Release Date: February 6th, 1998
Directed by: John Landis
Written by: Dan Aykroyd, John Landis
Music by: Paul Shaffer, various
Cast: Dan Aykroyd, John Goodman, Joe Morton, J. Evan Bonifant, Aretha Franklin, James Brown, B.B. King, The Blues Brothers Band, Erykah Badu, Blues Traveler, Eric Clapton, Clarence Clemons, Bo Diddley, Issac Hayes, Dr. John, Lou Rawls, Paul Shaffer, Travis Tritt, Jimmie Vaughan, Steve Winwood, Kathleen Freeman, Frank Oz, Steve Lawrence, Jeff Morris, Nia Peeples, Darrell Hammond, Max Landis
Universal Pictures, 123 Minutes
“Listen, Willie, you gotta understand. Those goons are orphan remnants of the post-perestroika Soviet secret police apparatus, which, until 1991, carried out its twisted interpretation of the original well-intentioned Marxist-Leninist doctrine vis-a-vis state security, which was massively corrupted by Lavrentiy Beria in the ’30s. Of course, once a mass populace is coerced into such behavior as a permanent condition, a radical didactic, dialectic shift, such as glasnost, produces guys like these:…” – Elwood Blues
I never wanted to see this movie.
For one, the first one was perfect and should have been left alone. Especially, after the death of John Belushi. Had he not passed away at a young age and then wanted to do a sequel, I probably would’ve been fine with that. Something just seemed grossly inappropriate about this film even being made but Hollywood has no morals, shame or respect for anything so I can’t say that this movie’s existence didn’t surprise me.
I figured that I’d give it a fair shot, though. Mainly, I wanted to review it and because maybe I was initially too harsh on this and it’s possible that it might be a nice tribute to Belushi.
Well, I wouldn’t call it nice or even good, really. Now it’s not as terrible as other people have led me to believe, over the years, but it’s kind of a pointless movie.
The reason why it’s pointless is that it takes all of the famous beats of the original film and just reuses them… poorly. It’s like Dan Aykroyd and John Landis dusted off the script to the original, changed some character and location names, moved some scenes out of sequence and then tried to do some clever modifications. Unfortunately, these tricks were really transparent and what we’re left with is a lame, terribly derivative picture that doesn’t have a reason to exist. Well, except for maybe one reason.
That reason is the music itself. I know that Aykroyd and Landis love the blues and they, at the very least, were able to create some solid musical sequences that I enjoyed. Now none of them are as iconic as the ones from the original movie but these sequences are where you can see that the creatives involved in the movie were really trying their damnedest to make this something special.
So, I can’t knock the musical parts but if the threads holding these sequences together is made of shit material, well, the semi-attractive tapestry is just going to fall apart. And sadly, that’s what happens with this movie.
In the end, I don’t hate this but I doubt I’ll ever watch it again.
Pairs well with: its far superior predecessor and other John Landis comedies.