Also known as: LILY-C.A.T. (Japanese title)
Release Date: September 1st, 1987 (Japan)
Directed by: Hisayuki Toriumi
Written by: Hisayuki Toriumi
Music by: Akira Inoue
Victor Musical Industries, Studio Pierrot, Streamline Pictures, Discotek Media, 70 Minutes
“The wall – it ate the cat!” – Dülar Delcassé
Lily C.A.T. is a mostly forgettable anime OVA from the late ’80s but I still kind of like it. Sure, it’s a blatant ripoff of both Ridley Scott’s Alien and John Carpenter’s The Thing but that doesn’t make it a crappy film.
Quite the contrary, actually, as these two concepts work well together and shown through the anime medium, they work tremendously well. Really, this film is a visual feast, especially for fans of the ’80s anime style and anime horror.
But I have to call a spade a spade and this is really derivative and uninspiring beyond just the sweet visuals.
I like the story but I also already liked it when I saw it in the films it takes its plot from. There are certain points in the plot that are original but it does feel like most of the characters are basic archetypes. That makes it easy to follow, I guess, but it also makes it really predictable on top of how cookie cutter it already is, plot-wise.
I can’t really recommend this unless you like ’80s anime, sci-fi horror and a bit of the cyberpunk aesthetic thrown in.
Like I said, this is mostly forgettable but at least it’s fun, energetic, a bit badass and kind of cool despite its lack of originality. Plus, it’s a pretty short flick.
Pairs well with: the two live-action movies it borrows heavily from Alien and The Thing, as well as other ’80s sci-fi and cyberpunk anime.
Also known as: Garou Densetsu (original Japanese title), Fatal Fury 3 (informal title)
Release Date: July 16th, 1994 (Japan)
Directed by: Masami Obari
Written by: Takashi Yamada
Based on: Fatal Fury by SNK
Music by: Toshihiko Sahashi
Cast: Kazukiyo Nishikiori, Keiichi Nanba, Nobuyuki Hiyama, Kotono Mitsuishi, Tomo Sakurai, Shinichiro Miki
Asatsu, Fuji Television Network, SNK/Playmore, 100 Minutes
“Worthless fool! How can you ever help to beat me? By the next time I’m done with you, there’ll be nothing but stinking meat!” – Laocorn
I really dug this anime series in the mid-’90s when I was eating up all the anime my video store started getting in during the boom. These were some of my favorites due to my love of the Fatal Fury video games, as well as all the other Neo-Geo fighting games.
This third film was by far my favorite and even though I own it on VHS, I hadn’t watched it in nearly two decades due to not having a VCR. However, all three Fatal Fury anime films are available on YouTube, at the moment.
Seeing this again, all this time later, this is still my favorite of the lot and it’s actually a pretty good animated movie, from top-to-bottom.
The art is much better than the previous two installments and the running time is longer, as well. But I guess that’s why this is referred to as a “motion picture”. But the extra care given to this production makes it the best installment in the series.
Additionally, this doesn’t try to tell an anime version of a video game story. It actually branches off into a new direction with new characters and I’m not sure if any of the new villains actually made it into the video games.
This also has a very Indiana Jones vibe to it, as the villains are hunting down multiple MacGuffins in ancient ruins and temples in an effort for their leader to essentially become a god.
Fatal Fury: The Motion Picture is just a lot of fun, really f’n cool and is a more refined and perfected version of the two chapters that came before it.
Pairs well with: the two other Fatal Fury movies.
Release Date: July 21st, 1987 (Japan)
Directed by: Hidetoshi Oomori, Hiroyuki Kitakubo, Hiroyuki Kitazume, Katsuhiro Otomo, Koji Morimoto, Mao Lamdo, Takashi Nakamura, Yasuomi Umetsu
Written by: Hiroyuki Kitazume, Katsuhiro Otomo, Mao Lamdo, Takashi Nakamura, Yasuomi Umetsu
Music by: Joe Hisaishi, Isaku Fujita, Masahisa Takeichi
A.P.P.P., Studio 4°C, Diskotek Media, Streamline Pictures, 90 Minutes
Robot Carnival is a pretty neat and interesting picture.
The film is an anime anthology where everything in it has the theme of robots. It also has a steampunk and cyberpunk aesthetic throughout the picture. Another interesting thing about it is that most of the film is actually silent in regards to dialogue.
The biggest thing that made me want to check this out, however, is that it features a story by Katsuhiro Otomo before he worked on the film adaptation of his megahit manga Akira.
Otomo’s contribution to this film is the opening and ending scenes. Both are fairly short but they act as the bookends to all the short stories in-between. These segments also feature a massive city structure on treads, rolling over the countryside. It’s actually pretty damn clear, once seeing this, that the Otomo segments were the inspiration behind the novels and film adaptation of Mortal Engines.
All the other stories are pretty cool and unique. It’s honestly a mixed bag, really, but it is cool seeing all of this as a larger body of work where its segments have a nice variance in art style and narrative structure.
This is a pretty chill and kind of relaxing anime to sit through. Each film is straightforward and just a neat, simple concept that has been realized and presented in all its glory. While everything has its own feel to it, the picture, as a whole, has a pretty consistent vibe.
I wouldn’t categorize this as a classic but I can see why many have held this in pretty high regard. I see it as more of a sampler of what many of these creators were capable of before they went off to make their own, larger features.
Pairs well with: other cyberpunk and steampunk anime of the late ’80s/early ’90s.
From Toy Galaxy’s YouTube description: In this episode Dan talks about the history of Voltron Legendary Defender, how this robot made of mechanical lions was created and what lead to him being Americanized.
And, after being dormant for a long time, his revival on Netflix.
You’ll also learn about the other 2 versions of Voltron. A lot of people remember vehicle Voltron but there was a third version… sort of.
From Comic Tropes’ YouTube description: Katsuhiro Otomo is the writer and illustrator of the Akira manga as well as the director of the anime adaptation. Both were being worked on at the same time and influenced one another. This video takes a look at the cultural and artistic inspirations that influenced Otomo’s work, as well as breaking down his stated intentions. After comparing and contrasting the manga and anime, the video discusses the themes of Akira.
Taken from AnimeEveryday’s YouTube description: The horror anime genre rarely produces anything more than jump scares and unrealistic writing. In this video i highlight some of the genre’s hidden gems.
Taken from Justin Whang’s YouTube description: Shortly after my video on the lost anime, Saki Sanobashi, the search for it was rejuvenated. However, it very quickly descended into chaos.
Taken from AnimeEveryday’s YouTube description: I’ve been looking into stylistic developments in anime a lot recently. In this video I give an overview of how anime character designs have developed.
Taken from AnimeEveryday’s YouTube description: Here’s an overview of the cyberpunk sub-genre in anime.