Comic Review: X-Men: The Fall of the Mutants

Published: 1988
Written by: Chris Claremont, Peter David, Louise Simonson, Steve Englehart, Mark Gruenwald, Ann Nocenti
Art by: Marc Silvestri, Todd McFarlane, Bret Blevins, June Brigman, Kerry Gammill, Jon Bogdanove, Kieron Dwyer, Keith Pollard, John Romita Jr., Walt Simonson

Marvel Comics, 803 Pages

Review:

This was a story so big that it was collected into two massive volumes. But I figured I’d read both and give the whole thing a single review, as one body of work.

But that may have not been the best approach, as this crossover doesn’t really crossover in a way that makes one big story. This is more like an anthology of events that were going on in all the different X-books at the same time. And weirdly, this isn’t collected in chronological order but as separate stories without much overlap or characters meeting.

This big event also has some short stories focused on Hulk, Captain America, Daredevil, Black Widow and the Fantastic Four. In those tales, it shows what they’re up to during the events of what is happening in some of the X-books.

The Fall of the Mutants takes place between Mutant Massacre and Inferno. It is also the last of the ’80s X-Men crossovers that I hadn’t read in its entirety.

Out of all the tales here, I thought the X-Factor one was probably the best as it concludes the Apocalypse and Angel storyline, as it introduces Archangel for the first time. Also, the X-Factor arc showcases Cameron Hodge turning on the team, revealing his true agenda to set up what would eventually be the superb crossover event X-Tinction Agenda.

The New Mutants part was the weirdest but it also featured Hodge’s heel turn and kind of sets things in motion for X-Tinction Agenda and Inferno. This is also where the New Mutants dump Magneto as their teacher and return to the ways of Charles Xavier.

Ultimately, this was kind of a mess when read as one body of work. But it does do a proper job of bridging the gap from Mutant Massacre and the next two big events to follow.

Rating: 5.5/10
Pairs well with: other major X-Men crossover events from the ’80s and ’90s.

TV Review: X-Men (1992-1997)

Also known as: X-Men: The Animated Series
Original Run: October 31st, 1992 – September 20th, 1997
Created by: Eric Lewald, Sidney Iwanter, Mark Edens
Directed by: Larry Houston
Written by: various
Based on: X-Men by Stan Lee, Jack Kirby
Music by: Ron Wasserman, Shuki Levy, Noam Kaniel, Amotz Plessner
Cast: Norm Spencer, Cathal J. Dodd, Lenore Zann, Iona Morris, Alison Sealy-Smith, George Buza, Chris Potter, Tony Daniels, Alyson Court, Catherine Disher, Cedric Smith

Saban Entertainment, Graz Entertainment, AKOM, Fox Kids Network, 76 Episodes, 22 Minutes (per episode)

Review:

This animated show was the absolute highlight of my week back when it first came out and for a few years until high school took over my life and with it, the pursuit of other things. Honestly, I kind of checked out on this show around the same time that I checked out on comics because I was playing sports and trying to impress girls.

I did end up watching the show in its entirety, years later, after it was all available to stream on Netflix some time ago. I liked it and I thought that the show mostly maintained its consistency till the end, minus a few bad episodes, here and there.

Now that it’s on Disney+, I felt compelled to revisit it, as its been awhile and my memories of it are so fond.

However, despite still recognizing its greatness, it doesn’t quite resonate the same way for me anymore. I don’t blame the show, though, I blame the age of the viewer: me.

As I’ve gotten older, it’s harder for me to sit through long bursts of animation. I’m not sure why but I watched a handful of episodes and found my mind wandering, looking at my phone, looking at the clock and then thinking that I’d rather just read the comics that these stories are trying to adapt.

Again, it’s not X-Men, it’s me.

I then talked to a friend about it and he said that he feels the same way with most of the cartoons he used to watch. He’s 44 and I’m now 41. So I wonder if 40 is some sort of point where the mind severs itself from this type of entertainment? But then, I can still watch Batman: The Animated Series and the Marvel/Sunbow era of G.I. Joe: A Real American Hero.

That being said, I can’t shit on the show for my personal inability to sit through it now.

It’s a stellar animated series, one of the best of its era. The stories were well adapted, even if they took a lot of liberties and didn’t follow the same sequence as the comics.

Rating: 8.5/10
Pairs well with: the other Marvel animated shows from the ’90s.

Comic Review: New X-Men: The Quest for Magik

Published: June 19th, 2019
Written by: C.B. Cebulski, Craig Kyle, Christopher Yost
Art by: Giuseppe Camuncoli, Paco Madina, Skottie Young, David Finch (cover)

Marvel Comics, 385 Pages

Review:

I already read and reviewed the X-Infernus part of this large collection, so I’m omitting that and letting my previous review on it stand alone. The main reason, is that it’s pretty good where the rest of this collection is pretty monotonous.

Since I first started reading New Mutants as a young kid, I always loved the Magik character. She’s one of my favorite Marvel Comics creations. In fact, she might be my favorite out of the characters that debuted in my lifetime.

Having never read the majority of what’s collected here, I always felt that a large portion of her story was unknown to me. So I wanted to rectify that and fill in the blanks from the ’00s, as I kind of dipped out of comics for most of that decade.

The problem with this, is that I pretty much hate all the New X-Men stuff. I never liked the team, as almost every new mutant teen felt generic as hell and many of the stories felt like retreads of stuff from other teenage mutant books from the ’80s and early ’90s. I think the only character I really liked out of any of them was Rockslide.

So this is pretty heavy on New X-Men shit. To the point that a massive chunk of this collection, mostly the first half, doesn’t even feature Magik. I mean, this is titled The Quest for Magik but we’ve got to get through a boring four-part story before we even get to the subject matter that the book’s title implies.

Once we do get to Magik, everything feels off.

I also have to point out that some of the art is really good but then this collection jumps around to different titles that have a very different art style and in a collection, that can be jarring to the eyes. It goes from a serious, straightforward style, to a cheesy overly anime style, to using colors and gradients in a way that pop too much and make the illustrated work get lost in the colorful clusterfuck.

Overall, this is a disappointment. There were a few solid points and the X-Infernus four-part miniseries is still a good read but ultimately, I’ve got buyer’s and reader’s remorse.

Rating: 5/10
Pairs well with: other New X-Men collections.

Comic Review: X-Men: Mutant Massacre

Published: 1986
Written by: Chris Claremont, Louise Simonson, Walter Simonson, Ann Nocenti
Art by: John Romita Jr., Walter Simonson, Sal Buscema

Marvel Comics, 319 Pages

Review:

Well, not all giant X-Men crossover events can be created equal.

This one started off with a bang though. Sadly, it withered away in the second half, as it crossed over into non-X-Men-related titles and became a narrative clusterfuck that slowed down the story’s momentum to a complete halt.

The main reason I wanted to read this was to have a bit of background context before jumping into the following big event The Fall of the Mutants. While I had never read either crossover in their entirety, I had read parts and I knew that the stories had a very close association.

The focal point of the story shows the Marauders invading the Morlocks’ sewer hideout where they murder the shit out of them. Only a few actually survive and that’s mostly due to the X-Men, X-Factor and the New Mutants involving themselves in the ordeal.

As this collection rolls on, the story spins off into issues of Thor, Daredevil and Power Pack. This is where the narrative starts to become a mess. And once we get to this point, a lot of the issues rehash some of the same shit, over and over.

What I was excited to see was Apocalypse show up and the actual breaking of Angel. I thought that he would actually be turned into Archangel in this story but I guess that happens just after, which was kind of disappointing, as I’ve never got to read that actual story. I assumed it would happen here once Angel had his wings destroyed and was nailed to the sewer wall with about half the story left.

There were a lot of deaths in this but none that really hold any weight or matter to the bigger picture.

But I guess this helped plant the seed for The Fall of the Mutants and the introduction of both Archangel and Mister Sinister.

Rating: 6.25/10
Pairs well with: other big X-Men crossover events from the ’80s and ’90s.

Comic Review: The New Mutants: War Children – One-Shot

Published: September 25th, 2019
Written by: Chris Claremont
Art by: Bill Sienkiewicz

Marvel Comics, 32 Pages

Review:

Being an old school fan of The New Mutants, this was a pretty cool one-shot that took my brain right down memory lane in the best way possible.

This re-teams the creative duo of Chris Claremont and Bill Sienkiewicz, who were the guys that gave us so many New Mutants stories from their original run.

The story here fits well with their work from thirty years ago. I’m not sure where this would fit, as I don’t remember the details from issue to issue but this is in that great period between the debut of Magik and her eventual (but not permanent) death in the Inferno mega crossover event. This certainly takes place well before Rob Liefeld came in and changed the direction of the title, evolving it into X-Force.

I’m assuming that this was made because The New Mutants are being relaunched in a few weeks on the heels of Jonathan Hickman’s pretty beloved House of X and Powers of X miniseries.

And while I look forward to the new New Mutants comic series, I’d rather just have more of this. I wish that this wasn’t a one-shot and could have been expanded into a miniseries. But the quality of this would have been difficult to pull off in multiple issues on a schedule.

Sienkiewicz’s art has never really fallen off. He’s not a guy that’s been phoning it in later in his career like some of the other greats have done. This is a stunning and beautiful book to look at. Additionally, I thought that Claremont penned a good story that was a throwback to his glory days writing multiple X-comics.

I don’t want to say too much regarding the plot, as I’d rather people pick this up but it mostly revolves around Warlock and Cypher and the fear that Warlock has about losing himself to his nature and hurting his friends.

Old school New Mutants fans will probably dig the shit out of this. I did. And as I said, I just wish there was more.

Rating: 8/10
Pairs well with: the original New Mutants comic book run.

Comic Review: X-Men: Mutant Genesis

Published: 1991
Written by: Chris Claremont, Jim Lee, Fabian Nicieza, Whilce Portacio, Peter David, Len Kaminski
Art by: Jim Lee, Whilce Portacio, Kirk Jarvinen, Tom Raney, Terry Shoemaker, Paul Smith, Andy Kubert, Jerry DeCaire, Ernie Stiner, Steven Butler, Art Thibert

Marvel Comics, 437 Pages

Review:

I’m pretty excited for the current Jonathan Hickman run on the X-Men titles. I haven’t started reading them because the two miniseries that are coming out are doing so just about weekly. So I want to wait to have all twelve issues before giving it a read. But from what I’ve heard, it’s absolutely solid and quite refreshing.

However, before getting into the new stuff, I wanted to travel back to the height of my time reading and buying X-books: 1991.

The reason I wanted to go back there was because it was a transitional period, as the original X-Factor team came to an end, the New Mutants became X-Force and two new X-Men teams formed, each with their own ongoing monthly series. It was also a transition from the Chris Claremont era into the era of Jim Lee.

This thick trade paperback collects multiple story arcs but all of the arcs are unified in their purpose, which was to end an era and to create a new one.

Here we have the final stories of the first X-Factor team, as well as stories involving the newly formed X-Force and New Warriors, Freedom Force and the X-Men team as it existed when Claremont moved on from the series.

This almost feels like an omnibus.

It also features a lot of great creatives on the writing side and art side.

Ultimately, this was a hell of a fun read that flew by despite its meaty 437 pages.

We get dozens of heroes and a whole slew of major X-villains like Magneto, Apocalypse, the Shadow King, Proteus and Fabian Cortez, just to name a few.

While a lot of the ’90s comics I go back to don’t have the same effect on me as they did when I was twelve, this is a solid f’n read. Seriously.

And what’s really surprising is that it has all these creatives working on it and it still turned out to be a really well managed and fully realized vision that brought an era to its end, quite epically, and generated real excitement and enthusiasm for what was to come.

Rating: 10/10
Pairs well with: other major X-Men crossover events from the era: X-Tinction Agenda, X-Cutioner’s Song, etc.

Comic Review: X-Cutioner’s Song

Published: 1992-1993
Written by: Scott Lobdell, Fabian Nicieza, Peter David
Art by: Brandon Peterson, Andy Kubert, Jae Lee, Greg Capullo

Marvel Comics, 336 Pages

Review:

This was one of my favorite big crossover events when I was really just getting deep into comics. This blew my middle school mind at the time and it had a lot of influence over my creative output in the comic book medium.

I was worried that revisiting this story would be a big disappointment. A lot of the stuff from this era that I reread now, usually lets me down, as my palate is more discriminatory than it was at thirteen years-old.

I’m happy to say that this was still pretty f’n solid!

In fact, I think it is slightly better than X-Tinction Agenda, which I used to place ahead of this one.

What I really liked about it, is that it features three of my absolute favorite villains: Apocalypse, Mister Sinister and Stryfe. They are all well balanced and they aren’t here to come together in an effort to finally take out the X-Men, X-Factor and X-Force (formerly the New Mutants). Each one of these baddies has their own purpose and agenda within the story and it all just comes together in a really cool way that even sees the X-Men have to turn to Apocalypse in order to stop Stryfe’s chaos.

This is the best big story to come after the epic Chris Claremont run on X-Men. But if I’m being honest and this certainly isn’t a dig at the legendary Claremont, whose work I love, X-Cutioner’s Song was really refreshing and it showed that new blood could liven things up. Granted, Peter David didn’t hang around too long, Scott Lobdell and Fabian Nicieza also moved on to other things, but this was a weirdly perfect storm considering all the changes happening on Marvel’s X-books following Claremont’s departure and many of the top creatives leaving for the newly formed Image Comics.

The art is also top notch, but Brandon Peterson, Andy Kubert, Jae Lee and Greg Capullo are all fantastic and three of those men have become somewhat legendary in their own right.

X-Cutioner’s Song is well crafted, well balanced and it should be a primer on how to write massive crossovers featuring dozens of characters all competing for their moment.

Rating: 9.25/10
Pairs well with: previous big X-Men crossover events like X-Tinction Agenda, Muir Island Saga, Inferno and Fall of the Mutants.

Comic Review: New Mutants, Vol. 2: Necrosha

Published: September 8th, 2010
Written by: Zeb Wells
Art by: Niko Henrichon, Diogenes Neves, Paul Davidson, Alvaro Lopez, David Lopez

Marvel Comics, 148 Pages

Review:

I wasn’t super big into the volume before this one. That could also be due to me not really liking the Legion character, who had a major presence in that book.

This volume finds its footing a bit more and I enjoyed both stories that were collected here.

I like this team, overall, and their dynamic. There are interesting twists to the story but the first half of this collection ties into a crossover event where some of the context is lost, due to this not featuring the parts of the story that weren’t specifically published as New Mutants issues. Also, this volume leads into the big Second Coming event.

Regardless of this being tied to and setting up other stories, I like the chemistry within the group and how the characters are written and how they’re evolving here. In fact, I assumed I’d give up after this volume but I think I’ll give the third one a read too.

I’m a big New Mutants fan and always have been. I just haven’t been very satisfied with their comics since the original run in the ’80s and early ’90s. Zeb Wells’ run seems to be carving out its place in the larger mythos though.

Plus, I dig the art.

All in all, not a bad book, better than most New Mutants collections after the original run and I’m at least interested in sticking with it beyond this chapter in the series.

Rating: 6.75/10
Pairs well with: the volume before this story, as well as most New Mutants stories featuring some of the key original members.

Comic Review: New Mutants, Vol. 1: Return of Legion

Published: April 28th, 2010
Written by: Adam Kubert, Zeb Wells
Art by: Diogenes Neves, Cam Smith

Marvel Comics, 131 Pages

Review:

I’m an old school O.G. New Mutants fan. I’m also a bitch for nostalgia. So I often times pick up New Mutants titles whenever they have brief resurgences. And usually, I regret it after the fact.

Reading the first volume of this short lived New Mutants incarnation didn’t leave me with buyer’s remorse though. However, this also didn’t wow me in any way.

Some of the key members get back together to do a mission for Cyclops. Cannonball is put in charge of the team, which is fine but anytime Magik is put on the backburner, I tend to get fussy. She’s one of my all-time favorite Marvel characters and a big reason why I read New Mutants.

Sure, Magik still plays a part in this story but it feels pretty secondary.

This arc also brings Legion into the mix and he’s never been a character I’ve been that fond of.

While this was an entertaining read, there wasn’t much here to justify a return of this team. Although, this does setup the second volume and hopefully that gives this chapter in this two part saga more meaning. However, this still didn’t leaved me too enthused about continuing on.

Rating: 6.25/10
Pairs well with: the follow to this story, as well as most New Mutants stories featuring some of the key original members.

Comic Review: X-Men: Second Coming

Published: June 22nd, 2011
Written by: Craig Kyle, Christopher Yost, Matt Fraction, Zeb Wells, Mike Carey
Art by: David Finch, Terry Dodson, Ibraim Roberson, Greg Land, Mike Choi, Rachel Dodson, Sonia Oback

Marvel Comics, 360 Pages

Review:

I went into this thinking that I would like it for the most part. The events that precede it were pretty good reads. What I didn’t expect was to be blown away. But in the end, I have to say, this was one of the absolute best X-Men crossover events that I have ever experienced. Seriously, this was nothing short of superb.

More than anything, this story made me love Cable more than ever and it got me to love Hope Summers, who I would say is one of the best characters to come out of the last decade, even though she previously appeared as a baby before this in Messiah Complex.

This had a lot going on in the story but there was room for it all. Plus, all the key players were well balanced throughout and it gave most of the top characters a real purpose and mission.

There are real consequences in this story, as some key X-Men figures die. Granted, one could argue that those consequences are never real because no one truly dies in comics and the two biggest victims of this story are already alive and well, once again. But despite that, it felt like a real blow within this narrative. It didn’t lose its impact knowing that they’d eventually be back.

Second Coming carries all the doom and gloom of Messiah Complex over and it brings more doom and gloom but it ends in a way that finally sees a glimmer of “hope” appear in the darkest time of the X-Men franchise. I don’t want to spoil too much because I’d rather people give this a read.

Being that this is a crossover event, there is a mix of art styles. All of it works for me though, even if there are noticeable style shifts from chapter to chapter. Ultimately, the tone stays about the same from beginning to end.

This is a fairly long read but none of it is boring or filler. It moves at a brisk pace, keeps you engaged and makes you cheer for these heroes in a way that you haven’t since the early ’90s.

Rating: 10/10
Pairs well with: the stories that precede it: Avengers Disassembled, House of M and X-Men: The Messiah Complex, as well as the one this leads up to: Avengers Vs. X-Men.