Film Review: Battle of the Sexes (2017)

Release Date: September 2nd, 2017 (Telluride Film Festival)
Directed by: Jonathan Dayton, Valerie Faris
Written by: Simon Beaufoy
Music by: Nicholas Britell
Cast: Emma Stone, Steve Carell, Sarah Silverman, Bill Pullman, Alan Cumming, Elisabeth Shue, Austin Stowell, Eric Christian Olsen, Andrea Riseborough, Natalie Morales, Wallace Langham, Fred Armisen, John C. McGinley

Decibel Films, Cloud Eight Films, Fox Searchlight Pictures, 121 Minutes

Review:

“I’m the ladies number one. I’m the champ. Why would I lose?” – Bobby Riggs, “Because dinosaurs can’t play tennis.” – Billie Jean King

I wanted to see this in the theater last year but there were so many top notch indie movies coming out around the same time that this one got lost in the shuffle. It also didn’t help that it came and went in the cinemas near me pretty quickly. I think it was gone within two weeks.

Luckily, we live in a time where you can stream almost any movie in less than three months after it hits theaters. So when this popped up to rent, that’s what I did.

For the most part, this was entertaining and I cared about what was happening. The film felt like it was lacking some weight though. There wasn’t a lot of depth to it. It focused a lot of its time on Billie Jean King’s personal life in regards to her sexuality and that’s perfectly fine, as it may have really effected her game in the way that it did in this film but the actual “Battle of the Sexes” element seemed to be on the backburner through large portions of the film. It certainly didn’t feel like the real focal point until it happens on screen. Mostly this felt like two pictures pushed into one film without enough care and balance given to the script. Also, and I rarely say this, this is a film that would have benefited greatly with a longer running time.

I like both aspects of the story but things felt sacrificed on both ends, as this was a film that didn’t establish its identity well enough or at least given us both sides with more organic fluidity. It honestly feels like there was a half hour lobbed off of this movie late in post production. Like the studio decided that no one would sit through a 150 minute movie without superheroes blowing up cities.

Regardless of the disjointed narrative, the performances by Emma Stone and Steve Carell were great. Stone was absolutely believable as King, especially in showing her emotional struggle with her sexuality and with fighting for respect for women.

Carell’s take on Bobby Riggs reminded me a lot of his most famous character, Michael Scott from The Office. He didn’t play Riggs exactly like Scott but he had that same sort of presence where he was highly comedic and could still touch your heart dramatically in very subtle ways. He played Riggs with respect and didn’t just make him a sexist oppressor, which is so common in Hollywood movies these days. He was just as much a comedian as he was a tennis giant. And really, you’re sort of left wondering if Riggs was a genius and a hero in his own right because maybe, just maybe, he was trying to help women by being the chauvinist archetype that needed to be conquered. Granted, I don’t think he fixed the match, I just think that his anti-women stance was a show to create the perfect climate for the event to happen.

I also loved seeing Natalie Morales in this, as I’ve been a fan of hers since Parks & Recreation.

Furthermore, I adored Alan Cumming’s role, as he was an almost fatherly figure to King in regards to helping her accept her sexuality and reassuring her that she is going to be okay because times are changing and she’s a big part of that. It almost makes up for Cumming annoying the hell out of me as Boris in GoldenEye.

This film handles the issue of gender equality very well. Stone’s King sums it up best when she tells reporters that she isn’t doing this because she wants to show that women are better than men, she’s doing it for respect. That’s something that seems lost with the sentiment of a lot of modern feminists and social justice warriors. It’s about respect and coexisting for everyone’s benefit, not warring over who is better or trashing those who aren’t your gender.

At its core, this film was respectful to the historical figures it represented and to the culmination of their conflict. It’s also nice to know that everyone did go on to live happy lives and there was a real respect and appreciation between King and Riggs after the dust settled.

Rating: 7.5/10
Pairs well with: Sadly, there just aren’t a lot of good tennis movies. Almost none, actually. At least where tennis isn’t just a minor element. But for 2017 and for being a historical sports biopic, I’d put this with I, Tonya.

Film Review: Colossal (2016)

Release Date: September 9th, 2016 (TIFF)
Directed by: Nacho Vigalondo
Written by: Nacho Vigalondo
Music by: Bear McCreary
Cast: Anne Hathaway, Jason Sudeikis, Dan Stevens, Austin Stowell, Tim Blake Nelson

Voltage Pictures, Brightlight Pictures, Sayaka Producciones, Neon, 110 Minutes

Review:

I have been waiting for this film to come out for quite some time after hearing the buzz after the Toronto International Film Festival and seeing the first trailer. It’s no secret I am a big kaiju fan, as well as a fan of movies that crossover genres that aren’t usually put together.

Colossal is incredibly unique and that could go one of two ways. It could really work and be fantastic or it could crash and burn and be a mess of a movie. Thankfully, Colossal, in my opinion, is an instant classic.

Now it isn’t a perfect or a flawless movie but when has something featuring a kaiju been a flawless picture? Well maybe the original 1954 Gojira (the Japanese language version, not the Raymond Burr Godzilla: King of Monsters version).

Colossal is so much more than a kaiju flick however, as the bulk of its story is about Gloria (Anne Hathaway) coming to grips with her mess of a life and the awful men she seems to attract. And to be honest, almost every man in this film is awful in some way. One is overly judgmental, one is pure evil and one is a total pussy – all awful qualities. The cokehead, of all people, is the only seemingly decent man in the story.

When Gloria returns home, after a big breakup, she soon discovers that she has some sort of psychic connection to a massive kaiju that is destroying Seoul, South Korea. Her friend and confidant Oscar (Jason Sudeikis) finds out that he is then linked to a massive robot that also appears in Seoul. As their friendship falls apart, due to Oscar having serious mental health issues (he’s the pure evil one), Gloria is emotionally held hostage by Oscar, who threatens to destroy Seoul every morning – killing thousands at a time. It is hard to watch, as Oscar starts out as sweet and nice and evolves into being completely psychotic by the end. However, the finale of the film is absolute perfection.

Anne Hathaway gets a really bad rap. I’m not really sure why, but this film and her performance in it are top notch. Sudeikis is absolutely stellar and this is my first experience seeing him playing a really dramatic character. Dude has chops. The supporting cast is good too but the weight of the picture rests solely on the shoulders of Hathaway and Sudeikis. They carry this kaiju drama well.

The film has good effects, good cinematography and a nice score. The tone throughout the picture is great.

Honestly, I didn’t know what to expect going into this as I tried to avoid spoilers. I wanted to be surprised and taken on an interesting ride and I was.

Colossal, so far, is my favorite picture of 2017, even though it debuted on the festival circuit late last year.