Film Review: Beverly Hills Cop III (1994)

Release Date: May 25th, 1994
Directed by: John Landis
Written by: Steven E. de Souza
Based on: characters by Danilo Bach, Daniel Petrie Jr.
Music by: Nile Rodgers
Cast: Eddie Murphy, Judge Reinhold, Hector Elizando, Theresa Randle, Timothy Carhart, John Saxon, Alan Young, Gilbert R. Hill, Bronson Pinchot, Stephen McHattie, Michael Bowen, Al Leong (uncredited), Al Green (cameo), George Lucas (cameo), Joe Dante (cameo), Ray Harryhausen (cameo), John Singleton (cameo)

Eddie Murphy Productions, Paramount Pictures, 104 Minutes

Review:

“[his last words] Axel, you on a coffee break? Go get that son of a bitch.” – Inspector Todd

The words “they waited too long” definitely apply to what was Beverly Hills Cop III.

This was one hell of a dud that lost many of the key players and only brought back Eddie Murphy, Judge Reinhold, Gil Hill… just so they could kill him in the opening sequence, and Bronson Pinchot, who only appeared in the first movie in two very minor scenes.

Additionally, this closing chapter in the franchise was mostly devoid of any real humor, as Eddie Murphy barely told any jokes, barely did his signature laugh and kind of just zombie walked through his scenes giving one of the flattest performances of his career.

In fact, his scenes with Bronson Pinchot actually show how dry Murphy is in this, as Pinchot steals the scenes right out from under him.

Judge Reinhold was made to look like a total doofus and they ignored what was established with his character in the previous film, which saw him open up and reveal that he was a gun nut similar to Eugene Tackleberry from the Police Academy movies. Here, he just carries a tiny pistol, looks the opposite of badass and pretty much just acts like a total dope.

Being that this was directed by John Landis is absolutely baffling. Landis is a top notch director that made several classics over the course of a decade and a half before this movie. I’m not sure if the script ended up getting butchered or if a lot was left on the cutting room floor but this is, hands down, one of the worst things Landis has ever had attached to his name.

Harold Faltermeyer didn’t return to score this film and man, it really shows. The score is generic as fuck and the famous Axl Foley theme is reworked and completely destroyed by brass instruments, completely taking away from the funky synth grooves that we got in the first two pictures.

In fact, when the brass gets real heavy in the score, it almost sounds like its trying to emulate a James Bond movie. I guess that’s fitting as Bronson Pinchot essentially plays a ripoff of Q and Axl Foley has a bunch of weird gadgets to use ala Bond.

I think that the franchise should’ve just ended with two. This proves that it’s really, really hard to catch lightning in a bottle for a third time.

Rating: 4.75/10
Pairs well with: the other Beverly Hills Cop movies, as well as the 48 Hours and Lethal Weapon films.

Film Review: One Crazy Summer (1986)

Also known as: Greetings from Nantucket (working title)
Release Date: August 8th, 1986
Directed by: Savage Steve Holland
Written by: Savage Steve Holland
Music by: Cory Lerios
Cast: John Cusack, Demi Moore, Curtis Armstrong, Bobcat Goldthwait, Joel Murray, William Hickey, Joe Flaherty, Mark Metcalf, John Matuszak, Kimberly Foster, Matt Mulhern, Tom Villard, Jeremy Piven, Rich Hall, Taylor Negron, Billie Bird

A&M Films, Warner Bros., 93 Minutes

Review:

“[Reading the obituaries] “Hey, Hoops, you ever notice how people die in alphabetical order?” – George Calamari

One thing that makes this film so damn fun to watch is that it was chock full of a lot of talent from the time.

While it stars John Cusack and Demi Moore, it boasts great comedic and character actors like Bobcat Goldthwait, Curtis Armstrong, Joel Murray, William Hickey, Joe Flaherty, Taylor Negron, Rich Hall and Billie Bird. It also features big man John Matuszak a.k.a. Sloth from The Goonies and a very young Jeremy Piven.

This is a really goofy and surreal film but I don’t feel like it gets too lost in its zaniness. It does stay pretty well grounded and just works as a great ensemble comedy that is very much a product of its time. While that might mean that it hasn’t aged well to some, I still found it to be energetic, charming and goofy while still being an entertaining and mostly mindless pleasure.

The story focuses on a summer vacation to Nantucket for two buddies that recently graduated high school. One falls for a musician girl and there is a romantic subplot there but it isn’t heavy handed or really even the centerpiece of the movie’s plot. Most of the film is a series of gags with an overall story that connects everything and gives the characters more of a purpose and an objective towards the end.

Additionally, the film’s director is an animator and he incorporates his animations into the film. I found that stuff to be pretty cool and it just fit the film well. In fact, it really sets the tone from the opening credits, as it then slides the viewer into live action. The director, Savage Steve Holland would go on to create Eek! The Cat.

My favorite part of the film was the bit where Bobcat Goldthwait got stuck in a rubber Godzilla suit and accidentally crashed a party, which also saw him stomp across a miniature real estate model of a residential community. Granted, I’m a massive Godzilla fan, love Bobcat and this was at the height of his awesomeness.

One Crazy Summer is silly but it is enjoyable silly. I still like it quite a bit and it’s a good flick to cheer you up on a gloomy day.

Rating: 6.75/10
Pairs well with: other teen comedies of the ’80s.

Film Review: Just One of the Guys (1985)

Also known as: I Was a Teenage Boy (working title)
Release Date: April 26th, 1985
Directed by: Lisa Gottlieb
Written by: Dennis Feldman, Jeff Franklin
Music by: Tom Scott
Cast: Joyce Hyser, Clayton Rohner, Billy Jacoby, Toni Hudson, William Zabka, Leigh McCloskey, Sherilyn Fenn, Arye Gross, Robert Fieldsteel, Stuart Charno, Kenneth Tigar

Summa Entertainment Group, Triton, Columbia Pictures, 100 Minutes

Review:

“Budmeister, are you okay?” – Terry, “No, Terry, I’m not. Mom and Dad come home Monday. I’ve had two weeks of total freedom. The closest that I’ve come to sex was a girl who took her top off to seduce my sister. What’s wrong with me?” – Buddy

This used to be one of those movies that was good to watch on a rainy weekend. Plus, it was on cable TV all the time in the late ’80s and early ’90s. It’s goofy but charming and it’s also kind of endearing because of how ridiculous the premise and the execution is while having actors fully committed to the bit.

I really liked Joyce Hyser in this and it’s actually strange to me that this didn’t lead to a lot more work, as she’s pretty good dramatically, as well as comedically. She was also believable and you just liked her and rooted for her, even if it wasn’t entirely clear what the hell was going on from scene-to-scene. You just had her trying to play a teenage boy to prove a point to the teacher that didn’t take her journalistic prowess seriously because she’s a girl. It’s really awkward and quirky but it’s supposed to be.

William Zabka is also in this, showing that he was pretty much Hollywood’s go-to guy for high school/college bullies. In fact, I consider this to be the second part of an unofficial trilogy of films I call the Zabka Trilogy. The other two films being 1984’s The Karate Kid and 1986’s Back to School. Needless to say, he was just good playing a jerk and he’s definitely on his A-game here, as Greg, the popular douche that wears weightlifting gloves and jacks up lunch tables causing nerds to lose their lunches to the cafeteria floor.

The film also features a young Sherilyn Fenn before she’d go on to enchant males of all ages in Twin Peaks.

Another interesting tidbit is that one of the writers on this was Jeff Franklin. For those who don’t recognize his name, he was the creative mind behind Full House and was also a writer on 1987’s Summer School. He also wrote scripts early in his career for The Bad News Bears TV show, as well as Laverne & Shirley and the Tom Hanks starring Bosom Buddies, which may have inspired the story for this film to some degree, due to similarities.

Ultimately, this isn’t a must-see film but it’s still funny, amusing and lighthearted. You can just sit back, kick up your feet and enjoy the ’80s nostalgia and well-aged cheese.

Rating: 6.75/10
Pairs well with: other goofy ’80s teen comedies.

Film Review: Another 48 Hrs. (1990)

Release Date: June 8th, 1990
Directed by: Walter Hill
Written by: John Fasano, Jeb Stuart, Larry Gross, Fred Braughton
Based on: characters by Roger Spottiswoode, Walter Hill, Larry Gross, Steven E. de Souza
Music by: James Horner
Cast: Eddie Murphy, Nick Nolte, Brion James, Ed O’Ross, Andrew Divoff, Kevin Tighe, Bernie Casey, Tisha Campbell, Frank McRae

Lawrence Gordon Productions, Eddie Murphy Productions, Paramount Pictures, 93 Minutes

Review:

“Let me tell you something, Jack. If shit was worth something, poor people would be born with no asshole.” – Reggie Hammond

This was a film that was most likely wrecked by post-production issues. Mainly, it had about 40 minutes of its running time chopped off. In fact, actor Brion James once said that he was really the third major star of the movie but a lot of his bigger scenes got cut. Which kind of sucks, as he’s a solid character actor and an integral part of so many movies I love.

Considering that the film really lacked a coherent plot, the massive edits could’ve really fucked the whole thing up. Sure, there’s a chance that the whole film was an incoherent mess and the edits actually helped it but it does feel like there is a lot of context missing. Maybe I can compare the script with the final film one of these days, assuming the script is online somewhere.

Looking at this as a complete and final body of work, though, means that I have to be honest and say that the film is a real disappointment.

On the positive side, Eddie Murphy and Nick Nolte are great, once again, as are Brion James, Ed O’Ross, Kevin Tighe and Tisha Campbell, whose role was way too small and makes me think that she had a lot of material cut from the final edit.

I kind of liked the villains, as well, but they pale in comparison to how great James Remar and Sonny Landham were in the first movie.

And since I am speaking about things that pale in comparison, I also have to point out that the action in this chapter is weak and underwhelming. The first movie was mostly a non-stop ride of great action sequences, broken up with comedic scenes in-between. While this film has action, other than the prison bus sequence and the final showdown, it’s all pretty forgettable.

That being said, this movie just feels like director Walter Hill either had his hands tied or he was betrayed by his own studio, who potentially butchered his work in the editing room. The is the least Walter Hill feeling movie out of all his action heavy pictures.

At the end of the day, though, this is still watchable and amusing. If you like these characters and their bond in the first movie, you’ll probably like seeing them again. Unfortunately, everything around them kind of sucks.

Rating: 6.25/10
Pairs well with: its predecessor, as well as the Beverly Hills Cop and Lethal Weapon movies.

Film Review: Beverly Hills Cop II (1987)

Release Date: May 20th, 1987
Directed by: Tony Scott
Written by: Larry Ferguson, Warren Skaaren, Eddie Murphy, Robert D. Wachs
Based on: characters by Danilo Bach, Daniel Petrie Jr.
Music by: Harold Faltermeyer
Cast: Eddie Murphy, Judge Reinhold, John Ashton, Ronny Cox, Jurgen Prochnow, Brigitte Nielsen, Allen Garfield, Dean Stockwell, Paul Reiser, Gilbert R. Hill, Gilbert Gottfried, Paul Guilfoyle, Robert Ridgely, Hugh Hefner, Chris Rock, Robert Pastorelli, Tommy ‘Tiny’ Lister

Eddie Murphy Productions, Don Simpson/Jerry Bruckheimer Films, Paramount Pictures, 103 Minutes

Review:

“[to Rosewood and Taggart] “If you get your head out of your ass long enough”? “Kiss my ass”? You’re gettin’ more and more like me every day. Next thing you know you’re gonna have Afros… big dicks and all!” – Axel Foley

Let me start this review by saying that the first movie is a better film. However, I always enjoy watching this one more, despite its total lack of a Bronson Pinchot cameo. But I’ll explain why I like it more, as I continue on.

To start, this chapter in the franchise takes things to another level in nearly every regard.

All the characters are better here and it almost felt like the first film was there to get them comfortable in their roles before they really gelled as an ensemble. I absolutely love the chemistry between Foley, Rosewood and Taggart. They just know each other so well and they compliment one another perfectly.

I also love how these characters have evolved. Axel is still pretty reckless but he’s more mature and just comes across as a much better and more gifted detective. Rosewood has essentially become this franchise’s Eugene Tackleberry and because it’s Judge Reinhold, it makes that all the more better and funnier. Taggart has warmed up to Foley a lot more and now there is a level of respect and true friendship between them. Even though Ronny Cox is barely in this, as he spends most of the film in a coma, it’s great seeing him get to share scenes with the other guys once he’s recovered.

Additionally, I really like Brigitte Nielsen in this, which I would consider her best role after Red Sonja. But it’s like this role was specifically written for her and it highlights her strengths without exposing her weaknesses. She’s just a badass with a unique look and you actually see her as a legitimate, dangerous threat. She’s cold, calculating and just about perfect.

The other villains feel weak by comparison and without Nielsen being added to their roster, they don’t hold a candle to how solid Steven Berkoff and Jonathan Banks were in the first movie. But I should also point out that I liked Dean Stockwell in this as an evil shithead, even if he was underutilized for his talent level.

The criminal scheme in the movie starts out with a bang but as it becomes clearer, it is kind of underwhelming. But it’s also secondary to the comedic momentum of the film.

That being said, when the action happens, it’s really f’n good. The movie feels more chaotic with bigger vehicle chases, bigger shootouts, bigger weapons and having the ante upped in nearly every regard in the action sequences.

Frankly, I love this movie and the first two in the franchise are classics. The third (and final) film, not so much. But I’ll get to that one in the very near future.

Rating: 8.75/10
Pairs well with: the other Beverly Hills Cop movies, as well as the 48 Hours and Lethal Weapon films.

Film Review: 48 Hrs. (1982)

Also known as: Forty Eight Hours, 48 Hours (alternative spellings)
Release Date: December 8th, 1982
Directed by: Walter Hill
Written by: Roger Spottiswoode, Walter Hill, Larry Gross, Steven E. de Souza
Music by: James Horner
Cast: Nick Nolte, Eddie Murphy, Annette O’Toole, James Remar, Sonny Landham, David Patrick Kelly, Brion James, Frank McRae, Kerry Sherman, Jonathan Banks, Margot Rose, Denise Crosby, Peter Jason

Lawrence Gordon Productions, Paramount Pictures, 96 Minutes

Review:

“What are you smiling at, watermelon? Your big move just turned out to be shit.” – Jack

Being a fan of Walter Hill’s work, especially The Warriors and Streets of Fire, I figured that I should revisit 48 Hrs. as I like it a lot but haven’t watched it as regularly as those other two films.

This is the movie that made Eddie Murphy’s career and led to him getting his best gig, the lead in the Beverly Hills Cop film series. This is also one of Nick Nolte’s most memorable performances and the two men had some great chemistry in this and its sequel.

The film is a pretty balls out action flick with a good amount of comedy, courtesy of Murphy, but it also has the hard, gritty edge that Hill’s movies were known for.

On top of that, this also brings back a few of the actors from Hill’s The Warriors: James Remar, David Patrick Kelly, as well as Sonny Landham, who had a minor role in that previous film. This also features a brief scene featuring Marcelino Sánchez as a parking lot attendant. He previously played Rembrandt, a member of the Warriors gang.

One thing I forgot about this movie, as I hadn’t seen it in over a decade, was the strong racial undertones. I kind of remember some of it being there, like the scene with Murphy in the redneck bar, but I guess I had forgotten that Nolte’s Jack was a bigoted asshole in the first two acts of the film. The way it’s done in this film works and it certainly reflects the time but man, it would not fly today. But neither would shows like All In the Family, The Jeffersons or Good Times: all of which examined these issues within a comedic framework.

The thing that truly stands out in this film is the action. Those sequences are all really good and they’re pretty harsh in a way that makes the proceedings of this film feel more realistic and dangerous than Murphy’s Beverly Hills Cop pictures. These scenes are also made better by just how good James Remar is as a total piece of violent shit. Sonny Landham is enjoyable to watch here too, as he plays a character that is just as tough but at the other end of the moral spectrum from his most famous role as Billy in the original Predator.

All in all, it was a pleasure to revisit this movie. It’s a solid film from top to bottom with great leads, good pacing and a real charm that is brought to life by Murphy and Nolte.

Rating: 7.75/10
Pairs well with: its sequel, as well as the Beverly Hills Cop and Lethal Weapon movies.

Film Review: Beverly Hills Cop (1984)

Also known as: Beverly Drive (script title)
Release Date: December 1st, 1984 (Los Angeles premiere)
Directed by: Martin Brest
Written by: Daniel Petrie Jr., Danilo Bach
Music by: Harold Faltermeyer
Cast: Eddie Murphy, Judge Reinhold, John Ashton, Lisa Elbacher, Ronny Cox, Steven Berkoff, James Russo, Stephen Elliot, Paul Reiser, Jonathan Banks, Gilbert R. Hill, Bronson Pinchot, Damon Wayans

Eddie Murphy Productions, Don Simpson/Jerry Bruckheimer Films, Paramount Pictures, 105 Minutes

Review:

“This is the cleanest and nicest police car I’ve ever been in in my life. This thing’s nicer than my apartment.” – Axel Foley

There weren’t a lot of characters cooler than Axel Foley back when I was a kid in the ’80s. Because of that, this and the second film, were always in constant rotation in my VCR.

I’ve seen this dozens of times but it’s been quite awhile since I saw it last. Having just come off of revisiting and reviewing all the Lethal Weapon films, I wanted to go back and get reacquainted with this trilogy, as well as the two 48 Hours movies. Reviews for all these Eddie Murphy action comedies will be up over the next few weeks.

Anyway, this movie holds up well and its still pretty enjoyable.

Eddie Murphy is at his absolute best in this and the film really shows how much of a star he was in his prime. About midway through the ’90s, he started to fall off and lose his touch but I’d say that’s more about the roles he chose over his talent because Beverly Hills Cop makes it pretty clear that the guy is stellar with perfect comedic timing, unlimited charm and the ability to have to be serious when the moment calls for it. This film showcases all of his strengths quite well and it is still my favorite Murphy movie.

Adding to his awesome performance is the rest of the cast, all of whom are also solid in this. I especially like Judge Reinhold, who, unfortunately, also fell off after the ’80s. Here, he is able to play the lovable and inexperienced straightman to Murphy’s fun antics. Although, Reinhold does get in on the fun too and frankly, Murphy and Reinhold have great chemistry and it’s that chemistry that makes these movies so good.

John Ashton and Ronny Cox are perfect in their roles and with Cox, it’s really great seeing him play an honest good guy because he’s such a great asshole when he wants to be. I love this version of Ronny Cox even though his performance as Dick Jones in RoboCop gave us one of the best movie villains of the ’80s.

The picture also benefits from an incredible ’80s pop soundtrack, as well as one of the best instrumental scores of its era.

This is action packed, hilarious, doesn’t take itself too seriously but delivers in everything it set out to do.

Overall, this movie is just a lot of fun and it should brighten any bad day because Murphy, at his absolute best, is amusing, entertaining, exciting and a real pleasure to watch. And this is, certainly, one of his best.

Rating: 9/10
Pairs well with: the other Beverly Hills Cop movies, as well as the 48 Hours and Lethal Weapon films.