Release Date: April 2nd, 1982
Directed by: Paul Schrader
Written by: DeWitt Bodeen, Alan Ormsby
Music by: Giorgio Moroder, David Bowie
Cast: Nastassja Kinski, Malcolm McDowell, John Heard, Annette O’Toole, Ruby Dee, Ed Begley Jr., Frankie Faison, John Larroquette
RKO Radio Pictures, Universal Pictures, 118 Minutes, 93 Minutes (TV cut)
“Oliver doesn’t love you. He loved the panther. He wants you because he fears you. Let Alice have him. She thinks his fear is courage. And he thinks his fear is love. Well, they were made for each other.” – Paul Gallier
It’s probably strange that I had never seen this until now. I grew up in the ’80s on a steady diet of horror and fantasy and in the time since, I’ve adored the original Cat People series of films put out by RKO Radio Pictures and producer Val Lewton in the 1940s.
This stars Malcolm McDowell, one of my all-time favorite actors, especially in darker roles, as well as Nastassja Kinski, daughter of Klaus Kinski, who enchanted me in the Wim Wenders masterpiece, Paris, Texas.
The cast is rounded out by John Heard, Annette O’Toole and smaller roles for Frankie Faison, Ed Begley Jr. and John Larroquette.
Cat People‘s plot is very similar to the film it’s a remake of but it’s a much darker twist on that film and it also explores the mythos quite a bit more. It also adds in a steady helping of gore and eroticism. I wouldn’t quite call this exploitation but it’s probably as close as “high art” can get to that.
The cinematography is haunting and effective and director Paul Schrader did a great job of staging and capturing just about every scene and shot in the film. It certainly looks incredible and the atmosphere really becomes a character within the picture.
Overall, this is pretty good but I did find it a bit slow at times. But almost everything in it feels necessary and I can’t imagine how disjointed the 93 minute cut of the film must feel. Hopefully, those who have judged this harshly in the past didn’t watch the shortened version without realizing that there was a more developed version of the movie.
I really liked the characters in this and how each one felt like they were alone in their own way, exploring and discovering parts of themselves where the overlap of knowing one another created a dangerous situation for all parties involved.
Ultimately, though, the real highlight was getting to see the werepanther transformation. The effects worked extremely well.
All in all, this was a cool movie that was made even cooler by the use of different versions of David Bowie’s “Cat People” mixed with interesting and moody cinematography.
Pairs well with: other were-creature movies from the time like An American Werewolf In London and The Howling, as well as the film it is a remake of and it’s sequel/spinoffs from the ’40s.