Comic Review: Crisis On Infinite Earths

Published: 1985-1986
Written by: Marv Wolfman
Art by: George Perez

DC Comics, 359 Pages

Review:

Crisis On Infinite Earths is one of DC Comics’ sacred cows. Yet, I’ve never had much urge to read it because my experience reading massive DC Comics crossovers has never been that great.

But now I have read it because I felt like it was long overdue and because this is a storyline that is referenced a lot, still to this day, thirty-five years later.

The first problem with this story might be apparent by the number of tags at the top of this post. It’s overloaded with so many characters that it is mostly a convoluted clusterfuck of biblical proportions.

In fact, this post may be the record holder for the number of tags I had to add to it. And frankly, that’s not all the characters, just the ones I know because two-thirds of the characters here are generic one-offs or so minute to the DC universe that they aren’t worth noting.

Now I know that some people love the splash pages from this series, as they showcase dozens (if not over a hundred) different characters all in one giant image. If I’m being honest, I’ve always disliked them and they are why I never really wanted to read this. Most of the action is minimal and many of these scenes are just characters standing around. They lack the energy that a splash page needs and look more like they belong in a Where’s Waldo? book. And I don’t say that to come off as a dick because I almost always love George Perez’s art. This just seems like DC management telling Perez to squeeze in as many characters as artistically possible. It’s hard on the eyes and it’s shit.

Another big problem with this twelve issue story arc is that every moment feels larger than life. Well, when everything is so big and grandiose, that becomes normal and status quo. You can’t possibly go bigger and with everything being so big from start to finish, none of it is memorable. It’s just a busy, stressful read without allowing the reader to catch their breath and reflect on what’s happened. It’s kind of like a Michael Bay movie. Throw so much intense shit at the audience, don’t let them stop and think and they’ll just move from point A to point B to point C and so on, forgetting everything that happened two points prior.

This event was made in an effort to sort of reset the DC universe. Honestly, all it does is make a giant fucking mess of things and splatters the mess all over everything it touches.

The plot doesn’t make sense, I’m not sure what exactly changed and with so many universes crashing together into one, it’s not properly organized and then re-established in any sort of way that a reader can follow. If this was supposed to be a jumping on point for readers in 1986, I don’t know how they made sense out of any of it and then knew which characters to follow.

The main reason for the previous sentence is that this is so overloaded with people that you don’t get to really know any of them. There is no character development and this is written in a way that it assumes the reader knows all about every character in the story. For a seasoned comic book reader like myself, who has been reading comics for three and a half decades, I was lost and didn’t know who half of the low tier characters were.

Crisis On Infinite Earths should have been written as a Justice League story with some inclusion of the Fawcett Comics characters and the Golden Age DC heroes. All the third tier and lower characters could have made cameos but even then, they don’t really need to.

I really hoped that this was going to pleasantly surprise me but it hurt my head.

It was too much, too big and too long.

Rating: 4/10
Pairs well with: mid-’80s DC Comics titles, as well as all the other massive DC crossover events.

Comic Review: Titans: The Lazarus Contract

Published: November 14th, 2017
Written by: Christopher Priest, Benjamin Percy, Dan Abnett
Art by: Brett Booth, Larry Hama, Phil Hester, Carlo Pagulayan, Paul Pelletier, Khoi Pham, Norm Rapmund

DC Comics, 132 Pages

Review:

I’ve read the entirety of Christopher Priest’s fifty-issue run on Deathstroke, which just finished, actually. So I did read his two issues that were part of this larger crossover arc but I missed the Titans and Teen Titans parts, as I wasn’t pulling those titles at my local comic shop. So this is the first time I’ve read this story in its entirety, which I should’ve done earlier as it would’ve added more context to the Deathstroke series, as a whole.

This is sort of a spiritual sequel to the famous The Judas Contract storyline from the Teen Titans comics in the ’80s while also connecting to the events of Deathstroke’s first appearance in The New Teen Titans issue 2 from 1980.

Here, Deathstroke wants to go back in time to save his son Ravager a.k.a. Grant Wilson. He blames the Titans for the death due to their involvement in the event, even though they’re not really responsible. So after learning about the Speed Force and its ability to send speedsters through time, he harvests that power from Kid Flash after winning over his trust.

That being said, we get a speedster Deathstroke, which is just really f’n cool!

Anyway, the story starts off with a bang and it brings in both the Teen Titans and adult Titans teams to deal with the threat. While it focuses mainly on a close knit group of main characters, all the others do get involved but mostly stay in the background, only adding their two cents when its needed to advance the plot or give a larger perspective.

However, even though the management of characters is well handled initially, this does become more of a convoluted mess as it gets towards the end. It just feels like there is too much going on and despite this having a lot of characters, it starts out feeling like a smaller, personal story.

Overall, this is still pretty good and all three writers (Christopher Priest, Dan Abnett and Benjamin Percy) did a good job working together.

Rating: 7.5/10
Pairs well with: the old Teen Titans story The Judas Contract, as well as Deathstroke/Teen Titans: The Terminus Agenda.

Comic Review: Aquaman: A Celebration of 75 Years

Published: October 25th, 2016
Written by: various
Art by: various

DC Comics, 394 Pages

Review:

I love when DC Comics puts out massive compilations like this that celebrate big moments from the entire history of a character. Being that I never really read a lot of really old Aquaman stuff made this a big treat.

This goes all the way back to the earliest stories and gives us a good selection of tales from just about every era and decade since.

There are modern stories here but this focuses mostly on the old stuff. Especially first appearances (or very early appearances) of key characters from the Aquaman mythos. We see the debuts of the original Aquagirl, Aqualad, Ocean Master, Mera and some very early encounters with Oceanus and Black Manta.

We also get a lot of cameos from Aquaman’s Justice League allies from different eras. This has lots of cameos but all the stories are very Aquaman-centric, as opposed to wedging in Justice League stories where Arthur Curry isn’t the primary focus.

This is a thick, solid volume. It’s a bit pricey but I got the digital version of it really cheap during an Aquaman sale on Comixology. I think I paid less than $5, which to me, was an absolute steal.

If you want to know more about the Aquaman character’s history, this is a great starting point.

Rating: 9/10
Pairs well with: other recent DC Comics compilations celebrating milestone anniversaries.

Comic Review: Aquaman, Vol. 4: Underworld

Published: November 20th, 2018
Written by: Dan Abnett
Art by: Stjepan Sejic

DC Comics, 156 Pages

Review:

I’ve been a fan of Dan Abnett’s run on Aquaman. But this story didn’t hit the mark for me like the first few arcs did. Strangely, a lot of people told me that this story was a real highpoint.

This just seemed like an episode of Game of Thrones, a show that I’m not much of a fan of. What I mean by that is this features a lot of talking and plotting and conspiracies about thrones and whatnot. There isn’t enough action and the antagonists just seem like throwaway generic Aqua-villains who will never be seen again, at least not in a meaningful way that gives weight to their characters.

I respect that Abnett tried to add to the mythology with his own creations and by bringing in long forgotten characters like Dolphin, as well as the rarely used former Aqualad, Tempest.

However, it gets too far away from the great work that Abnett was doing with the three volumes before this one. This series started off with a hell of a bang and this chapter in the saga pretty much lulled me to sleep.

The final issue in this arc gave us some action but by that point, I was just ready to wrap this thing up.

It’s not that this is a bad comic story or that it isn’t necessary, it just felt like an arc that could have been whittled down to one or two filler issues. It really disrupted the energetic pace of the series and while sometimes a breather is needed, if done too soon, it can bring things to a halt.

Rating: 6.25/10
Pairs well with: anything from Dan Abnett’s glorious run on Aquaman, as well as the Drowned Earth crossover event.

TV Review: Young Justice (2010- )

Also known as: Young Justice: Invasion (Season 2), Young Justice: Outsiders (Season 3)
Release Date: November 26th, 2010 – current
Created by: Brandon Vietti, Greg Weisman
Directed by: various
Written by: various
Based on: characters from DC Comics
Music by: Kristopher Carter, Michael McCuistion, Lolita Ritmanis
Cast: Stephanie Lemelin, Jesse McCartney, Danica McKellar, Nolan North, Khary Payton, Jason Spisak, Kelly Hu

DC Entertainment, Warner Bros. Animation, 46 Episodes (so far), 22 Minutes (per episode)

Review:

*Written in 2015.

I didn’t watch Young Justice while it was on. I only got into it once it was on Netflix and even then, it was clicked on mainly out of boredom. I wasn’t aware that it was a somewhat beloved show by many.

I was glad I discovered it on my own without a bunch of hype built around it. I was surprised with the quality and how adult the themes of the show were.

The animation is damn good, the story arcs are fantastic and the characters are all cool and likable.

The show follows the sidekicks of DC Comics’ most famous heroes and puts them together on a team where they are sort of a junior squad to the Justice League. It is sort of like Teen Titans but not as adolescent feeling, which is probably why it wasn’t a new Teen Titans show.

The first season is solid but the second season is excellent. The beginning of season two is slow and interest started to wane but after about four episodes, I was hooked. The season two story arc is one of the best sagas ever told in a DC animated series.

Young Justice is a quick watch. The episodes fly by at 22 minutes. There are also only twenty or so episodes per season.

The DC cinematic universe could learn a lot from the tone and style of this show. I hope that once they get into making the Aquaman film, they take their cue from how the Atlanteans are handled on this show.

Sadly, the show was cancelled after the second season but there are rumors that it could find new life on Netflix. I think that’s a stretch, being that they are in bed with Marvel, but you never know.

Update:

After fan support the show was resurrected and there will be more episodes in the future, even though there’s been a big gap in time by this point.

Rating: 8.5/10
Pairs well with: Recent Teen Titans animated features, as well as other DC Comics animated films.