Also known as: The Sentence (working title)
Release Date: February 7th, 1947 (Philadelphia premiere)
Directed by: Vincent Sherman
Written by: N. Richard Nash, Paul Webster, Jack Sobell
Music by: Franz Waxman
Cast: Ann Sheridan, Kent Smith, Bruce Bennett, Robert Alda
Warner Bros., 111 Minutes
“I’m writing a paper on ailments of the heart.” – Doctor Richard Talbot, “A paper? I could write a book!” – Nora Prentiss
This is a classic film-noir that has been on my list for a long time. I had never seen it because it has never streamed anywhere that I’m aware of and I subscribe to a ton of these services. But it was finally featured on TCM’s Noir Alley, which seems long overdue, based off of all the great things I’ve heard about this movie from noir experts.
I’d have to say that it pretty much lived up to the hype. It’s not one of my all-time favorites but it was a well-crafted story with one of those really dark endings that sort of makes your heart sink.
Sure, the main guy, Kent Smith’s Talbot, is a bit of a shithead, as he fakes his own death to escape his wife and children so that he can run off with Nora, but by the end of the journey, you feel his remorse and his shame and when he makes the decision to be executed, to save his family from even more pain, it’s some pretty heavy stuff.
Additionally, all the emotion throughout this film is built up so well because of how convincing Ann Sheridan and Kent Smith were. They had solid chemistry, felt like genuine characters and this movie feels a bit ahead of its time, as these characters don’t come across as typical archetypes. Nora Prentiss may be a mistress but she’s not a femme fatale causing wreckage for her own personal gain. She’s a woman, caught up in emotion that ends up experiencing a great loss as the result of her and Talbot’s careless and selfish actions.
The film was directed by Vincent Sherman, who also directed other classic film-noirs: The Unfaithful, Backfire, The Damned Don’t Cry, Harriet Craig, Affair In Trinidad and The Garment Jungle. But he’s also the director of one of my favorite Errol Flynn swashbuckling pictures: Adventures of Don Juan.
If anything, this film has made me want to go down the rabbit hole of Sherman’s oeuvre. It was carefully crafted, well executed and had more dramatic flair and heart than a typical noir movie.
Pairs well with: other film-noir pictures like The Unfaithful, The Breaking Point and Backfire.