Release Date: August 11th, 2008 (Westwood premiere) Directed by: Ben Stiller Written by: Justin Theroux, Ben Stiller, Etan Cohen Music by: Theodore Shapiro Cast: Ben Stiller, Jack Black, Robert Downey Jr., Steve Coogan, Jay Baruchel, Danny McBride, Brandon T. Jackson, Bill Hader, Nick Nolte, Matthew McConaughey, Tom Cruise, Brandon Soo Hoo, Reggie Lee, Trieu Tran, Tobey Maguire, Tyra Banks, Maria Menounos, Martin Lawrence, Jason Bateman, Lance Bass, Jennifer Love Hewitt, Alicia Silverstone, Christine Taylor, Yvette Nicole Brown, Sean Penn, Jon Voight, Justin Theroux
“I’m just like a little boy, playin’ with his dick when he’s nervous.” – Kirk Lazarus
Tropic Thunder is only thirteen years old yet it definitely isn’t a movie that you could make today.
Things have really changed in American culture and this picture now feels like it was Hollywood’s final attempt at a giant middle finger to the sensitive bitches that they knew would dictate the direction of cinematic art going forward.
While I haven’t seen this since it came out, I loved it pretty immensely at the time. I wasn’t sure if it would be as good as I remembered but man, I really should’ve been watching this fairly frequently over the last several years. I miss movies like this where nothing was sacred and you could make fun of anything and people still laughed.
There is a stark contrast between the world in 2008 and 2021. It’s fucking worrisome, as we live in a time where everything is fucking offensive and because of that, comedy is dead. I mean, when’s the last time a new movie made you laugh as hard as this one? These films just don’t and can’t exist anymore.
Not only is this hilarious, it’s pretty superbly acted for a comedy movie. The cast is pretty stacked with talent and all of them commit to the bit in every single scene. Frankly, there isn’t a weak link in this flick and I say that not being a big fan of Ben Stiller or Jack Black. Sure, I like some of their films but they were never guys I went to the movies for.
That being said, this might be the greatest thing that Ben Stiller has even done, as he doesn’t just star in it but he also co-wrote and directed it.
With that, the concept for the film was great and Stiller’s direction was just on another level, here. He showed that he can handle action, as well as comedy, and he got some fantastic shots in this picture.
The more I reflect on this, after my first viewing of it since the ’00s, it might very well be one of the all-time greats, as far as ensemble comedies go. While it’s not quite on the level of Ghostbusters, it’s not too far behind it, honestly.
From Filmento’s YouTube description: 2019’s IT Chapter 2 is the highly anticipated continuation to 2017’s success story IT, and it completely drops the ball, joining The Curse of La Llorona in the losers club of the worst horror movies of 2019. This “movie” has a bunch of problems, but the most noticeable of them all is that for a horror film… it’s not scary, there are no competent scares whatsoever. So, let’s compare Chapter 2 to Chapter 1 and see how to fail at constructing good scares. If you want clowns, stick to Joker.
Release Date: August 26th, 2019 (Los Angeles premiere) Directed by: Andy Muschietti Written by: Gary Dauberman Based on:It by Stephen King Music by: Benjamin Wallfisch Cast: Jessica Chastain, James McAvoy, Bill Hader, Isaiah Mustafa, Jay Ryan, James Ransone, Andy Bean, Bill Skarsgård, Sophia Lillis, Jaeden Martell, Finn Wolfhard, Chosen Jacobs, Jeremy Ray Taylor, Jack Dylan Grazer, Wyatt Olef, Stephen King (cameo)
KatzSmith Productions, Lin Pictures, Vertigo Entertainment, Double Dream, Rideback, Mehra Entertainment, New Line Cinema, Warner Bros., 170 Minutes
“For 27 years, I dreamt of you. I craved you… I’ve missed you!” – Pennywise
The adult half of the story to It was never as interesting or as engaging as the child half, so I probably shouldn’t have expected this film to be as good as its predecessor. However, it falls short in other aspects despite just being less interesting.
To start, it’s just too damn long and way too drawn out. The first two acts are slow as hell and I actually found it baffling that this wasn’t something that was fixed in editing.
The worst of it all, was the middle act of the film where all the characters had to go off on their own journeys to deal with their personal demons. I felt like each of these segments was too long and frankly, they could’ve somehow been edited together into one overlapping sequence, as opposed to multiple ones that just felt like their own separate chapters in the story. They felt more like side quests in a video game while taking a break from the main story. That works in a game but it definitely doesn’t work in a motion picture with limited time to tell its story.
Another major negative was the horror itself. I found many parts of the first film to be pretty damn disturbing. In this film, everything came off like this was the diet version of the previous installment. Pennywise wasn’t nearly as terrifying and most of the murders and violence were basic bitch shit. Pennywise pretty much just goes clown piranha and bites people in half. There’s no real creativity to any of it.
Additionally, the final monster was just a giant Pennywise with crab-like limbs. While I’ve knocked how the monster looked in the 1990 TV miniseries, it was at least more imaginative than just making a CGI crab monster with a clown head.
That’s really part of the problem here too. You see, almost every evil entity in the film has to be clown themed. The original novel and TV miniseries deviated from this, as the monster takes many forms. It isn’t specifically a fucked up clown. Pennywise (or It) is a shape-shifting alien from another dimension. He’s also thousands (if not millions) of years old. The MFer predates clowns and really just uses that form to lure in modern children… not adults.
Moving past all the faults working against this film, it is well acted and the cast did a pretty superb job, all things considered. It’s also well shot and visually consistent with its predecessor.
Still, the negatives severely impact the movie as a whole and I just don’t think that I’ll ever want to sit through this again, which is sad, as I really dug the first picture and typically enjoy film adaptations of Stephen King’s work.
Rating: 6.25/10 Pairs well with: its predecessor and other recent Stephen King adaptations for the big screen.
Also known as: Scott Pilgrim’s Precious Little Life (working title) Release Date: July 27th, 2010 (Canada – Fantasia International Film Festival) Directed by: Edgar Wright Written by: Michael Bacall, Edgar Wright Based on:Scott Pilgrim by Bryan Lee O’Malley Music by: Nigel Godrich Cast: Michael Cera, Mary Elizabeth Winstead, Kieran Culkin, Chris Evans, Anna Kendrick, Alison Pill, Brandon Routh, Jason Schwartzman, Brie Larson, Aubrey Plaza, Mae Whitman, Ellen Wong, Nelson Franklin, Thomas Jane, Clifton Collins Jr., Bill Hader (voice)
Universal Pictures, Marc Platt Productions, Big Talk Productions, 112 Minutes
“When I’m around you, I kind of feel like I’m on drugs. Not that I do drugs. Unless you do drugs, in which case I do them all the time. All of them.” – Scott Pilgrim
I haven’t watched this since it came out in theaters. From memory, I liked it at the time but strangely, I’ve never felt the urge to rewatch it until now, nine years later. And that was mainly just to review it, as I’m a fan of Edgar Wright’s work and Scott Pilgrim still seems to be beloved by comic book fans after all this time.
Well, I didn’t really enjoy it as much as I had hoped. Maybe I’m older, or since I’ve seen this, I sort of know what to expect from it so the razzle dazzle doesn’t awe me as it once did or maybe it just isn’t a good movie as far as its story, characters and purpose goes.
To start, this is an amazing looking picture on its surface. I really dig that the filmmakers committed to the bit and gave us a true live action version of the comic without trying to rework it into something more realistic. The special effects are spectacular, the musical numbers are cool and this film is really impressive in that regard. I love it for its style and how it is all conveyed on screen.
However, the whole story is focused on one of the worst romances I have ever had to sit through in a film. Scott is obsessed with Ramona, but she acts like that girl who is too cool for everyone at all the parties she feels the need to keep going to. But really, she’s just a broken person with bad hair that delivers packages for Amazon Canada like a total twentysomething normie just trying to pay for hair dye, thrift shop clothes, avocado toast and her 1/9th of the rent.
Still, her personality is off putting as fuck but then so is Scott’s, as he just acts like whatever he thinks she wants and he even treats his current girlfriend like shit and doesn’t really seem to know who he is, what he wants or where he’s going. He just knows that he’s obsessed over some hipster douche with weird hair and now has to fight a bunch of her exes in order to maybe date her. But she is so indifferent and noncommittal for almost the entire picture that Scott just comes off as a dopey puppy that needs to have his heart crushed.
Normally I wouldn’t be so harsh on something like this but it is this budding relationship that is the framework for the entire narrative. Sad pussy puts it all on the line for salty nihilist weirdo bitch that kinda maybe likes him right this minute but has no idea how she will feel in five minutes.
There is no lesson to be learned on this journey.
I’ve never read the comic because I don’t have much interest in it but I hope the relationship in the source material isn’t this shallow and stupid.
The only reason why this doesn’t get a terrible rating from me is that the visuals and the style of this film are so alluring and perfectly presented in the film medium that the picture does put me in awe in that regard. This is a really cool and fun movie to look at and I dig the music. The surface is superb, it just turns to crap when you get past the polish, bright lights and groovy tunes.
Rating: 6/10 Pairs well with: Edgar Wright’s Shaun of the Dead, Hot Fuzz and The World’s End, as well as the Kick Ass movies and Zombieland.
Also known as: Star Trek XII, Star Trek 2, 2, Untitled Star Trek Sequel (working titles) Release Date: April 23rd, 2013 (Sydney premiere) Directed by: J. J. Abrams Written by: Robert Orci, Alex Kurtzman, Damon Lindelof Based on:Star Trek by Gene Roddenberry Music by: Michael Giacchino Cast:Chris Pine, Zachary Quinto, Karl Urban, Zoe Saldana, Simon Pegg, John Cho, Anton Yelchin, Leonard Nimoy, Bruce Greenwood, Deep Roy, Benedict Cumberbatch, Peter Weller, Alice Eve, Noel Clarke, Chris Hemsworth, Heather Langenkamp, Bill Hader (voice)
Bad Robot Productions, Skydance Productions, K/O Paper Products, Paramount Pictures, 133 Minutes
“He used my friends to control me. I tried to smuggle them to safety by concealing them in the very weapons I have designed. But I was discovered. I had no choice but to escape alone. And when I did, I had every reason to suspect that Marcus had killed every single one of the people I hold most dear. So I responded in kind. My crew is my family, Kirk. Is there anything you would not do for your family?” – Khan
There is one simple thing that ruins this movie. It’s still enjoyable and a lot of fun but this film could have actually been pretty great. What ruins it is the reveal that Benedict Cumberbatch’s John Harrison is actually Khan Noonien Singh.
While this film was being made, everyone and their mother speculated that Cumberbatch was Khan. The filmmakers promised us that he wasn’t. It was a pretty big debate at the time going on within the Star Trek fan community. So when the reveal comes in the film, which was no surprise to anyone, it sort of made me go, “Really, MFer?! So you guys lied?!” Did they try to salvage the reveal by denying it? Did they think that would work and then the fans would be pleasantly surprised? Maybe that kind of Hollywood bullshittery is why Disney wanted J. J. Abrams to helm their first Star Wars movie.
I’m not really that pissed about it in retrospect. But it is worth mentioning how this film had some controversy around it because of that. But hey, the normies loved it, as they loved the previous Abrams Trek film and the post-Lucas Star Wars films. But I digress.
I did love Cumberbatch as the villain here but he didn’t need to be Khan. He should have stayed John Harrison and been a character in the same vein as Khan. There could be other genetically modified warlords from Earth’s past that were put on ice for centuries. Or he could have been an acolyte of Khan, leading up to a third film where Khan is unleashed.
The problem I have with Cumberbatch as Khan is that he doesn’t look the part, act the part or feel Khan-like in any way whatsoever. I’m not sure why he was cast, other than he is an incredible actor. He just feels wasted being wedged into a mold where he doesn’t quite fit. But again, he’s damn good, all things considered. Maybe Hollywood was all out of Mexican actors to play Indian despots?
But as good as Cumberbatch is, he is overshadowed by an even more villainous character that became a total curveball and pleasant surprise within the film, Peter Weller’s Admiral Marcus. Weller just owns this film in every single scene that features him. Plus, his vessel was one of the most intimidating in Star Trek history. He just fit the part so well and looked like a tyrant king sitting in his captain’s chair like it was a throne over the galaxy.
I also liked that the film finally included the Klingons, even though it got them wrong and made them look bizarre. The Klingons’ look has varied over the years but the look from the original movies and the television shows from Star Trek: The Next Generation on became their iconic look. Deviating from that makes little sense. They could have toned it down and made them look more like they did in the original series from the ’60s but no, Abrams had to make his own stupid version of them.
The crew was good in this but that carries over from the first film. I thought that most of the casting was well done and it’s nice to see them work better as a unit now without Kirk and Spock bickering for 75 percent of the movie. But I guess that’s replaced with Spock and Uhura bickering.
I did enjoy the addition of Alice Eve to the cast as crew member Dr. Carol Marcus, daughter of Weller’s evil admiral. She had great chemistry with Chris Pine and Dr. Marcus was a character I loved from the original movies. But where the hell was she in Star Trek Beyond? But I’ll address that when I review it.
The opening sequence of the movie is beautiful and really cool. It’s actually one of my favorite parts of this Kelvin timeline trilogy. The rest of the movie feels cold, as it primarily takes place in space until we get to see Earth at the end. There’s also about 5 minutes of the Klingon homeworld but it is mostly seen during a spaceship chase that just feels a lot like what Abrams gave us in the first act of The Force Awakens when Rey and Finn escaped the desert planet by flying through shipwrecked Star Destroyers.
Also, the scenes that are call backs to older Trek moments were pretty cringe. The scene where Kirk dies and Spock is on the other side of the glass, a role reversal from the end of Wrath of Khan, was so awkward and off putting that it sucked you out of the film. Plus, you knew that Kirk would be alive again in ten minutes and the emotional impact wasn’t there.
If they would have fine tuned this movie a bit more, not made Cumberbatch reveal himself to be Khan and not meddled with establish canon and character design, then this could have been a damn fine space adventure. At its core, it still doesn’t feel like Star Trek in spirit but there are very few modern filmmakers that I think could pull that off, especially when trying to appeal to the widest modern audience possible.
There is a lot to like with this movie but there are so many things wrong with it that it’s bogged down by its own bullshit.
Rating: 7.5/10 Pairs well with: The other Kelvin timeline Star Trek films: Star Trek and Star Trek Beyond.
Original Run: August 20th, 2015 – current Directed by: Rhys Thomas, Alex Buono Written by: Seth Meyers, Bill Hader, Fred Armisen, John Mulaney, various Music by: Josh Moshier Cast: Fred Armisen, Bill Hader, Helen Mirren (host)
Probably due to the immense success of Portlandia, IFC allowed Fred Armisen to do a second show on their network, Documentary Now! Like Portlandia it is also produced by Saturday Night Live creator Lorne Michaels.
Each episode of the show parodies a well-known documentary film from history. Each one is shot in the same style and presented in the same way as the work it is parodying. This makes each episode feel unique and sort of timeless. They did a pretty outstanding job at recreating the essence of the films they’re emulating.
Armisen is joined by another SNL alum, Bill Hader. They act out the main roles in all of the films and have a great supporting cast full of cameos of a lot of recognizable people.
Each episode of the show is a half hour. On Netflix without commercials, they’re around 23 minutes. I think that this show could easily run for an hour and be just as engaging and entertaining. In the end, it is pretty damn hilarious.
The show is hosted by Helen Mirren who brings a level of class and legitimacy to this series. Seth Myers, also from SNL writes the show alongside Armisen and Hader. Sometimes John Mulaney contributes to the scripts as well.
There is only one season of this show, which has just seven episodes, but so far, I love it. I don’t know if it can maintain its quality level as it rolls on into the future but we have at least two more seasons to find that out, as IFC renewed the show through season three.
Rating: 8/10 Pairs well with: Armisen’s other IFC show Portlandia.
Also known as: Saban’s Power Rangers Release Date: March 22nd, 2017 (Regency Village Theater premiere) Directed by: Dean Israelite Written by: John Gatins, Matt Sazama, Burk Sharpless, Michele Mulroney, Kieran Mulroney Music by: Brian Tyler Cast: Dacre Montgomery, Naomi Scott, RJ Cyler, Becky G, Ludi Lin, Bill Hader, Bryan Cranston, Elizabeth Banks, David Denman
Lionsgate, Temple Hill Entertainment, 124 Minutes
For awhile now, I have been a fan of Japan’s Super Sentai franchise. For those that don’t know, it is the source material that was used to create Mighty Morphin Power Rangers in the United States.
I have never been a big Power Rangers fan though. Believe me, I have tried but the show is cheesy to the point that it made Saved By the Bell look like an episode of Breaking Bad. Let’s be honest, Power Rangers has never really been good. And now that it is being presented more seriously and with a budget and also all original footage, one would have to assume that it could only be better than the original Power Rangers show.
Well, being that it doesn’t have much to live up to, it certainly surpasses the Mighty Morphin Power Rangers show in every way. That doesn’t mean that it is a fantastic movie, however. It also isn’t bad though. Let me elaborate.
The film is primarily a teen drama that doesn’t really get to the action and superhero vibe of the film until the finale. There are a few run-ins with the villain and training montages but this is an origin story. Like most comic book style origin stories, it puts most of its emphasis on the journey of the characters as they transform into heroes. This isn’t a bad thing and I like that the film takes its time, developing the characters and fleshing out their personalities, their individual characteristics and what all this means for them.
The acting is certainly better than what the Power Rangers television shows have given us now for two-plus decades. The writing is also better and so is the story of these characters. While the film reestablishes the franchise’s mythos in new ways and deviates from the source material, it is probably for the best. The original series wasn’t well thought out and it was just an Americanized attempt at trying to make sense out of the footage they spliced in from the Japanese Sentai series Kyōryū Sentai Zyuranger.
Power Rangers is hokey but it is fun. However, it isn’t cheesy in an eye-rolling sort of way. It certainly stands well above the Michael Bay Transformers and Teenage Mutant Ninja Turtles remakes. It also doesn’t play like the male version of Twilight, which I feared from some of the trailers and marketing. Unlike those three franchises just mentioned, you really care about the kids in Power Rangers.
Elizabeth Banks was also pretty entertaining as the new version of the villain Rita Repulsa. While the character is completely different than the television version, who was a different villain completely in Japan where she was known as Bandora, Banks owned the part and looked like she was having a lot of fun playing an over-the-top supervillain.
Bryan Cranston was solid as Zordon and Bill Hader was actually quite perfect for the voice of Alpha 5. I liked that Alpha 5 wasn’t some annoying moron and actually was a snarky character that could probably hold his own in a fight if he had to.
The Zords were all fairly cool and came off better than I thought they would. The Pink Ranger’s pterodactyl was by far the coolest. Megazord also looked good and resembled an upgraded and more futuristic version of a Jaeger from Pacific Rim.
As far as negatives, while the film takes its time before putting our heroes in their Ranger armor, they do seem to beat Rita Repulsa and Goldar fairly easily without any real experience. They learned how to pilot their Zords pretty quickly and after one initial stumble piloting the Megazord, the five pilots are able to fairly easily defeat Goldar. Also, apart from summoning Goldar and Putties, Rita Repulsa doesn’t seem to have much power at all.
Power Rangers is by no means a great film but it isn’t supposed to be. It is supposed to reinvigorate the fan base with something new and something better. It really gets away from the teen sitcom and tokusatsu vibe of the television shows but what it gives us is a legitimate upgrade. It’ll be interesting to see what happens as this new incarnation roars forward with other installments. I don’t expect mind blowing motion pictures but I do anticipate a lot of fun between bites of double buttered extra salty popcorn.