Comic Review: The Flash: Rebirth

Published: October 8th, 2013
Written by: Geoff Johns
Art by: Ethan Van Sciver

DC Comics, 158 Pages

Review:

I love Geoff Johns work at DC Comics and I have always loved his collaborations with artist Ethan Van Sciver. Their work on Green Lantern got me back into comics during a time when I had sort of faded away from the medium due to no longer being as engaged by it.

Green Lantern: Rebirth was one of my favorite comic book stories of all-time. It made me love Hal Jordan and I was pulled in by Johns’ writing and Van Sciver’s wonderful art. Since I also liked Johns’ Flash stuff, I figured that The Flash: Rebirth would be something that I would also love. But sadly, it just didn’t do it for me.

The biggest problem that I have with Flash stories is the damn Speed Force. Also, in recent years, the Flash pocket of the larger DC universe is overloaded with too many characters with the same lame set of powers. There are so many damn speedsters that it’s really f’n redundant.

In an era where people are screaming for diversity, even though it has existed in comics for decades, maybe there should be a call for diversity in powers in the Flash titles. I mean, if you’re going to cram a dozen heroes and villains into a plot, why are they all similar? And why is that exciting? And to be frank, this is why I lost interest in The Flash TV show, which I loved when it started.

Anyway, the art in this is damn good but Van Sciver hits the right note stylistically speaking when it comes to how this era of DC felt. He was a premiere architect in DC’s visual style from 2007-2014 or so. This book lives up to the standard one should expect from his work but apart from that, there wasn’t much here for me to enjoy.

The premiere villain is the Reverse Flash, another f’n speedster. And really, this is all about the weird, mystical Speed Force that is capable of anything a writer needs it to do. I don’t know, Speed Force heavy stories bore me to tears and they’re hard to keep up with because it’s all pseudo-science mumbo jumbo made up on a whim to explain random ass shit. I prefer stories where one Flash takes on one of his many awesome rogues that aren’t speedsters.

This is probably really good if reading about a dozen speedsters and Speed Force stuff is your thing. For me, it numbed my brain and made it hard to get through.

And fuck… this had so many damn cameos. I felt like it partially existed just to wedge in as many characters as possible.

Rating: 5.5/10
Pairs well with: The Geoff Johns era of The Flash, as well as his era of Green Lantern.

Comic Review: Suicide Squad: Constriction

Published: May 9th, 2018 – July 11th, 2018
Written by: Rob Williams
Art by: Eduardo Pansica, Julio Ferreira, Adriano Lucas, various

DC Comics, 103 Pages

Review:

I haven’t read a Suicide Squad comic in awhile but the idea of Batman teaming up with Deadshot peaked my interest. I’ve also liked DC Comics much more than Marvel, as of late, and their titles that deal with former or reforming villains have been really solid. The other comics I’m referring to are Deathstroke and Red Hood and the Outlaws and maybe even The Silencer fits in there, as her backstory doesn’t paint a heroic picture.

The premise for this is great. Batman breaks Deadshot out of Amanda Waller’s prison. The two then go on a road trip in an old pickup truck in an effort to stop a snake cult that has abducted Deadshot’s daughter. Also, the Suicide Squad is in hot pursuit. What’s not to love?

I liked the art and the character design in this arc. I also thought that the story was well-written and it made some good connections between the characters of Batman and Deadshot. Mainly, Batman, whose son was raised by a cult, doesn’t want to see the same fate befall Deadshot’s daughter, who the Kobra cult are trying to use to be a vessel for their dead leader.

Amanda Waller is pissed about the prison break and knows Batman was involved, even though there is no proof of it. She unleashes Harley Quinn, Captain Cold and Captain Boomerang to bring him in dead or alive.

My only real complaint is how the comic portrays Harley. She is made to be a dumb character for comedic effect and while I don’t blame this specific writer, I blame DC for downplaying her actual intelligence all the time. It was fine for Batman: The Animated Series but in the comics she shouldn’t be a goofy caricature. The Joker is a clown but he’s not an idiotic buffoon, he’s super intelligent and that makes him scary and formidable. This version of Harley Quinn would never be put on some special forces task force used by the government. I mean, she doesn’t even know the difference between a helicopter and a submarine. I haven’t really read anything with Harley since the DC Rebirth started but I had hoped that she was more like her live action film counterpart and less like her cartoon version. It’s time to make her something better than DC’s version of Squirrel Girl. I mean, she was a professional psychologist for fuck’s sake.

But moving on!

This was an entertaining and badass read. I hope this means that Deadshot is going to continue down some sort of path to redemption. DC is doing this with Deathstroke and I like how that’s gone so far. I wouldn’t mind seeing Deadshot also evolve into a character that isn’t just a throwaway assassin type to toss randomly into a story whenever one is needed.

After reading this arc, I had Suicide Squad added to my pull list at my comic shop. So we’ll see how it goes moving forward. But if the quality dips too far below this, I’ll cancel it and move on.

Rating: 7.75/10
Pairs well with: The current runs on Deathstroke, The SilencerRed Hood and the OutlawsNightwing and Batman.

Comic Review: Nightwing: The New Order

Published: March 8th, 2018
Written by: Kyle Higgins
Art by: Trevor McCarthy

DC Comics, 144 Pages

Review:

This came highly recommended from several people who have pretty good taste in comics. However, high recommendations usually lead to me feeling underwhelmed. This doesn’t underwhelm though, at least it didn’t for me.

Nightwing is a murdering fascist prick in this story, which is essentially an Elseworlds tale, even though DC Comics doesn’t have that imprint anymore. Well, DC should resurrect it. I love stories from alternate realities and how the regular rules don’t apply.

The main part of the story takes place in 2040 but even the flashbacks are in the future, as they are twelve years in the past from the main story. Nightwing took it upon himself to use a device that took the powers away from Earth’s superheroes. This caused a major event where many heroes and villains died as a result. Nightwing did a dark and dirty thing in order to save the Earth, as he felt that he needed to. Years later, his identity is public and as Dick Grayson, he is the face of the government agency that keeps the superpowered population of America in check. He’s a total Orwellian fascist that constantly has to justify his evil decisions and actions.

However, Dick’s whole world comes crumbling down when it is discovered that his son has powers. Dick in a typical “holier than thou/the rules don’t apply to the rulers” hypocritical turn, sees his agency turn on him in an effort to bring in his son. Dick goes on the run from the law that he established, getting more and more woke to the reality of the world he created.

We get to see the Titans of the future show up, we even get Lois Lane as a Blue Lantern and see Superman and Lex Luthor working together for a better future. We get to see what Tim Drake and Alfred are up to as well. Plus, there are cameos by the John Stewart Green Lantern and Mr. Freeze; both of them work for the fascist government. But the main person hunting Dick Grayson is the former Batwoman, Katherine Kane. Kane is now the head of Dick’s fascist agency and she is a stone cold tyrant.

I liked the story, I thought it was mostly executed well, even though Dick seemed to change his mind too quickly and always seemed like a fish out of water once he got in over his head. He sort of just got pulled along for the ride by the midpoint of the story and things happened around him even though it was all directly related to his story.

The real high point was the art. Trevor McCarthy did a fabulous job, there was great detail and this didn’t feel like many of the other modern comics where lazy artists use an overabundance of 3D models and Google Images run through a filter. I’m not saying that McCarthy didn’t do this but it certainly wasn’t noticeable.

Nightwing: The New Order reminded me a lot of the great Elseworlds tale Superman: Red Son, which is really high praise. There were some similar themes and the tone was very dystopian.

I’m glad that I picked this up, as Nightwing has been a favorite character of mine since I was a child that regularly read Batman and Teen Titans comics in the ’80s.

Rating: 8/10
Pairs well with: Superman: Red Son. As well as the Nightwing and Titans series since the start of DC’s Rebirth era.

TV Review: Legends of Tomorrow (2016- )

Original Run: January 21st, 2016 – present
Created by: Greg Berlanti, Marc Guggenheim, Andrew Kreisberg, Phil Klemmer
Directed by: various
Written by: various
Music by: Blake Neely
Cast: Victor Garber, Brandon Routh, Arthur Darvill, Caity Lotz, Franz Drameh, Ciara Renée, Falk Hentschel, Amy Pemberton, Dominic Purcell, Wentworth Miller, Matt Letscher, Maisie Richardson-Sellers, Nick Zano

Berlanti Productions, DC Entertainment, Warner Bros., 33 Episodes (so far), 42-45 Minutes (per episode)

Review:

*originally written in 2016.

With the success of Arrow and The Flash, the CW had to put out another superhero show in that universe. Plus, those worlds were getting too big and they needed a place to ship off some of those characters. So why not make them into a team.

Add in time travel and we’ve essentially got a superhero version of Doctor Who. It also doesn’t hurt that they added a fan favorite actor from Doctor Who lore to lead this team through time and space.

The premise of the show is interesting but ultimately, we are left with the weakest of CW’s DC Comics television series. The show is enjoyable and it has some good moments but it all just feels like filler and the threat, as great as it is, just doesn’t seem that threatening overall.

Vandal Savage, who was introduced in a crossover event on The Flash and Arrow, is the main villain of the series. The problem with the show is that they either kill him or nearly kill him almost every episode but for some reason he keeps coming back or isn’t killed because the writers have to stretch him out over the whole twenty episode campaign. He just feels like a total pushover instead of the immortal evil bad ass he should be. And the characters’ motivation when they don’t finally just pull the trigger is laughable and some of the worst writing ever.

None of these people seem stable or even rational enough to pull off this very important mission. I also find it hard to believe that in all of space and time, this motley crew is the best that Rip Hunter could assemble for a mission that is sold as the most important mission in the entirety of this universe.

I enjoy Arthur Darvill as Rip Hunter and I have always been a fan of Brandon Routh’s Atom and Caity Lotz’s version of the Canary. Even the Prison Break reunion of Wentworth Miller and Dominic Purcell as Captain Cold and Heatwave is pretty enjoyable. Firestorm is okay and Hawkgirl is somewhat interesting but all in all, this crew just doesn’t hold it together as an ensemble.

It feels like a forced union, which it is in reality and in fiction, but there should still be more chemistry. It’s chemistry that has worked so well for The Flash and Arrow. That magic just isn’t recreated here. And maybe the writers, between three shows, are stretched too thin.

This isn’t a show that I plan to give up on. Depending upon what they do for the second season, this show could turn it around. I’d like to see more characters rotated in and out of this group as the show goes on. I think that would work at keeping it fresh. It may also solve the chemistry problem.

Some of these characters are great but after seeing them full-time, they may play better on a part-time basis.

TV Review: The Flash (2014- )

Original Run: October 7th, 2014 – present
Created by: Greg Berlanti, Andrew Kreisberg, Geoff Johns
Directed by: various
Written by: various
Music by: Blake Neely
Cast: Grant Gustin, Candice Patton, Danielle Panabaker, Rick Cosnett, Carlos Valdes, Tom Cavanagh, Jesse L. Martin, Keiynan Lonsdale, Victor Garber, Franz Drameh, Robbie Amell, Dominic Purcell, Wentworth Miller, Peyton List, John Wesley Shipp, Amanda Pays

Bonanza Productions, Berlanti Productions, DC Entertainment, Warner Bros., 69 Episodes (so far), 40 Minutes (per episode)

Review:

*originally written in 2015.

In sixth grade, my favorite television show was The Flash. It was cancelled after one year but it was still the best comic book series put to television at the time. Well, 24 years later, the Flash returned to television again in another self-titled series.

The modern version of The Flash is a spin-off of CW’s Arrow. It goes on to further expand the DC Comics television universe and mythos and has thus, spun-off its own show debuting in the fall called Legends of Tomorrow.

Having now completed the first season of The Flash, I figured it was time to review it.

In short, this is the greatest comic book television show of all-time. Yes, Daredevil, which just debuted a month ago on Netflix is amazing. This however, this is lightning in a bottle – pun intended.

Something about The Flash is just magical. I can admit, maybe I am affected by nostalgia for my love of the original Flash series from years ago. And maybe that is magnified by the fact that the new Flash show features the stars of the original show. The thing is, everyone else I have talked to that has watched this show, regardless of their knowledge of the series from 1990, is pretty much in agreement that this is simply great.

Sure, the acting isn’t always fantastic, there is that typical CW romance thing going on and often times, the villains can be cheesy. But this is a television show based on comic books and if it took itself too seriously, it would be a train wreck like Gotham. (updated 2017 note: Luckily Gotham fixed that.)

The thing this show has going for it is heart. You can’t not care about these characters, their motivations and their world. When I watch Gotham, I really don’t care about anyone on that show. The Flash is the most human and heartfelt superhero show currently on television, if not of all-time.

The story arc of the first season was well orchestrated and ended perfectly. Everything throughout the year was well paced and while it fell victim to the “monster of the week” formula at times, it built a much larger universe and everything had a point to it. There wasn’t a lot of filler unlike a lot of episodes of Arrow this past season.

Where The Flash goes from here is anyone’s guess. I hope the momentum maintains going forward and that the show doesn’t go off the rails, as its predecessor Arrow has recently. I also hope that the quality isn’t effected by the new spin-off series. We shall see but the future looks bright.

Update:

Having now gotten through three seasons, the show unfortunately becomes redundant and derivative of its previous seasons. It sucks that it sort of nosedives, even if you still care about the people on the show. Season four I hope gets back to form. And we really don’t need another speedster as the season’s major villain.