From Filmento’s YouTube description: 2019’s IT Chapter 2 is the highly anticipated continuation to 2017’s success story IT, and it completely drops the ball, joining The Curse of La Llorona in the losers club of the worst horror movies of 2019. This “movie” has a bunch of problems, but the most noticeable of them all is that for a horror film… it’s not scary, there are no competent scares whatsoever. So, let’s compare Chapter 2 to Chapter 1 and see how to fail at constructing good scares. If you want clowns, stick to Joker.
Release Date: August 26th, 2019 (Los Angeles premiere) Directed by: Andy Muschietti Written by: Gary Dauberman Based on:It by Stephen King Music by: Benjamin Wallfisch Cast: Jessica Chastain, James McAvoy, Bill Hader, Isaiah Mustafa, Jay Ryan, James Ransone, Andy Bean, Bill Skarsgård, Sophia Lillis, Jaeden Martell, Finn Wolfhard, Chosen Jacobs, Jeremy Ray Taylor, Jack Dylan Grazer, Wyatt Olef, Stephen King (cameo)
KatzSmith Productions, Lin Pictures, Vertigo Entertainment, Double Dream, Rideback, Mehra Entertainment, New Line Cinema, Warner Bros., 170 Minutes
“For 27 years, I dreamt of you. I craved you… I’ve missed you!” – Pennywise
The adult half of the story to It was never as interesting or as engaging as the child half, so I probably shouldn’t have expected this film to be as good as its predecessor. However, it falls short in other aspects despite just being less interesting.
To start, it’s just too damn long and way too drawn out. The first two acts are slow as hell and I actually found it baffling that this wasn’t something that was fixed in editing.
The worst of it all, was the middle act of the film where all the characters had to go off on their own journeys to deal with their personal demons. I felt like each of these segments was too long and frankly, they could’ve somehow been edited together into one overlapping sequence, as opposed to multiple ones that just felt like their own separate chapters in the story. They felt more like side quests in a video game while taking a break from the main story. That works in a game but it definitely doesn’t work in a motion picture with limited time to tell its story.
Another major negative was the horror itself. I found many parts of the first film to be pretty damn disturbing. In this film, everything came off like this was the diet version of the previous installment. Pennywise wasn’t nearly as terrifying and most of the murders and violence were basic bitch shit. Pennywise pretty much just goes clown piranha and bites people in half. There’s no real creativity to any of it.
Additionally, the final monster was just a giant Pennywise with crab-like limbs. While I’ve knocked how the monster looked in the 1990 TV miniseries, it was at least more imaginative than just making a CGI crab monster with a clown head.
That’s really part of the problem here too. You see, almost every evil entity in the film has to be clown themed. The original novel and TV miniseries deviated from this, as the monster takes many forms. It isn’t specifically a fucked up clown. Pennywise (or It) is a shape-shifting alien from another dimension. He’s also thousands (if not millions) of years old. The MFer predates clowns and really just uses that form to lure in modern children… not adults.
Moving past all the faults working against this film, it is well acted and the cast did a pretty superb job, all things considered. It’s also well shot and visually consistent with its predecessor.
Still, the negatives severely impact the movie as a whole and I just don’t think that I’ll ever want to sit through this again, which is sad, as I really dug the first picture and typically enjoy film adaptations of Stephen King’s work.
Rating: 6.25/10 Pairs well with: its predecessor and other recent Stephen King adaptations for the big screen.
Also known as: DP2 (promotional abbreviation), Daisy, Love Machine (both fake working titles) Release Date: May 10th, 2018 (US limited) Directed by: David Leitch Written by: Rhett Reese, Paul Wernick, Ryan Reynolds Based on: the character of Deadpool created by Fabian Nicieza, Rob Liefeld Music by: Tyler Bates Cast: Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Brianna Hildebrand, Jack Kesy, Leslie Uggams, Karan Soni, Terry Crews, Lewis Tan, Bill Skarsgård, Rob Delaney, Brad Pitt (cameo), James McAvoy (cameo), Evan Peters (cameo), Tye Sheridan (cameo), Nicholas Hoult (cameo), Hugh Jackman (archive footage), Alan Tudyk
Marvel Entertainment, Kinberg Genre, The Donners’ Company, 20th Century Fox, 119 Minutes
“I was born into war, bred into it. People think they understand pain, but they have no concept of it. What’s the most pain you’ve ever felt? Maybe the kind that leaves you more machine than man. ” – Cable
*There be spoilers here!
After what felt like too long of a wait but was actually only 27 months, Deadpool 2 has arrived. I guess if I were to sum up the experience in one word, that word would be “consistent”.
The film is very consistent to the first movie but it had a few things that were better and a few things that weren’t, which makes it break even, as to whether or not it was better or worse.
The positives were the addition of new cast members and the genesis of what is going to become the X-Force team.
Josh Brolin’s Cable is everything you would want a Josh Brolin Cable to be. I think the casting of Brolin was perfect and one hell of a great move and lucky break for this pocket of the X-Men film franchise.
Zazie Beetz’s Domino was really fun to watch and while I love the old school X-Force comics, which Domino was a big part of, this version of the character eclipses the comic book version. Plus, most of the Domino stories I remember were actually just Copycat posing as Domino because I stopped reading X-Force about a year after Rob Liefeld left and the X-Cutioner’s Song crossover ended.
The negatives or really just the one big one for me was that the plot seemed all over the place and kind of aimless at times. Lots of things happened that seemed way too convenient despite the film actually making note of that once or twice, especially with Deadpool’s “lazy writing” jab at his own film. Joke aside, poking fun at it doesn’t necessarily excuse the parts where it happens.
It’s just that the first film felt more refined and more fluid. This one propelled forward at a good pace but it seemed like it was all over the place. There also wasn’t a clearly defined villain, which isn’t a necessary component but I felt like Deadpool and Cable’s first meeting and eventual team-up should have come with a real threat other than just trying to save a kid from his anger. I was kind of hoping that Stryfe would at least appear, even if only to setup the X-Force film.
Juggernaut shows up and his bits are great but he’s really just there to setup a cool fight with Colossus. Also, you get Black Tom Cassidy but he was totally wasted and just sort of a prison thug that ends up getting killed in the lamest way possible. We didn’t get to see the BFF pairing of Black Tom and Juggernaut like we got to see in the earliest Deadpool solo stories and in the original X-Force run. I really hoped we were going to get to see Cassidy and Juggernaut form their villain tag team that was a thorn in Deadpool’s side back in the early ’90s.
My favorite part of the film was the mid-credits sequence, actually. This is packed full of some really cool stuff and more great moments of Ryan Reynolds poking fun at himself.
Deadpool 2 was good but it was a wee bit of a disappointment. With the mythos getting richer with new characters people have wanted to see for years, this should have taken the franchise to the next level. They had a solid foundation, new tools to work with and a world to branch out into. I’m hoping that X-Force, whenever that arrives, takes things to that next level.
Rating: 8/10 Pairs well with: Obviously the first Deadpool film and Logan for being the only other R rated X-Men related film. I’d also pair this up with Legion, which is TV’s more mature take on the X-Men universe, although it’s nowhere near as hilarious as Deadpool.
Original Run: April 19th, 2013 – October 23rd, 2015 Created by: Brian McGreevy Directed by: various Written by: various Based on:Hemlock Grove by Brian McGreevy Music by: Nathan Barr Cast: Famke Janssen, Bill Skarsgård, Landon Liboiron, Penelope Mitchell, Freya Tingley, Dougray Scott, Tiio Horn, Joel de la Fuente, Madeleine Martin, Camille De Pazzis, Lili Taylor, Madeline Brewer
Gaumont International Television, ShineBox SMC, United Bongo Drum, Inc., Netflix, 33 Episodes, 45-58 Minutes (per episode)
*written in 2014.
Hemlock Grove is a Netflix Original Series. I’m watching through all of their shows in an effort to do a list ranking them in the near future.
This was a much better show than I thought it would be. I was wondering if it would be more like True Blood or more like that atrocious piece of shit Twilight. It was definitely more or less its own thing but aligned on the True Blood side of the equation, in that it was very adult, didn’t deal so much with teenage love, had no sparkly bitch vampires and served up a decent amount of gore.
The early episodes aren’t well acted in some spots but it does improve. The style of the show is also unique in that it goes into the werewolf and vampire, or in this case “upir”, mythos but there is a lot more to the supernatural and bizarre here. It also brings in a heavy science element that makes this show not seem like a redundant recycle of all the other popular supernatural shows that are out right now.
It’s not a great show by any stretch but it is good, at least the first season. The plot thread of the second season wasn’t on the same level as the first, in my opinion, but it still provided enough to keep me interested and looking forward to season 3, when and if it ever drops. So far, season 3 has not been announced.
The first season worked really well on its own and if it had been a one off, it would probably be well-regarded and have created a cult following. The second season takes away some of the magic of the first but it is really a trade off for going deeper into the secrets of the show. I’m fine with that though.
The show went out with a serious whimper. More like a big bowl of WTF in the worst way possible.
Release Date: September 5th, 2017 (TCL Chinese Theatre) Directed by: Andy Muschietti Written by: Chase Palmer, Cary Fukunaga, Gary Dauberman Based on:It by Stephen King Music by: Benjamin Wallfisch Cast: Jaeden Lieberher, Bill Skarsgård, Wyatt Oleff, Jeremy Ray Taylor, Sophia Lillis, Finn Wolfhard, Jack Dylan Grazer, Chosen Jacobs
New Line Cinema, Ratpac-Dune Entertainment, Vertigo Entertainment, Lin Pictures, KatzSmith Productions, Warner Bros., 135 Minutes
“When you’re a kid, you think that you’ll always be… protected, and cared for. Then, one day, you realize that’s not true. If you open your eyes, you will see what we’re going through. ‘Cause when you’re alone as a kid, the monsters see you as weaker. You don’t even know they’re getting closer. Until it’s too late.” – Stanley Uris
I was a few weeks late, in seeing this. That’s not my fault, it is the fault of Hurricane Irma, who decided to bring her own version of horror, darkness and a lot of water. An inconvenient but impressive attempt at stealing It‘s thunder away from the residents of Florida.
Anyway, I can’t say that I was super excited about It. I was not a fan of the original adaptation and I’m not a huge Stephen King fan, from a literary standpoint. While I do like some of his work and have enjoyed some of the cinematic adaptations, over the years, a good King film is really hard to come by. Plus, I still can’t get rid of the foul taste that The Dark Tower left in my mouth, just last month.
It surprised me. In fact, it shocked me how good it was. Now we have a film fighting for a spot in the Holy Trinity of Stephen King Movies. Granted, it won’t usurp The Shining – the 1980 one, The Shawshank Redemption or The Green Mile but it is probably the best King adaptation outside of that perfect trinity.
While Tim Curry’s Pennywise the Dancing Clown was the only real highlight of the original It, Bill Skarsgård doesn’t try to recreate that magic. Skarsgård makes the role wholly his and gives us a version of Pennywise that is even darker and more terrifying. In fact, Skarsgård’s version of the character could feasibly reach the iconic heights of Robert Englund’s Freddy Krueger, Christopher Lee’s Dracula or Boris Karloff’s version of Frankenstein’s Monster. Skarsgård absolutely takes over this picture and doesn’t let go for a second. It isn’t often that you see an Oscar caliber horror performance but this is worthy of that distinction. I haven’t been this frightened and intimidated by a Hollywood monster since John Carpenter’s The Thing.
The kids in this movie are also great. While most children can tend to get annoying in films, these are kids that feel real and are real. Their horror and terror is greatly captured, feels authentic and keeps you invested in them. Also, their gravitas and their bravery on screen is astounding. It reminds me of the kids from E.T. the Extra-Terrestrial, Stand By Me, The Goonies and The Monster Squad but with an extra dose of realism and chutzpah. It probably didn’t hurt that they pulled in Finn Wolfhard from the super popular King inspired Netflix series Stranger Things.
The film is just perfectly cast, from top to bottom.
The cinematography, the sound, the attention to detail, everything visually and audibly just felt right. I was the same age as these kids at the time that this film takes place. I felt like I was reliving a part of my own existence minus creepy clowns, scary flute ladies, disease-ridden hobos, zombies and a rapist father.
The team behind this pulled off magic. It is quite literally lightning in a bottle. While it isn’t perfect, it is pretty damn close.
For those who might not know, the film just covers the timeline when our heroes are kids. It ends with “Chapter One” displayed across the screen. One can assume that Chapter Two, which should follow the adult half of the story, is still to come. Once I looked into it, the director has confirmed that production will most likely begin in the spring of 2018.
Release Date: March 12th, 2017 (SXSW) Directed by: David Leitch Written by: Kurt Johnstad Based on:The Coldest City by Antony Johnston, Sam Hart Music by: Tyler Bates Cast: Charlize Theron, James McAvoy, John Goodman, Til Schweiger, Eddie Marsan, Sofia Boutella, Toby Jones, Bill Skarsgård
Denver and Delilah Productions, Closed on Mondays Entertainment, 87Eleven, Focus Features, 115 Minutes
Let me preface this review by stating that this has been one of the best summers for movies in a long time and honestly, I wasn’t expecting much apart from one or two films. But the thing that has really set this year apart is the smaller films, not the massive blockbusters. This film, along with the magnificent Baby Driver are two motion pictures that I will continue to enjoy for years to come. Both will eventually make it into my permanent library.
So based off of the preceding paragraph, it is safe to assume that I really liked Atomic Blonde. While I thought that I would like it and was excited for it, the film was just a great marriage of several things I love: fantastic action, energy, style and a fantastic soundtrack. Plus, I’ve always had a soft spot for Cold War period pieces, especially those set in the 1980s.
One really cool aspect of the film, is that it takes place in Berlin – starting a week before the fall of the Berlin Wall and leading up to it actually coming down. The film shows life on both sides of the wall and the cultural differences and shifts between all the people in this 1989 Berlin bubble. There is even a casual reference to David Hasselhoff arriving in Berlin. Do I need to remind anyone of his famous Berlin Wall performance, as that concrete beast came crumbling down?
Atomic Blonde is a spy espionage thriller but starring a woman, which just doesn’t happen enough with the genre. It isn’t a groundbreaking concept or anything but after decades of James Bond movies and their male dominated clones, a stylized and high octane version of the concept starring Charlize Theron was music to my soul.
Theron does not disappoint but has she ever? She is perfect as the agent sent to Berlin to battle brutish KGB agents while engaging in a playful cat and mouse game with the always fantastic James McAvoy. In fact, the chemistry between Theron and McAvoy is uncanny and I wish that they actually had more screen time together.
Theron also has fantastic chemistry with Sofia Boutella and I’m glad to see Boutella getting meatier roles because she was exceptional in this. Also, you get to see both women naked in this. Sorry, but that’s a high point for anyone crushing on Theron for years and anyone that is currently crushing on Boutella, as she works here way up to bigger things. Both actresses are stellar in this, boobage or not.
The film employs an 80s new wave soundtrack, for the most part. The music style is fitting, as this takes place in 1989. It is the selection of songs that is most impressive, however. From David Bowie’s “Cat People” to Depeche Mode’s “Behind the Wheel” to the incredibly effective use of George Michael’s “Father Figure”, the music is just on point. Even Marilyn Manson’s cover of Ministry’s “Stigmata” works its magic with the visual smorgasbord it’s synced to.
The choice not to use any music during the climactic final brawl was a good one. Despite the stylized nature of the film, it grounds this scene back into reality and showcases the grittiness of the situation. The fights are brutal, especially the last round of fisticuffs. It is an impressive sequence that not only showcases Theron’s athleticism and toughness but it proves how hard she is willing to work to create movie magic. I already respect her but her dedication to these scenes, in particular, brings that respect to a new level.
The director, David Leitch, has a background in stunts and it shows. He’s been the stunt coordinator or stunt actor in the Bourne movies, TRON: Legacy, 300, V for Vendetta, the Matrix series, Fight Club,Blade and several others. He is also the director of the upcoming Deadpool sequel and proves, with this film, that he will be able to handle those duties. I’m actually really enthused about what else Leitch can give us behind the camera.
Atomic Blonde is fantastic. There really isn’t anything to complain about or to dislike. It was explosive and even the slower parts kept your attention, as it doesn’t waste any time on things not integral to the plot. I hope that this becomes a series as checking in with this character every few years could be a lot of fun.