Comic Review: Avengers: Citizen Kang

Published: 1992
Written by: Roy Thomas
Art by: Larry Alexander, Geof Isherwood, Herb Trimpe, Dan Panosian (cover)

Marvel Comics, 223 Pages

Review:

Citizen Kang wasn’t just an Avengers story, it spanned four different annuals in 1992 and also featured the Fantastic Four quite heavily, as well as some characters from the Inhumans and Eternals.

It’s a damn cool story if you are a fan of Kang the Conqueror, as I am. Back when this was current, I loved the story because it gives you the full backstory of Kang up to this point in his history. A lot of the pages collected here are flashback stuff but it’s not by any means boring, even if you know Kang’s previous stuff. Reason being, Kang’s a complicated character with multiple versions of himself running around. So this served to give you the CliffsNotes version of that complicated history.

But this isn’t just a condensed history of Kang, that’s just a small part of this total package. This actually sees Kang try to take down his enemies, be they actual heroes or other villains that have caused him problems.

This was an ambitious and big story and I thought that Roy Thomas delivered. Being that he had been at Marvel for a few decades at the time that he wrote this, he knew a lot of these characters and their histories together very well.

Also, being that this is four annuals collected into one volume, it also includes all the extra side stories and supplemental material. My only gripe with this release was how it was all organized. It just pieced the four annuals together as they were printed. I would have rather had the main story flow in order and then tack on all the extras at the end, instead of having them feel like roadblocks between each main chapter.

Still, everything in this was entertaining and hit its mark.

Rating: 8/10

Comic Review: Captain America – Epic Collection: The Captain

Published: August 11th, 2021
Written by: Mark Gruenwald, Bob Layton, David Michelinie
Art by: Mark Bright, John Byrne, Kieron Dwyer, Tom Morgan

Marvel Comics, 499 Pages

Review:

The Epic Collection volume that preceded this one, laid the ground work for Steve Rogers being replaced as Captain America by John Walker, who would later become US Agent.

This volume is where Rogers goes away, Walker steps in and the series becomes really interesting, as it splits its time between the former Captain and his story, as well as the new Captain and the challenges he faces trying to fill the shoes of a man that will always be greater than him.

I enjoyed that this series kind of had a split personality for this run but it was all still tied to the core of the Captain America symbol and what it means for those who represent it and those in power who exploit it.

Where the preceding volume felt a bit “kiddie” in how it was written, the series turns pretty serious and really steps up to the plate when peeling back the layers of John Walker, Steve Rogers, both their sidekicks, the U.S. government’s involvement in all of this, as well as some important deaths and losses.

This really goes deep into the John Walker character and even though he’s been a prick up to this point and does some very dark shit, here, these issues humanize him, his situation and how he comes to the realization that even though he’s the best choice for the role of Captain America on paper, he’s still missing that x-factor that made Steve Rogers the Captain America.

The writing in this stretch of issues really went to another level, which I think was important in conveying the weight of this story. This also had real gravitas and minor characters that initially don’t seem to matter too much, mean a lot to you when certain things transpire, which I won’t spoil.

All in all, I really enjoyed the hell out of this and it’s far superior to Disney’s loose adaptation of it in The Flacon and the Winter Solider.

Rating: 8/10

Vids I Dig 700: The Critical Drinker: Marvel Phase 4 – Who Cares?

Comic Review: Fantastic Four – Masterworks, Vol. 7

Published: February 23rd, 2017
Written by: Stan Lee
Art by: Jack Kirby

Marvel Comics, 301 Pages

Review:

This stretch of issues in the classic Stan Lee/Jack Kirby run of Fantastic Four really enhances things quite a bit.

At this point, we’re about a year removed from the big arrival of Galactus and the Marvel universe has truly taken shape. Things feel less experimental and as if Lee has truly found his grove.

Additionally, Jack Kirby’s work seems to improve slightly with each volume of this classic series and that’s impressive, as the guy was damn good before he even started drawing these characters. I mean, the guy was already working on Captain America as far back as the 1940s and he started professionally drawing comics in the late ’30s.

This stretch also introduces some new villains and reworks some already classic ones like The Sandman, who now has a cool suit and feels like a legit threat on his own without the help of the other three members of the Frightful Four.

We also get the debut of Ronan the Accuser, Blastaar, Adam Warlock (going by “Him” in these earliest stories) and one of my favorite and very underutilized villains, Psycho-Man.

Plus, we also get more appearances by the Inhumans, Black Panther and Silver Surfer.

All the stories within this volume are action-packed and top notch classic Marvel stuff. Just when you think that Lee and Kirby had found their stride, they find ways to surprise you. Both men are f’n legends for a reason.

Rating: 9/10
Pairs well with: the other Marvel Masterworks collections.

Comic Review: Fantastic Four – Masterworks, Vol. 6

Published: February 23rd, 2017
Written by: Stan Lee
Art by: Jack Kirby

Marvel Comics, 240 Pages

Review:

I feel like it would be hard to top the greatness that was the previous Fantastic Four – Masterworks volume but this did follow it up pretty nicely and also expanded the Marvel universe by introducing the world to Black Panther and his enemy Klaw.

The earliest arc in this collection focuses on Black Panther and his home of Wakanda. It also brings in the Inhumans, as well. While I love this story, it’s somewhat overshadowed by the epic tale of Doctor Doom stealing Silver Surfer’s powers and cosmic surfboard.

It also features some other Fantastic Four villains sprinkled in but it’s the Doom story that really takes the spotlight, here.

As is the norm for these early Fantastic Four – Masterworks editions, the stories were written by Stan Lee with art by Jack Kirby. While I’m now sixty percent of the way through their 100 issue run, the series hasn’t gotten dull or even really tapered off. Everything is still damn solid and Kirby’s artwork seems to still improve with each volume, even if he was a long-time veteran by this point.

All in all, this is still a great collection that lives up to the hype and only serves to make me appreciate Lee and Kirby’s partnership on this title even more.

Rating: 8.5/10
Pairs well with: the other Marvel Masterworks collections.

Comic Review: Doctor Strange by Donny Cates

Published: April 17th, 2019
Written by: Donny Cates, Nick Spencer
Art by: Niko Henrichon, Frazer Irving, Szymon Kudranski, Rod Reis, Gabriel Hernandez Walta, Mike Del Mundo (cover)

Marvel Comics, 341 Pages

Review:

This collection of Donny Cates’ Doctor Strange run started off with a bang but then it did what most Donny Cates comics do, it went too big, too fast and became a bloated, over-the-top spectacle. But he’s even admitted that everything he writes needs to be big and epic. He’s also pointed out that he’s always trying to top the last thing he wrote.

The problem with that is that he can tell pretty good human stories with a lot of emotion that gets the reader invested. But then he Michael Bay the fucks out of everything and then has to wedge in a large amount of characters because if it’s a Cates’ story, he’s gotta blow up the universe.

Big, over-the-top spectacles aren’t necessarily a bad thing but when it’s done as much as Cates does it, he becomes a one trick pony that negatively impacts the better sides of his creative work. The spectacle ends up overshadowing the real story and you sort of get lost in it all. And after a while, it becomes ineffective, as you expect everything to reach ludicrous spreed.

When I first started reading Cates’ work, I enjoyed the grandiose-ness. However, it didn’t take long to realize that larger-than-life Armageddon scenarios were his modus operandi. And with that, he has to keep trying to top what he did before. Everything just gets bigger, faster, crazier and the next thing you know, you’re reading the Marvel Comics version of Fast & Furious 14 where it’s just stunts, speed, CGI, action, yelling and then the end credits after characters refer to each other as “family” 97 times between explosions.

I think that this formula has worked so well for Cates that he’s kind of stuck doing it now. While this Doctor Strange stuff came out before his more recent work, I might have had a very different take on it had I read it when it was current.

The problem though, is this kind of shows me where that formula started. Well, at least with his more prominent Marvel work.

As I stated in the beginning, this started out really strong and I was invested. But then everything went ape shit crazy and then it was over. It may have read better if Cates stuck around and actually wrote about the fallout from this story. But I guess he had to move on to the next thing and give us more mega-event level chaos.

This initially created a foundation for something truly great. After the first story arc, however, it immediately went to a Hell-on-Earth scenario with two dozen characters involved. Whatever emotional investment I had, disappeared, as I kept reading and it never quite circled back around to the great character work and found a way to use that within the chaotic spectacle that followed.

Rating: 6.25/10
Pairs well with: other Donny Cates comics by Marvel.

Comic Review: Civil War II

Published: February 1st, 2017
Written by: Brian Michael Bendis
Art by: Jim Cheung, Oliver Coipel, David Marquez, Marko Djurdjevic (cover)

Marvel Comics, 317 Pages

Review:

Man, this was bewilderingly bad.

Historically, I’ve been pretty 50/50 on Brian Michael Bendis’ writing but man, it’s like when he did this, he already knew he was leaving Marvel. It also reads like he was given orders to use certain characters and he was begrudgingly forced to work them in. Granted, he’s also created some of the terrible modern characters.

While I’ve been well aware of the criticism that the Captain Marvel character gets in modern times, I always liked her when she was Ms. Marvel. But this new, short-haired, suddenly pushed into a leadership role Carol Danvers is not even the same character, remotely.

Based off of how she’s written here, as a self-righteous, fascist, tyrant bitch, I totally see why fans can’t stand her. If this story is an accurate portrayal of how she is post-2015 or so, I have no interest in following her character unless she’s actually made into a permanent villain. But even then, there are so many better villains I’d rather read about.

And I’m not really sure how I’m supposed to interpret her character. Is she supposed to be psychotic, god-powered, tyrannical piece of shit? Or am I supposed to empathize with her point-of-view?

What made the first Civil War so great was that you could emphasize and relate to both points-of-view and it made for a compelling read. Civil War II just made me hate Carol and every character that so easily sided with her. These characters aren’t heroes, as their actions in this story crossed the line into villainy.

Whatever. Fuck this comic. Fuck Bendis. Fuck post-2015 Marvel. But at least the art was really good.

Rating: 4/10
Pairs well with: all the other Civil War II crossover tie-in trade paperbacks.

Comic Review: Doctor Strange – Epic Collection: A Separate Reality

Published: October 19th, 2016
Written by: various
Art by: various

Marvel Comics, 480 Pages

Review:

I’ve been going back and picking up a lot of ’70s Doctor Strange floppy issues, lately. Mainly, I love Marvel’s art style with their fantasy and horror titles from the decade and Doctor Strange had some of the best covers from that time. But after reading a few of the singles issues, I wanted to delve into a much larger chunk, so I gave this huge Epic Collection release a read.

This actually focuses on the end of Doctor Strange’s first solo series, his complete run in Marvel Premiere and then the first handful of issues of his second solo series.

This also features a ton of great artists and writers, as well as adapting some of H.P. Lovecraft’s characters and concepts into the Marvel Universe, beyond what was done in just the Conan titles.

Furthermore, this collection features just about all of the major Doctor Strange villains of the era with a lot of emphasis on Nightmare.

This was, hands down, one of the best Doctor Strange trade paperbacks I have ever read and it only solidified my love for the character from this era. It also kind of made me wish they’d have done something with Strange and Conan back in the ’70s due to the Lovecraftian flavor of this book.

I’ll be in search of other hefty collections of Doctor Strange from the ’70s and early ’80s because this was just damn cool and featured so much imagination and stupendous art. I wish people didn’t sleep on old school Doctor Strange, it’s really, really great stuff.

Rating: 9/10
Pairs well with: other old school Doctor Strange collections, as well as ’70s Marvel fantasy and horror comics.

Comic Review: Secret Invasion

Published: 2008
Written by: Brian Michael Bendis
Art by: Leinil Francis Yu, Gabriele Dell’Otto (cover)

Marvel Comics, 218 Pages

Review:

Secret Invasion came out after a series of good storylines from Marvel like Civil War, The Death of Captain America and the feud between the two Avengers teams that followed Civil War. I guess this was supposed to be a good payoff for sticking through that solid run of most of Marvel’s major titles. However, this was mostly a clusterfuck that created more problems than the Marvel continuity needed.

This was ambitious, damn ambitious.

Brian Michael Bendis’ ambition really overreached, though, and this mega event became a jumping off point for me back when it was coming out. After a few issues, I dropped it an never looked back.

Since years have passed and Marvel has gotten even worse, I thought that I might enjoy this a bit more and since I never actually finished it the first time, I wanted to give it another shot.

This is just one of those ideas that sounds good on paper but once you start really fleshing it out, you know it’s not going to work. Well, Bendis should have figured that out on his own, especially since the industry considers him a legend.

The biggest problem with this mega event is that it could have worked on a smaller scale. We could’ve seen that the Skrulls had infiltrated the superhero community, replacing some heroes with themselves in disguise. It didn’t need to be so damn grandiose where nearly half the heroes were just Skrulls in hiding. The conspiracy was too big and thus, came across as really fucking dumb.

In fact, this would’ve been much better had the Skrulls just replaced a few key people and there were still less than a handful in disguise. When you expect half the heroes to be impostors, the reveals of who is who loses its impact and you’re left with a half-assed handjob from a drunk instead of great sex from a pretty hot sexual partner.

In the end, when half the characters were impostors, it poses too many questions that just break continuity and it’s way too hard for editorial to keep track of, especially editorial from this era or any after.

Someone really should’ve grabbed Bendis by the shoulders and shouted, “Scale this the fuck down!”

Rating: 4.5/10
Pairs well with: other Marvel mega events.

Comic Review: Avengers: The Once and Future Kang

Published: 1985-1986
Written by: Steve Englehart, Danny Fingeroth, Jim Shooter, Roger Stern
Art by: Mark Bright, John Buscema, Steve Ditko

Marvel Comics, 278 Pages

Review:

I hate when I buy a thick, hefty collection that is sold to me as one thing, but once I buy it I find out that the thing I bought it for is about a third of the total collection and the rest of the volume is padded with other random stories.

While the issues collected here are presented in chronological order in how they appeared in single issues of the Avengers comics, they are all tied to larger stories or continued in other comics.

It’s pretty fucking infuriating when companies do this because I just wanted to read a Kang story that I had hoped would be pretty epic based off of the page count of this large Avengers release.

Instead, I got a medium sized Kang story and then a bunch of random plot threads that were left incomplete and open ended as they tied to Secret Wars IIFantastic FourX-Men and a story about both ’80s Avengers teams playing baseball.

Had I just read the Kang story, this would’ve been great. It would’ve been even better if it was reduced to the roughly four issues that the story took place in and I was charged a lot less than what I played for this disorganized mess.

Now to be fair, I did like most of this but when you’re pulled in one direction just to be left with blue balls, it’s pretty irritating. Especially, when you’re the one paying for it.

As far as the Kang story goes, I loved it. It was one of the best I’ve read and it featured one of my favorite incarnations of the Avengers team, as I started reading this series around the same era.

Had I known that I was going to get shafted by this, I would’ve just forked out the money for the less than a handful of physical floppy issues I needed for the story I wanted.

Rating: 6.5/10
Pairs well with: other Kang-centric stories, as well as other comics that happened around the events of Secret Wars II.