Release Date: September 15th, 1995
Directed by: Patrick Read Johnson
Written by: Jill Gordon
Music by: David E. Russo
Cast: George C. Scott, Chris Owen, Ariana Richards, James Van Der Beek, Charlie Talbert, Kathy Bates, Kevin Connolly, Irvin Kershner
Atlas Entertainment, BBC, New Line Cinema, 87 Minutes
“As for what anybody else thinks, always remember these words and live by them: screw ’em!” – Grandpa
Angus had a pretty big impact on me when I saw it back in the late ’90s. I thought it was one of the best movies of the teen coming-of-age genre. Something about it felt more pure and realistic than the dozens of other films like it and having now seen it, a quarter of a century later, I’m really pleased to discover that not only has it held up but it’s still relevant and even better than similar movies that came after it.
I think that this movie flourished in that it used a cast of mostly unknown teens. Sure, it had Academy Award winners George C. Scott (who refused his Oscar for Patton) and Kathy Bates but they just sort of added legitimacy to the film and probably helped get it in front of audiences that might have otherwise missed it. Plus, they’re both damn good in it and even if their roles are smaller than the teens in the movie, they really have a profound effect on the overall story and Angus’ character arc and personal growth.
The story is about a smart but awkward fat kid who is voted homecoming king as a joke. However, it gives him the opportunity to at least have a dance with the girl he is crushing on, as well as allowing him stand up against the bullies trying to break him down.
It’s a pretty fresh take on the awkward kid trying to win over the popular love interest trope and it’s done remarkably well, which I think has to do with superb writing but also the great performances of the young cast. Frankly, there isn’t a weak link among them and the film’s title character, played by Charlie Talbert, is just great in every scene.
Talbert was a newcomer and this was his first professional credit. Still, this kid held his own sharing scenes with George C. Scott and Kathy Bates and it’s pretty damned impressive.
I think another thing that adds a lot to the picture is the music. The film is full of great tunes from ’90s alternative rock bands and even if it dates the movie, it still sets the tone and allows the viewer to sort of sink into this kid’s world.
Angus is something I should probably revisit more often. It’s absolutely one of the best motion pictures of its type and it’s still good with a message that will always be relevant.
Pairs well with: other teen coming-of-age movies of the ’80s and ’90s.