Film Review: Twister (1996)

Also known as: Catch the Wind (original script title), Wind Devils (working title)
Release Date: May 8th, 1996 (Westwood premiere)
Directed by: Jan de Bont
Written by: Michael Crichton, Anne-Marie Martin
Music by: Mark Mancina
Cast: Helen Hunt, Bill Paxton, Jami Gertz, Cary Elwes, Philip Seymour Hoffman, Alan Ruck, Sean Whalen, Joey Slotnick, Scott Thomson, Lois Smith, Alexa Vega, Zach Grenier, Patrick Fischler, Anthony Rapp, Jake Busey

Amblin Entertainment, Universal Pictures, Warner Bros., 113 Minutes

Review:

“When you used to tell me that you chase tornadoes, deep down I always just thought it was a metaphor.” – Melissa

I hadn’t seen this movie since the theater but I had fond memories of that experience. I just never really went back and watched it again because it was a simple story that was very effects heavy and didn’t offer up much for a repeat viewing unless you’re a real digital effects junkie.

Since I came across it while scrolling through the content on HBO Max, I felt the urge to revisit it just to see how good it actually was and whether or not it’s held up after a quarter of a century. Plus, I really like the cast and it’s stacked with talent from top-to-bottom.

So for the most part, the effects do hold up. Sure, there are a few moments that might look hokey like the famous flying cow sequence but it hardly breaks the mind’s immersion into the film itself. And to be honest, I kind of like the humorous bits like that.

Generally, the tornado effects still look good and as effects heavy as this film is, it never feels like it’s too much. You kind of just get lost in the adrenaline rush of what’s happening and everything just works in the right way. Granted, I’d never want to see this sequelized or turned into a franchise. Once you’ve seen one tornado movie, you’ve pretty much seen them all and this surprisingly didn’t try to milk the flying cow to death.

It’s the personal stories in this that make the film work and make it much more than just a CGI fest.

I loved the chemistry between Helen Hunt and Bill Paxton and even with that, you still find yourself kind of sad over the way Jami Gertz, Paxton’s new fiancé, gets pushed to the side once he falls back in love with the woman he’s trying to get to sign divorce papers.

Hunt and Paxton just made a good couple and they balanced each other out, rather well. I also like that it’s the female half of the relationship that has become obsessed with her work and kind of let the romance fade away while the man steps up and reels her back in and centers her at a point in life when she needed it most. Then again, I always like seeing failed relationships finding a way to rekindle what was lost.

The supporting cast is pretty damn good too. I especially liked Lois Smith as the sort of matriarch of the storm chaser group. I also enjoyed Cary Elwes as the rival snot that gets himself killed because of ego. Philip Seymour Hoffman was enjoyable too, pretty much playing himself turned up to 11.

Twister seems like it’s been forgotten, as the years have rolled on. But honestly, it’s a really good movie in that summer blockbuster genre. I remember it being a big hit with moviegoers and everyone I knew, at the time, loved it quite a bit. When I worked at a video store, we could barely keep it in stock for the first few months.

Sadly, it was usurped by Independence Day, less than two months later and then the summer blockbusters kept getting bigger, louder and even more CGI heavy. 

Rating: 7.25/10

Film Review: Dazed and Confused (1993)

Release Date: June 4th, 1993 (Seattle International Film Festival)
Directed by: Richard Linklater
Written by: Richard Linklater
Music by: various
Cast: Jason London, Wiley Wiggins, Sasha Jenson, Michelle Burke, Christine Harnos, Rory Cochrane, Ben Affleck, Adam Goldberg, Anthony Rapp, Marissa Ribisi, Catherine Avril Morris, Matthew McConaughey, Shawn Andrews, Cole Hauser, Milla Jovovich, Joey Lauren Adams, Christin Hinojosa, Parker Posey, Deena Martin, Nicky Katt, Esteban Powell, Jason O. Smith, Mark Vandermeulen, Jeremy Fox, Renee Zellweger

Detour Filmproduction, Alphaville Films, Gramercy Pictures, 102 Minutes

Review:

“That’s what I love about these high school girls, man. I get older, they stay the same age.” – Wooderson

I always viewed this movie as a spiritual successor to Fast Times at Ridgemont High. Mainly, because it is a coming-of-age high school movie but it is just as serious, as it is comedic. While it is goofy and funny, it’s a much better film than what it appears to be on a surface level, similar to Ridgemont High.

Also like Ridgemont, it has a stacked cast that features a ton of young stars. These stars would become big names as the ’90s rolled on and the turn of the new millennium took many of them to the heights of Hollywood. There are future Academy Award winners in this cast.

It’s also directed by Richard Linklater and it has similar beats to his other coming-of-age films, although it doesn’t have as hard of an edge as the really dark, SubUrbia.

The story starts on the last day of school and it follows several characters over the course of that day and night. Each one is faced with an uncertain future, new changes and challenges on the horizon but ultimately, everyone wants to forget about their problems and just enjoy the night.

The film takes place in the mid-’70s, even though it came out in the ’90s. But it’s also timeless and regardless of the timeframe in which it takes place, it’s also really true to what the ’90s were like. I know, because I was this age in the ’90s. I can’t speak on how this will play for modern high school students but the world is a weird, incredibly soft place now.

What makes this movie so much better than most of the films like it is the performances of the cast and how genuine everything feels. Linklater obviously wrote this based off of his own high school experiences and his personal intimacy with the material comes through in every scene. And frankly, there isn’t a single unnecessary or dull scene in the entire film.

Additionally, all the big plots are well-balanced and organized, as the night plays on and several characters weave in and out of the larger story, overlapping.

Dazed and Confused has stood the test of time incredibly well. I feel like it’s material will always be relevant and because of that, it is one of the greatest motion pictures of its type.

Rating: 9/10
Pairs well with: other Richard Linklater coming of age films, as well as other good coming of age high school movies.

TV Review: Star Trek: Discovery (2017- )

Original Run: September 24th, 2017 – current
Created by: Bryan Fuller, Alex Kurtzman
Directed by: various
Written by: various
Based on: Star Trek by Gene Roddenberry
Music by: Jeff Russo, Alexander Courage (original theme)
Cast: Sonequa Martin-Green, Doug Jones, Shazad Latif, Anthony Rapp, Mary Wiseman, Jason Isaacs, Wilson Cruz, Anson Mount

Secret Hideout, Roddenberry Entertainment, Living Dead Guy Productions, CBS Television Studios, 29 Episodes (so far), 37-65 Minutes (per episode)

Review:

I didn’t want to subscribe to CBS All Access just to have access to this show. There wasn’t much else on the service that I wanted to watch. So I figured that I’d wait till this was out and then I’d binge watch the first season.

However, based off of what I heard about the first season (and later, the second season) I refrained from subscribing, even for a month.

Well, I finally got to check it out on a Delta flight. I figured I’d watch the first two episodes and figure out if I wanted to continue on. I didn’t.

This show is a fucking abomination. My worst fears were true and this was just a shittier version of J. J. Abrams’ mostly shitty modern Star Trek stuff. Throw in a bunch of identity politics nonsense to boot and I’d rather wipe my ass with a sharp spoon than watch another episode.

A guy at work kept telling me, “Don’t believe all the negative hype, it’s not that bad. Give it a shot. I think you’ll like it.” I put in a formal request to have this guy fired. I don’t think that my employer will approve it just based off of my comments, so I also included a thumb drive with clips from the show.

On a side note, I really like Anson Mount. Dude is a stellar fucking actor but I couldn’t get through two episodes of this Dumbo-sized shite to even make it to his episodes. Between this fucktard show and Inhumans, dude might need to fire his agent.

The special effects aren’t as good as people have said yet this show is insanely expensive to produce.

Also, what the fuck is up with the Klingons? No, seriously? They don’t look like Klingons, they look stupid. I think that somewhere down the line, these Klingons reproduced with that tar monster that killed Tasha Yar on Star Trek: The Next Generation.

This is NOT Star Trek. It’s some fan fiction by a fan that isn’t even a fan, who got all their Star Trek lore from some drunk old hippie at the corner bar.

This is to Star Trek what Applebee’s Riblets are to A5 Wagyu.

It’s unwatchable, unexciting and will turn most people into somnambulists.

It’s fitting that this show is abbreviated as STD. I should have bought two condoms and just put them over my eyes because this is certainly the genital warts of the franchise.

All that being said, I hated this show like a vegan bitch hates Longhorn Steakhouse.

Rating: 1.5/10
Pairs well with: a bladder infection or anal fissures.

Film Review: Adventures In Babysitting (1987)

Also known as: A Night on the Town (Australia)
Release Date: June 19th, 1987 (New York City premiere)
Directed by: Chris Columbus
Written by: David Simkins
Music by: Michael Kamen
Cast: Elisabeth Shue, Keith Coogan, Anthony Rapp, Maia Brewton, Penelope Ann Miller, Bradley Whitford, Calvin Levels, George Newbern, Vincent D’Onofrio, Albert Collins (cameo), Ron Canada

Rose Productions, Silver Screen Partners III, Touchstone Pictures, Buena Vista Pictures, 99 Minutes

Review:

“Don’t fuck with the Lords of Hell!” – Gang Leader, “[Chris picks up the knife and shoves it in the gang leader’s face] Don’t fuck with the babysitter!” – Chris

Adventures In Babysitting was one of those movies I watched a heck of a lot as a kid in the ’80s. It was just a cool movie and being that I was around the same age as the youngest kid in the film, who was also a massive Thor fan, it was easy to relate to the characters. Plus, my family are all originally from Chicago and I used to go up there all the time in my youth. I love that city and this really captures it in a very ’80s way, which was also how I first experienced Chicago.

I think the real glue of this picture is Elisabeth Shue. She was perfect as the lead and believable in the situations she found herself in. I guess the studio wanted Molly Ringwald or Valerie Bertinelli but Shue landed the role and I can’t quite see how this movie would work the same way with those other actresses. The character of Chris felt very much like Shue.

The kids in the film were also well cast. You had Keith Coogan and Anthony Rapp, both at the beginning of their careers, and Maia Brewton, who was solid and the most fun and energetic character in the movie. I also love all the bits Penelope Ann Miller did at the bus station, even though she was on her own and separated from the other kids throughout the vast majority of the picture. And even though he’s only in two scenes, Bradley Whitford played his ’80s douchebag role to perfection in this.

The premise sees these kids go into Chicago to pick up Chris’ friend, who has run away from home and is stranded at an inner city bus station. On their way into downtown Chicago, they blow out their tire. They get saved by a nice tow truck driver but then things go absolutely nuts and the kids get mixed up with an auto theft ring ran by some shady dudes. The rest of the film sees them running through Chicago, dodging the gangsters and constantly getting into wild situations. It almost plays like an urban Goonies without treasure. Additionally, the end has the kids racing home to beat the parents in a similar fashion to Ferris Beuller but without the cool musical montage of Ferris running through people’s yards and houses.

This was also the first film directed by Chris Columbus, who had written some very successful films before landing this gig.

Like all ’80s teen films, this is certainly dated. However, it hasn’t lost its charm or any of the excitement. It has held up really well and isn’t just good when seen through nostalgic eyes, it is just a film that works and is still a blast.

Plus, it had a friggin’ awesome movie poster in a time when there were still friggin’ awesome movie posters.

Rating: 7.5/10
Pairs well with: For an Elisabeth Shue pairing, watch The Karate Kid. For Keith Coogan and a babysitting theme, Don’t Tell Mom the Babysitter’s Dead. If you want to see more of Bradley Whitford being an ’80s prick, Revenge of the Nerds II: Nerds In Paradise.