Comic Review: Batman: The Dark Prince Charming

Published: 2017
Written by: Enrico Marini
Art by: Enrico Marini

DC Comics, 136 Pages

Review:

While not specifically labeled an Elseworlds tale, that’s what this is, as it is Enrico Marini’s take on Batman and the Joker with its own twists that don’t exist within the normal DC Comics continuity.

In this world, Batman apparently fathered a little girl after a one night stand. The Joker kidnaps the girl, thinking that he can blackmail Bruce Wayne into bidding on a fancy gem that Harley Quinn wants. Man, the story sounds really stupid now that I’m typing it out.

Overall, the plot is lame, not all that engaging and this seems to fit so far outside of the box of who these characters are that I couldn’t wrap my brain around it.

Hell, Jim Gordon is even seen vaping in this.

There is also a lot of humor thrown in but most of it isn’t funny and the jokes fall flat, immediately.

I’m not sure what the tone of the book is supposed to be as it feels all over the place.

However, I did enjoy the art. Marini has a cool style, even if he took some liberties with the looks of the characters.

I’m all for new creatives taking on the Batman mythos and doing their own version of it. It worked incredibly well when Sean Gordon Murphy did it with White Knight. However, here, it just feels like some edgy boi bullshit.

The art saves this from being a complete waste though.

Rating: 5.25/10
Pairs well with: other Elseworld tales featuring Batman.

Comic Review: Batgirl: Stephanie Brown, Vol. 1

Published: August 22nd, 2017
Written by: Bryan Q. Miller
Art by: Lee Garbett, Pere Perez, John Trevor Scott

DC Comics, 296 Pages

Review:

I wasn’t sure what to think going into this series. I mean, I always liked Stephanie Brown as Spoiler since she first popped up in the ’90s but I’m not too keen on anyone other than Barbara Gordon being Batgirl.

However, I’m really happy to say that this book impressed me and was a heck of an exciting read.

Stephanie Brown is just a fun character and in many ways she reminds me of Barbara Gordon before she became Oracle. She has a lot of energy and her personality is infectious and definitely comes right off of the page.

That being said, this is very well written. Bryan Q. Miller was hitting homers right out of the park with just about every issue of the twelve that are collected in this big volume.

Reading this now is also interesting because it all takes place in the era where Dick Grayson a.k.a. Nightwing was filling in for Batman. It creates an interesting dynamic between the characters and what they all think Bruce Wayne wanted for his legacy.

Barbara Gordon is in this as Oracle and she is essentially the new Batgirl’s Alfred. It’s a nice passing of the torch to Stephanie Brown and it sort of legitimizes her. As a reader and fan of Barbara, her acceptance of Stephanie translates to the reader who may have reservations about a new Batgirl.

All the story arcs within this served a purpose and it was neat seeing Stephanie grow in this role. The final arc, a four parter called Flood is the highlight of the book. It’s a story that features The Calculator as the villain and it calls back to one of the more important Oracle stories.

This book was cool. I dug the hell out of it and I can’t wait to read the second volume.

And man, the covers are beautiful.

Rating: 8.5/10
Pairs well with: the volume that follows this one.

Comic Review: Batman: Knightfall, Book III

Published: 1993-1994
Written by: Doug Moench, Chuck Dixon, Alan Grant
Art by: various

DC Comics, 645 Pages

Review:

Well, I should start this by saying that Knightfall, Book III was much better than Book II but it still wasn’t on the level of the vastly superior Book I.

Azrael is still Batman at the start of the story but Bruce Wayne comes back to claim the title and eventually outwits Azrael, exposing him as a total wackadoo. This surprisingly happens in the first third of this thick collection of issues. But I was fine with that, as Azrael’s horribly designed ’90s extreme cliche of a costume was hurting my eyes and my logical brain.

The second third of this book follows the aftermath of the massive Knightfall storyline while the last third of the book is a storyline called Prodigal.

I really liked the aftermath and Prodigal stuff, as even though Batman takes the mantle back, he then leaves and gives the reigns over to Dick Grayson, the original Robin and current Nightwing. Seeing Grayson as Batman with Tim Drake still as Robin was a neat experiment and was fun to read for fans of both of those characters.

There is a pretty large story involving Two-Face within the larger Prodigal crossover event and that was the highlight of this collection for me. But we also get good bits with Killer Croc, who hadn’t been seen since Bane broke both of his arms, and the Ventriloquist. I also enjoyed the Catwoman stuff.

Knightfall, Book III really salvages the gigantic epic after Book II kind of shit the bed. And in the end, I’m glad that I committed to reading the nearly 2000 pages of the Knightfall saga.

Rating: 7.5/10
Pairs well with: the other books in the Knightfall saga, as well as pretty much any Batman story from the ’90s.

Comic Review: Batman: Knightfall, Book II

Published: 1993-1994
Written by: Doug Moench, Chuck Dixon, Alan Grant
Art by: various

DC Comics, 643 Pages

Review:

I really loved the first book in this series. However, this one was a big drop off from the events of the first.

The main reason is due to Batman not being in this book until the very end. This was the ’90s and Azrael was Batman and he was a walking ’90s cliche in the worst way possible. For a fan of what Batman is and what the spirit of his comics are, this doesn’t fit that mold.

Now I get that this “breaking of the mold” schtick was intentional, it just doesn’t make for good reading outside of a decade where violent antiheroes were the norm. I understand why people are nostalgic for this huge mega event that spanned a year or so but I didn’t read this when it was current and I’m looking at it with fresh eyes.

The fault doesn’t necessarily fall on the writers as there are things I enjoy about the writing but Azrael is such an unlikable asshole, which he’s supposed to be, that I want to see him fail and I can’t cheer for him. But being that he is the star of this saga, at this point, really bogs the overall tale down.

Plus, I hate his costume, it’s hard on the eyes, completely nonsensical and where are the other heroes in the DC universe that wouldn’t let this guy operate like a maniac. Doesn’t Tim Drake have Superman’s phone number? Robin is just sitting around waiting for Bruce to come home? Why doesn’t he talk to Gordon about it and develop a plan to bring in the Justice League?

I think that this also suffers from a complete lack of Bane, who was defeated at the end of Book I. I guess I had always assumed that Bane as a threat stretched across all three giant books in this saga.

This installment is also mostly devoid of villains that we know and care about. It’s as if new villains were brought in to establish a new generation of rogues for Azrael to face but they all mostly fall flat and weren’t really seen again or in any significant way after this lengthy epic.

In the end, Bruce Wayne comes back to Gotham and is disgusted by how his legacy has been handled by his hand picked successor. So hopefully the third book gets things back to form. But at the same time, why in the holy hell did Bruce Wayne choose Azrael to be the next Batman? His track record before this was shit.

Anyway, I’m hoping that the third and final book rights the ship.

Rating: 6/10
Pairs well with: the other books in the Knightfall saga, as well as pretty much any Batman story from the ’90s.

Comic Review: Batman: Knightfall, Book I

Published: 1993-1994
Written by: Doug Moench, Chuck Dixon, Alan Grant
Art by: various

DC Comics, 634 Pages

Review:

I’ve put off reading the Batman: Knightfall saga for so long because of two reasons. It’s spread out over three massive books and each of those books is pretty pricey. However, Comixology now has the first book available for free to Unlimited subscribers and they just had a big sale on the other two books. So I was able to get this whole thing for about $8.

So now that I have this series in my possession, I can start reading all 2000-plus pages of it. Yes, it’s a real monster – big enough to rival the mass of Bane on the cover.

Over the years, I’ve acquired a few of the issues within this massive saga but it started to come out as I was going into high school and I moved to a much smaller town where I couldn’t buy comics. So I never really got to read it, even though I’ve come to know the story fairly well.

The story, mostly penned by Doug Moench and Chuck Dixon, is quite good. There are a lot of layers to this massive story, as there should be due to how much material it has between its covers. However, some things do feel a bit rushed, as there isn’t much build worked in to the major plot developments.

For instance, Batman is broken pretty quickly in this saga. And then Azrael is given the mantle of Batman and immediately, he acts like a psycho in how he fights crime. He’s a dick to Robin, he almost lets a kid die to pursue the baddie and he retrofits the Bat-suit with claws and spiky, metal shit. I think it would have enriched the story to show Azrael slowly slip into this aggressive new Batman.

Still, that doesn’t hinder the book very much, as there are so many other characters and situations to track through this volume’s 634 pages.

I was surprised to see Azrael actually defeat Bane in this book, as it is only the first third of the saga. So I don’t really know what that means going forward and I was pretty sure that Bane’s fall would be at the end of this huge saga.

This is absolutely quintessential ’90s Batman though. And that’s really what’s so great about it. Bane is the perfect villain for this era and Azrael is a very ’90s twist on heroism. I even enjoy Azrael’s cringeworthy Bat-suit because despite its awfulness and nonsensical design, it fits the era.

Additionally, the art in every issue collected in this giant piece of work is damn good. I’ve always been a big Graham Nolan fan and his work here is some of his most memorable.

I’m glad that I finally read this. It exceeded any expectations I had for it, even if I thought the narrative was choppy in parts. But I also attribute some of that to this story being a big crossover with multiple writers.

If you haven’t read Knightfall, you probably should.

Rating: 9.25/10
Pairs well with: the other books in the Knightfall saga, as well as pretty much any Batman story from the ’90s.

Film Review: Batman: The Dark Knight Returns (2012-2013)

Release Date: September 25th, 2012 (Part I) and January 29th, 2013 (Part II)
Directed by: Jay Oliva
Written by: Bob Goodman
Based on: Batman by Bob Kane, Bill Finger, The Dark Knight Returns by Frank Miller, Klaus Janson
Music by: Christopher Drake
Cast: Peter Weller, Ariel Winter, David Selby, Wade Williams, Michael Emerson, Mark Valley, Paget Brewster, Grey DeLisle, Michael McKean, Bruce Timm, Frank Welker, Conan O’Brien, Andy Richter, Tara Strong

DC Entertainment, Warner Bros., 76 Minutes (Part I), 76 Minutes (Part II), 148 Minutes (Deluxe Edition)

Review:

“You don’t get it, son. This isn’t a mud hole. It’s an operating table. And I’m the surgeon.” – Batman

When I see that there is a new DC Comics animated adaptation of a famous comic book story coming out, I usually don’t get too excited. The reason being, most of them take tremendous liberties and just sort of do their own thing, ignoring the story they’re “based” on and making the whole thing nothing more than a bullshit marketing scheme to sell more Blu-rays.

I guess that’s why I was pleasantly surprised by this film, a true adaptation that really captured the spirit of Frank Miller’s most famous Batman story.

I put off watching this for a very long time and I only gave it a shot because a friend of mine that actually reads comics told me it was definitely worth my time. He wasn’t wrong.

This film does a fine job of capturing the magic of Miller’s story and it also has some solid homages to the imagery of the famous comic.

I guess my biggest gripe is that even though the animation is really good, it sort of just looks like the other DC Comics animated features. DC has a specific style to its animated films and this falls in line with it. For what this project is and what it represents, I fell as if the art should have been closer to the style and tone of the actual comic. This took a big step forward from a narrative standpoint but the visual style really should have been unique, grittier and more in line with Frank Miller’s art.

I also wasn’t crazy about the length of this but that’s really my own problem, as I start to tune out when watching animation for too long. I don’t really know how this could have been edited down and because it adapts a very rich story in a really great way, I’d leave it alone. It fills the time well and there really isn’t a dull moment.

The voice actors were all superb. Peter Weller was perfect as an old Batman and Ariel Winter, who had to have been really young when this was made, was very convincing as the Carrie Kelley version of Robin.

I’ve watched a lot of DC Comics animated stuff since the ’90s and this is certainly in the upper echelon of the things they’ve put out.

If you love The Dark Knight Returns in comic book form, this shouldn’t disappoint.

Rating: 9/10
Pairs well with: the other recent DC animated Batman and Justice League films.

 

Film Review: Batman Ninja (2018)

Release Date: March 24th, 2018 (Anaheim premiere)
Directed by: Junpei Mizusaki
Written by: Kazuki Nakashima
Based on: Batman by Bob Kane, Bill Finger
Music by: Yugo Kanno
Cast: Tony Hale (English dub), Tara Strong (English dub), Kōichi Yamadera, Wataru Takagi, Ai Kakuma, Rie Kugimiya, Hōchū Ōtsuka

DC Entertainment, Kamikaze Douga, Yamatoworks, Barnum Studio, Warner Bros., 85 Minutes

Review:

“This is madness.” – Batman

Yes… yes it is, Batman.

The only reason I checked this out is that it’s on the DC Universe app, which I now have and am trying out. Other than that, I didn’t have much interest in this.

However, some of the character designs looked cool and I thought that this might just be bonkers enough to be enjoyable. The problem is that I only made it about twenty minutes into the film before I regretted hitting the play button.

Cool and interesting character designs don’t mean much outside of a sketchbook of conceptual art. You have to apply these cool looking characters in an engaging and dynamic way and this anime fails to do just that.

This movie is a clusterfuck of biblical proportions and I’m pretty sure that the creators behind this had no idea what the hell they wanted to do apart from throwing a bunch of cool looking shit on screen just for the sake of throwing a bunch of cool looking shit on screen.

The story is all over the place, makes little sense, I can’t tell what the hell is happening through most of the film and there’s a big mecha battle because this is Japanese and it can’t exist without a big mecha battle.

This is a bunch of cool, unrelated shit thrown into a blender without little care as to whether or not it would blend well and be enjoyable, let alone remotely palatable. I had an uncle that had throat cancer and for awhile, he had to blend up every meal. His face while drinking his meals was similar to mine while trying to drink in this movie.

Batman Ninja is abhorrent and it should not have been made. It’s existence reminds me of the most famous of all of Dr. Ian Malcolm’s quotes: “Your scientists creators were so preoccupied with whether they could, they didn’t stop to think if they should.”

Rating: 3.75/10
Pairs well with: terrible to subpar anime.