Film Review: The Hunted (1948)

Release Date: April 7th, 1948
Directed by: Jack Bernhard
Written by: Steve Fisher
Music by: Edward J. Kay
Cast: Preston Foster, Belita, Pierre Watkin, Edna Holland

Allied Artists Pictures, 84 Minutes

Review:

“You know something, Johnny? It’s been four years since I’ve been kissed.” – Laura Mead

The Hunted was not a major studio film-noir picture but it was still a pretty engaging story where even if the acting wasn’t the greatest, the characters still lured you in.

While Preston Foster gets top billing here, the most interesting cast member is Belita. For those unaware, she was a talented figure skater from the United Kingdom. She dabbled in acting for a bit and actually was cast in three film-noir pictures during her film career. While she didn’t have the typical Hollywood femme fatale look, she was still stunning in her own way and had more of an athletic build, which worked for her character here, as ice skating was a part of this story.

The film flows pretty quickly and it’s relatively short when compared to bigger budget noir pictures. Most of the B-movie noirs had scant running times, which is actually something I like about them. It allows them to move swiftly, cut out the frills and gives them a bit more grit and realism. This film is exactly what I just described. While the best noirs are like a fine wine, films like this are more like a shot of whiskey.

The Hunted feels dirty and organic when seen next to a film like Laura. With that, Belita feels more real, as well.

The plot follows a cop that discovers that his girlfriend may be involved in a jewelry robbery. He arrests her, even though she claims she was framed. She gets out years later but then gets mixed up in a murder. The detective believes that she may have been involved in the murder but as noir pictures go, he struggles between his own moral code and his dame.

Now the story isn’t all that complex or original but it doesn’t need to be. Noir films were a dime a dozen in the late 1940s and the cream of the crop often times rose to their heights because of atmosphere. This isn’t the cream of the crop but the atmosphere is still effective and elicits emotional investment into the film and its characters. This is no Laura or Double Indemnity but it is a much better movie than most of the Poverty Row studios’ attempts at high octane crime pictures. Plus, this even makes time for a Belita figure skating performance. Although, that does feel a bit out of place.

The Hunted is a nice way to kill 84 minutes. It isn’t a great example of film-noir but for fans of the style, it’s certainly worth a look.

Rating: 6.25/10
Pairs well with: the other two film-noir pictures starring figure skater Belita: Suspense and The Gangster.

Film Review: The Gangster (1947)

Also known as: Low Company (reissue title)
Release Date: November 25th, 1947
Directed by: Gordon Wiles
Written by: Daniel Fuchs
Based on: Low Company by Daniel Fuchs
Music by: Louis Gruenberg
Cast: Barry Sullivan, Belita, Joan Lorring, Akim Tamiroff, John Ireland, Sheldon Leonard, Elisha Cook Jr., Charles McGraw, Shelley Winters

King Brothers Productions, Allied Artists Pictures, 84 Minutes

Review:

“Your wife called. What should I tell her?” – Shorty, “Tell her I dropped dead.” – Nick Jammey

The Gangster came out at a time when Hollywood was over gangster pictures. Even though it defied the big studio trends and was also put out by a studio on Poverty Row, it was still a pretty solid success and very much taps into the film-noir style.

What’s most interesting about this film is it’s production value. King Brothers didn’t believe in building expensive or elaborate sets. They also didn’t want to waste money on location shoots. Almost everything was built with light wood and cardboard on the cheap. This gives the film an otherworldly look though. It feels more like a dream sequence or a stage show production with confined sets. It’s sort of magical in this way and even with these frugal tactics, it still looks good.

One thing I like is that there is a high chiaoscuro style in a lot of scenes due to how walls and ceilings were painted. There are multiple shots of a black and white checkered or striped background, which make the actors pop off the screen in the foreground. The use of lighting is fantastic and the high contrast look with heavy shadows protects the look of the set, keeping imperfections in the dark.

For a Poverty Row production, this also has some good acting. Not only that but it has small roles for a lot of notable stars. Shelley Winters, Elisha Cook Jr., John Ireland, Charles McGraw and Akim Tamiroff all show up in some form. There are other familiar faces, as well.

The Gangster is a film that wasn’t on my radar until now, thanks to TCM’s Noir Alley. I was glad to see it and it’s a film that I will have to slide somewhere into my Top 100 Film-Noir list.

Rating: 7.5/10
Pairs well with: DesperateScene of the Crime and White Heat.