Film Review: Captain Marvel (2019)

Release Date: February 27th, 2019 (London premiere)
Directed by: Anna Boden, Ryan Fleck
Written by: Anna Boden, Ryan Fleck, Geneva Robertson-Dworet, Nicole Perlman, Meg LeFauve
Based on: Captain Marvel by Stan Lee, Gene Colan, Carol Danvers by Roy Thomas, Gene Colan
Music by: Pinar Toprak
Cast: Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Djimon Hounsou, Lee Pace, Lashana Lynch, Gemma Chan, Annette Bening, Clark Gregg, Jude Law, Kelly Sue DeConnick (cameo)

Marvel Studios, Walt Disney, 124 Minutes

Review:

“You are Carol Danvers. You were the woman on that black box risking her life to do the right thing. My best friend. Who supported me as a mother and a pilot when no one else did. You were smart, and funny, and a huge pain in the ass. And you were the most powerful person I knew, way before you could shoot fire through your fists.” – Maria Rambeau

This was the first Marvel Cinematic Universe movie that I didn’t see in the theater. Frankly, it looked boring and unimaginative and it really has nothing to do with the controversies surrounding the film regardless of what side of the argument your fanboy/girl heart lies on.

Seeing it now, I wasn’t wrong.

This is a drab, mostly pretty boring film. Also, it looks cheap compared to other Marvel movies. This looks more like an episode of a CW superhero show than a film produced by Disney and Marvel. And it’s kind of underwhelming and depressing, really. Especially since this had its fair share of outer space stuff, which Marvel has handled exceedingly well with Thor: Ragnarok and both Guardians of the Galaxy outings.

I think part of the problem is that this film had too many creatives trying to steer the ship. It had two directors and five writers. Fuck, guys… just pick a team of a few people like your best movies and let them make the magic happen. Films made by committees rarely wow anyone.

In regards to Brie Larson, she is, as I’ve said in reviews of other films, a charisma vacuum. She makes charismatic actors around here give uncharismatic performances. Sam Jackson and Jude Law are typically very charismatic and fun to watch. Here, they’re about as entertaining as sleeping dogs.

Throughout this entire film, Brie was told that she’s too emotional yet she barely shows any actual emotion and just delivers her lines with a blank face in monotone. She also does this juvenile smirk all the time that just makes her look like a middle aged soccer mom thinking that she’s still youthful, cute and wishes she was still in high school so she could cozy up to the mean girls.

If this film wasn’t part of the larger MCU canon, it would have come and gone and been completely forgotten already. It’s not even bad to where people can talk for years about how much of a shitshow it was like Catwoman. But this is the future that Disney apparently wants and between this dead on arrival, boring ass film and the slapped together, clusterfuck that Avengers: Endgame was, makes me think that the MCU‘s expiration date was 2019, just a year after it celebrated it’s 10th anniversary.

Usually for a film of this caliber, I’d have a lot more to say. But there isn’t much to talk about with this one. It’s a waste of time, it carries an obvious agenda with it and like things that are trying to be political statements, it fails at conveying that message in a meaningful or genuine way.

Plus, everyone and their mother has torn this film apart already. I don’t think it’s as bad as many people do but it’s certainly a soulless, unemotional, pointless film more concerned with its place in history and trying to challenge societal ideals in the laziest way possible than it is trying to be a fun, escapist piece of entertainment.

But hey, this isn’t as bad as Joss Whedon’s Avengers: Age of Ultron, which still takes the cake as Marvel’s worst. I would put this in my bottom two or three though.

Rating: 5.5/10
Pairs well with: Everything else in the MCU, I guess.

Film Review: Avengers: Endgame (2019)

Release Date: April 22nd, 2019 (Los Angeles premiere)
Directed by: Anthony Russo, Joe Russo
Written by: Christopher Markus, Stephen McFeely
Based on: The Avengers by Stan Lee, Jack Kirby
Music by: Alan Silvestri
Cast: Robert Downey Jr., Chris Evans, Chris Hemsworth, Chris Pratt, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, Paul Rudd, Brie Larson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Elizabeth Olsen, Tom Holland, Benedict Cumberbatch, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Tom Hiddleston, Benedict Wong, Pom Klementieff, Karen Gillan, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, William Hurt, Cobie Smulders, Samuel L. Jackson, Ross Marquand, Jon Favreau, Marisa Tomei, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Linda Cardellini, Tessa Thompson, Rene Russo, John Slattery, Tilda Swinton, Hayley Atwell, Natalie Portman, Taika Waititi, Angela Bassett, Frank Grillo, Robert Redford, Ty Simpkins, James D’Arcy, Ken Jeong, Yvette Nichole Brown

Marvel Studios, Walt Disney Studios, 181 Minutes

Review:

“You could not live with your own failure, and where did that bring you? Back to me.” – Thanos

*There be spoilers here! But I kept it as minimal as possible.

Here we are… the end.

Well, it’s the end of an era but not the end of the Marvel Cinematic Universe. Although, this may be the end for me, as there isn’t much else I’m looking forward to from the MCU after Endgame. Granted, there hasn’t been much news on what’s coming next, either.

But anyway, how was this film? The big, badass finale to a 22 movie franchise?

It was good but it wasn’t anything close to stellar.

My biggest issue with it was that it was a pretty big clusterfuck that had too many parts to try and balance. Where the previous film Infinity War did that just fine, Endgame had so many more extra layers thrown on top of it that it was overkill. I mean every single character that had any sort of significant impact on MCU storylines over 22 films ended up shoehorned into this thing. Even Natalie Portman, who wanted nothing to do with these movies after being in two of them and dialing in a mediocre performance both times.

Also, the time travel element to the story did a bunch of things that didn’t make sense and they also pissed on Back to the Future because it’s easier to shit on a classic (and its fictitious application of quantum physics) than to actually write a coherent time travel story of your own. Endgame opted to go the lazy Doctor Who “timey wimey” route than to concern itself with paradoxes and all that other catastrophic nonsense. They even kill a version of a character from the past and it in no way effects the present version of that same character.

The big battle at the end was the most epic thing that the Marvel Cinematic Universe has done but what should have felt like Marvel’s version of The Return of the King felt more like Ready Player Two. It was a CGI shitfest and I’m not even sure how Spider-Man was web-swinging on a large, open battlefield where the only objects above him were fast moving spaceships going in the opposite of the direction he was swinging in. But whatever, physics is hard, brah.

I liked that this film gave us some closure for some major characters. Granted, I’m not all that happy with what that closure was but like Chris Evans and Robert Downey Jr., I’m also very, very tired of this franchise. I feel like Endgame really is a jumping off point for fans that have rode this train for 11 years that feel like they need a break. I feel like I need a break and even if my mind was made up before this film, Endgame really solidified it.

Although, I am a bit excited for whatever happens with the Guardians of the Galaxy and Thor. As for the rest of the characters and their films, I don’t really care. I think I’m only really enthused about cosmic Marvel and not Earth Marvel, at this point.

Almost all of the acting was damn good, especially in regards to Robert Downey Jr., Karen Gillan, Jeremy Renner and Scarlett Johansson.

Brie Larson on the other hand is a fucking charisma vacuum and every time she was on screen, I felt like I was looking at a first time community theater actress trying to play Nurse Ratched. And the Justin Bieber makeover was terrible. That scene where she blew up the ship and floated there, victoriously, just made me yearn for someone, anyone else to be in that role. My brain immediately thought, “Man, imagine if that was Charlize Theron, the theater would’ve just erupted instead of everyone just sitting here sucking loudly on empty soda cups.” I’m not wrong, I rarely ever am.

Anyway, the movie was messy but it had some really good moments. But this isn’t a movie that can stand on its own. You need the previous 21 films for context or all of this would be lost on you. Sure, it’s emotional and some bits are powerful but without 11 years of context, the weight isn’t there. And I prefer to judge films on their own merits as a sole body of work and not as an episode of a TV show or a chapter in a book. But at the same time, there is no way you can recap everything before this, as this film series is now too damn big.

Well, it’s over I guess. In 2008, it was hard imagining this day. But here it is. And I’m tired.

Rating: 7.75/10
Pairs well with: Everything in the MCU before this film, as it all leads up to this one.

Comic Review: The Punisher: World War Frank

Published: August 22nd, 2018 – December 19th, 2018
Written by: Matthew Rosenberg
Art by: Szymon Kudranski, Greg Smallwood (covers)

Marvel Comics, 129 Pages

Review:

It’s been a long time since I cared about the Punisher. So long in fact that even though I knew this new series was starting, I didn’t seek it out. It wasn’t until someone I trusted told me that I needed to check out the first issue, as it read like classic Punisher and was a no nonsense, balls out, action packed, political thriller.

They weren’t wrong. This thing was a high octane festival of testosterone overload. While that might not appeal to some people, to fans of the Punisher comics of the late ’80s to early ’90s, this comic is a true throwback to that style and tone. Although, it is modernized, it still feels like those old comics I read when I first fell in love with the character as a scrapping young comic reader and creator.

Now this story arc is full of cameos but no one distracts from Frank Castle being his best self and even when other people (heroes and villains) try to prevent his one man war, he is too driven to be deterred.

The main antagonist here is Baron Zemo, who is one of my all-time favorites and who has been underutilized outside of Thunderbolts comics. Zemo isn’t the only villain though. We also get the Mandarin, Jigsaw and some others.

The issue that sees Jigsaw confront the Punisher while he is in a jail cell is incredible. It was the biggest high point out of several. But that’s what this story arc is, it’s a lot of high points and it’s jam packed with action and even some mystery.

World War Frank is not just solid storytelling, it is one of the most solid Frank Castle stories in years.

Rating: 9.25/10
Pairs well with: old school late ’80s to early ’90s Punisher and the recent Marvel Knights 20th anniversary event.

Comic Review: Infinity Wars

Published: August 1st, 2018 – December 19th, 2018
Written by: Gerry Duggan
Art by: Mike Deodato Jr.

Marvel Comics, 212 Pages

Review:

Not all Marvel mega events are created equal. In fact, the last several years have seen many come and go that were pretty forgettable. While this doesn’t do much to right the ship, it at least had some interesting ideas, was pretty ambitious and had some top notch art by Mike Deodato Jr.

If I’m being honest, I was really pleased with the first two issues of this six issue story arc. It started out with a bang but once we got mashed up heroes and Infinity Gems switching hands quicker than a potato in a game of Hot Potato, my head started spinning so fast that it nearly exploded.

Plus, apart from Sleepwalker, the tie-ins to this were terrible.

I guess someone thought that mashing up Marvel heroes was a cool idea but man, it felt gimmicky as hell and none of these new creations really worked. Well, except for the Ant-Man sized Hulk. That was actually kind of cool.

Anyway, Gamora of the Guardians of the Galaxy is the villain in this. It seems completely uncharacteristic of her and the only reasoning for her turn to the dark side seems to be the fact that she is a daughter of Thanos. Daddy issues aside, it doesn’t work for me even though I did like her new, evil look.

It should be obvious to anyone that this mega event was created in a cheap attempt to capitalize off of the release of the Infinity War movie but I doubt that really helped sales of this mediocre book.

The first issue sold out at my local comic shop but issues two through six are just sitting on the shelves still, along with all the tie-in crap.

But at least I got a Sleepwalker comic again, even if it was just four issues and sadly tied to this event.

Rating: 5.25/10
Pairs well with: other Marvel mega events that fell way below the hype.

Comic Review: Superior Spider-Man, Vol. 6: Goblin Nation

Published: April 30th, 2015
Written by: Dan Slott, Christos N. Gage
Art by: Giuseppe Camuncoli, Javier Rodriguez

Marvel Comics, 172 Pages

Review:

Well, it’s been a heck of a ride but here we are, at the sixth and final collection of Dan Slott’s Superior Spider-Man series.

For those who aren’t aware, Doctor Octopus has taken over the body of Peter Parker and taken over the mantle of Spider-Man with the idea that he can be the “Superior” Spider-Man. It’s a weird premise and initially I thought it was stupid but as I have read on in this series, I’m impressed by it. Some collections have been good, some have been average but overall the series has worked for me and it’s sad seeing it come to an end but you can’t let stories this controversial and ridiculous go on for too long.

This immediately starts with a bang, as it is quickly revealed that the Green Goblin knows that Otto Octavius is Spider-Man. This then spirals into a war between the Goblin and Superior Spidey. However, the Goblin has more intelligence, an army and a very important hostage. Ock-Spidey has, well… himself.

Frankly, Dan Slott closed this series out with a bang. I’m not a huge fan of his writing and have mostly disliked a large portion of his ten year Spider-Man run. But this was some really solid storytelling, utilized all the core characters well and brought things to a close in a pretty powerful way. The final two issues of this series were exceptionally well written and tapped into those feelings I got, as a kid, reading the classic Spider-Man stories I loved.

Ultimately, Peter Parker gets his body back. Explaining the how or why would spoil the effect of seeing this unfold on paper and I don’t want to take that away from anyone that wants to read this. But it was nice seeing Slott give some space at the end to allow the real Parker to try and fix the damage that Octavius did to his life as both Peter and Spidey.

Slott isn’t the best writer when it comes to plotting a single issue but between this and his recent conclusion to The Amazing Spider-Man (with issue 800), he has shown that he can be a great storyteller over the long-term. He has a big idea, he strings you along and then he can deliver a satisfactory conclusion that usually makes up for whatever hiccups you experienced along the way.

This was a great book and this series, despite my strong reservations about the premise, was one of the best Spider-Man experiences I’ve had in a really long time.

Rating: 9.5/10
Pairs well with: Other Superior Spider-Man collections and any of Dan Slott’s other Spider-Man titles.

Comic Review: Superior Spider-Man, Vol. 5: The Superior Venom

Published: July 17th, 2014
Written by: Dan Slott, Christos N. Gage
Art by: Humberto Ramos, Javier Rodriquez

Marvel Comics, 158 Pages

Review:

After the previous volume of Superior Spider-Man, which was mostly slow moving filler, we are rewarded with this action fest.

In this story, Otto-Spidey meets the Venom symbiote for the first time. This is during the era where Flash Thompson had the alien suit. After a scuffle, the Superior Spider-Man becomes the symbiote’s new host and shit goes crazy in his personal and superhero life. This all leads to Venom-Octavius taking on the Avengers in the streets of New York.

The Venom-centric storyline is the highlight of this collection but the two one issue stories that follow are also pretty good, especially the final one which was a story from an annual that saw Dr. Octo-Spider take on Ghost Rider baddie, Blackout.

The Blackout story was important simply because Aunt May is in mortal danger and she ends up witnessing Superior Spider-Man commit a truly heinous act.

Another big takeaway from this is that even though Spidey-pus already dealt with the Avengers once before, this is his first time dealing with Tony Stark, who is probably going to discover that this is not the Spider-Man that they all know and love.

Also, the ghost Peter Parker returns here, after being banished from his own physical brain by Octavius.

Between ghost Parker and Iron Man’s meddling into things, it’s obvious that shit is about to hit the fan and that Octavius’ hijacking of Parker’s body is going to be exposed. So where will it go? Well, the next collection is the big conclusion.

This volume did a good job of building off of the previous ones while serving to setup the final chapter.

Rating: 8/10
Pairs well with: Other Superior Spider-Man collections and any of Dan Slott’s other Spider-Man titles.

Comic Review: The Superior Spider-Man, Vol. 2: A Troubled Mind

Published: December 5th, 2013
Written by: Dan Slott
Art by: Humberto Ramos, Ryan Stegman, Marcos Martin (cover)

Marvel Comics, 115 Pages

Review:

I’m digging this series much more than I thought I would. And this volume is where something happens that really reaches through Octavius’ ego and actually starts to move him towards being genuinely more heroic. I love redemption stories and this is just that, albeit told over twenty-plus comics and collected into five volumes.

But don’t get it twisted, Otto Octavius as Spider-Man is still dastardly and evil, for the most part. You just start to see the cracks showing. Now that he is in the role of Spider-Man, it is starting to effect him when he experiences what it’s like to save someone as opposed to being a menace to the world.

Dan Slott really sort of found his footing in this volume and I hope the quality continues to improve beyond this or at the very least, remains consistent.

I also like that Cardiac had a major part to play in this string of issues. I have always really liked Cardiac since he debuted in The Amazing Spider-Man during Erik Larsen’s run in the early ’90s. He started as a villain but quickly became an anti-hero because he was fighting for something, even if his methods weren’t morally sound. He is one of those characters that could be great, given the right story, but has mostly been underutilized since his debut a quarter of a century ago (damn, that makes me feel old).

We also see the Goblin King, the next gen Hobgoblin and a few other villains that show up. One highlight of the book is seeing the Superior Spider-Man face off against the Avengers, who are weary about Spider-Man and his recent behavior. However, Slott did make the Avengers pretty fascist in this story and it didn’t seem in line with who Captain America is.

Still, this is a really good book overall and it’s got me pumped up for the follow ups.

Rating: 7.75/10
Pairs well with: Other Superior Spider-Man collections and any of Dan Slott’s other Spider-Man titles.