Comic Review: Secret Invasion

Published: 2008
Written by: Brian Michael Bendis
Art by: Leinil Francis Yu, Gabriele Dell’Otto (cover)

Marvel Comics, 218 Pages

Review:

Secret Invasion came out after a series of good storylines from Marvel like Civil War, The Death of Captain America and the feud between the two Avengers teams that followed Civil War. I guess this was supposed to be a good payoff for sticking through that solid run of most of Marvel’s major titles. However, this was mostly a clusterfuck that created more problems than the Marvel continuity needed.

This was ambitious, damn ambitious.

Brian Michael Bendis’ ambition really overreached, though, and this mega event became a jumping off point for me back when it was coming out. After a few issues, I dropped it an never looked back.

Since years have passed and Marvel has gotten even worse, I thought that I might enjoy this a bit more and since I never actually finished it the first time, I wanted to give it another shot.

This is just one of those ideas that sounds good on paper but once you start really fleshing it out, you know it’s not going to work. Well, Bendis should have figured that out on his own, especially since the industry considers him a legend.

The biggest problem with this mega event is that it could have worked on a smaller scale. We could’ve seen that the Skrulls had infiltrated the superhero community, replacing some heroes with themselves in disguise. It didn’t need to be so damn grandiose where nearly half the heroes were just Skrulls in hiding. The conspiracy was too big and thus, came across as really fucking dumb.

In fact, this would’ve been much better had the Skrulls just replaced a few key people and there were still less than a handful in disguise. When you expect half the heroes to be impostors, the reveals of who is who loses its impact and you’re left with a half-assed handjob from a drunk instead of great sex from a pretty hot sexual partner.

In the end, when half the characters were impostors, it poses too many questions that just break continuity and it’s way too hard for editorial to keep track of, especially editorial from this era or any after.

Someone really should’ve grabbed Bendis by the shoulders and shouted, “Scale this the fuck down!”

Rating: 4.5/10
Pairs well with: other Marvel mega events.

Comic Review: Civil War

Published: April 11th, 2007
Written by: Mark Millar
Art by: Steve McNiven

Marvel Comics, 196 Pages

Review:

I loved Civil War when I first read it over a dozen years ago. It reignited my interest in Marvel Comics and I stuck with a lot of the core stories that were born out of these events.

For those that don’t know, this pits two factions of superheroes against each other: one group led by Captain America and the other led by Iron Man. It would also go on to inspire the movie Captain America: Civil War, nine years later.

Cap’s group is against a new law that would force superheroes to give up their secret identities and become agents of the government. Iron Man agrees with the law, after a group of C-list heroes are responsible for the deaths of hundreds of children. Spider-Man, the third central character, starts the story on one side and then switches after certain events give him newfound clarity.

The story, the idea and its execution are near perfect. In fact, I’m not sure how this wasn’t a story idea before this, as it seems like a natural development for the superhero genre. Regardless, Mark Millar penned magic here and this is, hands down, one of the greatest mega events in comic book history.

Having just read two of DC’s massive Crisis events and seeing how they were massive clusterfucks, this is the complete antithesis of those and goes to show how much better Marvel is (or was) at bringing a massive group of characters together.

I also really enjoyed Steve McNiven’s art and it fit the tone well. McNiven was one of the top artists at the time and his talent was put to great use here.

My only negative takeaway is that this story should’ve been longer than seven issues. It felt like there was a lot more story to tell. But then again, there are literally dozens of Civil War tie-ins that you can read for more context and to see what other heroes were up to during this saga. From memory, a lot of them were also pretty good.

Rating: 9.5/10
Pairs well with: all the other Civil War crossover tie-in trade paperbacks, as well as The Death of Captain America.

Comic Review: Super-Villains Unite: The Complete Super-Villain Team-Up

Published: March 4th, 2015
Written by: various
Art by: various

Marvel Comics, 458 Pages

Review:

This was a comic book series that I had wanted to read for a long time. I was collecting all of the single issues, in an effort to get the whole shebang before reading any of them, as I wanted the full experience.

However, I found the beefy collected edition at Ollie’s Bargain Outlet for like $4.95. So I couldn’t pass up that deal and because tracking down the whole series, as well as its crossovers was taking some time.

Anyway, this wasn’t exactly what I had hoped it was but it was still a really fun comic, especially as a fan of Doctor Doom, who is mostly the main character, alongside Namor, throughout the series’ run.

What I had hoped (or assumed) this was, was a book that put two villains together like a tag team in an effort to see them fight their regular nemeses. I expected more of a mix up of villains but the vast majority of this pairs Doom and Namor. And honestly, most of the time, they’re at odds with each other, so “team-up” isn’t all that accurate.

Other villains come into the series towards the end. We get to see Red Skull, Arnim Zola, The Hate-Monger, Magneto and a few others. But most of this is Doom having schemes that typically involve Namor. It pits them (well, mostly Doom) against superhero teams like The Avengers, the Fantastic Four and the ’70s version of The Champions but it also sees Doom come into conflict with other major villains.

For the most part, this is a really fun and energetic series that highlights what was great about ’70s Marvel. However, the series kept switching writers and artists and some of the issues aren’t nearly as great as the more solid ones.

It’s definitely better written in the first few issues, as those duties were handled by the great Roy Thomas. Towards the end, the book gets more exciting, as a lot of characters get wedged in but the earliest stories were just better written tales.

All in all, this is definitely worth picking up for those out there that are into ’70s Marvel and/or Doctor Doom. If you can find the collected trade paperback for as cheap as I got it, you should definitely pick it up and give it a shot.

Rating: 7.5/10
Pairs well with: the Avengers and Fantastic Four comics of the ’70s.

Film Review: Captain Marvel (2019)

Release Date: February 27th, 2019 (London premiere)
Directed by: Anna Boden, Ryan Fleck
Written by: Anna Boden, Ryan Fleck, Geneva Robertson-Dworet, Nicole Perlman, Meg LeFauve
Based on: Captain Marvel by Stan Lee, Gene Colan, Carol Danvers by Roy Thomas, Gene Colan
Music by: Pinar Toprak
Cast: Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Djimon Hounsou, Lee Pace, Lashana Lynch, Gemma Chan, Annette Bening, Clark Gregg, Jude Law, Kelly Sue DeConnick (cameo)

Marvel Studios, Walt Disney, 124 Minutes

Review:

“You are Carol Danvers. You were the woman on that black box risking her life to do the right thing. My best friend. Who supported me as a mother and a pilot when no one else did. You were smart, and funny, and a huge pain in the ass. And you were the most powerful person I knew, way before you could shoot fire through your fists.” – Maria Rambeau

This was the first Marvel Cinematic Universe movie that I didn’t see in the theater. Frankly, it looked boring and unimaginative and it really has nothing to do with the controversies surrounding the film regardless of what side of the argument your fanboy/girl heart lies on.

Seeing it now, I wasn’t wrong.

This is a drab, mostly pretty boring film. Also, it looks cheap compared to other Marvel movies. This looks more like an episode of a CW superhero show than a film produced by Disney and Marvel. And it’s kind of underwhelming and depressing, really. Especially since this had its fair share of outer space stuff, which Marvel has handled exceedingly well with Thor: Ragnarok and both Guardians of the Galaxy outings.

I think part of the problem is that this film had too many creatives trying to steer the ship. It had two directors and five writers. Fuck, guys… just pick a team of a few people like your best movies and let them make the magic happen. Films made by committees rarely wow anyone.

In regards to Brie Larson, she is, as I’ve said in reviews of other films, a charisma vacuum. She makes charismatic actors around here give uncharismatic performances. Sam Jackson and Jude Law are typically very charismatic and fun to watch. Here, they’re about as entertaining as sleeping dogs.

Throughout this entire film, Brie was told that she’s too emotional yet she barely shows any actual emotion and just delivers her lines with a blank face in monotone. She also does this juvenile smirk all the time that just makes her look like a middle aged soccer mom thinking that she’s still youthful, cute and wishes she was still in high school so she could cozy up to the mean girls.

If this film wasn’t part of the larger MCU canon, it would have come and gone and been completely forgotten already. It’s not even bad to where people can talk for years about how much of a shitshow it was like Catwoman. But this is the future that Disney apparently wants and between this dead on arrival, boring ass film and the slapped together, clusterfuck that Avengers: Endgame was, makes me think that the MCU‘s expiration date was 2019, just a year after it celebrated it’s 10th anniversary.

Usually for a film of this caliber, I’d have a lot more to say. But there isn’t much to talk about with this one. It’s a waste of time, it carries an obvious agenda with it and like things that are trying to be political statements, it fails at conveying that message in a meaningful or genuine way.

Plus, everyone and their mother has torn this film apart already. I don’t think it’s as bad as many people do but it’s certainly a soulless, unemotional, pointless film more concerned with its place in history and trying to challenge societal ideals in the laziest way possible than it is trying to be a fun, escapist piece of entertainment.

But hey, this isn’t as bad as Joss Whedon’s Avengers: Age of Ultron, which still takes the cake as Marvel’s worst. I would put this in my bottom two or three though.

Rating: 5.5/10
Pairs well with: Everything else in the MCU, I guess.

Comic Review: Avengers: Kree/Skrull War

Published: 1971-1972
Written by: Roy Thomas
Art by: Neal Adams, John Buscema, Sal Buscema

Marvel Comics, 205 Pages

Review:

I never read the original Kree/Skrull War storyline but I’ve heard it referenced my entire life. But with it being free on Comixology and with my desire to read a lot of the major old school comic book milestones, I had to finally give this a read.

So if I’m being honest, this really is a mixed bag.

Now when this is good, it’s damn good. However, the middle act of this large story feels like it gets off track before it all comes back together for the big finale, which is a space battle between two warring alien races and members of the Avengers team.

This story is at its best when both Ronan the Accuser and Annihilus are front and center. Other than that, it deals with the newer Avengers team screwing up and the original team having to come back and disband them. Ultimately, this leads to the newer Avengers redeeming themselves and it also showcases Rick Jones, a man without any powers, as a brave, courageous badass. Never mind that Ronan nearly slaps him to smithereens at one point though.

The only weak thing about this story besides the middle act, is that it was probably too drawn out. In fact, most of that middle act should have been whittled down. If that was fixed, this would have had better pacing and it would have been much, much better overall.

I really loved seeing old school Ronan and Annihilus though. Man, they’re such good villains when used correctly and not written as fodder for heroes. Most modern comic book fans probably don’t know how scary it was to see either of these guys show up, back in the day. Annihilus, especially, was a terrifying enemy.

Lastly, I have to mention that this was just great to look at. The art of Neal Adams, John Buscema and Sal Buscema was ’70s Marvel perfection.

Rating: 7.75/10
Pairs well with: other ’70s Marvel milestone events.