Also known as: Les yeux sans visage (original title), House of Dr. Rasanoff (alternate title), The Horror Chamber of Dr. Faustus (US dubbed version)
Release Date: January 11th, 1960 (France)
Directed by: Georges Franju
Written by: Georges Franju, Jean Redon, Pierre Boileau, Thomas Narcejac, Claude Sautet
Based on: Les yeux sans visage by Jean Redon
Music by: Maurice Jarre
Cast: Pierre Brasseur, Édith Scob, Alida Valli, Juliette Mayniel
Champs-Élysées Productions, Lux Film, Lux Compagnie Cinématographique de France, 84 Minutes
“My face frightens me. My mask frightens me even more.” – Christiane Génessier
Eyes Without a Face isn’t what I would call a scary horror film, as much as I’d call it a chilling one.
It’s sad, it’s tragic, it has great atmosphere, solid cinematography and incredible performances and all that is really just the tip of the iceberg.
There is something deep and introspective in this motion picture. It’s unsettling but it’s somehow sweet in a very twisted way. Yet that sweetness comes naturally and while you should hate the antagonists of this film, you understand that the horrible things they do is out of love. That doesn’t excuse their horrible acts but for a horror film released in 1960, it makes you sympathize with evil, which wasn’t too common back then.
That being said, it’s still great to see the bad guys get their comeuppance in the end, especially since it comes at the hands of the one they loved most.
The story revolves around a surgeon and his daughter, who has had her face completely destroyed. In an effort to restore his daughter’s beauty, he has his female assistant lure in young girls only to abduct them and steal their face. A lot of the scenes are terrifying, as all the girls seem sweet and innocent, as you know that they are being pulled into something horrible.
What makes things more difficult, is that the disfigured daughter, Christiane, is also a sweet girl who exists within very tragic circumstances. She becomes aware of what’s happening and it’s a sad realization and hard to watch unfold on the screen. But Christiane’s face is obscured by an almost faceless mask for most of the film. Édith Scob was able to convey Christiane’s emotions quite well though, considering that all she had to work with were her eyes and body language.
The surgeon’s assistant is played by Alida Valli, who you will recognize from the original Suspiria, as well as the near perfect film-noir The Third Man. Valli gives a stupendous performance here as she uses her charm to trap the young girls and deliver them to the mad surgeon.
The film also has an incredibly effective and very unique score done by Maurice Jarre. It has a real contrast to the tone we see on screen, as the music is lighthearted and almost comical in certain moments. I think that it was used to make things purposely disjointed and more unsettling in specific scenes. It may seem out of place and strange at first glance but by the end of the film, it works amazingly well.
There are also a lot of really stellar shots in the film. The scene where we get a bit of the face reveal of Christiane, when she comes face to face with one of her father’s victims is incredibly powerful and creepy. Also, the scene of Christiane walking outside, after releasing the savage German Shepherds and caged doves is beautiful.
Eyes Without a Face is more of an experience than a movie. It probably won’t resonate with modern audiences as well as it did with people in 1960 but if you love a film with an interesting atmosphere and something with real emotional depth to it, then you’ll probably dig this picture.
Pairs well with: it’s pretty unique but I like watching this with 1962’s Carnival of Souls.