Published: May 5th, 2015 Written by: Tony Bernard, Peter Calloway Art by: Andres Guinaldo, Jeremy Haun
DC Comics, 288 Pages
Well, losing Paul Dini as the series’ writer was a bit of a blow to Gotham City Sirens, as this second book doesn’t live up to the pretty solid first one.
Still, this is mostly a decent read and it carries on the story Dini started. Although, it does feel like it knew it was going to be wrapping up, as the bond between these three women seems to dissolve just as fast as it gelled.
I guess the most interesting parts within this are the ones dealing with Harley Quinn and how she’s processing her issues with The Joker and their very abusive, one-sided relationship.
But I’m glad that this presents Harley well unlike the more modern comics with her that have turned her into a one-dimensional joke character that has evolved into DC’s half-assed attempt at trying to make their own Deadpool.
Compared to the first book, this is almost forgettable other than the Harley stuff.
The art is really good, however, and it helps carry this series as it quickly loses steam and sort of just whimpers away because DC Comics had to reboot their universe for the umpteenth time.
Rating: 7/10 Pairs well with: the first book in the Gotham City Sirens series.
Published: September 11th, 2018 Written by: James Tynion IV Art by: Alvaro Martinez
DC Comics, 151 Pages
After the previous volume, I was really hyped for this one, as it was the last of Tynion’s lengthy and mostly solid run on Detective Comics.
While this started off with a bang, it fizzled out about a third of the way through and kind of went out with a whimper, focusing on a new plot thread that I didn’t find interesting, especially when the larger arc of Tynion’s complete run didn’t feel like it was properly resolved.
It’s not that this was a bad story, I just felt like I was left holding my dick in the cold wind on top of a mountain. I climbed all the way to the summit and there was nothing there to greet me. No party, no fanfare, just cold wind, thin air and no sense of real reward.
Honestly, there’s not much else to say, really.
I wanted certain plot threads closed and followed up on and everything just sort of splintered off into different directions with no clear path to follow.
Rating: 6/10 Pairs well with: other collections of James Tynion IV’s run on Detective Comics.
Published: June 26th, 2018 Written by: James Tynion IV Art by: Eddy Barrows, Joe Bennett, Phil Briones, Miguel Mendonca, Jesus Merino
DC Comics, 163 Pages
Well, I don’t know how the volume after this one is but thus far, this is the peak of James Tynion’s Detective Comics run. This built off of all his stories before this one, tied them all together in a great way and delivered on a few major narrative promises established in earlier volumes.
In fact, this volume made the volumes before this one better. That’s a hard thing to do but Tynion proved to me, here, that he is a pretty worthy Batman writer.
As I’ve stated in just about every review of every volume in Tynion’s run, I don’t like large Bat-Family groups. But Tynion makes the most out of it here and this may be one of the best Bat-Family stories I’ve read in recent memory.
If you are a Clayface fan, which I am, this story is pretty heartbreaking. I don’t want to spoil anything but if you’ve read some of the stuff before this, things come to a head and it’s pretty emotional. And there’s a lot to be said about that, as comics rarely make me emotional these days.
The Victim Syndicate return and we discover that they’ve had a bigger, darker plan all along. While I didn’t like this villain group when they debuted, they really start to gel here.
As should be expected with a comic book title of this caliber, the art is superb and every panel of this book looks great.
In an effort not to spoil more than I may already have, I’ll shut up now. This was a damn solid story with real consequences that the team can’t just walk away from. It’s got me excited to read the followup, which is Tynion’s final volume.
Rating: 8.5/10 Pairs well with: other collections of James Tynion IV’s run on Detective Comics.
Published: April 10th, 2018 Written by: James Tynion IV Art by: Eddy Barrows, Alvaro Martinez
DC Comics, 113 Pages
The few volumes before this story weren’t all that great. However, they existed in order to lead up to the return of Tim Drake a.k.a. Red Robin. And now that Drake has figuratively risen from the dead, most of those other stories paid off in providing us with this solid tale.
As I’ve stated before, I’m not a fan of Batman working with big teams. But this team worked well in this volume and it kind of made Drake’s return much more impactful.
This also deals with a future version of Tim Drake that has become his timeline’s Batman. He has come back in time to kill Batwoman, as it is said that she is on the verge of doing something terrible that destroys the timeline that future Batman comes from.
While future Batman is subdued, the story serves as a warning for something involving Batwoman after this volume. And frankly, the way it was presented and laid out here, has me intrigued for what’s next in this series.
Again, James Tynion IV does a good job writing. Plus, the art by Eddy Barrows and Alvaro Martinez is superb. This looks like what a top tier major comic book should look like in 2019 unlike the big slew of Marvel titles that look like amateur Tumblr art.
Rating: 7.75/10 Pairs well with: other collections of James Tynion IV’s run on Detective Comics.
Published: December 26th, 2017 Written by: James Tynion IV, Christopher Sebela Art by: Carmen Carnero, Raul Fernandez, Alvaro Martinez
DC Comics, 121 Pages
I mostly enjoy James Tynion’s writing. He does a pretty good job with this series, even if it isn’t wholly my cup of tea because I’m not a fan of large Bat-Family groups. I like Batman working solo or with one or two other close allies.
But I still like Tynion’s run on Detective Comics enough to keep reading it, so there’s that.
I think I am mostly drawn in to the Clayface stuff because I actually like seeing him trying to redeem himself and work on the right side of the law.
While Clayface isn’t the focal point here, though, we do get to dive deeper into Azrael’s world. Now he’s a character I have a love/hate relationship with. But in this series, so far, I mostly like him and this chapter wasn’t any different.
This also puts some focus on Zatanna, who I was happy to see pop up, even for one volume. More importantly, this gives us some good backstory to her and Batman’s relationship, going back to their teen years when Bruce was trying to train under her father.
Overall, this was a quick, energetic read that added some new things to the plot and also served to strengthen the bond between this team of characters.
Most importantly, this brought Stephanie Brown a.k.a. the Spoiler back while also dropping hints that Tim Drake a.k.a. Red Robin was possibly still alive.
In the end, I like where this volume went and it ended in a way that makes me want to see what happens next.
Rating: 6.5/10 Pairs well with: other collections of James Tynion IV’s run on Detective Comics.
Published: October 10th, 2017 Written by: James Tynion IV Art by: Fernando Blanco, Christian Duce, Marcio Takara
DC Comics, 165 Pages
This was a better volume in James Tynion’s Detective Comics run than the previous one. However, it’s really overcrowded with characters that mostly don’t connect for me.
I’m sorry but no matter how hard DC tries to push Orphan and Batwing, they’re just not that great. I don’t even really like Azrael that much, despite his popularity amongst many. And now that Spoiler is gone, I really only give a shit about Batman and Clayface.
In fact, Clayface is the most interesting character in these stories but he doesn’t get enough focus. I hope that changes, as I work my way towards the end of Tynion’s run.
This story is kind of a generic League of Shadows tale where Shiva is in charge and trying to screw with Gotham. Ra’s al Ghul does show up and his appearance severely effects Orphan but this all felt pretty forgettable.
I feel like this should’ve dealt more with the fallout after losing Spoiler and the death of Red Robin but it’s more focused on Oprhan’s mommy issues and Batwoman’s daddy issues.
All that being said, the art is f’n great!
Ultimately, I like Tynion but his Detective Comics run is pretty meh, if I’m being honest.
But I’m also a person that prefers Batman working alone or with just one or two people, preferably a Robin or Batgirl.
Rating: 6.25/10 Pairs well with: other collections of James Tynion IV’s run on Detective Comics.
Published: May 16th, 2017 Written by: James Tynion IV, Marguerite Bennett Art by: Eddy Barrows, Alvaro Martinez, Ben Oliver
DC Comics, 142 Pages
I’ve liked James Tynion’s Batman work and I also liked the volume before this that set things up. However, I was not digging this story at all.
It’s not that it’s bad or that there weren’t some interesting ideas here but it didn’t resonate with me and this new villian team called The Victim Syndicate just seemed like generic, throwaway, one-off baddies.
Also, this story happens in the wake of Red Robin’s death and it shows how Spoiler, a former Batgirl, deals with this loss. Frankly, I’m wasn’t happy with how her character was handled, as it felt like a major and uncharacteristic regression when compared to who she was by the end of her Batgirl run.
And while I’m not a big fan of Batman having a large Bat-Family, I do like how he’s been working with Batwoman in this series, as well as how Clayface has evolved into a character that is trying to be heroic and looking for redemption.
This volume is a mixture of good and bad. I think the good slightly outweighs the bad and even if I didn’t like the story, it wasn’t boring or dull and I still got through it with hope that the next volume in Tynion’s Detective Comics run would be a better one.
Rating: 5.25/10 Pairs well with: other collections of James Tynion IV’s run on Detective Comics.
Published: 1993-1994 Written by: Doug Moench, Chuck Dixon, Alan Grant Art by: various
DC Comics, 645 Pages
Well, I should start this by saying that Knightfall, Book III was much better than Book II but it still wasn’t on the level of the vastly superior Book I.
Azrael is still Batman at the start of the story but Bruce Wayne comes back to claim the title and eventually outwits Azrael, exposing him as a total wackadoo. This surprisingly happens in the first third of this thick collection of issues. But I was fine with that, as Azrael’s horribly designed ’90s extreme cliche of a costume was hurting my eyes and my logical brain.
The second third of this book follows the aftermath of the massive Knightfall storyline while the last third of the book is a storyline called Prodigal.
I really liked the aftermath and Prodigal stuff, as even though Batman takes the mantle back, he then leaves and gives the reigns over to Dick Grayson, the original Robin and current Nightwing. Seeing Grayson as Batman with Tim Drake still as Robin was a neat experiment and was fun to read for fans of both of those characters.
There is a pretty large story involving Two-Face within the larger Prodigal crossover event and that was the highlight of this collection for me. But we also get good bits with Killer Croc, who hadn’t been seen since Bane broke both of his arms, and the Ventriloquist. I also enjoyed the Catwoman stuff.
Knightfall, Book III really salvages the gigantic epic after Book II kind of shit the bed. And in the end, I’m glad that I committed to reading the nearly 2000 pages of the Knightfall saga.
Rating: 7.5/10 Pairs well with: the other books in the Knightfall saga, as well as pretty much any Batman story from the ’90s.
Published: 1993-1994 Written by: Doug Moench, Chuck Dixon, Alan Grant Art by: various
DC Comics, 643 Pages
I really loved the first book in this series. However, this one was a big drop off from the events of the first.
The main reason is due to Batman not being in this book until the very end. This was the ’90s and Azrael was Batman and he was a walking ’90s cliche in the worst way possible. For a fan of what Batman is and what the spirit of his comics are, this doesn’t fit that mold.
Now I get that this “breaking of the mold” schtick was intentional, it just doesn’t make for good reading outside of a decade where violent antiheroes were the norm. I understand why people are nostalgic for this huge mega event that spanned a year or so but I didn’t read this when it was current and I’m looking at it with fresh eyes.
The fault doesn’t necessarily fall on the writers as there are things I enjoy about the writing but Azrael is such an unlikable asshole, which he’s supposed to be, that I want to see him fail and I can’t cheer for him. But being that he is the star of this saga, at this point, really bogs the overall tale down.
Plus, I hate his costume, it’s hard on the eyes, completely nonsensical and where are the other heroes in the DC universe that wouldn’t let this guy operate like a maniac. Doesn’t Tim Drake have Superman’s phone number? Robin is just sitting around waiting for Bruce to come home? Why doesn’t he talk to Gordon about it and develop a plan to bring in the Justice League?
I think that this also suffers from a complete lack of Bane, who was defeated at the end of Book I. I guess I had always assumed that Bane as a threat stretched across all three giant books in this saga.
This installment is also mostly devoid of villains that we know and care about. It’s as if new villains were brought in to establish a new generation of rogues for Azrael to face but they all mostly fall flat and weren’t really seen again or in any significant way after this lengthy epic.
In the end, Bruce Wayne comes back to Gotham and is disgusted by how his legacy has been handled by his hand picked successor. So hopefully the third book gets things back to form. But at the same time, why in the holy hell did Bruce Wayne choose Azrael to be the next Batman? His track record before this was shit.
Anyway, I’m hoping that the third and final book rights the ship.
Rating: 6/10 Pairs well with: the other books in the Knightfall saga, as well as pretty much any Batman story from the ’90s.
Published: 1993-1994 Written by: Doug Moench, Chuck Dixon, Alan Grant Art by: various
DC Comics, 634 Pages
I’ve put off reading the Batman: Knightfall saga for so long because of two reasons. It’s spread out over three massive books and each of those books is pretty pricey. However, Comixology now has the first book available for free to Unlimited subscribers and they just had a big sale on the other two books. So I was able to get this whole thing for about $8.
So now that I have this series in my possession, I can start reading all 2000-plus pages of it. Yes, it’s a real monster – big enough to rival the mass of Bane on the cover.
Over the years, I’ve acquired a few of the issues within this massive saga but it started to come out as I was going into high school and I moved to a much smaller town where I couldn’t buy comics. So I never really got to read it, even though I’ve come to know the story fairly well.
The story, mostly penned by Doug Moench and Chuck Dixon, is quite good. There are a lot of layers to this massive story, as there should be due to how much material it has between its covers. However, some things do feel a bit rushed, as there isn’t much build worked in to the major plot developments.
For instance, Batman is broken pretty quickly in this saga. And then Azrael is given the mantle of Batman and immediately, he acts like a psycho in how he fights crime. He’s a dick to Robin, he almost lets a kid die to pursue the baddie and he retrofits the Bat-suit with claws and spiky, metal shit. I think it would have enriched the story to show Azrael slowly slip into this aggressive new Batman.
Still, that doesn’t hinder the book very much, as there are so many other characters and situations to track through this volume’s 634 pages.
I was surprised to see Azrael actually defeat Bane in this book, as it is only the first third of the saga. So I don’t really know what that means going forward and I was pretty sure that Bane’s fall would be at the end of this huge saga.
This is absolutely quintessential ’90s Batman though. And that’s really what’s so great about it. Bane is the perfect villain for this era and Azrael is a very ’90s twist on heroism. I even enjoy Azrael’s cringeworthy Bat-suit because despite its awfulness and nonsensical design, it fits the era.
Additionally, the art in every issue collected in this giant piece of work is damn good. I’ve always been a big Graham Nolan fan and his work here is some of his most memorable.
I’m glad that I finally read this. It exceeded any expectations I had for it, even if I thought the narrative was choppy in parts. But I also attribute some of that to this story being a big crossover with multiple writers.
If you haven’t read Knightfall, you probably should.
Rating: 9.25/10 Pairs well with: the other books in the Knightfall saga, as well as pretty much any Batman story from the ’90s.