Film Review: Hollywoodland (2006)

Release Date: August 31st, 2006 (Venice International Film Festival)
Directed by: Allen Coulter
Written by: Paul Bernbaum
Music by: Marcelo Zarvos
Cast: Adrien Brody, Diane Lane, Ben Affleck, Bob Hoskins, Robin Tunney, Kathleen Robertson, Lois Smith, Molly Parker, Jeffrey DeMunn, Brad William Henke

Focus Features, Miramax Films, Back Lot Pictures, Universal Studios, Buena Vista International, 127 Minutes

Review:

“[about the bullet holes in George Reeves’ floor] Since when do suicides miss twice and start over?” – Louis Simo

This film really grabbed me immediately with the opening theme, which set the tone perfectly for this film-noir styled biopic about the death of George Reeves, the actor who was most famous for playing television’s Superman in the 1950s.

Ben Affleck plays the legendary George Reeves but he is not the main character. Adrien Brody gets the big spotlight in this one, as he plays a private investigator hired to uncover the truth surrounding George Reeves apparent suicide.

This is a very layered film, in the same vein as a classic film-noir, and it features a large cast of characters.

Brody commands your attention as Louis Simo. He exudes charisma and weaves his way through this tapestry with ease and a real air of confidence missing by most actors these days. Brody, as well as Affleck, almost feel overpowered though by the performance of veteran Bob Hoskins, who enters each scene with an aura of intimidation like a massive storm cloud ready to strike out with booming thunder.

Diane Lane puts in a solid performance as well, as do most of the ladies here. It was cool seeing Molly Parker banter with Brody. Robin Tunney and Kathleen Robertson both brought their A-game performances, as well. I wish we got to see more of Robertson, as she’s never quite broken out as a leading lady. Here, she shows that she has got more to offer than just being one of Ian Ziering’s girlfriends from the original Beverly Hills, 90210.

While this wasn’t an exceptional film, it did paint an intimate portrait and it handled the George Reeves situation with care and grace. There were a lot of shady things that happened in his life but the film felt honest and respected the man, even while displaying those flaws. Superman isn’t real and the man was just as human as all of us.

The film feels like it is missing something though. Maybe it’s the fact that it built up towards a resolution but we never really got there. Not in a proper narrative sense, anyway. By the time the credits roll, you’ve been taken on a ride but it just feels like a collection of scenes that don’t reach a solid conclusion.

I like Hollywoodland despite its flaws, in the same way I appreciate George Reeves despite his. It doesn’t fully hit the mark but it does connect with you emotionally and then lingers long after the final scene. In that sense, it is an effective movie.

Rating: 7/10

Film Review: Who Framed Roger Rabbit (1988)

Release Date: June 22nd, 1988
Directed by: Robert Zemeckis
Written by: Jeffrey Price, Peter S. Seaman
Based on: Who Censored Roger Rabbit? by Gary K. Wolf
Music by: Alan Silvestri
Cast: Bob Hoskins, Christopher Lloyd, Charles Fleischer, Stubby Kaye, Joanna Cassidy, Kathleen Turner, Mel Blanc

Touchstone Pictures, Amblin Entertainment, Buena Vista Pictures, 104 Minutes

Review:

“Is he always this funny, or only on days when he’s wanted for murder?” – Dolores

Back in 1988, I saw this movie in the theater. It was a pretty memorable experience, as this was an incredibly unique and enjoyable motion picture. I used to watch this a lot as a kid but I hadn’t seen it in a long time. Watching it again, I realized how much I missed this film. I mean, what’s not to like?

The film uses animated characters in a live action world. When I was young, this was a really cool experience, as I hadn’t seen anything like it before, at least not an entire movie like this. After Roger Rabbit, this would become a technique that was fairly common but this was the first movie to do it on such a large scale.

The really cool thing about the use of animated characters, is that everyone was in on the movie. For the first time, we got to see Disney characters mingle with Warner Bros. characters. One scene, in particular, has both Bugsy Bunny and Mickey Mouse on screen together. The film really is a cool crossover before crossovers even really became a thing.

Roger Rabbit stars Bob Hoskins and Christopher Lloyd, as the main human components of the movie. The film provided iconic roles for both men and they hit it out of the park. Hoskins was tailor made to play a noir type private dick while Lloyd had the perfect balance of being sinister, chilling and completely insane when the reveal of his true identity came out.

Charles Fleischer was perfect as the voice of Roger and he instantly made this character a megastar and worthy of a place alongside the great animated stars of the Disney and Looney Tunes characters he shares the screen with. Roger truly felt like he belonged, which wasn’t an easy feat but Fleischer gave the character real life and comedic charm.

Jeffrey Price and Peter S. Seaman wrote a great script that had elements of film-noir, comedy, fantasy and lightheartedness mixed in with some really dark material. The scene where a character gets steamrollered was pretty harsh stuff for a kid but it is counterbalanced by the fantastic absurdity of how that moment plays out. This is truly a living cartoon.

Who Framed Roger Rabbit is a real classic. It still hits the right notes and being a period piece makes it a pretty timeless motion picture that still works just as well today, as it did in 1988.

Rating: 8.75/10

Film Review: Brazil (1985)

Release Date: February 20th, 1985 (France)
Directed by: Terry Gilliam
Written by: Terry Gilliam, Tom Stoppard, Charles McKeown
Music by: Michael Kamen
Cast: Jonathan Pryce, Robert De Niro, Katherine Helmond, Ian Holm, Bob Hoskins, Michael Palin, Ian Richardson, Peter Vaughan, Kim Greist

Embassy International Pictures, Brazil Productions, 20th Century Fox, Universal Pictures, 142 Minutes

brazil-1985Review:

Brazil is one of those movies that after you see it, you can’t get it out of your head.

The film follows Jonathan Pryce’s Sam Lowry, as he goes through his humdrum mediocre life in his industrial dystopia. He discovers that the government made an error in capturing who they suspect is a terrorist. The man they caught is killed and his family is left in serious distress. Lowry is tasked with resolving the error. In the process however, he sees a woman that looks like the mysterious girl he’s been dreaming about. The woman, Jill Layton (played by Kim Greist), is also trying to get to the bottom of the government’s mistake, as she is the neighbor of the victim’s family. Lowry obsesses over the woman and does everything he can, putting himself at risk, to prove the government’s mistake. The government, not privy of having its flaws exposed, responds with an iron fascist fist.

This is one of Terry Gilliam’s most critically-acclaimed films alongside The Fisher King, The Adventures of Baron Munchausen12 Monkeys and The Imaginarium of Doctor Parnassus. It is also the one that was the most influential on other filmmakers. The visual style and other elements have gone on to inspire Jean-Pierre Jeunet, Marc Caro, the Coen brothers, Alex Proyas, Tim Burton, Darren Aronofsky and Zack Snyder.

The film is similar to 1984 in its subject matter. However, it has a comedic twist and more action. The comedy is a mixture of satire and slapstick and it works really well for the picture. The action sequences are executed nicely, especially the fantasy segments pulled from Lowry’s dreams. Overall, the film is a surrealist playground with stellar set design, costumes and cinematography.

The acting is also pretty superb. While De Niro is in this, he only has a few scenes, despite being billed pretty high. It is refreshing to see De Niro play a character that isn’t just Robert De Niro, like all of his later films.

Despite the talent in this film, though, I thought that Kim Greist just couldn’t cut it as Jill. Apparently, Terry Gilliam felt the same way, as her scenes and screen time were cut down in the editing room. She delivered lines like a B-movie actress and just felt out of place, sticking out like a sore thumb while playing off of the incredible Pryce.

The only other complaint I have, is running time. I feel like some sequences were too drawn out. The film had an uneven pace at times but its positives far outweigh its negatives and I don’t want to be nitpicky for the sake of nitpicking.

Ultimately, Brazil is a fantastic dystopian fantasy and some of Gilliam’s best work. The performance by Jonathan Pryce was so good, that because of this film, I always light up when I see him pop up in other pictures.