Also known as: Young Sherlock Holmes and the Pyramid of Fear (original script title) Release Date: December 4th, 1985 Directed by: Barry Levinson Written by: Chris Columbus Based on: characters by Sir Arthur Conan Doyle Music by: Bruce Broughton Cast: Nicholas Rowe, Alan Cox, Anthony Higgins, Sophie Ward, Roger Ashton-Griffiths, Freddie Jones, Nigel Stock, Brian Oulton, Susan Fleetwood
“A great detective relies on perception, intelligence, and imagination.” – Sherlock Holmes
It may sound strange since I’m a kid of the ’80s and a massive Spielberg fan from that era but I’ve never seen Young Sherlock Holmes.
Now I have seen clips of it over the years, due to its very early use of emerging CGI technology, which made this a very groundbreaking film in digital effects, even if it wasn’t a massive hit like Steven Spielberg, Chris Columbus and Berry Levinson had hoped.
Honestly, it’s those effects that have cemented this motion picture as a relevant one for its time. Nothing else within it is all that memorable or significant. But that’s not to say it’s not good. It’s just be pretty forgettable without its great effects for the time in which it was produced.
I mostly liked this and I liked the kids in it and how they helped generate a sense of wonder, which is something Hollywood is completely unable to do in modern times. Still, this movie does drag in several spots and while I can buy the kids in these specific roles, they’re not that memorable except for Sophie Ward, who would go on to have an interesting career.
I liked the whole Egyptian cult that Sherlock and company were trying to expose and take down but if I’m being honest, a lot of that stuff felt like it was recycled from the Thugee cult stuff in Indiana Jones and the Temple of Doom and that film came out only a year earlier and also involved Spielberg, as he directed it.
This also has a magical element to it and because it stars some proper British kids, there’s a particular vibe that I can best describe as proto-Harry Potter.
Young Sherlock Holmes isn’t a movie that I felt like I missed out on. As a kid, I would’ve certainly liked the effects heavy scenes like the stain glass knight but I probably would’ve been bored for 75 percent of the movie.
Release Date: November 15th, 1992 (Century City premiere) Directed by: Chris Columbus Written by: John Hughes Music by: John Williams Cast: Macaulay Culkin, Joe Pesci, Daniel Stern, John Heard, Catherine O’Hara, Devin Ratray, Gerry Bamman, Hillary Wolf, Kieran Culkin, Tim Curry, Brenda Fricker, Eddie Bracken, Dana Ivey, Rob Schneider, Ally Sheedy (cameo), Donald Trump (cameo), Bob Eubanks (cameo), Rip Taylor (cameo), Jaye P. Morgan (cameo), Jimmie Walker (cameo)
Hughes Entertainment, Twentieth Century Fox, 120 Minutes
“Hey. You guys give up? Have you had enough pain?” – Kevin McCallister
As I said in my review of the first Home Alone, I hadn’t seen that movie in-full in years. Well, I hadn’t seen this one since it came out. I’ve seen scenes on television over the years but I felt like a full watch was grossly overdue.
So while this isn’t as great as the original and while I don’t think that it was necessary, it’s still really endearing and a fun, holiday movie.
All the important cast members are back but if I’m being honest, it would’ve been nice just getting a cameo from Roberts Blossom after he saved Kevin and reunited with his estranged son in the first film.
That being said, it’s kind of unbelievable that Kevin would’ve been left behind by his family once again but you’ve got to kind of suspend disbelief and just go with it. I mean, it’s also unbelievable that this kid could live and survive in New York City on his own and that while there he’d run into the same burglars from the first film but I digress. This isn’t the type of story where you should be really thinking that hard.
My only real gripe about this film is that it’s too long. I don’t know why they had to go for a full two hours, as the just over ninety minute running time of the first movie was perfect. But I guess Kevin is in a much larger environment and that provided John Hughes the luxury of writing more gags.
Despite the new, grandiose setting, though, the film is really formulaic and just tries to repeat the main beats of the first movie. That doesn’t wreck it though, it just makes it a slightly inferior but still a pretty good copy of the masterpiece it’s trying to emulate.
I really liked the cast additions of Tim Curry and Rob Schneider in this one, though. They added a lot to the movie and their interactions with Kevin and then his parents were pretty good.
It was also great seeing Kevin put the burglars through the gauntlet once again and while this sequence isn’t as iconic as the original, it still provided some great slapstick comedic moments and I love seeing Culkin, Pesci and Stern play off of each other in these scenes.
All in all, the first film is perfect but this is a worthwhile sequel that doesn’t diminish the greatness of the original while giving you a few more hours to spend with these characters you love.
Rating: 8.75/10 Pairs well with: its predecessor and other John Hughes holiday movies.
Release Date: November 10th, 1990 (Chicago premiere) Directed by: Chris Columbus Written by: John Hughes Music by: John Williams Cast: Macaulay Culkin, Joe Pesci, Daniel Stern, John Heard, Catherine O’Hara, Roberts Blossom, Angela Goethals, Devin Ratray, Gerry Bamman, Hillary Wolf, John Candy, Larry Hankin, Kristin Minter, Kieran Culkin, Billie Bird, Bill Erwin
Hughes Entertainment, Twentieth Century Fox, 103 Minutes
“Down here you big horse’s ass, come and get me before I call the police.” – Kevin McCallister
I’m just going to come out and say it immediately, this is a perfect film: a true masterpiece.
I hadn’t seen this in-full in a few decades, actually, but I was quickly reminded as to why I loved this movie so much, as a middle school-aged kid back in 1990.
The film has that special John Hughes charm but it’s turned up to eleven. I think that had a lot to do with Chris Columbus’ direction and his ability to seemingly magnify Hughes’ effect into something magical, charming and so heartwarming that it’s impossible not to love.
The cast is perfect from top-to-bottom, which is difficult with big ensemble pieces. However, most of the scenes feature the trio of Macaulay Culkin, in his first starring role, as well as great actors regardless of genre, Joe Pesci and Daniel Stern.
These three main players had immense chemistry and they looked like they enjoyed the hell out of making this movie. I’m sure they had no idea that this would blossom into a cultural phenomenon but it did and their great work paid off, immensely.
What surprised me most about this was how much heart it really had. It’s a film with soul and while I picked up on that as a kid, I see it much differently now, as an adult that has lived a much fuller life. In that time, I’ve lost several people close to me and had a deeper understanding of family that you don’t fully grasp as a child.
Home Alone really does hit you in the feels in a really profound way and I guess I can understand why my mom cried every time she saw it. I just thought she was weird but I was also a little shit obsessed with Nintendo, comics and G.I. Joe.
It’s actually kind of hard to review a perfect film. I can’t really pick anything apart or point out negatives because there aren’t any.
So I guess that’s it.
Rating: 10/10 Pairs well with: its direct sequel and other John Hughes holiday movies.
Release Date: June 7th, 1985 Directed by: Richard Donner Written by: Chris Columbus, Steven Spielberg Music by: Dave Grusin Cast: Sean Astin, Josh Brolin, Jeff Cohen, Corey Feldman, Kerri Green, Martha Plimpton, Jonathan Ke Huy Quan, John Matuszak, Robert Davi, Joe Pantoliano, Anne Ramsey, Mary Ellen Trainor
Amblin Entertainment, Warner Bros., 109 Minutes
“Don’t you realize? The next time you see sky, it’ll be over another town. The next time you take a test, it’ll be in some other school. Our parents, they want the best of stuff for us. But right now, they got to do what’s right for them. Because it’s their time. Their time! Up there! Down here, it’s our time. It’s our time down here. That’s all over the second we ride up Troy’s bucket.” – Mikey
Cyndi Lauper sang that the “Goonies ‘r’ good enough” and frankly, I have to agree with her.
This is a perfect movie for kids… and adults, really. It’s fun, funny, full of adventure, danger, treasure, good feelings, friendship, imagination, wonderment and a bit of swashbuckling.
On top of that, every single person in the cast is absolutely perfect, top to bottom. This was just a special movie where everything seemed to go right, especially in regards to the actors chosen for each specific role.
On one side, you have the kids and their hulk-like ally Sloth. On the other side, you have the Fratelli crime family.
Every kid in this is great and they had spectacular chemistry. You believed that they were all friends and it was impossible not to root for them. With the Fratellis, you had another group that worked damn well together. Honestly, as a kid I kind of wanted a Fratelli spinoff movie. Sadly, Anne Ramsey died a few years after this but I’ve always wanted to see Robert Davi and Joe Pantoliano come together as gangster brothers again.
Apart from the casting, you had a wonderful script penned by Chris Columbus from a story written by Steven Spielberg. With Richard Donner directing, it’s kind of hard to imagine this failing, even before seeing the picture.
It’s very rare that I come across someone that hasn’t seen the film. It’s reputation precedes it and for good reason. It has stood the test of time and it’s not something that loses steam the more you watch it. In fact, at least for me, it’s a film that I appreciate more with every viewing. It’s hard to peg as to why that is but man, it’s a film that just brings you to a special place; it’s magical and it is full of optimism when most entertainment, at least in modern times, is pretty nihilistic.
The Goonies gives one hope because it is exactly what entertainment needs to be, pleasant and enjoyable escapism that leaves you with a positive feeling despite whatever crap your day threw at you.
It’s perfectly paced, there isn’t a dull moment and every frame of the film… hell, every line spoken, has a purpose and has real meaning behind it.
The Goonies also benefits from its stupendous score by Dave Grusin, a guy who isn’t as well known as John Williams, James Horner or Alan Silvestri but was still able to create a theme and a score that was good enough to rival the best work of those three great film composers.
For what it is, The Goonies is absolutely perfect. If you don’t like it, you probably aren’t human or at least don’t have a heart.
Rating: 10/10 Pairs well with:The Monster Squad, E.T. the Extra-Terrestrial and The Explorers.
Also known as: A Night on the Town (Australia) Release Date: June 19th, 1987 (New York City premiere) Directed by: Chris Columbus Written by: David Simkins Music by: Michael Kamen Cast: Elisabeth Shue, Keith Coogan, Anthony Rapp, Maia Brewton, Penelope Ann Miller, Bradley Whitford, Calvin Levels, George Newbern, Vincent D’Onofrio, Albert Collins (cameo), Ron Canada
Rose Productions, Silver Screen Partners III, Touchstone Pictures, Buena Vista Pictures, 99 Minutes
“Don’t fuck with the Lords of Hell!” – Gang Leader, “[Chris picks up the knife and shoves it in the gang leader’s face] Don’t fuck with the babysitter!” – Chris
Adventures In Babysitting was one of those movies I watched a heck of a lot as a kid in the ’80s. It was just a cool movie and being that I was around the same age as the youngest kid in the film, who was also a massive Thor fan, it was easy to relate to the characters. Plus, my family are all originally from Chicago and I used to go up there all the time in my youth. I love that city and this really captures it in a very ’80s way, which was also how I first experienced Chicago.
I think the real glue of this picture is Elisabeth Shue. She was perfect as the lead and believable in the situations she found herself in. I guess the studio wanted Molly Ringwald or Valerie Bertinelli but Shue landed the role and I can’t quite see how this movie would work the same way with those other actresses. The character of Chris felt very much like Shue.
The kids in the film were also well cast. You had Keith Coogan and Anthony Rapp, both at the beginning of their careers, and Maia Brewton, who was solid and the most fun and energetic character in the movie. I also love all the bits Penelope Ann Miller did at the bus station, even though she was on her own and separated from the other kids throughout the vast majority of the picture. And even though he’s only in two scenes, Bradley Whitford played his ’80s douchebag role to perfection in this.
The premise sees these kids go into Chicago to pick up Chris’ friend, who has run away from home and is stranded at an inner city bus station. On their way into downtown Chicago, they blow out their tire. They get saved by a nice tow truck driver but then things go absolutely nuts and the kids get mixed up with an auto theft ring ran by some shady dudes. The rest of the film sees them running through Chicago, dodging the gangsters and constantly getting into wild situations. It almost plays like an urban Goonies without treasure. Additionally, the end has the kids racing home to beat the parents in a similar fashion to Ferris Beuller but without the cool musical montage of Ferris running through people’s yards and houses.
This was also the first film directed by Chris Columbus, who had written some very successful films before landing this gig.
Like all ’80s teen films, this is certainly dated. However, it hasn’t lost its charm or any of the excitement. It has held up really well and isn’t just good when seen through nostalgic eyes, it is just a film that works and is still a blast.
Plus, it had a friggin’ awesome movie poster in a time when there were still friggin’ awesome movie posters.
Rating: 7.5/10 Pairs well with: For an Elisabeth Shue pairing, watch The Karate Kid. For Keith Coogan and a babysitting theme, Don’t Tell Mom the Babysitter’s Dead. If you want to see more of Bradley Whitford being an ’80s prick, Revenge of the Nerds II: Nerds In Paradise.
The Gremlins film series is proof that America wasn’t ruled by overprotective helicopter parents in the 80s. I’m glad I grew up in that era, as opposed to nowadays when a good old family film like Gremlins would be severely toned down and edited or have to be rated R and thus, not a family film.
I saw it in the theater with my parents. I was five. Yes, I saw people killed by little monsters and a bunch of horror violence but guess what? I loved it because I wasn’t coddled into being a complete wuss.
So let me discuss these films that, by today’s standards, should have destroyed me and turned me into a budding serial killer.
Release Date: June 8th, 1984 Directed by: Joe Dante Written by: Chris Columbus Music by: Jerry Goldsmith Cast: Zach Galligan, Phoebe Cates, Hoyt Axton, Polly Holiday, Frances Lee McCain, Dick Miller, Corey Feldman, Keye Luke, Jackie Joseph, Judge Reinhold, Glynn Turman, Jonathan Banks, Don Steele (voice)
Amblin Entertainment, Warner Bros., 106 Minutes
The first one is the best one. It is a classic and a “must view” film come Christmas time, even though it oddly came out in the summer months of 1984.
Gremlins is a prefect balance of comedy, horror and holiday cheer. It also is a perfect balance of cuteness and insanity and I’m not talking about the very young Corey Feldman in this picture.
The creature effects are top notch for their time and I would still rather watch these animatronic puppets than CGI any day. And one can’t not be impressed with how many Gremlins they actually put in some of these scenes. In the movie theater segment alone, it looks as if there are dozens of these creatures, all controlled and animated by some off-screen puppeteer.
The story is pretty basic and straightforward but most fairy tales are. But this is a dark and amusing fairy tale. The Gremlins, for being terrifying little monsters are hilarious. They joke around, act crazy and are lethal, even to each other. The fairy tale also has its rules that must be followed. Of course, the rules aren’t followed and that is why we end up with the glorious chaos that is this film.
Zach Galligan and Phoebe Cates are perfect as the leads in this film and they had great chemistry, which also worked well in the sequel. In fact, unlike other boys my age, this is the film where I got a huge crush on Phoebe Cates, as opposed to Fast Times At Ridgemont High. Hoyt Axton was entertaining as the father character, a struggling inventor whose gadgets are the butt of several jokes in the films. Judge Reinhold and Dick Miller both show up for a bit as well.
This was one of my favorite movies when I was a kid and it has aged well. It still exudes the magic I found in it as a five year-old in the theater. Yeah, it is cheesy and over the top but it has a grittiness to it that you will never get when this film is eventually remade.
Gremlins is great. It is some of Joe Dante’s best work as a director.
And the soundtrack is fantastically nuts.
Gremlins 2: The New Batch (1990):
Release Date: June 15th, 1990 Directed by: Joe Dante Written by: Charles S. Haas, Chuck Jones Music by: Jerry Goldsmith, Carl Stalling Cast: Zach Galligan, Phoebe Cates, Dick Miller, Jackie Joseph, Christopher Lee, John Glover, Robert J. Prosky, Robert Picardo, Gedde Watanabe, Hulk Hogan, Paul Bartel, Rick Ducommun, Kathleen Freeman, Keye Luke
Amblin Entertainment, Warner Bros., 106 Minutes
The New Batch is a pretty satisfactory sequel. I feel like they took too much time off between films but it still has a lot of the spirit of the original. It was also cool to see Zach Galligan and Phoebe Cates return, as well as Dick Miller.
The film also has Christopher Lee in it, one of my favorite actors ever, as a mad scientist who does zany experiments on animals. His carelessness leads to the Gremlins acquiring some extraordinary abilities and a few bizarre abilities. The inclusion of Christopher Lee’s character ups the ante in this film, making the Gremlins more of a serious threat than they were in the first movie.
Also joining the cast are John Glover, as Daniel Clamp (a parody of Donald Trump in the 80s), Robert Picardo (a regular collaborator with Joe Dante) and Robert Prosky (as a late night horror movie show host dressed like a vampire). All three of these guys give superb performances, especially Glover.
Gremlins 2 isn’t as good of a film as the first but overall, it might be more fun. It is less dark but it is more campy. It has more Gremlin gags as opposed to a straightforward fluid story. The plot exists and there is a beginning and an end but the in-between stuff plays more like sketch comedy with a few plot points added in to keep it somewhat coherent.
This is a very different film than the first, which is refreshing. I probably wouldn’t want a rehash of what was done previously. This film did a great job of being its own thing while continuing the story on from the original.
I had always hoped for a third and final film but that ship has most likely sailed and Joe Dante isn’t the same director anymore.