Release Date: February 3rd, 1986 Directed by: Abel Ferrara Written by: William Bleich Music by: David Frank Cast: Ken Wahl, Nancy Allen, Brian Robbins, Robert Culp, Stan Shaw, Rick Dees, Rosemary Forsyth
Walker Brothers Productions, New World Television, ABC, 98 Minutes
“There’s order to the chaos of the universe – as above, so below. I mean, even here, there’s a natural order posed by me, because here: I am God.” – Joe Barker
I really like Ken Wahl and Nancy Allen, so I thought a movie where Wahl turns vigilante and makes his truck a weaponized killing machine would be pretty badass! Well, I was let down.
Wahl’s truck is actually just reinforced with some heavy add-ons and a harpoon gun that basically immobilizes vehicles. He’s not really doing Mad Max shit but he is still trying to clean up the streets while hunting for the killer driver that murdered his brother and several other people.
I thought that Wahl was pretty good in this but the movie was slow as hell. It has some good, action-packed moments but it just leaves you wanting more and never really delivers in the way that you’d hope.
I felt like Nancy Allen was barely in it, as well.
But this was a movie that was made for television and there is only so much that you could get away with on network TV in the ’80s.
This is just one of those films that sits in limbo: it’s not necessarily a waste of time but it also isn’t worth going out of your way to watch.
Also known as: Untitled Wrestling Movie (working title), Head Lock Go! Go! Professional Wrestling (Japanese English title) Release Date: April 5th, 2000 (premiere) Directed by: Brian Robbins Written by: Steven Brill Based on: World Championship Wrestling Music by: George S. Clinton Cast: David Arquette, Oliver Platt, Scott Caan, Bill Goldberg, Rose McGowan, Diamond Dallas Page, Joe Pantoliano, Martin Landau, Ahmet Zappa, Jill Ritchie, Caroline Rhea, Lewis Arquette, Kathleen Freeman, Steve “Sting” Borden, Bam Bam Bigelow, Randy Savage, Booker T, Sid “Vicious” Eudy, Juventud Guerrera, Curt Hennig, Disco Inferno, Billy Kidman, Konnan, Rey Misterio, Perry Saturn, Prince Iaukea, Van Hammer, Michael Buffer, Gene Okerlund, Tony Schiavone, Mike Tenay, Charles Robinson, Billy Silverman, The Nitro Girls, John Cena (uncredited)
Bel Air Entertainment, Outlaw Productions, Tollin/Robbins Productions, World Championship Wrestling, 107 Minutes
“Just cause it’s your dream doesn’t make it right or noble or whatever! Charles Manson was following his dream! Joseph Stalin, Michael Bolton, you get my point?” – Mr. Boggs
When this came out in 2000, I didn’t bother to see it. It didn’t matter that I was a wrestling fan or that WCW (World Championship Wrestling) was promoting the shit out of it. The movie just looked terrible beyond belief and well, frankly, movies with major wrestlers in them were never good, at least up until this point. Thanks for fixing that, Dwayne “The Rock” Johnson.
I finally caught this on TV a year or two later because I was trapped at home with my car in the shop, Uber didn’t yet exist, and there was nothing on in the afternoon other than soap operas, lame game shows and even lamer talk shows. So I gave in and watched this unfunny and bizarre turd.
Now I don’t want to sound like I’m just being mean and shitting on a shitty film for the sake of being an asshole. It’s just a bad fucking movie and that’s mostly because it was written by someone who doesn’t know a damn thing about wrestling. If they do, the script and the story doesn’t show it and it’s almost insulting for those who have a love for this stuff.
Frankly, professional wrestling was treated like a joke. I get that this is a comedy movie but that doesn’t mean that you don’t do your research and try to give the audience something more authentic. Look at Slap Shot, a movie about hockey that is, at times, batshit crazy. Yet, it respects the sport and it doesn’t insult the fans of it by being written by someone just writing about what they think hockey is about, as opposed to someone who actually knew because she spent a season traveling with her brother’s team, an experience that led to her writing the Slap Shot script.
I don’t know how the wrestlers in this weren’t furious and insulted. I don’t know how they didn’t have meltdowns on the set about how stupid and inaccurate the script was in regards to something that was their beloved profession. Granted, I’m sure they were held hostage by their contracts and had more mouths to feed other than their own but the actual wrestlers had to see the writing on the wall with this shit show.
Now all that being said, I can’t hate on David Arquette or Scott Caan for being in this. They both really tried to make the best out of it and Arquette is a lifelong wrestling fan that probably signed on to this with some enthusiasm. I hope he didn’t see how bad the script was until after he signed the dotted line though because I’d rather hope that he just got hoodwinked.
But the effects of this movie were so bad that it led to Arquette legitimately becoming the WCW World Heavyweight Champion in real life, something he was apprehensive about and felt disrespected the talent that spent their entire adult lives training for the spot that was handed to him just to help market a shit movie. The tactic massively backfired and the Arquette incident is a major factor in what led to WCW permanently shutting its doors a year later.
As for the movie, it’s terribly unfunny. It also doesn’t make a lot of sense and it makes wrestling look stupid as hell. The whole thing is a caricature of what it’s supposed to represent, written as if it were some asshole’s personal take on something he didn’t even give a shit about in the first place.
I honestly feel bad for the people in this film. And while I like Brian Robbins as a comedic actor, as a director, this is the equivalent of him volunteering to wear a dunce cap made out of excrement.
Rating: 2.75/10 Pairs well with: really, really shitty ’90s and ’00s buddy comedies.
Also known as: C.H.U.D. 2 (France) Release Date: May 5th, 1989 Directed by: David K. Irving Written by: M. Kane Jeeves Music by: Nicholas Pike Cast: Brian Robbins, Tricia Leigh Fisher, Bianca Jagger, Gerrit Graham, Bill Calvert, Robert Vaughn, Sandra Kerns, June Lockhart, Norman Fell, Priscilla Pointer, Clive Revill, Robert Englund (uncredited cameo)
Lightning Pictures, Vestron Pictures, 84 Minutes
“Meet Bud, party animal of the living dead.” – tagline
Where C.H.U.D. is more of a serious horror film, C.H.U.D. II: Bud the Chud is a straight up teen comedy that doesn’t have much of a connection to its predecessor.
While most people seem to have a severe dislike of C.H.U.D. II, I find it to be the superior film. The reason being is that it is a funny, stupid movie and the original “serious” picture is mostly a boring dud that only excels when the actual C.H.U.D. is onscreen.
In this film, the C.H.U.D.s are just standard zombies. And since the main zombie is Gerrit Graham, this film gets an extra edge it wouldn’t have otherwise had.
But this isn’t completely carried by the great Graham, you’ve also got Robert Vaughn in one of his most hilarious and badass roles of all-time. He’s a military general here and he just goes around blowing shit up. At one point, he fires a f’n bazooka into a diner full of zombies and it creates a massive explosion. The dude just doesn’t give a shit in this flick and it’s fantastic to watch him ham it up and blow shit up.
This also features Brian Robbins of Head of the Class fame. I always liked him as a kid, as he was a cool, smarmy fuck that had quick comebacks and charisma.
C.H.U.D. II is also full of cameos by people as diverse as June Lockhart, Norman Fell and Robert Englund.
While the comedy here is cheesy and may feel very dated, it’s standard, low brow ’80s fare and for fans of the decade, it works.
I also like how creative the ending was. This kills off the zombie horde in a pretty imaginative way, even if it is over the top and completely implausible. Plus, that moment where Bud the C.H.U.D. rips out his own heart to give it to the girl he loves is pretty awesome and quite romantic.
A lot of people see this movie as a joke when compared to the original film but that’s the point. It’s supposed to be a joke and frankly, it’s a joke that works well and thus, this film accomplishes what it set out to do.
Rating: 6/10 Pairs well with: other horror comedies of the ’80s.