Original Run: August 30th, 2019 – current
Created by: Rene Echevarria, Travis Beacham
Directed by: various
Written by: various
Based on: A Killing On Carnival Row by Travis Beacham
Music by: Nathan Barr
Cast: Orlando Bloom, Cara Delevingne, Simon McBurney, Tamzin Merchant, David Gyasi, Andrew Gower, Karla Crome, Arty Froushan, Indira Varma, Jared Harris, Alice Krige
Siesta Productions, Legendary Television, Amazon Studios, 8 Episodes (so far), 5-67 Minutes (per episode)
It took a few episodes for this show to kind of hit any sort of stride. Around episode three or so, I thought I would like it, as it was coming together in an interesting way.
However, I couldn’t finish the first season and it was only eight episodes.
The problem with this show is not that it deals with political and social issues, it’s that it bashes you in the face with them, again and again. It’s so heavy-handed that I don’t even know how it can physically lift its arms to hit its audience and clobber them with narratives and tropes that feel extremely outdated and tired.
That being said, the acting is pretty damn good and this is a really good looking show in regards to its atmosphere, special effects and its rich world. But all that is destroyed by its predictable and tiresome agenda.
Carnival Row is a show that thinks its audience is stupid. It thinks it needs to spell everything out for you constantly because you’re not smart enough to connect dots and understand metaphors. It has to hold your hand like you’re an idiot toddler and drag you through its woke muck.
This feels like it was written by first year film school students with an axe to grind but their professor was too scared to tell them that they’re making trash because college kids today will just get them fired with a hashtag whether or not there is actually just cause in doing so.
Color me disappointed. I saw the trailer, thought this looked really interesting and I was on a high after Amazon Studios just gave us The Boys. Also, I like Orlando Bloom, Cara Delevingne and Jared Harris. But they aren’t able to make this even remotely palatable in its full form.
Pairs well with: other modern fantasy television, none of which I’m crazy about.
Release Date: July 17th, 2017 (TCL Chinese Theatre premiere)
Directed by: Luc Besson
Written by: Luc Besson
Based on: Valérian and Laureline by Pierre Christin, Jean-Claude Mézières
Music by: Alexandre Desplat
Cast: Dane DeHaan, Cara Delevingne, Clive Owen, Rihanna, Ethan Hawke, Herbie Hancock, Kris Wu, Rutger Hauer
EuropaCorp, Fundamental Films, BNP Paribas Fortis Film Finance, Universum Film, Gulf Film, River Road Entertainment, Belga Films, STX Entertainment, 137 Minutes
“I didn’t come here to get a makeover.” – Laureline
Going into this, I had no expectations either way. Part of me wanted this to be a true spiritual successor to Luc Besson’s classic The Fifth Element, which is twenty years old this year. Another part of me sort of expected this to follow the trend of Besson’s modern work, which has been hit or miss but mostly miss. Valerian and the City of a Thousand Planets is both of these things.
Is it on the level of The Fifth Element? No. But it does channel that film in its subject matter, visual flair, bizarreness and creativity.
The film starts out strong and really gets you into the spirit of what it’s trying to do. Unfortunately, once the main actors show up, it takes you out of the picture. I don’t necessarily blame them but the quirky dialogue that they had to work with was pretty awful. They also completely lacked chemistry and just looked like two fish out of water when they were forced together. It was like watching two young kids trying to be witty and cool while trying to be into each other but you knew they were probably just dating because of social pressure from kids cooler than them.
I’m not sure why but Dane DeHaan just doesn’t do anything for me. People seem to love this guy but I don’t get it. Most of the time, he talks like he is trying to channel some sort of cool inner bad ass but it just sounds like a teenager trying to act tough. His voice sounds like it isn’t even confident in its delivery. It’s like he’s a weakling playing the part of a bad ass and that he’s terrified that he’ll be exposed at any second for not being a cool tough guy. It brings me back to when he played Harry Osborn a.k.a. the Green Goblin in The Amazing Spider-Man 2, I kind of just want to smack him and tell him to go to his room. And if you want to compare this to The Fifth Element, he doesn’t have a tenth of the presence or personality of Bruce Willis.
Cara Delevingne is better than DeHaan in this but she still needs more experience before taking over the reigns of a film. However, my favorite part of this movie was when DeHaan was briefly taken out of the picture and Delevingne took over in an effort to find him and rescue him. I’d actually prefer her in a solo film, to be completely honest.
The biggest problem with this movie is not the acting, dialogue or the directing. What killed this movie for me is that it seems like a collage of really cool visual shit mixed up in a nonsensical way. The story was all over the place and just seemed like it was there to string together a bunch of random scenes that would have worked better as shorts or music videos. The plot was confusing and hard to follow throughout most of the picture. When you get to the end, there is a lot of over-explanation as to what is going on in an attempt to make sense out of the two hour mess before the big climax.
Valerian is absolutely beautiful and imaginative but that is all it is. It is a film that showcases so much potential but fails to do anything with it. It was poorly written, poorly directed, poorly acted and poorly executed. Even Clive Owen and his iron gravitas could not save the picture.
And ultimately, the best thing about the movie is the opening sequence which features humans and aliens coming together over generations, set to the tune of David Bowie’s “Space Oddity”.
I also find it odd that this film completely whitewashes the Avatar aliens and no one cares.
Release Date: August 1st, 2016 (Premiere)
Directed by: David Ayer
Written by: David Ayer
Based on: Characters from DC Comics
Music by: Steven Price
Cast: Will Smith, Jared Leto, Margot Robbie, Joel Kinnaman, Viola Davis, Jai Courtney, Jay Hernandez, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Scott Eastwood, Cara Delevingne, Ben Affleck, Ezra Miller
DC Entertainment, RatPac-Dune Entertainment, Atlas Entertainment, Warner Bros., 123 Minutes (theatrical), 136 Minutes (extended cut)
Let me start by saying that I am really glad that I didn’t pay to see this movie in the theater. From the awful trailers, I expected this to be pretty bad. Well, it somehow managed to exceed the negative expectations I had for it.
It sucks, because on paper, this is a movie I should have loved. I really wanted it to be great. But ultimately, it goes to show that DC has no idea how to make a movie unless Christopher Nolan is in charge of it. I mean, between this, Batman v Superman: Dawn of Justice and Man of Steel, I already want DC to start over.
I watched the extended cut of the film, as I heard that it fleshed things out and made the story more coherent. It did? Because what I got was a very disjointed clusterfuck that made little-to-no sense at all. The film was hard to follow due to its inconsistent pace, awful editing and never really being able to explain what is happening on screen in any sort of intelligible way.
The biggest issue with this picture isn’t that it is a giant mess that plays more like a series of vignettes. The biggest issue is that it is trying so damn hard to be cool and edgy.
First is the music. Yes, there are great and iconic songs in this movie. However, they’re all songs already used in other films, in other iconic scenes. It’s like David Ayer made a Pandora station called “cool music from cool movies” and then just used the first twenty tracks that played. It was really a piss poor use of those songs and their usage doesn’t make much sense, for the most part, except to establish, “Look how cool we are using this cool song that everyone knows is cool! Aren’t we fucking cool?! C’mon, we’re cool, right?!”
Apart from the pop tunes, the score of the film is boring and generic. Suicide Squad is another movie, in a long line of blockbusters, that can’t give us any memorable themes to sink our teeth into. Long gone are the days of Danny Elfman’s Batman theme, John Williams’ Superman theme and a slew of others.
Then you had Will Smith’s Deadshot, in 2016, dressed like a cool character from a 70s blaxploitation flick. Killer Croc only cared about having BET in his cell, El Diablo had to play up the Mexican gangster card to the max and everyone else was too uninteresting to matter.
Harley Quinn was tolerable but pretty one-dimensional. The film does nothing really to show how she falls for the Joker. There are just a few flashbacks but they aren’t even that important. Sure, she proves her love by jumping into a vat of chemicals but why? Where is the build to that? How did she go from a presumably normal psychiatrist to Harley Quinn? I mean, I know, because I read the comics. But it is obvious from Suicide Squad that the people behind the movie never read them or just didn’t care enough about the character to give her life.
The Joker was awful. You had him covered in juvenile tattoos unfitting of the character. The Joker also had fronts in his teeth while being some sort of nightclub owner that cared about supercars and living in opulence. The Joker was also more of a wannabe punker trust fund kid than anything that felt Joker-like, at all. It was like some angry rich emo teen saw the real Joker on television and did his best trying to emulate him, all while never actually understanding the character. Wait, this is Jared Leto playing the Joker, so this is exactly what happened in real life.
The villain is the Enchantress. She is a boring villain. Granted, she is super powerful but that just makes me wonder why this “suicide squad” of extremely dangerous villains, mostly without superpowers, is sent to take her down. Where is Batman? Where is Wonder Woman? Aquaman? The Flash? Superman is “dead”, if this fits in the timeline after Batman v Superman. But seriously, wouldn’t any of those people be more capable and experienced? And the leader of this squad is a guy who has an emotional attachment to the villain? So the one good guy holding it together and trying to control these villains, is an emotionally unstable wreck?
The writing in this film sucks. The dialogue sucks and just serves the overall point of this whole film, “Ooh, ooh! Look how cool we are!”
The movie is also over two hours, which was too long. It should’ve been 90-100 minutes. 105, max. There was so much useless garbage scene-wise. Maybe the problem is the fact that they don’t even set off on their mission until 43 minutes into the picture.
What really sucks, is that the Suicide Squad was already on the CW show Arrow. They were handled really well and their story was building good momentum. Then because of this film being made, DC told the producers of Arrow to nix those characters. So a really good live-action version of the Suicide Squad was sacrificed to give us this shitty film.
David Ayer made a really bad movie. But that doesn’t seem to matter, as DC is letting him make a spin-off called Gotham City Sirens. That film is supposed to feature Harley Quinn and other female Batman villains.
It takes a lot for me to really hate a film. I hate this film. Comic book films have jumped the shark and at this point, it feels like exploitation of the original creators’ characters for a quick buck. DC Comics has yet to make a film that has any sort of soul. Suicide Squad is the worst of them, so far. I want to give Wonder Woman and Aquaman a chance but man, am I losing faith. Not that I had much since Man of Steel.