Film Review: So Dark the Night (1946)

Release Date: October 10th, 1946
Directed by: Joseph H. Lewis
Written by: Dwight V. Babcock, Martin Berkeley, Aubrey Wisberg
Music by: Hugo Friedhofer
Cast: Steven Geray, Micheline Cheirel, Brother Theodore

Columbia Pictures, 71 Minutes

Review:

“I knew it was too good to be true. That much happiness just wasn’t meant for me.” – Henri Cassin

This was a film-noir that I didn’t know much about before going into it. I also wasn’t familiar with the majority of the cast, other than Brother Theodore, who has a pretty minor role.

I came across this on the Criterion Channel, as they have a collection devoted to Columbia Pictures film-noir movies. A cool collection because I haven’t seen a lot of the Columbia noir films, as they weren’t as prominent in the style as RKO or Warner Bros.

The story here takes place in France but it stars actors speaking in English with a bit of a French accent. The narrative itself is pretty shaky and while it does gets you invested into the plot, early on, it all falls apart when the big reveal comes towards the end.

This, like many noir pictures, has a twist. That twist falls flat though, as it doesn’t make a lot of sense and its sort of forced on you and throws some science-y, psychiatric nonsense at you that you just have to accept, as its not really based in any sort of actual fact and is just manufactured out of the writers’ shoddy assumptions.

Additionally, while this is noir and filmed and presented in that style, it’s very pedestrian looking and doesn’t offer much noir allure. It lacks in regards to its cinematography, with basic lighting, shot framing and camera work.

However, this is directed by Joseph H. Lewis who would go on to make one of the greatest film-noirs of all-time: Gun Crazy.

Rating: 5.75/10
Pairs well with: My Name Is Julia Ross, Drive a Crooked Road and Nightfall.

Film Review: The ‘Burbs (1989)

Release Date: February 17th, 1989
Directed by: Joe Dante
Written by: Dana Olsen
Music by: Jerry Goldsmith
Cast: Tom Hanks, Bruce Dern, Carrie Fisher, Rick Ducommun, Corey Feldman, Wendy Schaal, Henry Gibson, Brother Theodore, Courtney Gains, Dick Miller, Robert Picardo, Nicky Katt

Imagine Entertainment, Universal Studios, 101 Minutes

Review:

“[finds a femur] Ray, there’s no doubt anymore. This is real. Your neighbors are murdering people. They’re chopping them up. They’re burying them in their backyard. Ray… this is Walter.” – Art Wiengartner

The ‘Burbs is a rare dark comedy that hits all the right notes. Joe Dante was the perfect person to direct the script and the film was also perfectly cast.

While Tom Hanks was already building a name for himself and was a really good comedic performer that could handle more serious or dramatic material, it was this picture that really cemented his status, at least for me.

Hanks wowed people with a dramatic turn in Nothing In Common and even though The ‘Burbs doesn’t get as serious as that film, Hanks could flip the switch from comedy to serious on a dime, which he did here flawlessly. This and Big, which came out just a year prior, are the two films that made me a Tom Hanks fan. Following this up with the underappreciated Joe Versus the Volcano was also a great move by Hanks.

The cast is rounded out by Bruce Dern, Carrie Fisher, Corey Feldman and Canadian comedian Rick Ducommun – a guy that probably should have had more prominent roles like this. The Klopek family, who were the focal point of suburban curiosity, were played by Henry Gibson – who is always fun, Brother Theodore – who was tailor made for this film, as well as Courtney Gains, who creeped out audiences a few years prior in Children of the Corn. You also get to see a young Nicky Katt, before he would become more recognized in his work with director Richard Linklater. Joe Dante also dips into the well of his regulars and gives us cameos by the great Dick Miller and the awesome Robert Picardo.

Mundane suburban life is at the center of the movie, as it follows three very bored suburban men and their wariness over the strange new neighbors who moved onto their street: the Klopeks. As the story progresses, they suspect the Klopeks are murderers. The plot escalates to the point that they can’t resist the temptation of digging up the Klopek’s yard and breaking into their house when they leave one day.

The film is highly comedic but is also a mystery and a thriller with a touch of horror added in. It is a pretty awesome mix and Dante worked his magic to great results.

It is also a highly stylized picture but in a subtle way. It was filmed on the Universal backlot and utilized some of the houses seen in famous sitcoms and other films. In fact, the house that Hanks lives in was used a few years earlier in another Hanks film, Dragnet. The generic suburban look makes it so that this neighborhood could be any neighborhood but it also has a sort of fantasy feel to it. It’s grounded in reality but it skews reality.

The ‘Burbs is solid, through and through. While it has gotten more popular over time, it wasn’t a critical success in 1989. When I first saw it, most of the kids I talked to hadn’t seen it. As I got older and time rolled on, I found more and more people that loved the film after discovering it on video or cable. Still, it surprisingly only has a 49 percent rating on Rotten Tomatoes.

While not explicitly horror, this is a film I have to pop on almost annually around Halloween.