Published: 2020 Written by: Teddy Goldenberg Art by: Teddy Goldenberg Based on:Cobra by Sylvester Stallone, Cannon Films
Teddy Goldenberg Comics, 48 Pages
I love Sly Stallone’s Cobra and even though it’s never officially gotten a sequel, that didn’t stop Teddy Goldenberg from giving us the next best thing.
Since I really dug the first part of the story, as soon as this second and final part came out, I had to grab it from Goldenberg’s website. You can do that too by going here.
Overall, this one is also a lot of fun, as well as being gritty, utterly awesome and taking that ’80s action movie formula and upping the ante in a crazy and great way.
It’s like a Cannon Films action flick on steroids but this chapter in the series gets real f’n trippy, as Marion Cobretti gets closer to solving the crime and confronting his own dastardly father, who has a striking resemblance to Christopher Walken.
I love this indie outlaw, bootleg stuff and this is one of the best out there. I like the first part a bit more but this concludes the story in a cool and unpredictable way and frankly, it just makes me want to see what else Goldenberg could do with unofficial sequels to other similar films. Or hell, just give us a Cobra III because Marion Cobretti needs to live on forever.
Rating: 7/10 Pairs well with: the first part of this story, as well as the bootleg Hungarian Cobra comic book I recently reviewed here.
Published: 2018 Written by: Teddy Goldenberg Art by: Teddy Goldenberg Based on:Cobra by Sylvester Stallone, Cannon Films
Teddy Goldenberg Comics, 36 Pages
Sly Stallone’s Cobra is one of my favorite ’80s action films. It’s a movie I’ve wanted a sequel to since I first saw it in 1986, as a seven year-old that knew more about Cannon Films entire filmography than Menahem Golan and Yoram Globus.
So once I discovered that an unofficial sequel in comic book form came out in 2018, I had to track down a copy. I went directly to its creator’s website and purchased it. It’s actually quite affordable, even with shipping from Israel and it arrived much quicker than I had anticipated.
It’s also really cool that the writer/artist Teddy Goldenberg is from Israel, as that’s where Golan and Globus originated from.
All that being said, this was a lot of fun to read. It’s well written for fans of the original film, especially in regards to its tone. I thought the humor was solid and there are more than a few panels that had me laugh out loud in a literal sense.
The art isn’t the best but it doesn’t need to be. This feels like a true blue bootleg comic from a bygone era and it’s actually better than the art from the Hungarian bootleg Cobra adaptation I read earlier this year. Plus, Goldenberg does a pretty good job at getting the likeness of Stallone to come across.
The art may feel unrefined in some regard but there is talent within it and it’s imperfections are what make it so cool to look at. I’m not saying that the art style is deliberate but it works and it works damn well.
If you love Cobra as much as I do, you really need to get yourself a copy of this really cool comic. Plus, it’s roughly ashcan size and everyone loves ashcans.
Rating: 8/10 Pairs well with: the bootleg Hungarian Cobra comic book I recently reviewed here.
From The Rageaholic/Razörfist’s YouTube description: The very first episode (and it shows) of The Rageaholic, finally ‘remastered’, as much as was possible, from the original audio and video files. We’ve come a long way… now you know just HOW far!
Published: 1986 Based on:Cobra by Sylvester Stallone and Cannon Films, The Detached Mission by Yevgeni Mesyatsev
Filmsikerek Kepregeny Valtozata, 32 Pages
I don’t know Hungarian but I read through this as best as I could. I do have a Hungarian uncle and I asked if he’d translate this for me, as I thought scanning it in and redoing the lettering in English would allow me to share this with the English speaking world but my uncle when asked just said, “I’m not reading your damn comics for you!”
Anyway, this is an ashcan sized bootleg comic book from Hungary that is an unofficial adaptation of the Sylvester Stallone film Cobra. On the flip side there is a second comic book story, which is an adaptation of a Soviet military movie called The Detached Mission (in it’s English translation). I’ve never seen that film but I am a massive fan of Stallone’s Cobra, so I had to pick this up when I came across it, digging deep for obscure foreign movie adaptations in the comic book medium.
The Cobra half of this comic is 20 pages while The Detached Mission is just 12.
While this isn’t full of top notch art, the likenesses of the actors is pretty good. I mean, Stallone looks like Stallone. Brigitte Nielsen looks about the same and Brian Thompson, the Night Slasher, is pretty on point.
The only real problem with the comic is that it adapts the entire movie in 20 pages, which means that it speeds along pretty damn fast and this creates an issue with panel to panel transitions. The gist of what’s happening and the key points of the story are still conveyed but I can’t really speak on the writing, as I can’t interpret it.
This is high energy, full of testosterone and just a fun book to thumb through for hardcore fans of Cobra.
On the flip side, I gave The Detatched Mission story a read but without having seen the movie and due to the language barrier, I’m not sure how closely it is adapted. Still, it was also action packed and badass.
Tracking this down wasn’t easy and I did pay a fine penny for this but I have absolutely no buyer’s remorse. I love Cobra and Cannon Films, as well as obscure comics, so this is certainly my cup of tea.
Rating: 6.5/10 Pairs well with: other foreign comic book bootlegs of ’80s action movies.
Release Date: May 23rd, 1986 Directed by: George P. Cosmatos Written by: Sylvester Stallone Based on:Fair Game by Paula Gosling Music by: Sylvester Levay Cast: Sylvester Stallone, Brigitte Nielsen, Reni Santoni, Brian Thompson, Andrew Robinson
Cannon Films, Warner Bros., 87 Minutes
I was once asked what my favorite Punisher movie was. My answer was Cobra.
No, Cobra isn’t actually a Punisher movie but it is the closest thing that I think Hollywood has gotten to a live-action version of him. Cobra is a balls out, unapologetic, bad ass, gratuitously violent, one-liner bonanza of an action film.
I mean, Stallone’s Cobra actually says, right before he knifes and blasts a guy, “You’re a disease – and I’m the cure.” When challenged about the broken justice system by a serial killer, Cobra says, “This is where the law stops and I start – sucker!” The film even starts with a fantastic narration by Cobra, “In America, there’s a burglary every 11 seconds, an armed robbery every 65 seconds, a violent crime every 25 seconds, a murder every 24 minutes and 250 rapes a day.” There is just that stone cold Stallone delivery of every line of Cobra’s dialogue in this movie.
From the standpoint of the critics in 1986, the film is too cliche and relies too heavily on tropes weaved together with bad dialogue. But these are the same assholes that loved Avatar.
No, Cobra is not a critically-acclaimed motion picture. But it made a shit ton of money at the box office and really, should have had a sequel or five. Just because critics don’t like something, doesn’t mean that there isn’t something for the world to sink its teeth into. Besides, the critics hated a lot of things that became classics and then they later backtracked and tried to act like they were now accepting of many of those films. Granted, they’ll probably never like Cobra, its balls are too huge and covered in thick masculine hair.
Cobra is just a manly fucking film. It is the epitome of violent 80s action movies. It does just about everything right, if senseless violence and bad asses triumphing over psychos is your thing. It is my thing.
Stallone was great as Cobra, even though he was one-dimensional and not that interesting or dynamic. He was Stallone playing Stallone but with extra octane. Brigitte Nielsen was passable as the girl he is protecting from the psycho. Speaking of which, Brian Thompson was perfect as the serial killer, the Night Slasher. And to be honest, as a kid, I was never afraid of Freddy or Jason. But I was scared shitless of the Night Slasher.
This movie is dark; it plays more like a horror film in some scenes. It is that darkness, however, that makes this movie really cool. Yeah, it really frightened me when I was a young kid, who probably shouldn’t have been able to rent this, but that is what I loved about it. And even though it is a mid-80s testosterone-laced action picture, it holds up really well.
This came out when overusing tropes was frowned upon by serious filmgoers. If this came out today, it would probably be applauded as a great homage to that old action style. I mean, the critics would still probably hate it but there’d be a lot more people accepting of it. And I think that is due to the fact that films like this don’t really exist anymore.
Cobra is just a seriously bad ass movie. Its not a great movie, from an artistic standpoint, but it is great at giving the men of my generation something to pump their fists to.