Film Review: Zack Snyder’s Justice League (2021)

Release Date: March 18th, 2021
Directed by: Zack Snyder
Written by: Chris Terrio, Zack Snyder, Will Beall
Based on: Characters from DC Comics
Music by: Tom Holkenborg
Cast: Ben Affleck, Henry Cavill, Gal Gadot, Amy Adams, Diane Lane, Jeremy Irons, Ezra Miller, Jason Momoa, Ray Fisher, Connie Nielsen, J.K. Simmons, Jesse Eisenberg, Joe Manganiello (uncredited), Willem Dafoe, Amber Heard, Joe Morton, Jared Leto, Robin Wright, David Thewlis, Russell Crowe, Marc McClure, Carla Gugino (voice), Billy Crudup (uncredited)

DC Entertainment, The Stone Quarry, Atlas Entertainment, Warner Bros., HBO Max, 242 Minutes

Review:

“How do you know your team’s strong enough? If you can’t bring down the charging bull, then don’t wave the red cape at it.” – Alfred Pennyworth

For years, fans of Zack Snyder demanded that Warner Bros. release The Snyder Cut of 2017’s Justice League movie. For those who have read my review of it, you already know about how much I disliked that terrible film, which was taken over and finished by Joss Whedon after Snyder left the production due to a family emergency.

Needless to say, I never wanted this movie. However, it’s release seems like a real victory for fans in a time when they’re being labeled “toxic” by Hollywood and the media outlets that suck the shit straight out of the big studios’ assholes. So despite my feelings on the theatrical version of this movie, I am happy for the fans that demanded this version of it.

That being said, this is, indeed, a much better version of the film. Granted, it’s four fucking hours long, which is way too long. This probably should’ve been cut into two parts or released as an episodic miniseries. There’s just so much material but honestly, a lot of what’s here is also unnecessary. There are so many slow motion scenes that those parts really put an exclamation point on how dragged out this movie is.

It’s also got its fair share of cringe.

The biggest instance of cringe that pops into my mind is the scene that introduces Wonder Woman. She fights some terrorists with hostages but they do this weird thing where they speed up and slow down the film for dramatic effect. It’s weird, hokey and shitty. Also, she blocks every bullet fired from a machine gun with her bracelets like she has the speed and accuracy of the Flash. They’ve basically made her a female Superman with bracelets and a lasso and it’s just sort of confusing. I get that she fits this mold in the comics but in this already established film canon, it’s like her powers have increased to that of a literal god in a very short span of time compared to the length of her life. But I can also look beyond it and sort of accept it within the framework of this movie, which wasn’t supposed to exist.

Regarding other cringe, there’s the dialogue, which often times is horrendous.

There’s also Ezra Miller, who brings down the entire production every time he shows up on screen and tries to be cute and funny but just comes off like that asshole millennial barista that thinks he’s smarter than you but you can see the cat food stains on his shirt from last night’s dinner. Ezra Miller as The Flash may be the worst casting decision in the history of mainstream superhero films.

There is some good with this picture, though.

For one, every time I see Ben Affleck as Batman, he grows on me. Affleck deserves his own Batman movie but he never got one and was instead wasted in multiple shitty DCEU movies. He could be three solo Batman pictures deep now but we’ve got to see him parade around with Ezra Miller and other superheroes that appear lame in his really cool orbit.

I also thought that Steppenwolf, the film’s primary villain was much, much better in this. He feels like a real character with a real story arc. In the theatrical version, he came across as some generic miniboss whose dungeon you could skip in Skyrim. Plus, he looks so much fucking cooler in this version.

Additionally, this film gives me what I’ve always wanted to see and that’s Darkseid on the big screen. Granted, this wasn’t released in theaters so the “big screen” was a combination of a 50 inch television and my tablet screen.

There are also some great new action sequences. I kind of liked the big battle between Steppenwolf and the Amazons, as well as the big war between Darkseid, his minions and the armies of Greek gods, Amazons and Atlanteans. It was a flashback scene but it was still damn cool. Especially, the Green Lantern stuff they added in. In a lot of ways, it reminded me of the intro to The Lord of the Rings trilogy.

I also liked that Cyborg was much more developed and didn’t just seem like a last minute addition added in to pad out the team.

The first act of the film is the worst and I felt like it moved too slow and didn’t really make me care about the movie too much. The second act, however, switched into high gear and that’s where it grabbed me as well as it could and I started to feel like I was finally getting a better, more fleshed out and worthwhile movie.

I also generally liked the third act but I thought a lot of the epilogue was unnecessary and didn’t need to be in the film. It also spends a lot of time establishing future storylines but it’s very damn likely that this will never get a sequel, as Warner Bros. were really determined not to allow this version of the film to be completed in the first place, as they want Zack Snyder to just go away now.

For those who don’t know, it was their parent company, AT&T, that forced their hand, as they needed something huge to help drive potential subscribers to their new HBO Max streaming service. This is also why this probably didn’t get a proper theatrical release.

In the end, this was still far from great and it was too damn long. However, I’d say that it’s the best DC Comics related film that Snyder has done apart from Watchmen.

Rating: 6.5/10
Pairs well with: Zack Snyder’s other DCEU films.

Book Review: ‘The Official Batman Batbook’ by Joel Eisner

When I was growing up in the ’80s, this was my introduction to Batman. It was the first version I really got to know because I discovered it a few years before the 1989 movie came out. That movie then blew my tiny little mind but it also never diminished or replaced my love for the ’60s television series.

In fact, I loved that series so much that I bought this book with my miniscule allowance money and read through it in its entirety at least a dozen times. The big reason for that was because we didn’t have streaming services, DVDs or even VHS tapes of this show. I could only catch it when it was on sporadically and therefore, didn’t get to see all of the episodes until a friend of my mum’s made me bootleg copies of the entire series in the early ’90s.

This book was special because it gave a synopsis and extra details on every single episode. I’d read through them like a novelization (or a modern Wikipedia article), envisioning the scenes playing out for myself. It made me love many of the villains and characters before I even got to see them onscreen. This also helped generate a lifelong obsession with all things Vincent Price.

At some point in the ’90s, after moving around multiple times, this book was lost. It wasn’t until recently that I came across another copy and had to buy it and revisit it.

Sure, this is probably nostalgia speaking but this was a solid book and once again, all these years later, I couldn’t put it down.

This is great because it gives you so much information on the show and if you’re a fan of it and have never read this, you probably should.

While I don’t think this is even in print, you can find copies on eBay and periodically on Amazon. There is a version with a different cover but nothing pops quite like the original.

Rating: 9/10
Pairs well with: if you want more about the ’60s Batman television series, check out the Batman ’66 comic books. I’ve reviewed many of them already.

Comic Review: Deathstroke: The Terminator, Vol. 1: Assassins

Published: April 14th, 2015
Written by: Marv Wolfman
Art by: Will Blyberg, Steve Erwin

DC Comics, 264 Pages

Review:

I became a fan of Deathstroke back in the ’80s and early ’90s when I’d see him appear in The New Teen Titans comics. Deathstroke being in a story was a guaranteed sale for DC, as far as my wallet was concerned.

However, I never really read his original solo series from the beginning. I’d pick up issues, here and there, but for some reason I slept on it. That could also be due to it being a bit harder to find, as it wasn’t typically available in convenient stores and sometimes the comic book shops were out before I could get there on my bicycle on Saturday afternoons.

Being that this was written by Marv Wolfman, the character’s creator, is a really big selling point. I didn’t understand the importance of that in 1991, as I was more into artists over writers. Granted, that would shift, as I started recognizing names and then figuring out certain writers’ track records.

This series really starts off by portraying Deathstroke as an anti-hero trying to absolve the guilt he feels after having killed his son. This ties directly to those issues and showcases his rough relationship with his ex-wife, the mother of his dead son.

Beyond that, this shows that Deathstroke is developing a moral code where he’ll still do mercenary jobs and kill scumbags but he won’t just take any job or kill anyone. Early on, Deathstroke refuses a job and with that, he deals with the consequences of pissing off that potential customer.

Additionally, this features another big story arc that sees Deathstroke and Batman at odds but then finding common ground in order to stop the real threat that has descended upon Gotham City. In that story, we’re also introduced to Pat Trayce, who becomes a new version of the Vigilante character and teams up with Deathstroke.

Beyond the solid storytelling, the art in this is really good and frankly, it made me miss this era, as this came out in a time where I really started buying comic books on a weekly basis and was so inspired that some friends and I started our own comic book company to sell our characters’ stories to other middle school kids.

This was awesome and I’m glad that I hadn’t yet read it and get to experience it as something new. What’s really great about that is that I now have a deeper appreciation for this than I would have back in the day.

I can’t wait to jump into the other volumes.

Rating: 9/10
Pairs well with: the other volumes in the original Deathstroke: The Terminator series from 1991 to 1996.

Vids I Dig 485: Filmento: What ‘The Batman’ Has to Learn From ‘Se7en’

From Filmento’s YouTube description: We got a new teaser for Matt Reeves’ The Batman starring Robert Pattinson and it looks amazing. But more than great, it also looks and feels familiar — like Batman’s very own murder mystery detective thriller with The Riddler in vain of David Fincher’s Se7en. Plus, @The Film Theorists also made the same point in a great new video titled “Film Theory: This is NOT A Batman Movie! (The Batman Trailer 2021)”. And so, let’s take a look at 1995’s Seven starring Brad Pitt and Morgan Freeman to find out what makes it the greatest detective movie of all time and what the Batman needs to do to reach the same level. In this episode of Film Perfection, let’s see what makes a great detective thriller.

Comic Review: Batman R.I.P.

Published: October 8th, 2013
Written by: Grant Morrison
Art by: Tony S. Daniel, Lee Garbett

DC Comics, 213 Pages

Review:

I’m pretty sure I liked this when I read it back when it was current, about a decade and a half ago. However, I found it just weird and wonky this time around. But I’ve also aged quite a bit and in that time, read some truly incredible comics.

I was probably really into this, as it came out at the height of my Grant Morrison love. Plus, back then, I was more into weird shit and experimental storytelling. However, I don’t feel like any of that necessarily benefits the most mainstream of all mainstream comic book titles.

Having now recently read a good amount of Grant Morrison’s Batman run, my opinion on it has soured quite a bit. It’s stuck in this weird limbo where it’s too weird to feel like it fits within the top Batman title and it isn’t weird enough to truly feel like Grant Morrison, unrestrained. 

This feels like watered down Morrison and by trying to sit on the fence between mainstream acceptance and Morrison’s typical narrative style, it’s really just a boring, baffling dud of a comic.

The art is good, damn good. However, that’s not enough to save it from how disappointing it is, overall. Besides, this is a story from the pages of the most popular comic book in the medium and if the art isn’t up to snuff, DC Comics should close up shop.

This kind of wore me ragged, honestly. I don’t want to read anymore of Morrison’s Batman work and I consider it to be overrated, at this point. I also say that as someone that once liked it.

In the end, Morrison shouldn’t have his hands creatively tied but he also shouldn’t be allowed to go into Batman with reckless abandon. That’s what DC’s Elseworld Tales are for and frankly, that’s where Morrison’s Batman work should be.

Rating: 5/10
Pairs well with: the rest of Grant Morrison’s Batman run.

Vids I Dig 474: The Critical Drinker: ‘The Snyder Cut’: A Win For “Toxic” Fans

From The Critical Drinker’s YouTube description: Join me as I take a look at the trailer for the Snyder Cut of Justice League, and what it means for the relationship between fandoms and studios.

Comic Review: Batman: The Resurrection of Ra’s Al Ghul

Published: August 28th, 2012
Written by: Grant Morrison, Paul Dini, Fabian Nicieza, Keith Champagne, Peter Milligan
Art by: Ryan Benjamin, Don Kramer, Adam Kubert, David Lopez, Jason Pearson

DC Comics, 248 Pages

Review:

Since I just read the first big collection of Grant Morrison’s Batman work, I also wanted to revisit this story, which tied to his larger body-of-work, and brought the characters to the Batman R.I.P. milestone event, which I will review in the very near future, as well.

This plot crossed over with several Batman titles, though, so it wasn’t just written by Morrison. It also features some work by the great Paul Dini, Fabian Nicieza, Keith Champagne and Peter Milligan.

Overall, it was a good story that built off of the Batman and Son arc, which brought Damian Wayne, a future Robin, into Bruce Wayne’s life.

This also brings back one of the more popular Batman villains, Ra’s al Ghul. I like how Ra’s pretty much just looks like a mummy in a green cloak the whole story. It kind of reminded me of Mumm-Ra, the primary villain of the ThunderCats franchise.

The art was also handled by multiple people due to this being spread out over several titles. Pretty much all of the art is really good and it reminded me of why I got back into reading comics in this era, when I had dipped out for nearly a decade around the mid-’90s.

This is a good, enthralling story that made some good, permanent changes to the mythos. It also shows that Morrison had a unique vision for the character and those around him.

Rating: 7.5/10
Pairs well with: the other stories arcs within Grant Morrison’s Batman run.

Comic Review: Batman and Son – Deluxe Edition

Published: November 3rd, 2009
Written by: Grant Morrison
Art by: Andy Kubert, J.H. Williams III

DC Comics, 350 Pages

Review:

The Deluxe Edition of Batman and Son features all of Grant Morrison’s Batman run up to Batman R.I.P., although it excludes The Resurrection of Ra’s al Ghul, which I will also review shortly.

It’s a hefty but surprisingly quick read, as it has a good, quick pace and is mostly pretty good. I actually read it in one sitting and found it kind of refreshing, as I haven’t liked many Batman stories within the regular continuity since Morrison’s era. Granted, I did enjoy some of Scott Snyder’s work.

I also loved Andy Kubert’s artwork and I feel like he doesn’t get enough credit as one of the premiere Batman artists. It was this era of Batman that got me reading the comic again after a several year hiatus and Kubert’s art had a lot to do with that.

This edition features a couple of story arcs. I liked the first one the best, as it is the debut of Damian Wayne, Batman’s son. It had been a long time since I read these issues but it was fun to revisit.

All in all, this was the start of one of the best runs in the last few decades and it didn’t disappoint. While it might not be as strong as my memories of it, it was still much better than most of the stuff that came after it.

Rating: 7.5/10
Pairs well with: the other stories in the Grant Morrison Batman run.

Comic Review: Gotham City Sirens: Book Two

Published: May 5th, 2015
Written by: Tony Bernard, Peter Calloway
Art by: Andres Guinaldo, Jeremy Haun

DC Comics, 288 Pages

Review:

Well, losing Paul Dini as the series’ writer was a bit of a blow to Gotham City Sirens, as this second book doesn’t live up to the pretty solid first one.

Still, this is mostly a decent read and it carries on the story Dini started. Although, it does feel like it knew it was going to be wrapping up, as the bond between these three women seems to dissolve just as fast as it gelled.

I guess the most interesting parts within this are the ones dealing with Harley Quinn and how she’s processing her issues with The Joker and their very abusive, one-sided relationship.

But I’m glad that this presents Harley well unlike the more modern comics with her that have turned her into a one-dimensional joke character that has evolved into DC’s half-assed attempt at trying to make their own Deadpool.

Compared to the first book, this is almost forgettable other than the Harley stuff.

The art is really good, however, and it helps carry this series as it quickly loses steam and sort of just whimpers away because DC Comics had to reboot their universe for the umpteenth time.

Rating: 7/10
Pairs well with: the first book in the Gotham City Sirens series.