Also known as: Child’s Play 5, Son of Chucky, Bride of Chucky 2 (working titles) Release Date: November 12th, 2004 Directed by: Don Mancini Written by: Don Mancini Based on: characters by Don Mancini Music by: Pino Donaggio Cast: Brad Dourif, Jennifer Tilly, Redman, Billy Boyd, Hannah Spearritt, Steve Lawton, John Waters
Rogue Pictures, David Kirschner Productions, Castel Film Romania, 87 Minutes, 88 Minutes (unrated)
“Christ! Enough about your mother! I killed that bitch twenty years ago and she still won’t shut up!” – Chucky
Whenever this movie comes up in conversation, everyone I talk to seems to hate it. Granted, when it came out, the trailer didn’t make me want to see it and I put it off for nearly ten years. However, once I did give the film a chance, I liked it near the same level that I liked its predecessor: Bride of Chucky.
I understand why this entry into the long running movie series gets a lot of hate but I think that is because people try to view it in the same way that they looked at the original trilogy of films, as a serious slasher with some colorful and funny one-liners from the killer doll.
The big difference is that this needs to be viewed as a comedy. Sure, a dark, twisted, fucked up comedy but this takes the increase in comedy from Bride of Chucky and magnifies it a lot more. Now I understand why that would upset some hardcore slasher purists but this is really the 1966 Batman of the franchise and I mean that as lovingly as possible.
Brad Dourif and Jennifer Tilly are absolutely dynamite in this. It honestly feels like Dourif was ad-libbing the whole thing. I know that’s not really possible, unless he was controlling Chucky’s animatronics while voice acting but this has a similar feel to it as improv comedy. Plus, Chucky’s never been funnier and the jokes are just constant.
The real star of the film is Billy Boyd, though. He plays the offspring of Chuck and Tiff and isn’t sure about his/her gender, his/her life and his/her place in all of the madness that surrounds his/her parents. I guess a lot of people disliked this character severely and he/she’s sort of been pushed out of the film series since this picture but I’d still like to see him/her reappear or at least get a mention as to what his/her whereabouts are.
After typing that politically correct paragraph, I came to the realization that Don Mancini and the Child’s Play franchise were more socially progressive than Twitter by at least a decade.
Anyway, I still prefer the original three films to anything that came after but this reinvents the franchise quite a bit and honestly, it needed some reinvention. While Bride of Chucky accomplished that already, Seed of Chucky pushed the bar further.
Rating: 6.5/10 Pairs well with: all the Child’s Play movies except the 2019 reboot.
Also known as: Child’s Play 4, Chucky, Chucky and His Bride (working titles) Release Date: October 16th, 1998 Directed by: Ronny Yu Written by: Don Mancini Based on: characters by Don Mancini Music by: Graeme Revell Cast: Brad Dourif, Jennifer Tilly, Katherine Heigl, Nick Stabile, John Ritter, Alexis Arquette, Gordon Michael Woolvett, Kathy Najimy
David Kirschner Productions, Midwinter Productions Inc., Universal Pictures, 89 Minutes
“My mother always said love was supposed set you free. But that’s not true, Chucky. I’ve been a prisoner of my love for you for a very long time. Now it’s payback time.” – Tiffany
Initially, I didn’t know what to make of this movie when it came out in 1998.
Over time, I grew to love it though, as I mostly see it as a black comedy, which is how it’s really intended to be seen. It’s not so much a parody of the Child’s Play movies, as it is a true vehicle to just let Brad Dourif’s Chucky be unrestrained from trying to make a more serious slasher film.
Bride of Chucky goes beyond horror accented by comical one-liners and evolves the franchise into something more in-line with its star character’s personality. Overall, it’s less scary and less terrifying but it makes up for that in its coolness. And it really does get nuts in the best way possible.
Now with that being said, I don’t like it as much as the original three films but it is more energetic and more fun, overall. Without, I feel as if it has more replay value than most of the movies in the series.
I love the inclusion of Jennifer Tilly as Tiffany, Chuck’s actual bride who also becomes a killer doll. And of course, this leads to the sequel Seed of Chucky, which focuses on the offspring of the killer dolls. Most people seem to hate that movie but I kind of love it too for what it is but I’ll get into that when I review it, specifically.
Ronny Yu did a fine job of giving life and energy to Don Mancini’s script and frankly, I thought he was a wise choice. I also love his Freddy Vs. Jason, even though some people think it sucks. But fuck those people, as Yu understands how to turn these slasher franchises into something beyond the norm, which was kind of needed in the time that he made this film and FvJ.
The best part about this (and its sequel) is the chemistry between Tilly and Dourif. It’s f’n spectacular. Where I originally wasn’t keen on the concept before seeing the film, Tilly won me over almost immediately and proved she was a perfect choice for the role. And she has since become nearly as iconic as Chucky.
Bride of Chucky is an enthralling entry into a series that didn’t have much left in the tank. It reinvented what a Child’s Play movie could be and it left the door open for more, which allowed the Dourif era to flourish for three more films.
Despite my distaste for the 2019 Child’s Play reboot, I’m glad that the Dourif version of Chucky still isn’t dead, as there is a television show in-development, which will continue to build off of this movie and all the ones before and after it.
Rating: 7/10 Pairs well with: all the Child’s Play movies except the 2019 reboot.
Release Date: June 18th, 2019 (Paris premiere) Directed by: Lars Klevberg Written by: Tyler Burton Smith Based on:Child’s Play by Don Mancini Music by: Bear McCreary Cast: Aubrey Plaza, Gabriel Bateman, Brian Tyree Henry, Mark Hamill (voice), Tim Matheson
Orion Pictures, BRON Creative, Creative Wealth Media Finance, KatzSmith Productions, United Artists, 90 Minutes
“[about to stab and mutilate Shane] This is for Tupac.” – Chucky
I’ll be honest, I didn’t have much urge to see this. I didn’t want or need a Child’s Play remake and in fact, I want the franchise to carry on with Brad Dourif as Chucky and Jennifer Tilly as Tiffany wherever Don Mancini wants to use her character. I certainly didn’t want a reboot that misses most of the point of the original film and really could’ve just taken its original ideas and made a movie where this new doll wasn’t Chucky.
After seeing the film, I don’t hate it but I also don’t really like it. It just kind of exists in this weird alternate timeline limbo in my head. The films with Dourif’s Chucky will always be my Child’s Play movies.
Sure, bringing in Mark Hamill as the new voice of Chucky was definitely a great move by the producers, as his voice work is almost always tremendous but it doesn’t make up for the lack of Dourif and the unique personality that he brings to the role. It’s like the remake for A Nightmare On Elm Street. I absolutely love Jackie Earle Haley as an actor but anyone else other than Robert Englund as Freddy Krueger is almost criminal.
It’s not just the change of voice that’s the problem though, it’s the whole “modern take” on the Chucky doll.
In the original film series, Chucky was a human serial killer that used a voodoo spell to hide his soul in a doll in order to evade death. His plan was to then transfer his soul into that of a child to start life over again, as a serial killer in a new, little kid body. I mean, that shit’s terrifying.
In this remake, Chucky is just a robot doll, no soul. He becomes a killer because a disgruntled employee in a Vietnamese factory removed the safety protocols from the Chucky doll’s A.I. chip. Really, that’s it.
I guess the scary thing is that Chucky is basically Siri in the form of a doll, as he can tap into the A.I. of every smart device made by the same Apple-like or Google-like company that manufactured him. So Chucky can control TVs, lights, cameras, automated Uber cars and all types of other shit. While that is actually a cool idea to explore, why did a neat concept like this have to be altered and crammed into a Child’s Play reboot, as opposed to just being its own, fairly original film?
Getting back to the A.I. chip thing, no manufacturer would have individuals manually put safety protocols into a chip. The chips themselves would be manufactured the way they needed to be before some Vietnamese dudes in an assembly line even touched them. The A.I. program would be copied directly to the chip at the point of the chip’s manufacture, as opposed to the doll’s manufacture.
Also, this movie must exist in the future, as we aren’t using automated robot cars as Ubers yet.
Additionally, Chucky seems to be motivated by his emotions, as he wants to be Andy’s BFF but Andy eventually rejects him after the murder spree begins. Are there real emotions there? Is it simply Chucky’s programming that makes him just simulate emotional responses? I’d probably go with the latter but even then, shouldn’t he be trying to win Andy over instead of plotting and executing the sort of revenge that will make Andy hate him? Sure, his safety protocols are gone but what does that have to do with logic?
But the core of what Chucky is, is also why this doesn’t work for me. I knew that the original Chucky was an evil human being that wanted to steal the body of a child at any cost. New Chucky is just a broken iPhone that can walk around and carry a knife. There’s no actual connection to it emotionally because it is just a broken object and not an actual force of true evil.
The film also seems to miss the point about Andy being a kid that is sort of isolated. While he starts out that way in this movie, he quickly makes friends and has a whole posse that he runs around with. In the original, Andy’s attachment to Chucky seemed more real and organic because he was a really lonely kid and because Chucky was actually a human being that knew how to pull Andy’s emotional strings.
Being an Aubrey Plaza fan, I did want to give the film an honest shot because she was in it and I’d like to think that she wouldn’t have done the film if the script was shit. While I enjoy her in this, as I do almost every role she’s played, it’s not enough to salvage the whole picture.
But I also thought that the majority of the cast was solid, despite the film being a mess.
Now the picture did give us some good horror kills with standard slasher level gore but none of the kills were great or anything all that original, except the death by robot Uber but even then, Chucky had to crawl into the car to finish the job.
Honestly, the only thing I truly thought was promising about the film was the concept of a corrupted A.I. turning a doll into a killer that could use your own devices and technology against you. The concept was ruined by having it forced into a pointless reboot instead of being its own fully realized idea that could’ve stood up proudly. But what we got was a kernel of an idea propped up by a now bastardized franchise that was once beloved.
Rating: 5/10 Pairs well with: the original, superior films.
Also known as: Child’s Play 6 (working title) Release Date: August 2nd, 2013 (Fantasia International Film Festival) Directed by: Don Mancini Written by: Don Mancini Based on: characters by Don Mancini Music by: Joseph LoDuca Cast: Fiona Dourif, Danielle Bisutti, Brennan Elliott, Maitland McConnell, Chantal Quesnel, Summer H. Howell, A Martinez, Brad Dourif, Jennifer Tilly (cameo), Alex Vincent (cameo)
“25 years. Since then a lot of families have come and gone; the Barclays, the Kincaids, the Tillys. But you know Nica, your family was always my favorite. And now, you’re the last one standing… So to speak! [laughs manically, then glares down at Nica]” – Chucky
This came out after a long break from Child’s Play films. The later sequels: Bride of Chucky and Seed of Chucky got so humorous and weird that the darker spirit of the franchise was gone and the films sort of became parodies of themselves.
Curse of Chucky did a pretty decent job at correcting the tone, as Chucky, while still humorous because he always has been, is much scarier, more evil and also back to being more patient in how he reveals himself to his victims.
The one thing that this picture does really well is suspense. It’s a slow build until we really get to see Chucky at his murderous best. Sure, he kills and at first glance, it might suck that these heinous acts aren’t captured on film as they happen but the wait is worth the payoff, as once Chucky reveals himself to one of the main characters, shit truly hits the fan.
Now the film does feel really confined, as it primarily just takes place within one house. However, this actually benefits the film, as you feel the doom closing in and tightening its grip. Add in the fact that the main character is stuck in a wheelchair in a multilevel house and you really feel like you’re stuck in a sardine can with a live piranha by the climax. Those two key elevator scenes were fantastic as well and really served to make the environment work for the movie.
It was nice to see Chucky return to a darker, broodier tone. However, the film, sadly, isn’t as fun as the original three. Those still had a real darkness about them but they were more exiting and they have actually aged really well, considering their budget and time of release.
But I think that this and its follow up Cult of Chucky were good entries in the Child’s Play franchise. I had hoped to see more but I guess they’re going to reboot the series in the near future for some dumb reason.
Rating: 6.75/10 Pairs well with:he Cult of Chucky, it’s direct sequel and the original Child’s Play trilogy when they were still really dark.
Release Date: March 11th, 2018 (SXSW) Directed by: Steven Spielberg Written by: Zak Penn, Ernest Cline Based on:Ready Player One by Ernest Cline Music by: Alan Silvestri Cast: Tye Sheridan, Olivia Cooke, Ben Mendelsohn, T.J. Miller, Simon Pegg, Mark Rylance, Letitia Wright, Clare Higgins, McKenna Grace, Julia Nickson (uncredited)
Village Roadshow Pictures, Amblin Entertainment, De Line Pictures, Farah Films & Management, Warner Bros., 140 Minutes
“People come to the Oasis for all the things they can do, but they stay for all the things they can be.” – Parzival
*There be spoilers here!
The first thing that people who read the book are going to ask is, “How much did they change?” The short answer is, “Everything.”
In fact, there is so much that has changed that it’s too much to list out. As my friend Greg said once the credits started rolling, “They should change it to say ‘vaguely inspired by Ready Player One.'” And that’s pretty much how I feel, as someone who read the book first.
The main thing that this film is lacking is heart and soul. The book did a decent job building up characters and making the first time meetings meaningful and sweet, the film just drops the real humans in with no warning, halfway through the story. In the book, none of these people actually meet until the very end, as they unite in the real world for the big final battle.
And for some reason, maybe because Spielberg is besties with George Lucas, this version has some sort of “rebellion” that already exists and abducts Parzival in an effort to get him to join. This leads to him meeting Artemis before the midpoint of the film. In the book, she’s so freaked out by her own appearance that she won’t actually meet Parzival until the very end. Here, her birthmark was something that could be easily covered up with foundation. I’ve seen plenty of girls who have looked far worse without makeup… hell, with makeup. And in a world where most people are poverty stricken and dirty with facial tattoos, the whole thing is ridiculous.
The biggest problem with the movie is it took a decent book with some good ideas and it made them worse. I was hoping that Spielberg could put his hand in the story and use his magic to fix up the weaker bits. But the story is so different than the book that those weak bits are gone. Sadly, they’re replaced with something much more superficial, artificial and monotonous.
Every time that something with real weight happened in this movie, it didn’t have the weight that it did in the book. I think the book benefits from having Wade/Parzival tell his story from the first-person point-of-view. The movie is just a movie without any narration, internal monologue or anything that can really add more the the story. You just don’t feel anything for these people, their situation or the events themselves. The film needs a lot more seasoning.
Additionally, the challenges were terrible. The first one is a motor race with a small detail no one was able to crack for over five years. Yet anytime a new video game comes out in the real world, our real world, some guy on YouTube finds all the Easter eggs and secrets within the first 24 hours of playing it. But in a future world where the population is probably double what it is now, where everyone is obsessed with solving the first challenge, not one single person thought to themselves, “I wonder what will happen if I drive backwards?” In reality, some noob would’ve done it by mistake and solved the puzzle.
The second challenge brought the characters into a recreation of The Shining but as cool as it was initially, it still didn’t measure up to the similar sequences in the book, where Parzival had to reenact a role in a film from start to finish. Whatever. We ended up with The Shining being populated by dancing, green glowing zombies for some reason.
The final gate was the closest to the original version but was still a heavily altered and simplified version.
One thing I was hoping would make it in the movie was the battle between Ultraman and Mechagodzilla during the big finale. Ultraman was replaced with a Gundam. Mechagodzilla was there but the design was something new and looked more like a generic metal dinosaur than any version of Mechagodzilla we’ve ever seen.
And what the hell was with Sorrento leaving his password right on his pod? Make your password something you can remember that way you don’t get easily hacked? You’re the top dog in the second largest corporation in the friggin’ world and you basically wore a t-shirt saying, “Please hack me! My password is…” I can’t accept the stupidity of this plot point, he’s not an assistant principal from a John Hughes movie. Plus, in the film they dumb him down and make him rely solely on the knowledge of his minions, as opposed to being savvy on his own and only calling for backup when stumped.
The film fails in comparison to the book and the book was hardly a literary classic. I could pontificate about all the shit I didn’t like and take this review to 5000-plus words but I think I’ve made my point about the negative side of the equation here.
On the side of positives there is sadly only really a few.
One, Mark Rylance was fantastic as Halliday and played the character in a way that was even better than what I saw in my own head while reading the book. He was really the only character I felt a connection to by the end of the film. Which is sad, as he’s barely in it.
Another positive is that it was fun in the right sort of way but it still wasn’t enough to make up for the soullessness and randomness of this adaptation.
I can’t think of another positive.
The biggest highlight of the film was the big battle at the end but it was still a mess. There were so many pop culture references running around on the screen that it was hard to focus on any one of them and you just sort of see this mish mash of shit where if the camera stops moving for one second, you might make out a Battletoad, Spawn, Ryu or a Ninja Turtle. But at least Chucky from Child’s Play got to kick some ass for a few seconds.
I don’t know, man. I had high hopes for this and I left the theater feeling empty and completely unemotional. This was like a vacuum that sucked everything out of me for well over two hours. I walked out of the theater a dumbfounded blank.
This film is like an excited toddler showing you all their toys by throwing them at your face with the speed of the Flash for two hours and twenty minutes. There is no real semblance of a plot, just toys bouncing off of your face and incomprehensible toddler rambling.
Also, Spielberg produces those terrible Michael Bay Transformers movies. This was the perfect opportunity to use accurate looking Autobots and Decpeticons. I mean, what the shit, dude?! You’re telling me the G1 versions of Optimus Prime and Megatron aren’t avatars in the Oasis?
Between the execution of this film and Spielberg’s weird comments about Netflix the other day, I think homeboy is starting to show his age.
Lastly, Zak Penn is awful. Truly, awful. How does he keep getting hired to write shit?
Rating: 4.75/10 Pairs well with: Maybe the novel it is “based on” but the book is superior.
Also known as: Chucky 3: El Muñeco Diabólico (Mexico), Chucky 3 (Germany) Release Date: August 30th, 1991 Directed by: Jack Bender Written by: Don Mancini Based on: characters by Don Mancini Music by: Cory Lerios, John D’Andrea Cast: Justin Whalin, Perrey Reeves, Jeremy Sylvers, Brad Dourif, Andrew Robinson
Universal Pictures, 90 Minutes
“Don’t fuck with the Chuck.” – Chucky
While there is a very slight variance in overall quality of the original Child’s Play trilogy of films, all three are pretty damn consistent and each has it’s own vibe. Plus, the sequels don’t just feel like rehashes of the original.
The thing that sets this one apart is that Andy is now 16 and enrolled in a military school, drastically changing the setting and opening the plot up for a myriad of new directions.
Chucky is resurrected because what is a Child’s Play movie without Chuck? He tracks down Andy to his military school but not before murdering the crap out of the CEO of the toy company that produces Good Guy Dolls.
However, Chucky meets the young boy Tyler. He realizes that he can tell Tyler his secret and take over his body instead of Andy’s. Although, Chucky still wants to murder Andy for being a total pain in the ass in the first two movies. So what we get here, is teenage Andy in a race against Chucky in an effort to save young Tyler’s soul.
This film gets really dark but the early Chucky movies showcased terror and dread over the humor that would take over the franchise after this film. There is a grisly garbage truck murder, some other really good kills and the big awesome moment where the teenagers playing war games don’t realize that Chucky switched out their paint rounds with real ammunition. We then get a great final encounter with Chucky in a carnival spookhouse.
I just love how dark and brooding this film seems. Sure, the first two films were also quite dark but this one just ups the ante atmospherically and it works. Plus, Brad Dourif just feels more at home in his Chucky role. His one liners are great but they don’t distract from the proceedings.
Rating: 8/10 Pairs well with: Anything with Chucky in it.
Also known as: Chucky 2: El Muñeco Diabólico (Mexico), Chucky 2 – Die Mörderpuppe ist zurück (Germany), Brinquedo Assassino 2 (Brazil) Release Date: November 9th, 1990 Directed by: John Lafia Written by: Don Mancini Based on: characters by Don Mancini Music by: Graeme Revell Cast: Alex Vincent, Brad Dourif, Christine Elise, Jenny Agutter, Gerrit Graham, Grace Zabriskie, Beth Grant, Catherine Hicks (archive footage)
Universal Pictures, 84 Minutes
“Surprise! Did you miss me, Andy? I sure missed you. I told you. We were gonna be friends to the end. And now, it’s time to play… I’ve got a new game, sport: It’s called “Hide the Soul”. And guess what? You’re it!” – Chucky
Child’s Play 2 is my favorite film in the Chucky franchise. While the first is probably considered the superior film in quality, this is the one that I think is the perfect Chucky movie and back in the day, this chapter resonated with me the most. So let me get into why.
To start, we know who and what Chucky is. In this film, he comes back to life and just goes for it. No waiting, no building of suspense for 45 minutes, just pure unadulterated Chucky, ready to kill anyone standing between him and his “best friend” Andy (Alex Vincent). And why? Because he needs young Andy’s body before his soul is permanently trapped in his doll form.
The true highlight of this film though, is the big grand finale in the Good Guy Doll toy factory. We get to see our surviving heroes run through mazes of dolls that look like Chucky. We get to see the heroes crawl through industrial machinery and try to outwit the pint-sized plastic killer. We also get to see Chucky get run through the ringer like never before and really, he’s never got his ass kicked quite like this again. Andy and his older foster sister Kyle (Christine Elise) make a formidable duo. I’m actually really glad that they are now both back in the franchise, two and a half decades later.
As a guy that has seen a shit ton of horror movies, the finale in Child’s Play 2 is one of the best final battles I’ve ever seen in the horror genre. Although, the county fair showdown in Child’s Play 3 is also pretty damn good.
I also like the casting in this film. The foster parents were Jenny Agutter, who I adored in An American Werewolf In London and Logan’s Run, and Gerrit Graham, who always makes me smile, even when he’s sort of just a snarky douche. I loved him in TerrorVision and C.H.U.D. II: Bud the Chud, as well as his multiple appearances in the Star Trek franchise. Then you have Beth Grant, who is always perfect, in a small role as an elementary school teacher that gets in Chucky’s way.
Child’s Play 2 is the peak of the original trilogy of films for me, back before the franchise got a lot more comedic with 1998’s Bride of Chucky. It’s a perfect Child’s Play film and has Chucky at his brutal best where he still gets in some funny one-liners without the film being overtly funny and still having a good amount of actual terror in it. And there is just something about that Chucky-Andy relationship that almost makes the Andy films feel like the only ones that actually matter.
Also known as: Blood Brother, Blood Buddy (both working titles) Release Date: November 9th, 1988 Directed by: Tom Holland Written by: Don Mancini, John Lafia, Tom Holland Music by: Joe Renzetti Cast: Catherine Hicks, Chris Sarandon, Alex Vincent, Brad Dourif, Dinah Manoff
United Artists, Metro-Goldwyn-Mayer, 87 Minutes
“Hi, I’m Chucky. Wanna play?” – Chucky
I remember the first time that I saw the Child’s Play trailer in the theater. I was nine years-old and it looked pretty terrifying. Now I wouldn’t see the movie in the theater but I did get to check it out as soon as it hit video store shelves in 1989. I was immediately hooked by the film and was always pumped whenever a sequel was coming out. Well, at least the first two sequels, both of which I also really enjoyed.
This is the original though and I didn’t really know what to expect when I first saw it. in modern times, people know Chucky as a killer doll that has great one liners and a sick sense of humor. In this original film, he’s pretty much just sick and blood thirsty, focused on two things: revenge and possessing young Andy’s body. What’s scarier to a kid than your toy coming alive and wanting to possess your body with voodoo? Okay, maybe if that toy was a clown.
The film was directed by Tom Holland fresh off of his success with Fright Night. It also re-teams Holland with his Fright Night star, Chris Sarandon. While this isn’t quite as fun and exciting as their previous movie, it did create a larger franchise, as Chucky has had seven movies to date while Fright Night had two and then a another two with a reboot series. But Chucky, as a character, deservedly had more longevity than Jerry Dandrige, the villain from Fright Night.
The first Child’s Play is scary and dark in a way that the others aren’t. Okay, the first three are really dark compared to the titles with “Chucky” in the name but this first film has a much more serious tone. Maybe after coming off of Fright Night, Holland wanted to put the comedy to the side. Also, the filmmakers probably weren’t aware at just how hilarious the character could be with Brad Dourif’s genius behind the voice.
The film is pretty well acted between Chris Sarandon and Catherine Hicks. Alex Vincent was really damn young but he was less annoying than most child actors and he did well with the dark material. I liked that he would go on to be in the first sequel and that he would return for the two most recent installments, where he is now an adult.
Child’s Play wasn’t the first killer doll movie but it popularized that tale, as many knockoffs would come out shortly after. None of them really have the same quality and sense of dread that this film has though.
This was a solid foundation for the franchise. Granted, I think I like the second film a little bit more but that’s because of that incredible final battle in the toy factory.
Published on: August 31st, 2010 Written by: Tim Seeley Art by: Stefano Caselli, Dave Crosland, Skottie Young
Devil’s Due Publishing, Image Comics, 300 Pages
Since it is just about time for Halloween, I wanted to revisit my favorite horror comic book series. No, it isn’t The Walking Dead, it is this great series by Tim Seeley and originally Devil’s Due Publishing (before Image Comics picked up the series).
I didn’t read Hack/Slash until the first omnibus was published. Since then, there have been five omnibuses to date, each coming in at around 300 pages, which equates to about ten regular sized comic books. This one covers the first several stories put to paper.
Hack/Slash follows Casey Hack, a girl who is an outsider that would rather hunt down slashers than try to conform to a normal life. She is aided by her very large sidekick Vlad, a Hulk-sized slasher looking guy in a gas mask. The slashers that she hunts are of the Hollywood variety. They aren’t just gimmicky serial killers though, they are essentially undead and incredibly hard to kill like Jason Voorhees or Michael Myers.
In this omnibus, we get the first story, see Cassie and Vlad’s origins and get to see them take on a myriad of evil slashers. We even get to see her face off against Chucky and Eddie the Head, the mascot of the thrash metal band Iron Maiden.
The stories are well-drawn and the plots are really entertaining. Hack/Slash uses a lot of humor to balance out the horror and dread. It feels like a true throwback to the 1980s slasher era and adds in a mix of Buffy the Vampire Slayer. Although, Cassie is much cooler than Buffy and Vlad is a better sidekick than any of the people from the Buffyverse.
This is one of my favorite comic book series of all-time and this is the best starting point for anyone who wants to check it out.
Rating: 8.25/10 Pairs well with: The other Hack/Slash omnibus collections.
Release Date: October 3rd, 2017 Directed by: Don Mancini Written by: Don Mancini Based on: characters by Don Mancini Music by: Joseph LoDuca Cast: Fiona Dourif, Alex Vincent, Michael Therriault, Adam Hurtig, Jennifer Tilly, Brad Dourif, Christine Elise (cameo)
“A true classic never goes out of style.” – Tiffany
I really thought that the Child’s Play franchise was going to die with Child’s Play 3 but then they started the more comedic turn and started putting Chucky’s name in the titles with the fun Bride of Chucky and the weird but entertaining Seed of Chucky. Then the series felt dead but nearly a decade later, we got the more serious Curse of Chucky, which was surprisingly good and felt like a return to the roots of the series.
Now we have this sequel, which seems to be walking a tightrope between the original Child’s Play trilogy and the more comedic Chucky movies. While this is a series with multiple personality disorder, Cult of Chucky does a decent job tapping both wells and presenting a happy medium.
This film is far from perfect and it doesn’t live up to the great precedent of the film before it but I did find it entertaining and amusing. It’s certainly worth a view if you are a fan of Chucky and this film series. It also brings back Jennifer Tilly and Alex Vincent, who gets a bigger role in this one and not just a cameo like the end credits scene of the previous film.
Fiona Dourif, daughter of Brad (the voice of Chucky), returns as Nica. She is still paralyzed from the waist down and bound to a wheelchair. However, she is now in a mental hospital due to the events of the previous film and for her being blamed for the murders committed by Chucky.
Alex Vincent steps back into the role of Andy Barclay, his first time playing the part, other than a brief cameo, since he was a child. For those who might not know, Andy was the original child protagonist that Chucky haunted in the first two Child’s Play movies. For a guy that doesn’t act a lot, especially since childhood, Vincent really held his own and did a good job in this. I hope to see even more of him in a future film.
This chapter sees Nica struggle in a mental institution. Early on she is moved from a higher security facility to a minimal security one where she can finally receive visitors. It doesn’t take long before Chucky shows up to torture her mind and the people around her. The big twist in this film, which is alluded to in the title, is that there is more than just Chucky to worry about. Now there are several Chucky’s and Tiffany is back in human form as Jennifer Tilly.
This entry into the Child’s Play series, sees the ante upped. At one point, we get three Chucky dolls working together and with his voodoo spells, you’re never quite sure who may have been infected with a piece of Chucky’s soul. Honestly, I was hesitant at this new plot twist but it paid off really well and added a good shot of adrenaline into the proceedings.
Cult of Chucky works but it just doesn’t hit the high quality mark of Curse of Chucky. Still, it is a good addition to the series and even seven pictures deep, I’m game for another one, especially with how this chapter ended.
Oh, and like the previous movie, there is a cool surprise after the credits.