
I remember my mother taking me to see this when I was ten. While it was a bit more adult than what I would’ve been normally interested in, I liked it quite a bit and it only helped solidify Steve Martin as one of my all-time favorite comedic actors. It also introduced me to the greatness of Michael Caine and birthed a fondness and appreciation for the mostly underutilized Glenne Headly.
It’s been years since I’ve revisited this but it’s been in my queue for so long that I felt like a bastard having ignored it.
Dirty Rotten Scoundrels holds up incredibly well and even if you know the big plot twist, it’s still worth rewatching, as you can kind of pick up on some clues, here and there.
Martin and Caine have impeccable chemistry and once Headly shows up, things magnify quite a bit. They’re all so good, in fact, that I can’t believe that they never followed this up with a sequel. Maybe it didn’t perform well at the box office, as it came out during the holidays, but it definitely is a movie that developed a pretty solid following from its fans.
It’s also a beautiful looking picture and that’s not just because it is shot in opulent places. The cinematography is wonderful and being that this is only Frank Oz’s second film as a director without Jim Henson at his side, is a really impressive accomplishment. The guy has a great eye and understanding of visual composition.
This is also Oz’s first film where he didn’t work with puppets and animatronics and just filmed living, breathing, human actors.
It doesn’t hurt that the story and the script were very good. Also, having a solid cast that clicks really helped take this to another level. It probably made Oz’s job a lot easier but at the same time, this was his film and he put in the work and got the best out of his talent in front of and behind the camera. With Dirty Rotten Scoundrels he has a lot to be proud of.
Ultimately, this is a movie that I’d say deserves more recognition that it has. While everyone that I know who’s seen it, loves it, it seems to be somewhat forgotten due to Steve Martin movies that performed better and because it came out a long time ago.
Also, comedy just isn’t like this anymore. In fact, for the most part, comedy sucks now. This is a smart, quirky film that is lightyears ahead of the norm in the 2020s but may also be too smart and quirky for modern audiences to enjoy.
Rating: 8.25/10 Pairs well with: other Steve Martin comedies of the ’80s.
Release Date: November 15th, 1992 (Century City premiere) Directed by: Chris Columbus Written by: John Hughes Music by: John Williams Cast: Macaulay Culkin, Joe Pesci, Daniel Stern, John Heard, Catherine O’Hara, Devin Ratray, Gerry Bamman, Hillary Wolf, Kieran Culkin, Tim Curry, Brenda Fricker, Eddie Bracken, Dana Ivey, Rob Schneider, Ally Sheedy (cameo), Donald Trump (cameo), Bob Eubanks (cameo), Rip Taylor (cameo), Jaye P. Morgan (cameo), Jimmie Walker (cameo)
Hughes Entertainment, Twentieth Century Fox, 120 Minutes
“Hey. You guys give up? Have you had enough pain?” – Kevin McCallister
As I said in my review of the first Home Alone, I hadn’t seen that movie in-full in years. Well, I hadn’t seen this one since it came out. I’ve seen scenes on television over the years but I felt like a full watch was grossly overdue.
So while this isn’t as great as the original and while I don’t think that it was necessary, it’s still really endearing and a fun, holiday movie.
All the important cast members are back but if I’m being honest, it would’ve been nice just getting a cameo from Roberts Blossom after he saved Kevin and reunited with his estranged son in the first film.
That being said, it’s kind of unbelievable that Kevin would’ve been left behind by his family once again but you’ve got to kind of suspend disbelief and just go with it. I mean, it’s also unbelievable that this kid could live and survive in New York City on his own and that while there he’d run into the same burglars from the first film but I digress. This isn’t the type of story where you should be really thinking that hard.
My only real gripe about this film is that it’s too long. I don’t know why they had to go for a full two hours, as the just over ninety minute running time of the first movie was perfect. But I guess Kevin is in a much larger environment and that provided John Hughes the luxury of writing more gags.
Despite the new, grandiose setting, though, the film is really formulaic and just tries to repeat the main beats of the first movie. That doesn’t wreck it though, it just makes it a slightly inferior but still a pretty good copy of the masterpiece it’s trying to emulate.
I really liked the cast additions of Tim Curry and Rob Schneider in this one, though. They added a lot to the movie and their interactions with Kevin and then his parents were pretty good.
It was also great seeing Kevin put the burglars through the gauntlet once again and while this sequence isn’t as iconic as the original, it still provided some great slapstick comedic moments and I love seeing Culkin, Pesci and Stern play off of each other in these scenes.
All in all, the first film is perfect but this is a worthwhile sequel that doesn’t diminish the greatness of the original while giving you a few more hours to spend with these characters you love.
Rating: 8.75/10 Pairs well with: its predecessor and other John Hughes holiday movies.
Release Date: June 27th, 1995 Directed by: Brian Trenchard-Smith Written by: David DuBos Based on: characters by Mark Jones Music by: Dennis Michael Terry Cast: Warwick Davis, John Gatins, Caroline Williams, Lee Armstrong, Marcelo Tubert, John DeMita, Michael Callan, Tom Dugan
Blue Rider Productions, VIDMark Entertainment, Trimark Pictures, 90 Minutes
“There was an old man of Madras whose balls were made of fine brass. So in stormy weather they both clang together and sparks flew out of his ass.” – Leprechaun
I think that Leprechaun 2 and 3 are pretty close in quality and both films are a bit better than the Jennifer Aniston starring original. However, these movies are very far from great and they don’t hold a candle to other slasher-y franchises with iconic monsters at their center. And frankly, this is probably why when people want to have famous slashers fight one another in mashup movies, no one ever really throws the Leprechaun in the mix.
That’s not to say that Warwick Davis isn’t good, he’s as the British say, “brilliant!” He’s just unfortunately bogged down by a string of crappy productions that he singlehandedly keeps afloat just by being great in them.
One benefit that this one has though is Caroline Williams, who I have always liked since first seeing her in Texas Chainsaw Massacre 2 and then several other horror films since then. She’s a pretty iconic scream queen and she plays an interesting character, here, who ends up having one of the best deaths in this franchise.
Additionally, I really liked the Vegas setting even if the casino in this film was obviously some warehouse in California that they simply rolled a few gaming tables into.
I also really liked the main female lead and thought that she was the best final girl in the film series. Plus, she’s absolutely stunning and I’m surprised that she never had much of a career.
The male lead on the other hand was pretty awful. But he would go on to have a pretty good writing career in the film business.
Overall, I guess this one is tied for first place with the second film. But I do like this one just a wee bit more because of the setting, the final girl and Caroline Williams’ inclusion.
Rating: 5.5/10 Pairs well with: the other Leprechaun movies starring Warwick Davis.