Published: 2005-2006 Written by: Geoff Johns Art by: Phil Jimenez
DC Comics, 241 Pages
I hated Crisis On Infinite Earths but I had hoped that this more modern version of it would’ve been more to my liking. I guess it is better but not by much because it falls victim to the same bullshit.
It’s overloaded with characters to the point that it’s difficult to follow and it just becomes a mega clusterfuck, trying to be larger than life while wedging a fuck ton of characters into double splash pages.
DC likes doing these big events that try to “reset” the multiverse and all they do is become overly complicated messes that ignore their own established rules because new writers don’t have time to read the old stuff or pay attention to it. In Geoff Johns’ defense, the event this is a spiritual sequel to was a convoluted shitstorm, so I don’t blame him for paying it no real mind.
If I’m going to try and look at the positives, there is really only one: the art by Phil Jimenez. It’s spectacular and it is lively and even if I don’t enjoy the story, it’s hard not to get caught up in the absolute beauty of Jimenez’s work. It’s stunning and even on those overcrowded splash pages, he fills the space magnificently and dynamically.
Apart from that, there’s not much to say. This isn’t as messy as its predecessor but it is still an over-sized shit meatball.
Rating: 5/10 – because of the art more than anything else. Pairs well with: other massive DC Comics events that are overloaded with characters.
Published: 1985-1986 Written by: Marv Wolfman Art by: George Perez
DC Comics, 359 Pages
Crisis On Infinite Earths is one of DC Comics’ sacred cows. Yet, I’ve never had much urge to read it because my experience reading massive DC Comics crossovers has never been that great.
But now I have read it because I felt like it was long overdue and because this is a storyline that is referenced a lot, still to this day, thirty-five years later.
The first problem with this story might be apparent by the number of tags at the top of this post. It’s overloaded with so many characters that it is mostly a convoluted clusterfuck of biblical proportions.
In fact, this post may be the record holder for the number of tags I had to add to it. And frankly, that’s not all the characters, just the ones I know because two-thirds of the characters here are generic one-offs or so minute to the DC universe that they aren’t worth noting.
Now I know that some people love the splash pages from this series, as they showcase dozens (if not over a hundred) different characters all in one giant image. If I’m being honest, I’ve always disliked them and they are why I never really wanted to read this. Most of the action is minimal and many of these scenes are just characters standing around. They lack the energy that a splash page needs and look more like they belong in a Where’s Waldo? book. And I don’t say that to come off as a dick because I almost always love George Perez’s art. This just seems like DC management telling Perez to squeeze in as many characters as artistically possible. It’s hard on the eyes and it’s shit.
Another big problem with this twelve issue story arc is that every moment feels larger than life. Well, when everything is so big and grandiose, that becomes normal and status quo. You can’t possibly go bigger and with everything being so big from start to finish, none of it is memorable. It’s just a busy, stressful read without allowing the reader to catch their breath and reflect on what’s happened. It’s kind of like a Michael Bay movie. Throw so much intense shit at the audience, don’t let them stop and think and they’ll just move from point A to point B to point C and so on, forgetting everything that happened two points prior.
This event was made in an effort to sort of reset the DC universe. Honestly, all it does is make a giant fucking mess of things and splatters the mess all over everything it touches.
The plot doesn’t make sense, I’m not sure what exactly changed and with so many universes crashing together into one, it’s not properly organized and then re-established in any sort of way that a reader can follow. If this was supposed to be a jumping on point for readers in 1986, I don’t know how they made sense out of any of it and then knew which characters to follow.
The main reason for the previous sentence is that this is so overloaded with people that you don’t get to really know any of them. There is no character development and this is written in a way that it assumes the reader knows all about every character in the story. For a seasoned comic book reader like myself, who has been reading comics for three and a half decades, I was lost and didn’t know who half of the low tier characters were.
Crisis On Infinite Earths should have been written as a Justice League story with some inclusion of the Fawcett Comics characters and the Golden Age DC heroes. All the third tier and lower characters could have made cameos but even then, they don’t really need to.
I really hoped that this was going to pleasantly surprise me but it hurt my head.
It was too much, too big and too long.
Rating: 4/10 Pairs well with: mid-’80s DC Comics titles, as well as all the other massive DC crossover events.
Published: November 22nd, 2017 – December 18th, 2019 Written by: Geoff Johns Art by: Gary Frank, Brad Anderson Based on:Watchmen by Alan Moore
DC Comics, 456 Pages
Well, Doomsday Clock has finally ended! This twelve issue series wasn’t supposed to stretch out for over two years but it did. I’m glad that I didn’t start reading it until it was over, as I would’ve forgotten all the details due to the delays and the dozens of other comics I would’ve read between each issue.
Now that it’s all out, I finally read it: binging through it in two days.
I guess my first thoughts on it are that it is underwhelming and that it doesn’t justify its need to exist.
I had always been against new Watchmen stories without the involvement of Alan Moore. My mind changed, however, when I read some of the Before Watchmen stories from a couple years ago.
They made me see Watchmen the same way I see other comic book properties and that’s as a sort of modern mythology that is told and retold by countless others, each bringing something new and unique to the table. Superman and Batman have had countless writers and many of them have evolved and grown the character in great ways beyond their original concept. Granted, some writers have gravely failed too.
Generally, I like Geoff Johns’ work, so I wan’t against the idea of him tackling the Watchmen property.
Ultimately, though, this took too long to come out, especially with how sloppily put together it feels.
This is one of those stories where it feels like a lot happened but also like nothing happened.
It tries to merge the Watchmen universe with the DC universe but it doesn’t work. But I’m also over the crossover trope of using inter-dimensional portals or a superbeing that basically acts as a super-dimensional portal. That being said, I don’t know how else to bring these universes together but that also makes me ask why they had to try it in the first place?
Watchmen is very much its own thing, as is DC. Hell, Marvel is also its own thing in that same regard and whenever they tried to crossover Marvel and DC, which happened multiple times, it always felt forced, clunky and weird.
The only real highlight of this was seeing how certain characters from different universes would interact with one another but honestly, none of it was as cool as I felt it should have been and it all felt pretty pointless and made me realize how bad the Rebirth era of DC Comics has been – well, for the most part, as I liked some titles in the last few years.
In the end, this doesn’t feel any different than one of any of the dozen indie publisher crossovers that pit Green Lanterns against Ghostbusters, Ninja Turtles, Transformers, Star Trek crews or the apes from Planet of the Apes. While those crazy crossovers are neat to a point, they’ve been done to death in recent years. And despite this being better written and having better art than the other franchise mashups, it feels like DC Comics were really late to the party and didn’t even realize that it was over.
Rating: 6/10 Pairs well with:Watchmen and the Before Watchmen stuff, as well as just about everything under the DC Rebirth banner.
Published: August 15th, 2017 Written by: various Art by: various
DC Comics, 318 Pages
I’ve read a bunch of these Batman Arkham collections and I’m glad DC Comics is still putting one out a few times per year. If you remember those old collections like The Greatest Joker Stories Ever Told or The Greatest Batman Stories Ever Told, these are similar and are always focused on one character: a Batman villain.
Now I say that these are focused on one villain but this installment is a bit different, as it features Clayface, which there have been multiple versions of over the years and all of them are pretty unique.
What I really loved about this is that it gives us the first appearances of every Clayface in regular Batman canon. Hell, it even gives us the story of the Mud Pack, which was a villain team comprised of multiple Clayfaces.
The Clayface that most people are familiar with is the original, Basil Karlo. He was the one featured in Batman: The Animated Series in the ’90s and has monopolized Clayface’s comic book appearances since.
However, I loved seeing all the different versions here. My favorite story and now my favorite Clayface is the third version a.k.a. Preston Payne. I knew of him but never got to read his debut until now. His look and armored suit were badass and his story was fantastic thanks to the great Len Wein. As much as I like Karlo, I’d love to see Payne make a real comeback.
Overall, this was a pretty cool collection. Most of these are stories I’ve never read but they also gave me better clarity on the bizarre history of the Clayface moniker.
Rating: 8/10 Pairs well with: Other Batman Arkham collections, as well as Clayface-centric stories.
Published: October 10th, 2018 Written by: Bryan Edward Hill, Tim Seeley, James Tynion IV, Mags Visaggio, various Art by: various
DC Comics, 86 Pages
I’ve stated before that I’m not the biggest fan of anthologies but this was a lot of fun and most of it was pretty good.
This came out just in time for Halloween and even though it’s given a “#1” on its cover, I’m pretty sure that this anthology of superhero and horror mashup stories is just a one-off release to celebrate the month of October and all its horrors.
With each story we also get a different creative team, so the quality varies but there wasn’t anything that I’d say was disappointing.
The only real negative was that cramming ten stories into 86 pages means that those stories are really short. I felt that there were a lot of good ideas here that needed more room to breathe. It was hard feeling like there was any tension or a legitimate build up, as everything was over almost immediately.
I thought that the Superman story probably did the most with the short space it had. I also really liked the Swamp Thing, Etrigan and Solomon Grundy tales.
If you are into these heroes and love horror, this is a fun read. Nothing substantial or all that memorable happens within these pages but it didn’t need to.
Rating: 7.25/10 Pairs well with: other horror anthologies but this also goes well with the current run of Justice League Dark.
Published: June 27th, 2018 – August 22nd, 2018 Written by: Bryan Edward Hill Art by: Miguel Mendonca, Diana E. Conesa, Adriano Lucas, various
DC Comics, 125 Pages
This five issue story arc took place over Detective Comics issues 983 through 987. This is also the beginning of Bryan Edward Hill’s run, following some solid work by James Tynion IV.
What I liked most about this story, is that the villain, a guy named Karma, has the same sentiment that I do regarding Batman. He is much better when he’s not being held down by the huge Bat-Family of characters. While I like many of those characters, my favorite Batman stories don’t usually involve Robin, Batgirl or any other allies; it’s just Batman, on his own, kicking ass.
Batman does have a lot of help here though. His main ally in the story is Black Lightning, who he uses to sort of lead his younger allies and to keep them in line, as they have been targeted by this new villain, who seems to know way too much about Batman and his friends.
This story has a lot of action and it also does a good job of exploring Black Lightning, as a character in this Rebirth era, where he and Batman are apparently not too familiar with one other.
You also get small cameos by Superman and the Martian Manhunter.
This was a good, solid story, well paced and I dug the art. I’m on board with this run after one story arc and I hope that Bryan Edward Hill is building towards something great, as Detective Comics #1000 isn’t too far away.
Rating: 7.75/10 Pairs well with: James Tynion IV’s recent run on Detective Comics.
Original Run: January 16th, 2018 – present Developed by: Salim Akil Directed by: various Written by: various Music by: Kurt Farquhar Cast: Cress Williams, China Anne McClain, Nafessa Williams, Christine Adams, Marvin “Krondon” Jones III, Damon Gupton, James Remar
Akil Productions, Berlanti Productions, DC Entertainment, Warner Bros., 13 Episodes (so far), 42 Minutes (per episode)
I wasn’t sure what I thought about Black Lightning over the first couple of episodes but as the first season rolled on, I grew to like it.
It’s a CW show, so it is guaranteed to come with a certain level of cheesiness. However, this isn’t bogged down by the cheesy nonsense like The Flash, Supergirl, Legends of Tomorrow and sometimes Arrow is.
While the show does have some romance and it focuses on a family dynamic, it doesn’t beat you over the head with love dovey sentiment, it feels genuine and the love shared between characters is more organic than what we’ve seen from the other CW superhero shows. That doesn’t mean that it won’t get cheesy, as it continues into the future.
I really like Cress Williams as Jefferson Pierce a.k.a. Black Lightning. It’s like he was born for the role and he plays both the man and the hero, exceptionally well. I’m also a massive fan of Krondon’s Tobias Whale, as the character is fleshed out better than his comic book counterpart, who I always just saw as a poor man’s Kingpin.
The one person I absolutely love on this though is James Remar. He plays Black Lightning’s mentor and partner, even if there is a lot of tension that develops between the two. Ultimately, he is a part of the family and he is there to fight the good fight when the chips are down. I loved Remar when I was a kid because I liked him in The Warriors and then I went on to have a different appreciation for him when he played Dexter’s ghost dad on Dexter. Remar is one of those guys that is a clutch hitter but doesn’t always find himself on a good team. I think he’s found a nice roster spot on the Black Lightning team.
One thing that makes this story work so well, is that it feels smaller in scale. While Freeland is a city that’s come under siege due to powerful gangs, the world this is set in doesn’t feel as grandiose as the other CW superhero shows. It feels more like it all takes place in a smaller area, sort of closed off from anything beyond its borders, as the problems in Freeland are just too serious and real. This could totally fit in with the Arrowverse without needing to acknowledge it, which probably will happen in the future, as both Cress Williams and Arrow‘s Stephen Amell want to crossover. My two cents: I’d sneak Deathstroke onto the show to introduce the larger world. We don’t need aliens and shit.
It’s hard to tell where Black Lightning plans to go beyond season one but I hope that the producers build off of what was established in just the first 13 episodes and don’t sort of fall into the same traps when the other CW shows ran on beyond their rookie years.
Also, this did a good job of not being too political. It dealt with social issues well and didn’t beat you over the head with it like the comic book medium tends to do. Well, the big bad white villain in the show had to say, “Make America great again!” twice in the season finale but hopefully that’s it for the sociopolitical cringe.
Rating: 7.5/10 Pairs well with: All the current DC Comics shows on the CW.