Film Review: Young Sherlock Holmes (1985)

Also known as: Young Sherlock Holmes and the Pyramid of Fear (original script title)
Release Date: December 4th, 1985
Directed by: Barry Levinson
Written by: Chris Columbus
Based on: characters by Sir Arthur Conan Doyle
Music by: Bruce Broughton
Cast: Nicholas Rowe, Alan Cox, Anthony Higgins, Sophie Ward, Roger Ashton-Griffiths, Freddie Jones, Nigel Stock, Brian Oulton, Susan Fleetwood

Industrial Light & Magic, Amblin Entertainment, Paramount Pictures, 109 Minutes

Review:

“A great detective relies on perception, intelligence, and imagination.” – Sherlock Holmes

It may sound strange since I’m a kid of the ’80s and a massive Spielberg fan from that era but I’ve never seen Young Sherlock Holmes.

Now I have seen clips of it over the years, due to its very early use of emerging CGI technology, which made this a very groundbreaking film in digital effects, even if it wasn’t a massive hit like Steven Spielberg, Chris Columbus and Berry Levinson had hoped.

Honestly, it’s those effects that have cemented this motion picture as a relevant one for its time. Nothing else within it is all that memorable or significant. But that’s not to say it’s not good. It’s just be pretty forgettable without its great effects for the time in which it was produced.

I mostly liked this and I liked the kids in it and how they helped generate a sense of wonder, which is something Hollywood is completely unable to do in modern times. Still, this movie does drag in several spots and while I can buy the kids in these specific roles, they’re not that memorable except for Sophie Ward, who would go on to have an interesting career.

I liked the whole Egyptian cult that Sherlock and company were trying to expose and take down but if I’m being honest, a lot of that stuff felt like it was recycled from the Thugee cult stuff in Indiana Jones and the Temple of Doom and that film came out only a year earlier and also involved Spielberg, as he directed it.

This also has a magical element to it and because it stars some proper British kids, there’s a particular vibe that I can best describe as proto-Harry Potter.

Young Sherlock Holmes isn’t a movie that I felt like I missed out on. As a kid, I would’ve certainly liked the effects heavy scenes like the stain glass knight but I probably would’ve been bored for 75 percent of the movie.

Rating: 6.25/10

Film Review: Vampire Circus (1972)

Release Date: April 30th, 1972 (UK)
Directed by: Robert Young
Written by: Judson Kinberg, George Baxt, Wilbur Stark
Music by: David Whitaker
Cast: Adrienne Corri, Anthony Higgins, John Moulder-Brown, Lalla Ward, Robin Sachs, Lynne Frederick, David Prowse, Thorley Walters

Hammer Film Productions, Rank Film Distributors Ltd., 20th Century Fox, 87 Minutes

Review:

“The Circus of Nights! A hundred delights!” – Michael

Vampire Circus is a little known Hammer Studios film from the early 1970s, when they were on their way out as a dominant horror studio. It came out at the same time that Hammer’s Dracula series was winding down.

I have always liked Hammer’s non-Dracula vampire spectacles, however. And to fanboy out a little bit, Vampire Circus has always been a favorite of mine. That may have something to do with Darth Vader himself, David Prowse, being in the film, as well as one of my favorite Doctor Who companions of all-time, the second Romana, Lalla Ward. Realistically, I just love the premise.

The story is pretty original and really fun. A troupe of circus gypsies shows up in town and captivates the people. The reality is that they are vampires out to get revenge on the town for killing their master Count Mitterhaus.

Speaking of which, the opening sequence, which features the original defeat of Mitterhaus, is one of the best things Hammer has ever created. It was also a great way for director Robert Young to start his career, as it was the opening to his first feature film.

Vampire Circus is really imaginative and it certainly isn’t a cookie cutter vampire flick. The circus twist is really cool and freshened things up for the genre. Everything from the live performances to the animal stunts just added a really cool vibe to the picture. It certainly had a bit more flair than other Hammer vampire movies.

Additionally, the cast was really good. I really enjoyed the performances of Adrienne Corri and Anthony Higgins. Higgins was particularly mesmerizing as the sexy male vampire that transforms into a black panther. Skip Martin, as the sinister dwarf, was a big highlight too. He was legitimately scary and intimidating for a little fellow. He played up the creepy clown shtick quite well, before creepy clowns were even a thing.

The style of the film mimics what was the norm for Hammer’s gothic horror pictures. Even if it may have felt dated for the time, its creativity certainly makes up for it being stylistically derivative. Plus there is a naked body painted tiger lady that rolls around all frisky and seductive.

Vampire Circus is probably only a good film for those who love the work of Hammer Studios in their heyday. But if you are one of those people, this is a unique experience that deviates quite well from their typical formula while not venturing so far away that it isn’t a Hammer picture.

Plus, Count Mitterhaus, Emil and the Gypsy Woman were pretty cool villains, as was their troupe of circus themed henchmen.

Rating: 8.25/10