Also known as: Die Hard 5 (working title)
Release Date: February 6th, 2013 (Seoul premiere)
Directed by: John Moore
Written by: Skip Woods
Based on: characters by Roderick Thorp
Music by: Marco Beltrami
Cast: Bruce Willis, Jai Courtney, Sebastian Koch, Rasha Bukvic, Cole Hauser, Yulia Snigir, Mary Elizabeth Winstead (cameo)
Giant Pictures, TSG Entertainment, Twentieth Century Fox, 98 Minutes, 101 Minutes (Extended Cut)
“Let’s go kill some motherfuckers!” – John McClane
Well, not all Die Hards are created equal but at least three were great and another one was really good. This one, the fifth and final (at least for now), was the worst film of the lot.
That’s not to say that this is a bad movie, it just isn’t on the level of the four other pictures that share the Die Hard name.
In fact, take Die Hard out of the title and this is just another random Bruce Willis action film from the ’00s or ’10s that gets lost in the shuffle and just sort of blends in with the rest of them. It’s mediocre, uninspiring and pretty generic with only one real high point worth mentioning.
That one high point is the final battle with the helicopter. It’s a pretty cool sequence and well thought out and executed. However, it is somewhat ruined by shoddy CGI effects and the film being visually drab, overall.
There are other big action sequences but none of them are very memorable.
Part of the problem with the film is that it doesn’t feel Die Hard level in scale. Each film sort of felt like it got bigger than the one before it in some way. This actually feels like the smallest film in scale since the first one. While this takes place primarily in the streets of Moscow, it just lacks the energy and intensity of the third and fourth films, which took place in the streets of two major American metropolises.
I think this problem is due to the visual tone and the drabness of the picture. It definitely went for that modern action film aesthetic and it makes it look cheap and generic. The thing I loved about Die Hard With a Vengeance was that it didn’t resort to noticeable film filters or gritty digital enhancements, it just threw you in the middle of New York City and it felt like you were there.
This film feels like you’re looking at a video game that takes place in some generic European city. There just isn’t any life to it. And that’s not a knock against Moscow because I’m sure there is really cool shit that could’ve been captured on film there. This is more a criticism of the director, the cinematographer, the location scout and the obvious lack of creativity in trying to give this film an authentic lived-in world.
From a creative standpoint, this felt like the most half-assed Die Hard film and that the producers just kind of assumed that people would love it just because it featured the character of John McClane.
Additionally, the story was also generic and weak. In fact, this felt like they took a script for a cookie cutter, straight-to-DVD action flick and just repackaged it with the Die Hard name once they were able to lock down Bruce Willis.
Still, if you’ve got just under two hours to kill and you haven’t seen the film, it’s still a good time waster. Granted, if you haven’t seen any of the other four, watch one of those instead.
Pairs well with: the other Die Hard films, as well as other Bruce Willis action films.
Also known as: National Lampoon’s Loaded Weapon 1 (complete title)
Release Date: February 5th, 1993
Directed by: Gene Quintano
Written by: Don Holley, Gene Quintano, Tori Tellem
Music by: Robert Folk
Cast: Emilio Estevez, Samuel L. Jackson, Kathy Ireland, Frank McRae, Tim Curry, William Shatner, Jon Lovitz, Lance Kinsey, Denis Leary, F. Murray Abraham, Danielle Nicolet, Beverly Johnson, Ken Ober, Bill Nunn, Lin Shaye, James Doohan, Erik Estrada, Larry Wilcox, Corey Feldman, Whoopi Goldberg, Paul Gleason, Phil Hartman, Richard Moll, J. T. Walsh, Rick Ducommun, Vito Scotti, Charles Napier, Charles Cyphers, Denise Richards, Allyce Beasley, Joyce Brothers, Charlie Sheen, Robert Shaye, Chirstopher Lambert (deleted scene), Bruce Willis (uncredited)
National Lampoon, 3 Arts Entertainment, New Line Cinema, 84 Minutes
“Nice weather? You think we’re having… nice weather? I guess you didn’t lose the only one that meant anything in your life. I guess you don’t feel burned out by the human misery and despair perpetrated by the criminal vermin that infest every pore of this decaying city, forcing you to guzzle cheap wine and cheaper whiskey to dull the pain that shatters your heart, rips at your soul, and keeps your days forever gray. What flavor Icee you got today?” – Colt
Regular readers of this site probably already know that I’m not a big fan of parody movies outside of Mel Brooks’ work. However, ever now and again, I discover a parody film that is actually quite good.
I never saw National Lampoon’s Loaded Weapon 1 because I didn’t have much interest, even when it came out in 1993 and I was a huge Lethal Weapon fan. These films tend to be predictable, lame and lowest common denominator humor. While this is pretty low brow and a bit predictable, it wasn’t lame and it was actually really well done and executed.
I think this stands above other films like it because it has a really solid cast with several heavy-hitters that just commit to the material so convincingly, it makes everything work. You buy into the goofy jokes and the absurdity of it all and frankly, Emilio Estevez and Samuel L. Jackson had good chemistry. I wouldn’t say that it was on the level of Mel Gibson and Danny Glover but they played off of each other nicely and looked like they were having a blast playing these characters.
WIlliam Shatner and Tim Curry were both enjoyable as villain characters. Shatner went into this with no fucks given and it just made his performance that much more entertaining. I loved his accent, his facial expressions and the guy isn’t just a sci-fi legend, he’s a master of comedic timing.
This ridiculous film is just a lot of fun. If you like buddy action films and have a sense of humor, you’ll probably dig this.
Pairs well with: the Lethal Weapon films and the dozen other movies this parodies, as well as other parody films of the time.
Also known as: Die Hard 4.0, Die Hard 4, Die Hard: Tears of the Sun, Die Hard 4: Die Hardest, Die Hard: Reset (working titles), WW3.com (original script title)
Release Date: June 12th, 2007 (Tokyo premiere)
Directed by: Len Wiseman
Written by: Mark Bomback, David Marconi
Based on: A Farewell to Arms by John Carlin; characters by Roderick Thorp
Music by: Marco Beltrami
Cast: Bruce Willis, Justin Long, Timothy Olyphant, Cliff Curtis, Maggie Q, Mary Elizabeth Winstead, Kevin Smith, Tim Russ
Cheyenne Enterprises, Dune Entertainment, Ingenious Film Partners, 20th Century Fox, 129 Minutes
“You know what you get for being a hero? Nothin’. You get shot at. You get a little pat on the back, blah, blah, blah, attaboy. You get divorced. Your wife can’t remember your last name. Your kids don’t want to talk to you. You get to eat a lot of meals by yourself. Trust me, kid, nobody wants to be that guy.” – John McClane
When this came out, I liked it but it didn’t quite blow me away in the same way as the original trilogy of films did. I haven’t seen this since it was in the theater, however, so I was pleasantly surprised by it this time around, as it was better than I remembered. I still wouldn’t put it on the same level as the first three but it is a much better action movie than the majority of action flicks since the turn of the millennium.
One thing that I like about this series, besides the awesomeness that is Bruce Willis, is that each film takes place in (or around) a different major city. The majority of this picture is set in Washington DC It gives it a fresh look but at the same time, it has the same problem that a lot of the more modern action flicks have and that’s that it looks too polished.
While metropolitan DC is cool, it is kind of a sterile and generic looking city when away from the famous monuments and iconic government buildings. Also, I don’t think that the film really utilized how batshit crazy DC’s streets are in that there are big diagonal avenues that cut through the standard grid system that most large American cities have.
I typically get annoyed by Justin Long after about five minutes. However, there are a few films where he is really good and this is one of him. While he starts to grate on you pretty early on, he grows as a character and you end up really liking him. But like other Die Hard characters, he’s sadly a one-off and doesn’t ever return to fuck shit up with John McClane again.
Side note: I’d love a spinoff of John McClane sidekicks meeting up at a John McClane sidekick convention that is taken over by terrorists and they have to team-up without McClane there. That’ll never happen but a kid can dream. But if anyone ever gets the comic book publishing rights to the Die Hard franchise, this should be a miniseries.
Anyway, Timothy Olyphant is a decent villain but he just isn’t on the level of the villains from the three previous films. I actually found Maggie Q’s character to be more interesting and engaging but she’s sort of just thrown away in the second act, which is just used as fuel to make Olyphant go over the edge and sort of self-sabotage his own plan due to wanting revenge specifically on McClane.
Additionally, as good as most of this film is, it jumps the shark once John McClane has to fight a fucking F-35 fighter jet around a maze of bridges. Is it badass? Sure, but it is also so far removed from the rest of the picture that it’s no longer grounded in reality and feels more like some bonkers Michael Bay bullshit. Then I also remembered that this was directed by the guy behind the Underworld films, which really feels like a weird fit when you think about it.
Still, this is a good, solid way to waste a few hours with some mindless action and a character that has become beloved in American culture.
This is definitely weaker than the three previous entries but that doesn’t make it a bad movie. It’s really good, has a good pace and just gives you more of John McClane being an absolute badass.
Pairs well with: the other Die Hard movies, as well as other Bruce Willis action films.
Also known as: Die Hard 3, Die Hard: New York, Simon Says (working titles)
Release Date: May 15th, 1995 (New York City premiere)
Directed by: John McTiernan
Written by: Jonathan Hensleigh
Based on: Simon Says by Jonathan Hensleigh, characters by Roderick Thorp
Music by: Michael Kamen
Cast: Bruce Willis, Samuel L. Jackson, Jeremy Irons, Graham Greene, Colleen Camp, Larry Bryggman, Sam Phillips
Cinergi Pictures Entertainment, Twentieth Century Fox, 128 Minutes
“Yippie-kai-yay motherfucker.” – John McClane
The original trilogy of Die Hard films might be the greatest trio of action films ever made. While the solid Die Hard brand would become diluted with sequels, over a dozen years later, this third (and once final) film closes out the trilogy with a fucking bang!
This also teams up Bruce Willis with Samuel Jackson, one of the actors he has worked best with over the years due to their chemistry and both men’s energy and charisma. The film also pits them against Jeremy Irons in one of the greatest roles he’s ever played, as the terrorist brother of the first film’s Hans Gruber (played by the great, late Alan Rickman).
Irons’ Simon Gruber isn’t just looking for revenge on Willis’ John McClane, he is also using the opportunity to steal the gold from New York City’s branch of the Federal Reserve. There are a lot of layers to the plot but this film does a great job of telling its story, slowly revealing new layers and twists as it rolls on and escalates from scene-to-scene.
This calls back to the first film, a legitimate masterpiece of the action genre. But it doesn’t just do that by using a villain that is the brother of the original film’s, it also brings back that film’s director, John McTiernan. For those that don’t know, McTiernan is the heavyweight champion of cinematic action storytelling between his two Die Hard films, Predator, The Hunt for Red October and Last Action Hero, which has been unfairly crapped on since it came out. Maybe I’m in the minority but I love that film. We should all ignore his Rollerball remake though.
Anyway, this film is literally a non-stop action bonanza that is able to balance those sequences with a good, layered plot that isn’t predictable and provides some real surprises.
Setting this in the middle of New York City also propels it to a new level of scale when compared to the two films before it. The entire island of Manhattan is the playground for the movie’s villain and it’s incredible watching John McClane and Zeus Carver constantly race against time, rushing from location to location in an effort to prevent as much collateral damage as possible. And the whole time, the game is a ruse to cover up what the criminal’s real plan is. Furthermore, his plan also doesn’t align with all of his allies and that just leads to another great plot shift.
This is a superb movie on every level. While it isn’t on the same level of perfection as the first, it’s pretty damn close and it should satisfy those who have loved other chapters in this five film series. But I would say that this is the last of the great ones.
I’ll review the final two in the near future, as I haven’t seen four since it came out and I’ve never actually seen the fifth in its entirety.
Pairs well with: the other Die Hard movies, as well as other Bruce Willis action films of the era.
Also known as: Die Hard 2 (simplified title), 58 Minutes (working title)
Release Date: July 2nd, 1990 (Los Angeles premiere)
Directed by: Renny Harlin
Written by: Steven E. de Souza, Doug RIchardson
Based on: 58 Minutes by Walter Wagner, characters by Roderick Thorpe
Music by: Michael Kamen
Cast: Bruce Willis, Bonnie Bedelia, William Atherton, Reginald VelJohnson, Franco Nero, William Sadler, John Amos, Dennis Franz, Art Evans, Fred Thompson, Tom Bower, Sheila McCarthy, Vondie Curtis-Hall, John Leguizamo, Robert Patrick, Mark Boone Junior, Colm Meaney, Robert Costanzo
Twentieth Century Fox, Gordon Company, Silver Pictures, 124 Minutes
“Oh man, I can’t fucking believe this. Another basement, another elevator. How can the same shit happen to the same guy twice?” – John McClane
Why the fuck do people shit on this movie? It’s a solid action flick with a solid action star that also boasts one of the manliest casts ever assembled for a motion picture not named The Expendables.
I love this movie and while I can recognize that it isn’t a perfect masterpiece like its predecessor, it is still a fine motion picture that helped to make the original Die Hard Trilogy one of the greatest trilogies of all-time. That was all undone and fucked up once Hollywood went back to the cow to milk the tits off of the franchise years later but I still consider the first three Die Hards to be a trilogy and that’s that.
John McClane is back and honestly, that’s all you really need. However, they set this one at Christmas, once again, and then padded out the rest of the cast with some of the coolest male actors of the time: Franco Nero, William Sadler, John Amos, Dennis Franz, Art Evans, Fred Thompson, Tom Bower, Vondie Curtis-Hall, Robert Patrick, John Leguizamo, Mark Boone Junior and Colm Meaney. Not to mention that they also brought back Bonnie Bedelia, William Atherton and Reginald VelJohnson in a cameo.
There is so much testosterone in this picture that it is hard to see the movie sometimes as it’ll spill over the top of the screen and ooze down the front of it. If that’s not what you’re looking for in an action flick circa 1990, then go watch Fried Green Tomatoes with your Aunt Millicent!
This film grabs you from the get go and doesn’t let go until the credits roll. It’s packed full of action and when shit isn’t blowing up or getting shot at, we’re treated to solid scenes between the solid cast and thus, there isn’t a dull moment in this entire picture.
I love the chemistry between just about everyone in this film. Bruce Willis, at least in this era, could work with anybody and bring the best out of them. While the guy has unparalleled charisma, it always seems to carry over and rub off on anyone he works with. I absolutely loved his banter with Dennis Franz and I also loved his camaraderie with Art Evans.
Looking at another tandem that’s great in this picture, I have to tip my hat to Bonnie Bedelia and William Atherton. This is their second time playing these characters that are at odds with one another but they work so well together that it kind of sucks that they never came back for any of the other films.
Look, it is hard to top perfection, which is what the first Die Hard was. But, man, this is a really good attempt at trying to follow it up and just give the fans more of what they wanted.
Pairs well with: the other Die Hard movies, as well as other Bruce Willis action films of the era.
Also known as: G.I. Joe 2 (working title)
Release Date: March 11th, 2013 (Seoul premiere)
Directed by: John M. Chu
Written by: Rhett Reese, Paul Wernick
Based on: G.I. Joe: A Real American Hero by Hasbro
Music by: Henry Jackman
Cast: Dwayne Johnson, D. J. Cotrona, Byung-hun Lee, Adrianne Palicki, Ray Park, Jonathan Pryce, Ray Stevenson, Channing Tatum, Bruce Willis, Arnold Vosloo, Walton Goggins, Elodie Yung, Rza, Matt Gerald, James Lew, James Carville (cameo)
Paramount Pictures, Metro-Goldwyn-Mayer, Skydance Media, 110 Minutes, 123 Minutes (Extended Cut)
“I came here when I was fourteen, with a life expectancy of thirteen. I was bounced around from home to home until this… became my home. Guys would line up outside that door to fight me. They whooped my skinny ass so much I started to enjoy it. Until one winter, I grew eight inches, gained sixty pounds, punched a guy so hard he couldn’t move his arm to tap out. Then when the Joes came recruiting to the hood, I’d already beaten down half of it. I became a Joe to serve. In the field. So if we’re fighting uphill, we take the hill.” – Roadblock
I really wish this movie would have done much better at the box office because it course corrected in a great way and fixed the mess that was G.I. Joe: The Rise of Cobra.
On one hand, this is a sequel but on the other hand, it is also a soft reboot. It doesn’t necessarily ignore that the terrible first film exists, it just buries it and moves on. But as awesome as this turned out, for the most part, the damage from the first picture was so severe that this Dwayne Johnson and Bruce Willis action extravaganza couldn’t save the G.I. Joe franchise on the big screen.
That being said, it still isn’t a perfect G.I. Joe film but it felt like a good bridge between the shit this crawled out of and the great movie that could have followed, based off of what this picture set up for a future story.
To start, Dwayne Johnson was genius casting and this should have been the perfect franchise for him to lead. While he isn’t exactly who I would’ve envisioned for Roadblock, he definitely filled the shoes of leadership after Duke presumably died and General Hawk also presumably died or went on vacation somewhere.
Other than Duke and Snake Eyes, there aren’t any other G.I. Joe members from the first movie present. I’d like to think that maybe some of them would’ve been back in a third film, as none of the actors were necessarily bad, it was just the first movie that was a massive pile of shit.
The film does bring back Cobra Commander, Storm Shadow and Zartan on the Cobra side of the equation and we do get a brief glimpse of Destro but he’s essentially left out of the main plot, in what I would presume means that he would’ve been back in a third film with his Iron Grenadiers in an effort to start a Cobra Civil War, which was a great event in two different G.I. Joe comic book series.
While I could speculate on what the future of this franchise could have been for quite awhile, this is a review of this film and not a wish list for a movie that will never happen.
So getting back to the film, it flows nicely and I like that it was kept pretty grounded and didn’t try to overdo things like its predecessor that tried to be more like Iron Man and Transformers than G.I. Joe.
My only real complaints about the film are the same that I have with most modern big budget blockbusters of recent years. The musical scores are dull and not memorable or iconic, the fight scenes are hard to follow due to super fast edits and shaky cams, and the film’s visual look is boring, sterile and generic. These are all things that could’ve been easily tweaked and would have made this a much better picture.
Now I mostly like the story, other than I’m tired of killer satellites as weapons of mass destruction. This is a trope that has been done to death more times than a beaver has built a dam. Although, I will give the writers props on coming up with a fairly original version of a killer satellite.
Unlike the first movie, I loved the look of the characters, especially Cobra Commander. I don’t know what the fuck he was supposed to be in the first film but he looked like Doctor Satan from House of 1000 Corpses trying to cosplay as Glacier from World Championship Wrestling in the ’90s. Now Cobra Commander looks right. In fact, by the end of the film, he looked fucking perfect.
They also refined the look of Snake Eyes and got rid of his weird rubber lips while making Storm Shadow look more badass. Plus, the introduction of Firefly was great, he looked great and he was played by Ray Stevenson, who is pretty damn great in everything. I was kind of pissed that he got killed but this is a comic book movie and they could easily bring him back if they made a third picture.
For an old school G.I. Joe fan, this is a movie that just felt right. Especially, after the first one was a massive misfire that insulted the fans and confused the normies. It gave me hope because it showed that Hasbro and the studio listened to the fans’ criticisms of the first movie. Less than ten years later, studios just blame fans as being “toxic” while dismissing their criticisms because apparently fans are idiots and studios are run by geniuses that think that failure somehow means success.
In the end, I wish that this would’ve done better and that it would’ve kept the G.I. Joe franchise on the big screen for years to come. Granted, this could’ve easily just gone the route of Transformers and gone right back to being an embarrassing piece of shit.
I guess we’ll never know.
But I also guess we’ll see how Hasbro and the studio handles the material once it is rebooted. Rumor has it that G.I. Joe will be part of a larger connected universe with Transformers, M.A.S.K. and other toy franchises but fuck all that. I just want them to make a good, consistent G.I. Joe movie series before they try to go too big and ruin the whole thing for another generation.
Pairs well with: the early days of the original Marvel Comics run, as well as the first two seasons of the ’80s G.I. Joe cartoon.
Release Date: March 1st, 2018 (UAE, Kuwait, Philippines, Singapore)
Directed by: Eli Roth
Written by: Joe Carnahan
Based on: Death Wish by Wendell Mayes, Death Wish by Brian Garfield
Music by: Ludwig Goransson
Cast: Bruce Willis, Vincent D’Onofrio, Elisabeth Shue, Dean Norris, Kimberly Elise, Beau Knapp, Camila Morrone
Cave 76, Metro-Goldwyn-Mayer, 107 Minutes, 97 Minutes (Mainland China censored version)
“People rely on the police to keep them safe. That’s the problem. The police only arrive after the crime has taken place. That’s like trapping the fox as he’s comin’ out of the hen house. If a man really wants to protect what’s his. He has to do it for himself.” – Ben
Well, I finally got around to watching this remake no one asked for. But I have to admit, the team up of director Eli Roth and actor Bruce Willis kind of intrigued me. Although, with Roth attached, I expected this to be over the top in regards to violence but it was pretty tame.
This also throws Vincent D’Onofrio, Elisabeth Shue and Dean Norris into the mix, so it had a solid cast.
Being a fan of the original film series, I never wanted more. I mean we had five films, three of which were great, one of which was good and another one that was at least amusing enough to justify its existence. Plus, I didn’t want to see anyone else other than Charles Bronson play Paul Kersey.
However, unlike the Bronson Kersey, the Willis Kersey is not an architect, he’s a doctor. That significantly changes the plot but then it also makes me wonder why this had to be a Death Wish movie as opposed to just some other vigilante revenge flick?
Like a lot of the modern vigilante movies, this one is pretty run of the mill, predictable and doesn’t offer much of anything that you haven’t seen before and done better.
Now I didn’t dislike this. In fact, I liked seeing Bruce Willis kick ass because he’s so damn good at it. He also elevates just about every movie he’s ever been in. Plus, the rest of the cast pulled their weight and I liked everyone in this that wasn’t a scumbag.
There’s nothing special here though. It’s just good, mindless entertainment but it doesn’t hold a candle to the first three films that Bronson did. Hell, it doesn’t hold a candle to Kevin Bacon’s vigilante flick Death Sentence. But if you’ve got nothing better to do for 107 minutes, give it a shot.
Pairs well with: Death Sentence with Kevin Bacon and the original five Death Wish films.
Also known as: Mister Glass (Israel), Cristal (Spain)
Release Date: January 7th, 2019 (Paris premiere)
Directed by: M. Night Shyamalan
Written by: M. Night Shyamalan
Music by: West Dylan Thordson, scores from Unbreakable by James Newton Howard
Cast: James McAvoy, Bruce Willis, Samuel L. Jackson, Anya Taylor-Joy, Sarah Paulson, Tom Bower, M. Night Shyamalan (cameo)
Blinding Edge Pictures, Blumhouse Productions, Buena Vista International, Universal Pictures, Walt Disney, 129 Minutes
“This was an origin story the whole time.” – Elijah Price
This is the third and final film in M. Night Shyamalan’s Unbreakable trilogy, assuming that’s what we can call the three pictures that started with Unbreakable, continued with Split and ended with this.
My anticipation for this movie was pretty high, as I love the two films before this one. That being said, this is my least favorite of the three movies but this is still really damn good and someone had to be the odd man out. But still, this non-traditional superhero film series is actually a lot better than most of the more traditional superhero film franchises that oversaturate the market today.
This film series feels plausible and grounded in reality, as it isn’t overly fantastical and littered with special effects and epic battles featuring the mass destruction of just about everything on screen. These three films feel much more like a great indie superhero comic come to life, as opposed to something that adapted Marvel or DC stories. It’s smaller, more personal and well, more human.
And I’m not saying all this to knock big budget, over the top, superhero movies. I love a lot of those films. But this trilogy by Shyamalan is very different and very refreshing.
Additionally, all the performances in this movie are spectacular. James McAvoy switches from personality to personality in rapid succession even more than he did in Split. Samuel Jackson just kills it as Mr. Glass and he feels so comfortable and at home with the role. Bruce Willis is pretty much just stoic and intense but it works. Sarah Paulson does a convincing job as the psychiatrist that’s trying to analyze the three men. But the real scene stealer for me is Anya Taylor-Joy, who I always seem to talk highly of in every film I’ve reviewed that features her. She has immense talent and it is on full display here.
In typical Shyamalan fashion, this film has a twist. In fact, it has a layered twist that comes with its own surprise even after it’s revealed. But I won’t give anything away.
The film also looks beautiful. It’s amazingly shot with enchanting cinematography, lighting and shot framing.
There isn’t anything bad to say about the movie. It’s not perfect but for fans of this series, this is a very satisfying conclusion.
Pairs well with: the films that precede it: Unbreakable and Split.
Release Date: August 2nd, 1999 (Philadelphia premiere)
Directed by: M. Night Shyamalan
Written by: M. Night Shyamalan
Music by: James Newton Howard
Cast: Bruce Willis, Toni Collette, Olivia Williams, Haley Joel Osment, Donnie Wahlberg, Mischa Barton, M. Night Shyamalan (cameo)
Hollywood Pictures, Spyglass Entertainment, The Kennedy/Marshall Company, 107 Minutes
“I want to tell you my secret now.” – Cole Sear
For those that don’t remember the world in 1999, The Sixth Sense scared about as many people as Y2K.
This is a creepy film that penetrated the subconscious of its audience and went on to make its director, M. Night Shyamalan, one of Hollywood’s new “it boys” at the time.
I haven’t seen this since it was in the theater but being that this is its twentieth anniversary, I wanted to revisit it.
It’s not as good as I remembered it and for a long time, I considered it Shyamalan’s second best film after Unbreakable. It is still a much better than decent picture but it is sort of ruined by knowing the twist. However, it was also sort of diminished by knowing young Cole’s secret thanks to the marketing of the film in 1999.
Seeing this now, it is eerie from start to finish but the fact that you were clued in to the fact that Cole can “see dead people” before ever seeing the film, really takes away from that reveal. Plus, you go through half of this film before you actually see a ghost on screen. The first half of the film, had you not known the secret, could have been interpreted as Cole having severe mental issues.
Cole’s secret isn’t the big plot twist though, that comes at the end when it is revealed that Bruce Willis’ Crowe has been dead since the opening scene. I remember being in the theater and hearing everyone gasp when this was spelled out to the audience. That caught me by surprise, as I detected the twist pretty early on and just assumed the audience was supposed to know this all along. There were just too many hints that spelled it out for me before it had to be audibly stated and confirmed by the characters.
I think that the film is effective in how it creates atmosphere and makes you connect to its characters. The thing is, this feels more like a solid pilot for a show than a self contained story within a single film. I think that maybe this should have been a film series or at least found a way to be ongoing on television or books even. I left this film wanting to see Cole do good work in bringing tortured souls some peace.
This film did a nice job of sort of legitimizing horror and making it a bit more mainstream at the time. But the following decade wouldn’t be too kind to the genre, anyway. And this isn’t so much horror at its core, as it just happens to be a solid drama about a child psychiatrist and his very troubled patient. There just happens to be dead people in the story.
My biggest mark against the film is that it is really drawn out and moves at a snail’s pace until dead people start showing up about 50 minutes into the movie. I do like slow builds and suspense but the first half of this movie could have been whittled down.
In the end, this still does a good job of making a real human connection with its audience and it conjures up a thick sense of dread. But I can’t really call The Sixth Sense a classic, despite its cultural impact for the time.
Pairs well with: other M. Night Shyamalan movies.