Also known as: The Brain of Frankenstein (working title) Release Date: June 15th, 1948 Directed by: Charles Barton Written by: John Grant, Robert Lees, Frederic I. Rinaldo Based on: characters by Mary Shelley, Bram Stoker, Curt Siodmak, H.G. Wells Music by: Frank Skinner Cast: Bud Abbott, Lou Costello, Lon Chaney Jr., Bela Lugosi, Glenn Strange, Lenore Aubert, Jane Randolph, Frank Ferguson, Charles Bradstreet, Vincent Price (voice, uncredited cameo)
Universal International Pictures, 83 Minutes
“Young people making the most of life – while it lasts.” – Dr. Lejos/Dracula
I’m actually surprised that I hadn’t yet reviewed any of the Universal Monsters pictures with Abbot and Costello in them. I have an immense love of both things and having them come together, which they did a handful of times, was really cool.
Overall, this one was always my favorite but I like all of them.
In this one, we don’t just get Frankenstein’s Monster, we also get Dracula, the Wolf Man and a little cameo by the Invisible Man. With that, we also got Bela Lugosi, Lon Chaney Jr. and a voice cameo by the legendary Vincent Price.
Unfortunately, Boris Karloff didn’t come back to play Frankenstein’s Monster but we did get Glenn Strange, who had already played the monster twice before this and who is really underappreciated in that role.
The only problem with this is one that doesn’t actually effect the film itself but instead, effects the ones that followed. You see, they blew their nut really early by cramming a ton of monsters into this one, so the following movies felt a bit underwhelming after the precedent this one set. But honestly, it’s why this particular one is the best of the lot.
Abbot and Costello are both hilarious per usual and their camaraderie was so solid by this point that they could’ve entertained in their sleep.
All in all, this was a really good horror comedy that took the best parts of two very different things and merged them together very well, not diminishing the performances of the two comedic legends or the coolness of the classic monsters and the legends who played them.
Rating: 7.75/10 Pairs well with: the other Abbot and Costello monster movies.
Also known as: I Changed My Sex (script title), Male or Female (poster title), Glen or Glenda, Which Is It? (alternative title), I Led 2 Lives (reissue title), He or She (Venezuela), The Transvestite (Venezuela alternative title), Louis ou Louise (France, Belgium) Release Date: April, 1953 Directed by: Ed Wood Written by: Ed Wood Music by: William Lava (uncredited) Cast: Ed Wood (as Daniel Davis), Timothy Farrell, Dolores Fuller, Bela Lugosi, Lyle Talbot, Conrad Brooks
“The world is a strange place to live in. All those cars. All going someplace. All carrying humans, which are carrying out their lives.” – Narrator
I’m a pretty big fan of Ed Wood but this movie is so dreadful, even for Wood’s standards, that I’ve only seen it once and that was a few decades ago. But I figured that revisiting it was long overdue.
Well, it’s still a stinker of a movie and I think that has to do with the fact that it’s a drama where Wood’s other movies are typically about horror, sci-fi, crime, exploitation or any combination of those. Glen or Glenda is, instead, semi-biographical.
The film is kind of about Wood’s life as a transvestite. He likes to wear women’s clothes and he thought that by making a movie about the topic it would somehow help make a more tolerant society.
While the subject matter is definitely ahead of its time, it’s just a terrible film and it’s not going to win anyone over simply because it is a real chore to sit through. And while his message is fine, it’s hard to get that message out without making it more palatable for those who would’ve been open-minded enough in the early ’50s.
It’s poorly shot, atrociously acted and further butchered by a ton of editing mistakes. Weird, trippy, nonsensical things happen throughout the picture but none of it is interesting enough to give the film any sort of redeeming qualities.
Glen or Glenda also lacks the charm of some of Wood’s other films.
It’s kind of sad to think about, as this was probably his most personal project but it is also one of his worst. I don’t know if there is anyone that would actually enjoy it without really knowing the backstory about it or developing some curiosity after seeing Tim Burton’s Ed Wood.
Rating: 1.5/10 Pairs well with: other films directed by Ed Wood.
Release Date: February 16th, 1945 (St. Louis premiere) Directed by: Robert Wise Written by: Philip MacDonald, Val Lewton Based on: a story by Robert Louis Stevenson Music by: Roy Webb Cast: Boris Karloff, Bela Lugosi, Henry Daniell, Edith Atwater
RKO Radio Pictures, 77 Minutes
“He taught me the mathematics of anatomy but he couldn’t teach me the poetry of medicine.” – Donald Fettes
I’m a big fan of the horror films that Val Lewton produced while at RKO Radio Pictures in the 1940s. This one brings in Robert Wise, one of his top directors, as well as horror icons Boris Karloff and Bela Lugosi. It’s kind of like a perfect storm of talent. Not to mention that this is also an adaptation of a Robert Louis Stevenson story.
The main plot has to deal with a doctor that is also a professor and how the corpses he uses to dissect in his classes are actually stolen from graves by Boris Karloff’s John Gray. Gray blackmails the doctor, named MacFarlane, into performing an operation on a young paraplegic girl that he initially refused to do.
Fettes, a young assistant to the doctor, asks Gray for another corpse to help with the preparation of the operation. When the corpse arrives, Fettes is surprised to see that the corpse looks just like a street singer he saw near Gray’s place.
One thing leads to another and bad things justifiably happen to bad people. But, at least the little paraplegic girl is able to walk again by the end of the movie.
Like all the other RKO horror pictures of the 1940s, this one was very strong on atmosphere. I really think that RKO had the best cinematographers and lighting staff under their employ. Between the Val Lewton produced horror films and their masterfully crafted film-noirs, RKO just had very pristine looking movies that understood ambiance and tone.
Now The Body Snatcher looks great, is well acted and Robert Wise did a good job of giving life to a Robert Louis Stevenson adaptation. But it’s not terribly exciting. It’d a bit dry and while it seems like a lot happens within the film, it felt like it was moving too slow while I watched it.
Additionally, Boris Karloff and Bela Lugosi only share two fairly quick scenes. One of them is very good but Bela felt like an after though in this and I assume he was just used because of his name value.
Still, for classic horror aficionados, this is worth a look.
Rating: 6.75/10 Pairs well with: other Val Lewton produced horror films for RKO: Cat People, The Curse of the Cat People, The Leopard Man, I Walked With a Zombie and The Seventh Victim, which is actually much more noir than horror but it is still dark.
Also known as: Grave Robbers From Outer Space, The Vampire’s Tomb (working titles) Release Date: July 22nd, 1959 Directed by: Ed Wood Written by: Ed Wood Music by: stock recordings compiled by Gordon Zahler Cast: Criswell, Bela Lugosi, Gregory Walcott, Vampira, Lyle Talbot, Tor Johnson, Mona McKinnon, Duke Moore, Tom Keene, Paul Marco, John “Bunny” Breckinridge, Conrad Brooks, Ed Wood (cameo)
Reynolds Pictures, 79 Minutes
“But one thing’s sure. Inspector Clay is dead, murdered, and somebody’s responsible.” – Lieutenant John Harper
I’ve reviewed several films by Ed Wood but I put off his most famous picture for quite awhile. I wanted to wait for a rainy day to revisit it. But then a friend and I got drunk and decided to watch the Rifftrax Live version of the film.
For those that don’t know, Ed Wood is widely considered to be the worst director of all-time. Frankly, that’s bullshit, as there are many directors who are much worse than Wood. He just got famous for being bad. And yes, his films aren’t good but Wood was able to get his enthusiasm and love across, even if his movies were cheap, terribly acted, terribly directed and had scenarios that were hardly believable even for 1950s science fiction.
There is a charm to Wood’s pictures and Plan 9 From Outer Space wears that charm on its sleeve. It’s a jumbled mess of a lot of ideas, crashing together and competing with one another but Wood’s ambition here is hard to deny.
I always felt like Wood was someone that just needed a good creative partner to help steer his projects and refine them. Ed Wood was the ultimate fanboy and everything he made was a sort of mashup of all the things he was a hardcore fan of. It all just lacks refinement and a budget… and sometimes common sense and continuity.
Plan 9 From Outer Space is Wood’s magnum opus and it has the best cast that he was ever able to assemble. Okay, maybe they weren’t talented from an acting standpoint but he got known icons in the movie like Tor Johnson, Criswell, Vampira and Bela Lugosi, who died before this was actually made but shot footage with Wood for a future project.
As bad of a film as Plan 9 is, it isn’t unwatchable. Okay, it may be unwatchable for a modern audience that doesn’t understand the context of what this is, how it came to be and the legend of the man behind it. But with that being said, you don’t try to push Tommy Wiseau’s The Room on an audience that happily paid to see Transformers 5. For those that understand and appreciate things like this, it’s a worthwhile motion picture to experience.
There are aliens, vampires, ghouls, UFOs and an airplane cockpit that looks like it’s from the set of an elementary school play. There are a lot of things to love about this picture, if you’re into cheesy ’50s sci-fi and horror.
Plan 9 From Outer Space is something special. It has stood the test of time because of its flaws and how its director has become a legend of sorts. But maybe its still talked about because it has a bit of magic in it too.
I would suggest watching the biopic Ed Wood to understand the context of the film and its backstory. Plus, Ed Wood is one of my favorite movies of all-time and is still Tim Burton’s best.
Rating: 4.25/10 Pairs well with: Other Ed Wood films from the era: Bride of the Monster, Night of the Ghouls and Glen or Glenda? Also, the biopic Ed Wood, which was directed by Tim Burton and starred Johnny Depp as Wood.
Also known as: The Vanishing Body Release Date: May 7th, 1934 Directed by: Edgar G. Ulmer Written by: Peter Ruric, Edgar G. Ulmer Based on:The Black Cat by Edgar Allan Poe Music by: Heinz Eric Roemheld Cast: Boris Karloff, Bela Lugosi, John Carradine (uncredited)
Universal Pictures, 65 Minutes
“You must be indulgent of Dr. Verdegast’s weakness. He is the unfortunate victim of one of the commoner phobias, but in an extreme form. He has an intense and all-consuming horror of cats.” – Hjalmar Poelzig
The Black Cat is a film that fits under the Universal Monsters banner, even if it was a one-off and not apart of their bigger series like Dracula and Frankenstein. But it does feature the stars of both those franchises: Bela Lugosi and Boris Karloff.
The film was also directed by Edgar G. Ulmer, a guy who wouldn’t reach superstardom in Hollywood but would direct some pretty notable pictures and make a few worthwhile film-noirs.
The best part about this film is it puts Lugosi and Karloff together and not as creatures or men in heavy makeup or prosthetics. They actually get to play off of each other as humans, Karloff being the mad man and Lugosi being a heroic doctor that still exudes his Count Dracula vibe.
The name of the film comes from an Edgar Allan Poe short story. Within the film, it is a reference to Lugosi’s character and his abnormal fear of cats.
Karloff plays Hjalmar Poelzig, a difficult name to pronounce. He is an Austrian architect. Once our heroes, a newlywed couple and Lugosi’s Dr. Werdegast meet on a train, they are stuck together for the rest of the film, most of which takes place at Poelzig’s lavish and futuristic looking home. In fact, the interiors resemble a film-noir set from the late 1940s. The cinematography is also similar and maybe this is what led to Ulmer directing film-noir a decade later.
The Black Cat isn’t a great film but it is a better than decent 1930s horror flick that stars the two biggest horror icons of the time. It is a pretty significant picture for films of the genre and the era.
Release Date: May 8th, 1942 Directed by: Wallace Fox Written by: Harvey Gates, Sam Robins, Gerald Schnitzer Cast: Bela Lugosi, Luana Walters, Tristram Coffin, Minerva Urecal, Elizabeth Russell
Banner Productions, Monogram Pictures, 64 Minutes
“You should forget all that silly nonsense about those brides dropping dead.” – Alice Wentworth
Bela Lugosi fell on troubled times as he got out of the 1930s, which was the height of his career following 1931’s Dracula. By 1942, he was mostly relegated to making schlock. He tried to work as much as possible but even just a decade later, his Dracula had become sort of a caricature.
The Corpse Vanishes is one of his better known B-movies but that doesn’t mean it’s good. It is a film that would go on to be lampooned in the first season of Mystery Science Theater 3000 and for several very good reasons.
The plot is awful, the script is worse and the acting is pretty horrendous. Even Lugosi couldn’t carry this picture and by this point, Lugosi always played Lugosi and was pretty one-dimensional. He was simply dialing it in, as were the crew and the other actors.
Lugosi plays the evil Dr. Lorenz, a mad scientist that sends a peculiar orchid to young women on their wedding day. The orchid has an effect that causes these women to drop dead at the altar. In reality, he is putting them into a form of suspended animation. He goes on to rob the “corpses” of the brides before burial and takes them to his evil lab.
While not too far outside of the box of what were normal plots for these sort of films, the premise is still pretty ridiculous.
The Corpse Vanishes is a disaster and it is sad to see how far Lugosi has fallen in a decade. Where Boris Karloff seemed to continue to get quality roles all the way up until his death in the 1960s, Lugosi wasn’t so lucky. But at the same time, Karloff was just a lot more versatile as an actor.
Out of respect for Lugosi, I’ll refrain from running this through the Cinespiria Shitometer.
I have done a list like this for Vincent Price, Christopher Lee, Peter Cushing and Basil Rathbone. I am working my way through all of the legends of classic horror.
So of course, I have to do one for Bela Lugosi.
It was Lugosi’s portrayal of Dracula in 1931 that created the image of vampires in cinema and fiction from that point forward.
Even though Dracula is his most famous role, he also went on to star in a slew of other horror classics. He went from being at the forefront of the Universal Monsters franchise to horror legend and to befriending infamous director Ed Wood. He also had a song made about him by the post-punk band Bauhaus.
These are his twenty-five best pictures.
2. The Wolf Man
3. Son of Frankenstein
4. The Ghost of Frankenstein
5. White Zombie
6. Frankenstein Meets the Wolf Man
7. The Return of the Vampire
8. Chandu the Magician
9. Mark of the Vampire
10. The Raven
11. Abbott & Costello Meet Frankenstein
12. The Whispering Shadow
13. Night of Terror
14. The Return of Chandu
15. The Phantom Creeps
16. The Black Cat (1934)
17. The Invisible Ray
18. Scared to Death
19. Bride of the Monster
20. Murders In the Rue Morgue
21. Night Monster
22. The Devil Bat
23. The Black Cat (1941)
24. The Corpse Vanishes
25. Plan 9 From Outer Space
Release Date: January 7th, 1939 (first chapter) Directed by: Ford Beebe, Saul A. Goodkind Written by: Willis Cooper, George Plympton, Basil Dickey, Mildred Barish Music by: Charles Previn Cast: Bela Lugosi, Dorothy Arnold, Robert Kent
Universal Pictures, 265 Minutes total (12 chapters)
The Phantom Creeps is the last serial Bela Lugosi did in his career. Unfortunately, even for a serial, it isn’t very good. It was, however, made by Universal Studios, a place where he found stardom in their 1931 adaptation of Dracula, as well as several other horror films that they produced.
Lugosi plays a scientist that goes mad. Initially, he was creating wacky inventions that could be used for evil but instead of selling them to the highest bidder, he decided to take over the world himself.
One of the inventions was an eight foot tall robot. Another invention is an invisibility belt. He was also able to overcome his enemies with mechanical spiders that would hold them in a sort of suspended animation. The secret to the power of Lugosi’s Dr. Zorka is that it comes from a mysterious meteorite.
Rightfully, the serial was lampooned in a few episodes of the second season of Mystery Science Theater 3000.
The Phantom Creeps is a serial that is beyond cheesy. It feels dated, even for 1939. The special effects are awful and the plot is mostly a nonsensical mess. Also, it uses a lot of stock footage that just doesn’t flow with the scenes that are shot. At least the giant robot was kind of cool.
George Lucas may have been inspired by this serial though, as it is not only called The Phantom Creeps but its first episode is called The Menacing Power. The Phantom Menace, anyone? Additionally, Universal wanted to get rid of the recap segments that started their serials, so this one features a text crawl introduction that is very similar to what George Lucas used to start all of his Star Wars films.
The Phantom Creeps also had some influence on musician and filmmaker Rob Zombie, whose song “Meet the Creeper” is based on the film. Also, he has used several different robots and props, designed as homages to this film, in multiple music videos and live shows. In his animated film, The Haunted World of El Superbeasto, the character of Murray the Robot is also based on Lugosi’s robot.
While The Phantom Creeps is far from great, it has left a lasting legacy throughout pop culture.
Nightmare of Ecstasy is the book that inspired the great Tim Burton film Ed Wood. If you are a fan of that film or just an aficionado of Edward D. Wood Jr.’s work, this is certainly a must read.
The book obviously goes more in depth with the life and work of Ed Wood. While the film covers the time from when Wood made Glen or Glenda?, Bride of the Monster and his most famous work Plan 9 From Outer Space, the book takes a look at his entire life. It nicely bookends the film with Wood’s backstory as well as everything that happened after Plan 9.
The book isn’t written like a typical biography. It is comprised of quotes from Wood’s friends, colleagues and family. The quotes are organized into chapters specific to certain points or projects in Wood’s life.
Nightmare of Ecstasy isn’t just Ed Wood’s story, however. The book is the tale of all of those interesting characters he had around him. It shines a light on his collaborators and really gives them life and something more intimate to connect to than the Ed Wood biopic. It gives intimate looks into the lives of Bela Lugosi, Criswell and a slew of others.
Most importantly, it gives personal accounts of Wood’s passion and what he was like behind the scenes. It talks about the creation of his movies, more in depth than the Burton film and it also showcases letters written by Wood to several of his friends and professional colleagues.
Nightmare of Ecstasy is a fun and entertaining read, especially for fans of Ed Wood or filmmaking in general.
Release Date: September 23rd, 1994 (New York Film Festival) Directed by: Tim Burton Written by: Scott Alexander, Larry Karaszewski Based on:Nightmare of Ecstasy by Rudolph Grey Music by: Howard Shore Cast: Johnny Depp, Martin Landau, Sarah Jessica Parker, Patricia Arquette, Jeffrey Jones, Bill Murray, Lisa Marie, Max Casella, George “The Animal” Steele, Juliet Landau, Ned Bellamy, Mike Starr, Vincent D’Onofrio, Korla Pandit, G.D. Spradlin, Carmen Filpi
Touchstone Pictures, Buena Vista Pictures Distribution, 127 Minutes
“Visions are worth fighting for. Why spend your life making someone else’s dreams?” – Orson Welles
Ed Wood is a magnificent film. It is also the greatest thing Tim Burton has ever directed, which says a lot considering his massive body of work. I have also never enjoyed Johnny Depp and Martin Landau more. Additionally, the film features one of the best roles of Bill Murray’s career.
Shot in black and white, to mimic the time that Edward D. Wood Jr. lived in and the films he made, Ed Wood boasts some fantastic cinematography. It doesn’t just feel like a period piece shot in black and white as a gimmick, it actually has warmth, depth and is a character itself, within the film. It gives the movie a perfect tone and it is also matches up to the actual filmmaking work of Ed Wood, the director. When we see scenes being filmed for Plan 9 From Outer Space, Bride of the Monster and Glen or Glenda?, Tim Burton’s sets and visual tone match those films pretty flawlessly.
Martin Landau won the Oscar for Best Supporting Actor for his role in Ed Wood, as horror legend Bela Lugosi. It was a fantastic performance and the best of Landau’s storied career. While it was great seeing him recognized and this film as well, I feel like it was deserving of other nominations. It did also win for makeup, the only other category it was nominated for.
Everyone in the cast, top to bottom, gave some of the best performances of their careers. Johnny Depp was absolutely captivating and charismatic as the title character. He brought real life to the legendary persona of Wood. He connected with the audience, as well as long-time Wood fans and gave an exciting identity and character to the maestro of bad cinema. He was sympathetic and you wanted nothing more than for Wood to succeed, despite the odds being stacked against him and the limitations of his abilities. Depp’s Wood had passion and heart.
Bill Murray plays Wood’s friend, a transvestite wanting to be transsexual named Bunny Breckinridge. Breckinridge was a collaborator with Wood and played a role in his most famous film Plan 9 From Outer Space. Murray did a fine job with the part, committed to Bunny’s flamboyant personality and strong desire to become a woman. This is my favorite of Murray’s more serious roles. Granted, he still brings an element of comedy but this is the first real dramatic role I remember seeing him play. He had panache and delivered his dialogue brilliantly.
Jeffrey Jones was a perfect casting choice for the psychic conman Criswell. He looked the part, acted the part and conveyed him as a real showman. Sarah Jessica Parker and Patricia Arquette both did good as the leading ladies: Parker for the first half of the film, Arquette for the latter. For the role of Tor Johnson, there really was no better choice than George “The Animal” Steele. Lisa Marie was a good Vampira and Max Casella was a nice addition to the cast, as he is a really good actor that I feel is still underutilized. Lastly, Juliet Landau plays a small role but she really nails it. She was quirky, smart and pretty mesmerizing.
Ed Wood is a film about imagination and creation. It is also about passion. While this is a very romanticized version of the director’s life and work, it makes one want to be a dreamer and to follow those dreams, despite the world standing in the way. It also shows Wood’s struggles with his identity and who he is and how it should be okay to embrace who you are and not be scrutinized for it. While Wood wasn’t a great filmmaker, he was still a man ahead of his time. Ed Wood, the man, shows that you can have artistic and creative brilliance, even if it isn’t executed in the best way. He is a hero for those with a creative intelligence that have a hard time cultivating it into something spectacular.
This is a great period piece and a stupendous showbiz biopic. It was some of the best work of every talented person involved in the picture. Ed Wood is a true classic and a perfect homage to the man, his life and his work. And frankly, it is one of my favorite films of all-time.