Comic Review: Deathstroke, Vol. 3: Suicide Run

Published: August 16th, 2016
Written by: Tony Salvador Daniel, James Bonny
Art by: Tyler Kirkman

DC Comics, 136 Pages

Review:

Man, oh, man. I’ve really been enjoying the hell out of Tony S. Daniel’s Deathstroke run and it may be my favorite run on the character since his solo series debut back in 1991. But honestly, I find these stories to be even more fun than those and I like how the personality of Deathstroke has changed over the years and especially, how he’s presented in this series.

Deathstroke is still a badass, cold mercenary but he’s become driven in an effort to find his missing daughter and to try and fix their relationship.

I also like that he was made younger and how that kind of freshens him up and gives him extra vigor.

Additionally, I really like his interactions with Harley Quinn throughout this series, as she’s the version of the character I like best. She’s not a goofy female wannabe Deadpool, as she’s become in recent years, and she’s more of a broken yet clever person, playing everyone in the story in a way that benefits her. Plus, she’s also pretty badass too.

While this volume does end on a cliffhanger, I didn’t mind that, as this has been so good, I’m going to read the fourth and final volume, regardless. But at the same time, even with a cliffhanger, this is a good self-contained story that’s broken out into two parts: the first sees Deathstroke raid Belle Reve, where he has to fight Suicide Squad members and the second, which sees him fight Red Hood and involves a major double cross that sets up the finale.

From the writing to the art, this is solid from top to bottom. It’s a great run on the character and even though I loved Christopher Priest’s run that followed, it didn’t have the same sort of energy and pace.

If you are a fan of the character, you should probably check out the entire Tony Daniel run from 2014-2016.

Rating: 8.5/10
Pairs well with: the rest of the 2014-2016 Deathstroke run, as well as the Christopher Priest era that followed.

Comic Review: Doomsday Clock

Published: November 22nd, 2017 – December 18th, 2019
Written by: Geoff Johns
Art by: Gary Frank, Brad Anderson
Based on: Watchmen by Alan Moore

DC Comics, 456 Pages

Review:

Well, Doomsday Clock has finally ended! This twelve issue series wasn’t supposed to stretch out for over two years but it did. I’m glad that I didn’t start reading it until it was over, as I would’ve forgotten all the details due to the delays and the dozens of other comics I would’ve read between each issue.

Now that it’s all out, I finally read it: binging through it in two days.

I guess my first thoughts on it are that it is underwhelming and that it doesn’t justify its need to exist.

I had always been against new Watchmen stories without the involvement of Alan Moore. My mind changed, however, when I read some of the Before Watchmen stories from a couple years ago.

They made me see Watchmen the same way I see other comic book properties and that’s as a sort of modern mythology that is told and retold by countless others, each bringing something new and unique to the table. Superman and Batman have had countless writers and many of them have evolved and grown the character in great ways beyond their original concept. Granted, some writers have gravely failed too.

Generally, I like Geoff Johns’ work, so I wan’t against the idea of him tackling the Watchmen property.

Ultimately, though, this took too long to come out, especially with how sloppily put together it feels.

This is one of those stories where it feels like a lot happened but also like nothing happened.

It tries to merge the Watchmen universe with the DC universe but it doesn’t work. But I’m also over the crossover trope of using inter-dimensional portals or a superbeing that basically acts as a super-dimensional portal. That being said, I don’t know how else to bring these universes together but that also makes me ask why they had to try it in the first place?

Watchmen is very much its own thing, as is DC. Hell, Marvel is also its own thing in that same regard and whenever they tried to crossover Marvel and DC, which happened multiple times, it always felt forced, clunky and weird.

The only real highlight of this was seeing how certain characters from different universes would interact with one another but honestly, none of it was as cool as I felt it should have been and it all felt pretty pointless and made me realize how bad the Rebirth era of DC Comics has been – well, for the most part, as I liked some titles in the last few years.

In the end, this doesn’t feel any different than one of any of the dozen indie publisher crossovers that pit Green Lanterns against Ghostbusters, Ninja Turtles, Transformers, Star Trek crews or the apes from Planet of the Apes. While those crazy crossovers are neat to a point, they’ve been done to death in recent years. And despite this being better written and having better art than the other franchise mashups, it feels like DC Comics were really late to the party and didn’t even realize that it was over.

Rating: 6/10
Pairs well with: Watchmen and the Before Watchmen stuff, as well as just about everything under the DC Rebirth banner.

Comic Review: The Flash, Vol. 3: Rogues Reloaded

Published: August 1st, 2017
Written by: Joshua Williamson
Art by: Carmine Di Giandomenico, Jesus Merino

DC Comics, 163 Pages

Review:

I know I’ve said it before but I’m not a huge fan of Flash comics. I like the character and loved the TV show from 1990 but when it seems like he’s wrapped up in stories with a dozen other characters with the same powers, it’s boring. This is why I quit watching the modern TV show on the CW.

However, I have always enjoyed Flash’s Rogues because they present different types of challenges other than whether or not the fast guy can catch the other fast guy.

That being said, I picked this story arc up, leapfrogging over the first two volumes because it focuses on the Rogues.

Overall, I was really happy with this story. It was entertaining, fun and had a good plot with a nice twist worked in.

Now the Rogues story only covers about the first half of this collection but the followup story was also good.

Maybe I will give Joshua Williamson’s other arcs a read.

The thing is, I want to like the Flash but in modern times, the comic has the same issues that the television show does. But this story reminded me of Flash comics from the ’80s when I first checked out the character. Back when he’d fight Captain Cold, the Trickster, the Mirror Master and Gorilla Grodd a lot.

Rating: 7.5/10
Pairs well with: I’m assuming, Joshua Williamson’s other Flash stories.

Comic Review: Suicide Squad: Black Files

Published: November 7th, 2018 – April 3rd, 2019
Written by: Mike W. Barr, Jai Nitz
Art by: Phil Briones, various

DC Comics, 260 Pages

Review:

I didn’t really know what this miniseries was going to be about when it came out, I just knew that it was full of a lot of characters, many of whom were new to the Suicide Squad.

What this is, is a miniseries where each double-sized issue is broken into two halves, telling two six issue story arcs. Although, they are somewhat joined as this serves to closeout the Suicide Squad team that’s been around for a few years while introducing the readers to a new team, who seem to be in line for an upcoming series of their own.

While this series was going on, the regular, monthly Suicide Squad comic came to an end with it’s 50th issue.

The two stories here were pretty decent but nothing exceptional. Between the two plot threads, I preferred the one centered around the newer team. So I guess that’s good, considering that they seem to be taking over as the primary Suicide Squad soon.

But I don’t know if this miniseries was enough to entice me to buy the new team’s books. I may give it a whirl and see how I feel about it after a few months but I was getting burnt out on the regular Suicide Squad title before it even got to it’s 50th issue finale.

If anything, the new team feels kind of like the Suicide Squad equivalent to the Justice League Dark. I’m kind of getting bored with Justice League Dark too, even though it started with a mighty bang.

Ultimately, it just feels as if a lot of the DC titles seem aimless, as of late. I don’t know where any of them are going and I’m not sure that there’s much of a cohesive plan by editorial.

Rating: 6.5/10
Pairs well with: the regular Suicide Squad series before it and I’m assuming an upcoming Suicide Squad Black series to follow up with the events here.

Comic Review: Red Hood and the Outlaws, Vol. 3: Bizarro Reborn

Published: April 24th, 2018
Written by: Scott Lobdell
Art by: Joe Bennett, Tyler Kirkham, Dextor Soy

DC Comics, 188 Pages

Review:

Out of all the volumes of the Red Hood comic that focus on the trio of Red Hood, Artemis and Bizarro, this is my favorite.

Man, this story was solid as hell and it was also a pretty emotional due to how we see Bizarro die, come back to life as a super-genius and then find out that he is still going to devolve into a dumb brute again.

For long-time fans of Jason Todd, this is especially emotional, as we see him finally find a sense of family that has eluded him for so long. He’s no longer alone, he’s with people he loves but you get the sense that it’s all going to be taken away from him in the near future. Re-reading these issues now, it certainly adds more context to his more recent stories.

Scott Lobdell has done such a fantastic job with this series and even though my pull list from my local comic shop keeps shrinking, this is a series I just don’t want to give up. It’s much better than the industry standard in modern times and it is awesome that there is top tier talent working on a book that mainly features B or C level characters.

This volume actually collects three short story arcs, which see cameos from a lot of cool characters like the modern Suicide Squad, Nightwing, the modern Bat-family, Lex Luthor and others.

I’m also now a big fan of Dexter Soy’s art style. I didn’t know much about him before this series but the issues he works on just look fantastic.

Red Hood and the Outlaws is one of the best DC Comics titles of the last few years. I wish more people would read it, even if the most recent stuff is a bit different due to Jason Todd being alone, once again. But I feel as if that’s leading to him reuniting with his Outlaw family.

With DC cancelling a bunch of titles in the very near future, I really hope that this isn’t one of them.

Rating: 8.75/10
Pairs well with: the other Red Hood and the Outlaws collections post-Rebirth. Also, the recent Bat-family titles: NightwingBatgirl and also the current runs on Suicide Squad and Deathstroke.

Film Review: Suicide Squad: Hell to Pay (2018)

Release Date: March 23rd, 2018 (Anaheim premiere)
Directed by: Sam Liu
Written by: Alan Burnett
Based on: Suicide Squad by Robert Kanigher, Ross Andru, John Ostrander
Music by: Robert J. Kral
Cast: Christian Slater, Billy Brown, Liam McIntyre, Kristin Bauer van Straten, Gideon Emery, Tara Strong, Vanessa Williams, C. Thomas Howell, Greg Grunberg

DC Entertainment, Warner Bros. Animation, DR Movie, 86 Minutes

Review:

“I know I’m going to Heaven – anyone who can put up with Mr. J deserves a break.” – Harley Quinn

It seems as if these DC Comics animated movies are getting better and better. Pretty much most of the stuff that Sam Liu produces and directs is top notch. Also, I love that these are for an adult audience.

While I pretty much hated the live action Suicide Squad movie, I’ve been a fan of the comics for some time. This animated feature does a pretty good job of capturing that magic in a way that the live action film completely missed.

The voice cast in this was really good too and I especially enjoyed Christian Slater as Deadshot. I hope he plays the character more in the future and if this spawned its own series, I’d watch the followups.

This movie is violent but it works, as this film is presented in a grindhouse style. Now the look of it is crisp and clean like other DC animated films but it has that modern grindhouse edge to it in it’s credits sequences, editing style and musical score. While the modern grindhouse thing really peaked with Tarantino and Rodriguez’s Grindhouse movie over ten years ago, it’s interesting seeing that style in this format.

The story is also good and it sets up a situation where these characters have a sort of loophole to work around the protocols the government has in order to control these villains forced to do good. There is a lot of back stabbing, twists and turns.

This also features a ton of villains whether they are members of the Suicide Squad or not. And while a lot of characters are crammed into this 86 minute picture, everything flows well.

This is solid. It’s one of the better DC Comics animated features to come out.

Rating: 8.5/10
Pairs well with: other recent DC animated features for adult audiences.

Comic Review: Suicide Squad: Constriction

Published: May 9th, 2018 – July 11th, 2018
Written by: Rob Williams
Art by: Eduardo Pansica, Julio Ferreira, Adriano Lucas, various

DC Comics, 103 Pages

Review:

I haven’t read a Suicide Squad comic in awhile but the idea of Batman teaming up with Deadshot peaked my interest. I’ve also liked DC Comics much more than Marvel, as of late, and their titles that deal with former or reforming villains have been really solid. The other comics I’m referring to are Deathstroke and Red Hood and the Outlaws and maybe even The Silencer fits in there, as her backstory doesn’t paint a heroic picture.

The premise for this is great. Batman breaks Deadshot out of Amanda Waller’s prison. The two then go on a road trip in an old pickup truck in an effort to stop a snake cult that has abducted Deadshot’s daughter. Also, the Suicide Squad is in hot pursuit. What’s not to love?

I liked the art and the character design in this arc. I also thought that the story was well-written and it made some good connections between the characters of Batman and Deadshot. Mainly, Batman, whose son was raised by a cult, doesn’t want to see the same fate befall Deadshot’s daughter, who the Kobra cult are trying to use to be a vessel for their dead leader.

Amanda Waller is pissed about the prison break and knows Batman was involved, even though there is no proof of it. She unleashes Harley Quinn, Captain Cold and Captain Boomerang to bring him in dead or alive.

My only real complaint is how the comic portrays Harley. She is made to be a dumb character for comedic effect and while I don’t blame this specific writer, I blame DC for downplaying her actual intelligence all the time. It was fine for Batman: The Animated Series but in the comics she shouldn’t be a goofy caricature. The Joker is a clown but he’s not an idiotic buffoon, he’s super intelligent and that makes him scary and formidable. This version of Harley Quinn would never be put on some special forces task force used by the government. I mean, she doesn’t even know the difference between a helicopter and a submarine. I haven’t really read anything with Harley since the DC Rebirth started but I had hoped that she was more like her live action film counterpart and less like her cartoon version. It’s time to make her something better than DC’s version of Squirrel Girl. I mean, she was a professional psychologist for fuck’s sake.

But moving on!

This was an entertaining and badass read. I hope this means that Deadshot is going to continue down some sort of path to redemption. DC is doing this with Deathstroke and I like how that’s gone so far. I wouldn’t mind seeing Deadshot also evolve into a character that isn’t just a throwaway assassin type to toss randomly into a story whenever one is needed.

After reading this arc, I had Suicide Squad added to my pull list at my comic shop. So we’ll see how it goes moving forward. But if the quality dips too far below this, I’ll cancel it and move on.

Rating: 7.75/10
Pairs well with: The current runs on Deathstroke, The SilencerRed Hood and the OutlawsNightwing and Batman.