Film Review: Weekend at Bernie’s II (1993)

Release Date: July 9th, 1993
Directed by: Robert Klane
Written by: Robert Klane
Based on: characters by Robert Klane
Music by: Peter Wolf
Cast: Andrew McCarthy, Jonathan Silverman, Terry Kiser, Barry Bostwick, Troy Byer, Tom Wright, Steve James

Artimm, D&A Partnership, TriStar Pictures, 97 Minutes

Review:

“Why would you need to guard a dead man stuck in a two foot refrigerator?” – Richard Parker

Let me preface this by saying that this is a sequel that never needed to be made. Also, even though I love the first movie, I didn’t see this one when it came out and I actually never committed to watching it until maybe a decade ago.

Back when I first saw this, I thought it was a really weak sequel that jumped the shark almost immediately when Bernie’s corpse becomes a voodoo zombie and I pretty much dismissed it and never watched it again until now.

Having several years to marinate on it, I figured I’d give it a rewatch to review it. Besides, I just reviewed the original one, so why not follow it up with this?

Weekend at Bernie’s II takes a zany movie that was pretty much grounded in some sort of reality and turns it on its head, making a voodoo spell animate Bernie’s dead body. Although, the spell was done poorly, so Bernie only moves when he hears music and then it makes him raise up and walk in the direction of where his stolen millions were stashed. However, he doesn’t just walk, he dances and wiggles his head like a boomer at a Jimmy Buffett concert.

This is just a bad movie, through and through, yet I still found it kind of amusing and even more so, this time around. I think that’s because I was already disappointed by it and knew what to expect. Also, already knowing what parts of this I didn’t enjoy, allowed me to focus more on the positives.

The biggest positive is the return of Andrew McCarthy and Jonathan Silverman, who are a charismatic and amusing duo.

Also, Terry Kiser got to up the ante in this picture and they really allowed him to do his thing more. With the goofy added voodoo schtick, it did provide Kiser with the opportunity to move and be more active in a fresh way. It opened the film up to new gags, as opposed to rehashing the same things from the first flick. Looking at the voodoo plot twist that way, kind of salvages it.

This was also one of the last movie’s to have Steve James in it, as he died shortly after this was released. He has a fairly small role but I always loved the guy because of how cool and badass he was in the first three American Ninja movies.

Sadly, Weekend at Bernie’s II just doesn’t come close to what the original was. This is probably why this movie is mostly forgotten but the original still has its fans. While I liked this more on a second viewing, I doubt it’s something I’ll ever watch again unlike its predecessor.

Rating: 5.25/10

Film Review: Megaforce (1982)

Also known as: Supertroepen (Netherlands)
Release Date: June 25th, 1982
Directed by: Hal Needham
Written by: James Whittaker, Albert S. Ruddy, Hal Needham, Andre Morgan, Robert S. Kachler
Music by: Jerrold Immel
Cast: Barry Bostwick, Michael Beck, Persis Khambatta, Edward Mulhare, George Furth, Henry Silva

Golden Harvest Company, Northshore Investments, 99 Minutes

Review:

“It’s all on the wheel, it all comes around.” – Ace Hunter

Megaforce is a really bad movie but it’s a really bad movie that I enjoy because the over-the-top performances are wonderful and the film doesn’t appear to be taking itself too seriously.

This was an international co-production with the US and Hong Kong super studio Golden Harvest, who were known primarily for their martial arts films and especially those starring Jackie Chan.

The premise is pretty simple. It’s just a mix of being a Mad Max clone with Japanese tokusatsu influences, as it features a super task force with cool vehicles and uniforms that very much look like a product of their very dated time.

The film stars an interesting trio of leads between Barry Bostwick, Michael Beck and Indian actress and goddess, Persis Khambatta.

At the time Bostwick was an up and coming leading man mostly known for his roles in television and the cult classic film The Rocky Horror Picture Show. Beck was mostly known for his leading role in The Warriors. Khambatta was mostly known by American audiences for being the bald alien woman in Star Trek: The Motion Picture and her appearances in many high profile pageants like Miss Universe.

This film is really a mixed bag of coolness and hokiness. Additionally, it’s special effects are also a mixed bag. In their case, they’re a mix of solid miniature work, solid action shots and then really awful greenscreen sequences like the flying motorcycle scene. I think the positives actually outweigh the negatives but man, that motorcycle scene really diminishes the great effects work that the film showcases in most effects heavy sequences.

Megaforce is goofy but also endearing in spite of its faults. If you feel like you want to check it out, there is a RiffTrax version, which you may find more enjoyable.

Rating: 4.5/10
Pairs well with: other ’80s dystopian future/post-apocalyptic movies.

Documentary Review: Life After Flash (2017)

Release Date: October 2nd, 2017 (London premiere)
Directed by: Lisa Downs
Written by: Lisa Downs
Music by: Toby Dunham
Cast: Sam J. Jones, Melody Anderson, Brian Blessed, Topol, Peter Wyngarde, Richard O’Brien, Deep Roy, Brian May, Peter Duncan, Howard Blake, Barry Bostwick, Martha De Laurentiis, Richard Donner, Lou Ferrigno, Rich Fulcher, Sean Gunn, Jon Heder, Stan Lee, Ross Marquand, Josh McDermitt, Jason Mewes, Mark Millar, Robert Rodriguez, Michael Rooker, Alex Ross, Patrick Warburton, various

Strict Machine, Spare Change Films, 94 Minutes

Review:

This documentary has been in my queue for a bit but I wanted to revisit Flash Gordon first before checking this out. Luckily, I recently found my DVD of the original film and was able to watch it and review it a week or so ago.

Now that the 1980 film was fresh in my mind again, as I hadn’t seen it in years, I felt like I could go into this with more familiarity, context and creative reference.

Overall, this was pretty good and it was intriguing listening to Sam J. Jones’ story about how his career sort of fizzled out and the reasons behind that. Luckily, this is a Hollywood story with a positive outcome, as the guy is now doing well and on the right track, personally and career-wise.

This spends a lot of time talking about Jones but it also delves into the film’s production, history and features interviews with many of the people who were involved in it. I especially liked seeing Brian Blessed in this, as I’ve always loved that guy.

Life After Flash also explores the fandom a bit, as it interviews super fans and collectors but also allows them to show off their cool shit and talk about their love for the film.

I dug this documentary quite a bit, as I feel like the 1980 Flash Gordon doesn’t get enough love and has sort of been forgotten by modern audiences. 

Rating: 7/10
Pairs well with: other recent documentaries about filmmaking and specific fandoms.

Film Review: The Rocky Horror Picture Show (1975)

Release Date: August 14th, 1975
Directed by: Jim Sharman
Written by: Richard O’Brien, Jim Sharman
Based on: The Rocky Horror Show by Richard O’Brien
Music by: Richard Hartley, Richard O’Brien (songs)
Cast: Tim Curry, Susan Sarandon, Barry Bostwick, Richard O’Brien, Patricia Quinn, Nell Campbell, Jonathan Adams, Peter Hinwood, Meat Loaf, Charles Gray

Michael White Productions, 20th Century Fox, 100 Minutes

Review:

“A mental mind fuck can be nice.” – Frank

The Rocky Horror Picture Show was not initially a good experience for me the first time I saw it. I was dating this girl that was obsessed with it and she took me to a midnight showing of the film. Little did I know that I was going to be in for an insane shitshow where the audience is jumping around and yelling the entire time. Not to mention everyone singing over the film in voices that ranged from Tiny Tim to an industrial shredder. This certainly was not the way to experience this movie for the first time. My girlfriend failed at showing me her greatest love so I then failed at making her mine.

Watching The Rocky Horror Picture Show, at home and in private, is a much better way to see the film on a first viewing. While the theater experience is wild and nuts, it is hard to decipher what the hell you are watching with this bizarre picture.

I am not a fan of musicals but the music in this film is at least pretty good and thoroughly entertaining, even if every girl I’ve ever dated has played “Time Warp” a gazillion times to the point where it makes me want to shoot myself in the head.

This film works though. The main reason is because of how fun and weird it is. Plus, Tim Curry,who is already amazing, is on an otherworldly level as Dr. Frank-N-Furter. Then again, Curry literally takes over ever single picture he is in. He has massive charm and is fully dedicated to everything he does. So seeing him as a transvestite mad scientist is pretty badass regardless of the narrative context or a film’s overall quality.

I also love the sets and the vibe of the picture. And the cinematography is impressive, especially in regards to the lighting and the use of vivid colors and shadowy contrasts.

While, to me, this isn’t a classic in the way it is for most of the girls I’ve dated since my teen years, it is still a motion picture that is one of a kind. It’s kind of baffling how this even got made and released by a major studio. It has a sort of grindhouse vibe to it and even reminds me of some of the cooler nudie cuties of the 1960s but with less boobies and better music.

But if I want to watch a horror themed sexual extravaganza, I’m more apt to watch Ed Wood’s Orgy of the Dead.

Rating: 7/10