Also known as: The Scaremaker
Release Date: June 20th, 1982
Directed by: Robert Deubel
Written by: Joe Bolster
Cast: Julia Montgomery, Hal Holbrook, Rutanya Alda, James Carroll, Carrick Glenn, Richard Bright, Rutanya Alda
Independent International Pictures, 96 Minutes
“Whore!” – The Dancing Bear
This is one of those films that I didn’t even know about until recently, as slasher pictures were a dime a dozen in the 1980s and this one isn’t particularly good, other than a few things I found to be amusing.
The biggest thing that this film has going for it, other than Hal Holbrook being a sole campus cop dealing with murdered babes, is that the killer wears the school’s mascot costume. What we have, is a psycho dressed as a dancing bear. However, the bear has a makeshift bear claw comprised of serrated steak knives that he uses to shred college girls as he calls them “whore” and “slut” or my favorite line of the film, “Bitch! You bitch! Time to pay the price for being a slut!”
Girls Nite Out doesn’t feature any notably successful teens. Well, there is Julia Montgomery, who was in Revenge of the Nerds and two of its three sequels. Also, the super beautiful Carrick Glenn is in this. Her only other notable film was The Burning. She kind of disappeared after this film, which sucks. I thought she seemed like a cool chick that could do better things than where she was when she stopped acting.
As far as the teens go, they were all fairly unusual and goofy but it worked in a really entertaining way and at the very least, they all stood out in different ways and made the movie more playful than it otherwise would have been. There was great chemistry and camaraderie with the cast and it looked like a film where they were all having fun on and off camera.
The real problem with the movie, is that it is just such a cookie cutter slasher flick and it doesn’t do anything notable or new other than having a killer in a bear suit. However, there is a twist ending that I thought worked pretty well, even if everything leading up to it was sort of basic bullshit.
I do feel that the movie was a missed opportunity for the writers to come up with some really fantastic bear puns. If I wrote this thing, I’d be dropping puns all over the place. “Who do you think murdered these babes?” “I don’t know, deputy. But this is certainly… grisly.” Or something like “Hey, aren’t you that nerd from my civics class?” “No! But I’d like to express my right to bear arms!” “Arghhhhh!!!” Or how about “If you thought that was bad, bitch… you’re going to find what happens next… un-bear-able!” Or after hitting on some slutty chick at a party he says something like, “You’re too clingy, I’m going to have to claw my way out of this relationship!”
Such a missed opportunity for great bear puns.
Anyway, Girls Nite Out isn’t a total waste, even without those bear puns but it could have been much better. Hal Holbrook automatically improves just about anything and the teens were better than typical slasher fodder. There could have been a bigger emphasis on boobage and more creative killings but a bear mascot with a knife hand, two years before Freddy Krueger, is pretty creative.
Release Date: May 8th, 1981
Directed by: Tony Maylam
Written by: Brad Grey, Tony Maylam, Harvey Weinstein, Bob Weinstein, Peter Lawrence
Music by: Rick Wakeman
Cast: Brian Matthews, Lou David, Leah Ayres, Brian Backer, Larry Joshua, Jason Alexander, Ned Eisenberg, Carrick Glenn, Fisher Stevens, Holly Hunter
Miramax Films, Filmways Pictures, 91 Minutes
“You’re crazy.” – Karen, “Yeah, I know. Crazy for you.” – Eddy
Sure, The Burning was made to cash in on the success of the previous year’s smash hit, Friday the 13th. In fact, the whole 1980s slasher genre was just riding on the coattails of Friday the 13th and Halloween but that doesn’t take away the fact that The Burning is a pretty good film in its genre and I would dare say, a classic.
Sadly, it is underappreciated today and maybe it wasn’t even that appreciated when it came out, as it was one of many Friday the 13th clones lost in a sea of teenage blood.
In this slasher picture, there is a summer camp caretaker named Cropsy. Some teenage boys decide to play a prank on him late at night. The prank has disastrous results, as the frightened Cropsy accidentally sets himself and his home on fire. He nearly burns to death but falls into the river. Years later, he returns to the camp to get murderous revenge. Of course, he doesn’t just look for the teens who pranked him, he just goes on a killing spree of all teenagers because that’s what you do in a slasher film.
There are a few highlights to this film. The first being the cast.
Several people here would go on to be pretty notable stars. George Costanza himself, Jason Alexander, is in this, slimmed down and with a full head of hair. It is actually weird seeing him very un-Costanza-like. He is almost a cool jock type, which is pretty amusing.
The film also features Leah Ayres, who might be more recognizable as the leading lady in the Jean-Claude Van Damme classic Bloodsport. There’s also Brian Backer, who I will always love for his role as “Rat” in Fast Times at Ridgemont High and his one-off appearance in Police Academy 4: Citizens On Patrol. You have Fisher Stevens, who would star in the two Short Circuit movies and play the villain in Hackers. Ned Eisenberg, a guy who is in just about everything, plays the generic teen asshole that exists in every proper slasher flick. I also have to point out Carrick Glenn, who didn’t do very many movies, but really steals the show in this and not just because of her bare boobs. The biggest star of this thing, other than Alexander, is Holly Hunter. While her role here is far from massive, she would go on to have a hell of a career.
Another highlight is the special effects and the makeup. This thing was essentially made on a limited budget but the practical effects are absolutely top notch. I actually think the effects in this are superior to the much more famous Friday the 13th. The burnt flesh of Cropsy is fantastic and his face is truly disgusting without looking cheesy or having to be visually obscured to hide some sort of cosmetic imperfection. The raft murder scene is particularly well done, especially the killer’s point-of-view shot where he chops off Fisher Stevens’ fingers.
While so many slasher flicks miss the mark, The Burning just gets it. I’m kind of surprised that this didn’t generate sequels, as Cropsy was a spectacular slasher, his origin story was simple but well-handled and the overall vibe of the picture was a good balance of creepy and fun.
That final pursuit scene, through the woods, is one of the best in the genre, even if Brian Backer was the intended victim and not a damsel in distress. Granted, he was still a damsel in distress and required rescuing from the bad ass male hero. But the ending does make it rather unique, as there isn’t a scream queen present.
The Burning is a remarkable picture for what it is. While it isn’t as beloved, to me, as the entirety of the Friday the 13th film series, I do enjoy it more than the first couple movies in that franchise. It is kind of hard to top Friday the 13th parts IV and VI. However, The Burning is an example of how good a slasher picture can be, even if the vast majority of them are just rehashes of a few that came early in the genre.