Release Date: March 11th, 2018 (SXSW)
Directed by: Steven Spielberg
Written by: Zak Penn, Ernest Cline
Based on: Ready Player One by Ernest Cline
Music by: Alan Silvestri
Cast: Tye Sheridan, Olivia Cooke, Ben Mendelsohn, T.J. Miller, Simon Pegg, Mark Rylance, Letitia Wright, Clare Higgins, McKenna Grace, Julia Nickson (uncredited)
Village Roadshow Pictures, Amblin Entertainment, De Line Pictures, Farah Films & Management, Warner Bros., 140 Minutes
“People come to the Oasis for all the things they can do, but they stay for all the things they can be.” – Parzival
*There be spoilers here!
The first thing that people who read the book are going to ask is, “How much did they change?” The short answer is, “Everything.”
In fact, there is so much that has changed that it’s too much to list out. As my friend Greg said once the credits started rolling, “They should change it to say ‘vaguely inspired by Ready Player One.'” And that’s pretty much how I feel, as someone who read the book first.
The main thing that this film is lacking is heart and soul. The book did a decent job building up characters and making the first time meetings meaningful and sweet, the film just drops the real humans in with no warning, halfway through the story. In the book, none of these people actually meet until the very end, as they unite in the real world for the big final battle.
And for some reason, maybe because Spielberg is besties with George Lucas, this version has some sort of “rebellion” that already exists and abducts Parzival in an effort to get him to join. This leads to him meeting Artemis before the midpoint of the film. In the book, she’s so freaked out by her own appearance that she won’t actually meet Parzival until the very end. Here, her birthmark was something that could be easily covered up with foundation. I’ve seen plenty of girls who have looked far worse without makeup… hell, with makeup. And in a world where most people are poverty stricken and dirty with facial tattoos, the whole thing is ridiculous.
The biggest problem with the movie is it took a decent book with some good ideas and it made them worse. I was hoping that Spielberg could put his hand in the story and use his magic to fix up the weaker bits. But the story is so different than the book that those weak bits are gone. Sadly, they’re replaced with something much more superficial, artificial and monotonous.
Every time that something with real weight happened in this movie, it didn’t have the weight that it did in the book. I think the book benefits from having Wade/Parzival tell his story from the first-person point-of-view. The movie is just a movie without any narration, internal monologue or anything that can really add more the the story. You just don’t feel anything for these people, their situation or the events themselves. The film needs a lot more seasoning.
Additionally, the challenges were terrible. The first one is a motor race with a small detail no one was able to crack for over five years. Yet anytime a new video game comes out in the real world, our real world, some guy on YouTube finds all the Easter eggs and secrets within the first 24 hours of playing it. But in a future world where the population is probably double what it is now, where everyone is obsessed with solving the first challenge, not one single person thought to themselves, “I wonder what will happen if I drive backwards?” In reality, some noob would’ve done it by mistake and solved the puzzle.
The second challenge brought the characters into a recreation of The Shining but as cool as it was initially, it still didn’t measure up to the similar sequences in the book, where Parzival had to reenact a role in a film from start to finish. Whatever. We ended up with The Shining being populated by dancing, green glowing zombies for some reason.
The final gate was the closest to the original version but was still a heavily altered and simplified version.
One thing I was hoping would make it in the movie was the battle between Ultraman and Mechagodzilla during the big finale. Ultraman was replaced with a Gundam. Mechagodzilla was there but the design was something new and looked more like a generic metal dinosaur than any version of Mechagodzilla we’ve ever seen.
And what the hell was with Sorrento leaving his password right on his pod? Make your password something you can remember that way you don’t get easily hacked? You’re the top dog in the second largest corporation in the friggin’ world and you basically wore a t-shirt saying, “Please hack me! My password is…” I can’t accept the stupidity of this plot point, he’s not an assistant principal from a John Hughes movie. Plus, in the film they dumb him down and make him rely solely on the knowledge of his minions, as opposed to being savvy on his own and only calling for backup when stumped.
The film fails in comparison to the book and the book was hardly a literary classic. I could pontificate about all the shit I didn’t like and take this review to 5000-plus words but I think I’ve made my point about the negative side of the equation here.
On the side of positives there is sadly only really a few.
One, Mark Rylance was fantastic as Halliday and played the character in a way that was even better than what I saw in my own head while reading the book. He was really the only character I felt a connection to by the end of the film. Which is sad, as he’s barely in it.
Another positive is that it was fun in the right sort of way but it still wasn’t enough to make up for the soullessness and randomness of this adaptation.
I can’t think of another positive.
The biggest highlight of the film was the big battle at the end but it was still a mess. There were so many pop culture references running around on the screen that it was hard to focus on any one of them and you just sort of see this mish mash of shit where if the camera stops moving for one second, you might make out a Battletoad, Spawn, Ryu or a Ninja Turtle. But at least Chucky from Child’s Play got to kick some ass for a few seconds.
I don’t know, man. I had high hopes for this and I left the theater feeling empty and completely unemotional. This was like a vacuum that sucked everything out of me for well over two hours. I walked out of the theater a dumbfounded blank.
This film is like an excited toddler showing you all their toys by throwing them at your face with the speed of the Flash for two hours and twenty minutes. There is no real semblance of a plot, just toys bouncing off of your face and incomprehensible toddler rambling.
Also, Spielberg produces those terrible Michael Bay Transformers movies. This was the perfect opportunity to use accurate looking Autobots and Decpeticons. I mean, what the shit, dude?! You’re telling me the G1 versions of Optimus Prime and Megatron aren’t avatars in the Oasis?
Between the execution of this film and Spielberg’s weird comments about Netflix the other day, I think homeboy is starting to show his age.
Lastly, Zak Penn is awful. Truly, awful. How does he keep getting hired to write shit?
Pairs well with: Maybe the novel it is “based on” but the book is superior.