Comic Review: X-Cutioner’s Song

Published: 1992-1993
Written by: Scott Lobdell, Fabian Nicieza, Peter David
Art by: Brandon Peterson, Andy Kubert, Jae Lee, Greg Capullo

Marvel Comics, 336 Pages

Review:

This was one of my favorite big crossover events when I was really just getting deep into comics. This blew my middle school mind at the time and it had a lot of influence over my creative output in the comic book medium.

I was worried that revisiting this story would be a big disappointment. A lot of the stuff from this era that I reread now, usually lets me down, as my palate is more discriminatory than it was at thirteen years-old.

I’m happy to say that this was still pretty f’n solid!

In fact, I think it is slightly better than X-Tinction Agenda, which I used to place ahead of this one.

What I really liked about it, is that it features three of my absolute favorite villains: Apocalypse, Mister Sinister and Stryfe. They are all well balanced and they aren’t here to come together in an effort to finally take out the X-Men, X-Factor and X-Force (formerly the New Mutants). Each one of these baddies has their own purpose and agenda within the story and it all just comes together in a really cool way that even sees the X-Men have to turn to Apocalypse in order to stop Stryfe’s chaos.

This is the best big story to come after the epic Chris Claremont run on X-Men. But if I’m being honest and this certainly isn’t a dig at the legendary Claremont, whose work I love, X-Cutioner’s Song was really refreshing and it showed that new blood could liven things up. Granted, Peter David didn’t hang around too long, Scott Lobdell and Fabian Nicieza also moved on to other things, but this was a weirdly perfect storm considering all the changes happening on Marvel’s X-books following Claremont’s departure and many of the top creatives leaving for the newly formed Image Comics.

The art is also top notch, but Brandon Peterson, Andy Kubert, Jae Lee and Greg Capullo are all fantastic and three of those men have become somewhat legendary in their own right.

X-Cutioner’s Song is well crafted, well balanced and it should be a primer on how to write massive crossovers featuring dozens of characters all competing for their moment.

Rating: 9.25/10
Pairs well with: previous big X-Men crossover events like X-Tinction Agenda, Muir Island Saga, Inferno and Fall of the Mutants.

Comic Review: New Mutants, Vol. 2: Necrosha

Published: September 8th, 2010
Written by: Zeb Wells
Art by: Niko Henrichon, Diogenes Neves, Paul Davidson, Alvaro Lopez, David Lopez

Marvel Comics, 148 Pages

Review:

I wasn’t super big into the volume before this one. That could also be due to me not really liking the Legion character, who had a major presence in that book.

This volume finds its footing a bit more and I enjoyed both stories that were collected here.

I like this team, overall, and their dynamic. There are interesting twists to the story but the first half of this collection ties into a crossover event where some of the context is lost, due to this not featuring the parts of the story that weren’t specifically published as New Mutants issues. Also, this volume leads into the big Second Coming event.

Regardless of this being tied to and setting up other stories, I like the chemistry within the group and how the characters are written and how they’re evolving here. In fact, I assumed I’d give up after this volume but I think I’ll give the third one a read too.

I’m a big New Mutants fan and always have been. I just haven’t been very satisfied with their comics since the original run in the ’80s and early ’90s. Zeb Wells’ run seems to be carving out its place in the larger mythos though.

Plus, I dig the art.

All in all, not a bad book, better than most New Mutants collections after the original run and I’m at least interested in sticking with it beyond this chapter in the series.

Rating: 6.75/10
Pairs well with: the volume before this story, as well as most New Mutants stories featuring some of the key original members.

Comic Review: X-Men: Days of Future Past

Published: 1980-1981
Written by: Chris Claremont
Art by: John Byrne

Marvel Comics, 176 Pages

Review:

I read the collected trade paperback of this famous story but I was surprised to find that Days of Future Past is only a two issue story arc. The majority of this collection is padded out with a few different stories around that saga. However, everything in this collection directly follows The Dark Phoenix Saga.

Days of Future Past is a story I have never read, until now, but it’s been heralded as on of the best in the decades since it came out. But if I’m being honest, I didn’t think it was a real classic of a story. At least, not in how it has been sold to me over the years.

It’s a good, fun story but I think it’s severely over hyped. I think that it’s fondly remembered because it introduced the idea of possible dark futures to the X-Men mythos and that’s a storytelling device that never really went away after this tale. We’ve had time travelling characters showing up in X-Men stories all the time ever since Days of Future Past.

That being said, one can’t deny the impact that this story had and anything with lasting power like that is going to always be a pivotal point for fans to go back and reference. But looking at it objectively, without any actual nostalgia for it, allows me to rate the story on its own merit, detached from decades of nostalgia and hype.

Also, maybe I’m a bit less impressed than I should be because I read this just after The Dark Phoenix Saga and that story is legitimately a real classic, in my eyes. But that’s not to say that Days of Future Past isn’t a milestone, it is.

Ultimately, this is still a solid collection of stories where the two issue Days of Future Past story arc is the high point. But I was surprised to discover that it wasn’t a long, massive epic like I always thought that it was.

Rating: 7.5/10
Pairs well with: other X-Men stories from the Chris Claremont/John Byrne era.

Comic Review: X-Men: The Dark Phoenix Saga

Published: 1980
Written by: Chris Claremont
Art by: John Byrne

Marvel Comics, 200 Pages

Review:

Does it make me a terrible X-Men fan that I have never actually read The Dark Phoenix Saga?

I’ve tried to round up all the single issues over the years but some of them are pricey and there’s nine issues that make up this arc. But in my defense, I know the story very well, as it has been referenced a million times over throughout X-Men history. I’ve also seen various interpretations and adaptations of the plot. Granted, none of them are really accurate in regards to this, the source material.

This is free for Comixology Unlimited subscribers though, so I thought that delving into it was long overdue and that I really didn’t have an excuse anymore.

I expected this to be enjoyable but it still took me by surprise, as it was better than what I anticipated and all the years of hype I’ve experienced, didn’t diminish it in anyway.

The Dark Phoenix Saga is quintessential Chris Claremont. I can’t say that this is where he peaked but this is certainly a very elevated highpoint in his long run writing X-Men related stories.

This also came out in a time when Marvel wasn’t addicted to big crossover mega-events. This was a mega-event for its time but it wasn’t marketed or structured in the way that these things are now. It was just a good, lengthy story, limited to one already existing comic that found a way to utilize a lot of characters but in a way that balanced them all out and made them all useful to the plot.

One cool thing about this arc, is it also features the first appearances of Kitty Pryde, Emma Frost, Sebastian Shaw, the Hellfire Club and Dazzler. There’s a bunch of stuff going on within this story but it doesn’t off track and still builds towards the big battle between Jean Grey as Dark Phoenix and her X-Men family. It’s, at times, heartbreaking and tragic but it also makes you love all these people all over again in an organic, natural and emotional way. This hits emotional notes in the reader in ways that comic books never seem to come close to in 2019.

I can’t just give credit to Chris Claremont and his stupendous writing though. The art by John Byrne is absolutely superb and it is just as rich, colorful and meticulously crafted as the story its telling.

The Dark Phoenix Saga is one of the greatest Marvel stories ever told. It’s classic Marvel and truly represents what I loved about the era and how I fell in love with this creative medium in the first place.

Rating: 10/10
Pairs well with: other early Chris Claremont X-Men comics.

Comic Review: X-Men: Second Coming

Published: June 22nd, 2011
Written by: Craig Kyle, Christopher Yost, Matt Fraction, Zeb Wells, Mike Carey
Art by: David Finch, Terry Dodson, Ibraim Roberson, Greg Land, Mike Choi, Rachel Dodson, Sonia Oback

Marvel Comics, 360 Pages

Review:

I went into this thinking that I would like it for the most part. The events that precede it were pretty good reads. What I didn’t expect was to be blown away. But in the end, I have to say, this was one of the absolute best X-Men crossover events that I have ever experienced. Seriously, this was nothing short of superb.

More than anything, this story made me love Cable more than ever and it got me to love Hope Summers, who I would say is one of the best characters to come out of the last decade, even though she previously appeared as a baby before this in Messiah Complex.

This had a lot going on in the story but there was room for it all. Plus, all the key players were well balanced throughout and it gave most of the top characters a real purpose and mission.

There are real consequences in this story, as some key X-Men figures die. Granted, one could argue that those consequences are never real because no one truly dies in comics and the two biggest victims of this story are already alive and well, once again. But despite that, it felt like a real blow within this narrative. It didn’t lose its impact knowing that they’d eventually be back.

Second Coming carries all the doom and gloom of Messiah Complex over and it brings more doom and gloom but it ends in a way that finally sees a glimmer of “hope” appear in the darkest time of the X-Men franchise. I don’t want to spoil too much because I’d rather people give this a read.

Being that this is a crossover event, there is a mix of art styles. All of it works for me though, even if there are noticeable style shifts from chapter to chapter. Ultimately, the tone stays about the same from beginning to end.

This is a fairly long read but none of it is boring or filler. It moves at a brisk pace, keeps you engaged and makes you cheer for these heroes in a way that you haven’t since the early ’90s.

Rating: 10/10
Pairs well with: the stories that precede it: Avengers Disassembled, House of M and X-Men: The Messiah Complex, as well as the one this leads up to: Avengers Vs. X-Men.

Comic Review: X-Men/Alpha Flight (1998 Series)

Published: 1998
Written by: John Cassaday, Ben Raab
Art by: John Cassaday, Liquid! (cover)

Marvel Comics, 64 Pages

Review:

I wasn’t expecting much from this two-issue story arc but I was pleasantly surprised by how fun this was.

I love the X-Men and I love Alpha Flight. I especially love when they come together.

In this story we see the X-Men get captured by Baron Strucker and Hydra. Alpha Flight then goes in to save them.

I didn’t realize that this was a 1998 story when I first read it, as the version on Comixology listed it as 2016. So at first I thought it was a cool throwback because it had a very ’90s art style.

This is also the second X-Men/Alpha Flight team up mini-miniseries. I have read and owned the first one for years now. I don’t remember how good that one was but if it’s on par with this, that’d be great.

For a short story that didn’t have much room to breathe, this was a good, fun comic that reminded me why I loved these two teams back in the ’80s and ’90s.

Alpha Flight needs more love, people.

Rating: 7.5/10
Pairs well with: other ’90s X-Men and Alpha Flight stories.

Comic Review: X-Men: Inferno

Published: 1988-1989
Written by: Chris Claremont, Louise Simonson, various
Art by: Marc Silvestri, Walter Simonson, various

Marvel Comics, 600 Pages

Review:

This was actually the first big X-Men crossover event that I ever read. Unfortunately for me back in 1988 and 1989, I wasn’t able to get every single issue in this massive event. But I do own them all now, so I wanted to revisit this huge story in its entirety.

It is really good but it also has some problems.

In regards to the positives, the writing is pretty solid. The bulk of this event is written by Chris Claremont and Louise Simonson with other writers contributing to some of the tie-ins. The art is also great, most of which is done by Marc Silvestri and Walter Simonson.

The story sees Mr. Sinister unleash literal Hell on Earth with many weapons at his disposal: Madelyne Prior, S’ym, the evil version of Polaris, the Marauders and the big bad demon, N’Astirh.

Sinister also finds ways to trick the X-Men and X-Factor into fighting amongst themselves and manipulates the stage to pit brothers Cyclops and Havok against each other.

There is a lot at stake here and it changes many of the characters going forward. One of my favorite characters, Magik, dies here. Granted, we all know she comes back because she’s basically a demon queen of the underworld but the weight of it is very heavy and at the time, we didn’t know if the young heroine could return.

This crossover also includes the New Mutants and the X-Terminators. The story serves to merge those two teen teams into one. This set the groundwork for what was to come once Rob Liefeld came into The New Mutants and gave us Cable, Deadpool and eventually, the hugely successful X-Force.

What I love about this story is that it merges superhero Marvel with fantasy Marvel. Like the Magik miniseries a few years earlier, this takes Marvel’s mutant heroes and makes them deal with fantastical and occult evil but on a much grander scale. Also, Mr. Sinister was damn cool in this period of X-history.

Looking at the negatives, my only real issue is that the story drags out in places. That could be due to me also reading all of the tie-ins apart from the main body of the central story. Some of it felt really unnecessary and it also felt poorly organized. The New Mutants issues were on the orbit of the main story but with the death of Magik and how that effected her brother Colossus, I feel like that should have happened within the framework of the stories actual main chapters.

Shaky narrative flow aside, this is still a better crossover event than what the Big Two comic book publishers give us in modern times.

Inferno was my first big crossover event. It’s not the best but it’s still a lot of fun and it came out in a time where the X-titles were at their absolute creative peak.

Rating: 8.5/10
Pairs well with: other big X-Men crossover events of the late ’80s and early ’90s like X-Tinction Agenda and X-Ecutioner’s Song.