Comic Review: Moon Knight by Bendis and Maleev – Ultimate Collection

Published: March 7th, 2018
Written by: Brian Michael Bendis
Art by: Alex Maleev

Marvel Comics, 264 Pages

Review:

After reading through the lengthy Brian Michael Bendis and Alex Maleev run on Daredevil, I figured I’d give their run on Moon Knight a shot.

Reason being, I mostly liked Bendis’ Daredevil stuff other than how he didn’t know how to bring it to a close and his cringe romance shit. I also liked Maleev’s art, for the most part. Plus, I like the hell out of the Moon Knight character and wish I had read more of is stories over the years. I’m trying to rectify that now, as I’m older and have access to so much more.

This story is twelve issues long and it uses that space really well and wraps up much better than Bendis’ Daredevil run. I think that he went into this knowing where it needed to end and that since he had limited space to tell a story, he gave us something well structured that got to the point and gave us a satisfying conclusion.

In this story, we see Moon Knight dealing with his “hearing voices” problem in a fresh way. While he is recruited for a mission by Captain America, Wolverine and Spider-Man, he also starts seeing versions of them in his mind. Additionally, with such a close connection to them, he starts to use their gimmicks in his battles with L.A.’s criminal underworld.

That underworld is ruled by its own kingpin, similar to The Kingpin in New York City. However, this person’s identity is a mystery and Moon Knight is tasked with luring them out and discovering why exactly they wanted to buy a deactivated Ultron head.

Moon Knight also meets Echo, the two have a reluctant partnership but end up falling in love during their mission.

This becomes more and more high stakes as it rolls on. Out of the twelve issues, none of them are wasted on filler bullshit and the romance stuff is in there but it’s nowhere near as exhausting as what we got in Bendis’ Daredevil. It’s like Bendis improved in that regard and wrote something more natural and to the point. Nothing between Moon Knight and Echo seemed forced like it did between Daredevil and his wife Milla.

I also feel like Alex Maleev’s art was an improvement. It’s cleaner while also looking more detailed. It also fit the tone of the story pretty damn well.

I don’t want to say too much about the story, as there are some big reveals and twists but this is definitely worth reading if you want a superhero, neo-noir tale that isn’t Daredevil-centric.

Rating: 9/10

Vids I Dig 700: The Critical Drinker: Marvel Phase 4 – Who Cares?

Comic Review: Captain America – Epic Collection: Justice Is Served

Published: April 5th, 2017
Written by: John Byrne, J.M. DeMatteis, Mark Gruenwald
Art by: Mike Zeck, various

Marvel Comics, 511 Pages

Review:

I wanted to read this beefy Epic Collection of Captain America stories, as it sets up the era where Steve Rogers quit being Cap and the role was then given to the man who would later become US Agent. With that, Rogers picks up the Nomad persona and travels the country, fighting villainy.

Those events don’t happen until the collection of issues after this one but this lays all the groundwork, introduces us to the future US Agent and gives us a solid Cap and original Nomad team-up. There are also stories featuring Scourge, Wolverine, Yellow Claw, Flag-Smasher and a great story where Cap is trapped in Red Skull’s “haunted house”. We also get the debut of D-Man and some cool Frog-Man stuff.

I loved a lot of these stories when I was a kid and it was cool reading them now, as it’s been so long since I’ve read Captain America from this era. While they’re not as great as my memory made them out to be, most of the stories here were enjoyable.

I actually forgot that Cap was already sort of a nomad before becoming Nomad. I also forgot that he had a side hustle as a comic book artist, which comes off as really odd, now that I’m reminded of that as an adult. But it does add some interesting complexity to the character and kind of shows you that there’s a certain sensitivity behind his top iconic layer.

This is really good and it’s prepped me for the US Agent stint as Cap, which I also wanted to reread, as the character is finally debuting in the Marvel Cinematic Universe, as a part of the Falcon and Winter Soldier television series.

Rating: 7.25/10
Pairs well with: other ’80s Captain America comics, especially those involving US Agent.

Comic Review: Doctor Strange by Donny Cates

Published: April 17th, 2019
Written by: Donny Cates, Nick Spencer
Art by: Niko Henrichon, Frazer Irving, Szymon Kudranski, Rod Reis, Gabriel Hernandez Walta, Mike Del Mundo (cover)

Marvel Comics, 341 Pages

Review:

This collection of Donny Cates’ Doctor Strange run started off with a bang but then it did what most Donny Cates comics do, it went too big, too fast and became a bloated, over-the-top spectacle. But he’s even admitted that everything he writes needs to be big and epic. He’s also pointed out that he’s always trying to top the last thing he wrote.

The problem with that is that he can tell pretty good human stories with a lot of emotion that gets the reader invested. But then he Michael Bay the fucks out of everything and then has to wedge in a large amount of characters because if it’s a Cates’ story, he’s gotta blow up the universe.

Big, over-the-top spectacles aren’t necessarily a bad thing but when it’s done as much as Cates does it, he becomes a one trick pony that negatively impacts the better sides of his creative work. The spectacle ends up overshadowing the real story and you sort of get lost in it all. And after a while, it becomes ineffective, as you expect everything to reach ludicrous spreed.

When I first started reading Cates’ work, I enjoyed the grandiose-ness. However, it didn’t take long to realize that larger-than-life Armageddon scenarios were his modus operandi. And with that, he has to keep trying to top what he did before. Everything just gets bigger, faster, crazier and the next thing you know, you’re reading the Marvel Comics version of Fast & Furious 14 where it’s just stunts, speed, CGI, action, yelling and then the end credits after characters refer to each other as “family” 97 times between explosions.

I think that this formula has worked so well for Cates that he’s kind of stuck doing it now. While this Doctor Strange stuff came out before his more recent work, I might have had a very different take on it had I read it when it was current.

The problem though, is this kind of shows me where that formula started. Well, at least with his more prominent Marvel work.

As I stated in the beginning, this started out really strong and I was invested. But then everything went ape shit crazy and then it was over. It may have read better if Cates stuck around and actually wrote about the fallout from this story. But I guess he had to move on to the next thing and give us more mega-event level chaos.

This initially created a foundation for something truly great. After the first story arc, however, it immediately went to a Hell-on-Earth scenario with two dozen characters involved. Whatever emotional investment I had, disappeared, as I kept reading and it never quite circled back around to the great character work and found a way to use that within the chaotic spectacle that followed.

Rating: 6.25/10
Pairs well with: other Donny Cates comics by Marvel.

Comic Review: Civil War II

Published: February 1st, 2017
Written by: Brian Michael Bendis
Art by: Jim Cheung, Oliver Coipel, David Marquez, Marko Djurdjevic (cover)

Marvel Comics, 317 Pages

Review:

Man, this was bewilderingly bad.

Historically, I’ve been pretty 50/50 on Brian Michael Bendis’ writing but man, it’s like when he did this, he already knew he was leaving Marvel. It also reads like he was given orders to use certain characters and he was begrudgingly forced to work them in. Granted, he’s also created some of the terrible modern characters.

While I’ve been well aware of the criticism that the Captain Marvel character gets in modern times, I always liked her when she was Ms. Marvel. But this new, short-haired, suddenly pushed into a leadership role Carol Danvers is not even the same character, remotely.

Based off of how she’s written here, as a self-righteous, fascist, tyrant bitch, I totally see why fans can’t stand her. If this story is an accurate portrayal of how she is post-2015 or so, I have no interest in following her character unless she’s actually made into a permanent villain. But even then, there are so many better villains I’d rather read about.

And I’m not really sure how I’m supposed to interpret her character. Is she supposed to be psychotic, god-powered, tyrannical piece of shit? Or am I supposed to empathize with her point-of-view?

What made the first Civil War so great was that you could emphasize and relate to both points-of-view and it made for a compelling read. Civil War II just made me hate Carol and every character that so easily sided with her. These characters aren’t heroes, as their actions in this story crossed the line into villainy.

Whatever. Fuck this comic. Fuck Bendis. Fuck post-2015 Marvel. But at least the art was really good.

Rating: 4/10
Pairs well with: all the other Civil War II crossover tie-in trade paperbacks.

Comic Review: Iron Man: Demon In A Bottle

Published: March 3rd, 2010
Written by: Bob Layton, David Michelinie
Art by: Carmine Infantino, Bob Layton, John Romita Jr.

Marvel Comics, 167 Pages

Review:

This collection of Demon In A Bottle was a pretty cool read. However, people have referenced the story for years and truthfully, it’s not a big arc like many insinuate or imagine. In fact, this covers multiple arcs but each has a common thread and that’s Tony Stark’s fall into alcoholism.

Ultimately, this ends with him overcoming his demons and trying to fix the damage he’s caused, rebuilding himself into who Iron Man needs to be.

It’s also important to mention that this debuted the long-time Iron Man villain, Justin Hammer. Hammer was created as a character similar to Tony Stark but one who stayed on a dark path. He was also deliberately made to look like Peter Cushing and in this story, John Romita Jr. and Bob Layton did a stellar job of conveying that.

The story also features the Avengers, Namor and a slew of C-list villains that Hammer employs in an effort to overwhelm Iron Man. Overall, this is just as action-packed and exciting as it is dramatic and full of real human trauma and emotion.

While it’s not my favorite classic Iron Man story (or stories), it is a very important piece of the character’s history and served to build up his character in a pretty dynamic way. It does what most modern mainstream comics don’t do and that’s showing weakness in a hero.

In fact, this is about a hero’s journey and personal evolution, which is something that was lost in the storytelling art of superhero comics. Hell, it’s been lost in most mainstream media, as we constantly get characters that are made to be perfect and “special” without faults or real struggle.

Rating: 7/10
Pairs well with: other Iron Man stories of the ’80s, most notably the Armor Wars saga.

Comic Review: Secret Invasion

Published: 2008
Written by: Brian Michael Bendis
Art by: Leinil Francis Yu, Gabriele Dell’Otto (cover)

Marvel Comics, 218 Pages

Review:

Secret Invasion came out after a series of good storylines from Marvel like Civil War, The Death of Captain America and the feud between the two Avengers teams that followed Civil War. I guess this was supposed to be a good payoff for sticking through that solid run of most of Marvel’s major titles. However, this was mostly a clusterfuck that created more problems than the Marvel continuity needed.

This was ambitious, damn ambitious.

Brian Michael Bendis’ ambition really overreached, though, and this mega event became a jumping off point for me back when it was coming out. After a few issues, I dropped it an never looked back.

Since years have passed and Marvel has gotten even worse, I thought that I might enjoy this a bit more and since I never actually finished it the first time, I wanted to give it another shot.

This is just one of those ideas that sounds good on paper but once you start really fleshing it out, you know it’s not going to work. Well, Bendis should have figured that out on his own, especially since the industry considers him a legend.

The biggest problem with this mega event is that it could have worked on a smaller scale. We could’ve seen that the Skrulls had infiltrated the superhero community, replacing some heroes with themselves in disguise. It didn’t need to be so damn grandiose where nearly half the heroes were just Skrulls in hiding. The conspiracy was too big and thus, came across as really fucking dumb.

In fact, this would’ve been much better had the Skrulls just replaced a few key people and there were still less than a handful in disguise. When you expect half the heroes to be impostors, the reveals of who is who loses its impact and you’re left with a half-assed handjob from a drunk instead of great sex from a pretty hot sexual partner.

In the end, when half the characters were impostors, it poses too many questions that just break continuity and it’s way too hard for editorial to keep track of, especially editorial from this era or any after.

Someone really should’ve grabbed Bendis by the shoulders and shouted, “Scale this the fuck down!”

Rating: 4.5/10
Pairs well with: other Marvel mega events.

Comic Review: Avengers: The Once and Future Kang

Published: 1985-1986
Written by: Steve Englehart, Danny Fingeroth, Jim Shooter, Roger Stern
Art by: Mark Bright, John Buscema, Steve Ditko

Marvel Comics, 278 Pages

Review:

I hate when I buy a thick, hefty collection that is sold to me as one thing, but once I buy it I find out that the thing I bought it for is about a third of the total collection and the rest of the volume is padded with other random stories.

While the issues collected here are presented in chronological order in how they appeared in single issues of the Avengers comics, they are all tied to larger stories or continued in other comics.

It’s pretty fucking infuriating when companies do this because I just wanted to read a Kang story that I had hoped would be pretty epic based off of the page count of this large Avengers release.

Instead, I got a medium sized Kang story and then a bunch of random plot threads that were left incomplete and open ended as they tied to Secret Wars IIFantastic FourX-Men and a story about both ’80s Avengers teams playing baseball.

Had I just read the Kang story, this would’ve been great. It would’ve been even better if it was reduced to the roughly four issues that the story took place in and I was charged a lot less than what I played for this disorganized mess.

Now to be fair, I did like most of this but when you’re pulled in one direction just to be left with blue balls, it’s pretty irritating. Especially, when you’re the one paying for it.

As far as the Kang story goes, I loved it. It was one of the best I’ve read and it featured one of my favorite incarnations of the Avengers team, as I started reading this series around the same era.

Had I known that I was going to get shafted by this, I would’ve just forked out the money for the less than a handful of physical floppy issues I needed for the story I wanted.

Rating: 6.5/10
Pairs well with: other Kang-centric stories, as well as other comics that happened around the events of Secret Wars II.

Comic Review: The Death of Captain America, Vol. 1: The Death of the Dream

Published: June 11th, 2008
Written by: Ed Brubaker
Art by: Steve Epting, Mike Perkins

Marvel Comics, 161 Pages

Review:

I was excited to read this after having recently read Ed Brubaker’s first three volumes in his Captain America run, as well as revisiting the Civil War event.

This story takes place immediately after Civil War and in the first issue of this collection, we see Cap arrive at the courthouse to stand trial only for him to be assassinated on the steps before entering.

What follows is a political thriller with a lot of twists, turns and curveballs. This story is also used to setup Bucky Barnes a.k.a. Winter Solider as the new gun-toting Captain America. While he doesn’t become the new Cap yet, this is the start of that interesting journey and intriguing era for the character.

The death of Cap happens so quick and once you get past that, this deals with the fallout from it and how it effects certain characters while also slowly revealing that something is very complicated with one of them. I don’t want to say too much for risk of spoiling a major plot twist.

I thought that this was pretty good but it doesn’t have a definitive ending. It’s left open ended, as this is the first of several parts collecting the larger saga around Cap’s death and Bucky’s evolution into the role of Cap’s replacement.

Brubaker once again wrote a compelling and interesting story with superb art by Steve Epting and Mike Perkins.

Rating: 7.5/10
Pairs well with: the rest of Ed Brubaker’s Captain America run.