From Filmento’s YouTube description: Margot Robbie’s Harley Quinn Birds of Prey movie is the first DC film of the new decade, and by the quality of it it seems DC is up to its old habits a’la Suicide Squad/Batman v Supeman/Justice League. But the interesting thing about Birds of Prey’s failure is that its pretty much a copy paste of other successful movies: Pirates of the Caribbean and Deadpool. The character of Harley Quinn is a straight ripoff of Johnny Depp’s Captain Jack Sparrow, whereas the narrative and the wonky world of Birds of Prey is a straight ripoff of Ryan Reynolds’ Deadpool. But despite copying cinematic greats, Birds of Prey still manages to fail, because it completely misses the point of what makes Pirates and Deadpool great. So, in today’s episode of Anatomy of a Failure, lets see how that happened and how DC/DCEU looks once again to be taking a backseat to Marvel/MCU.
Also known as: Birds of Prey (unofficial title), Harley Quinn: Birds of Prey (re-branded title) Release Date: January 25th, 2020 (Mexico City premiere) Directed by: Cathy Yan Written by: Christina Hodson Based on: characters by DC Comics Music by: Daniel Pemberton Cast: Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez, Chris Messina, Ella Jay Basco, Ali Wong, Ewan McGregor, Steven Williams
Clubhouse Pictures, LuckyChap Entertainment, DC Entertainment, Kroll & Co. Entertainment, Warner Bros., 109 Minutes
“Here’s the thing, Romy baby: your protection is based on the fact that people are scared of you. Just like they’re scared of Mr. J. But I’m the one they should be scared of! Not you, not Mr.J! Because I’m Harley Fucking Quinn!” – Harley Quinn
This movie’s title was so bad that they actually changed it after it was in theaters for only a week, where it didn’t perform up to expectations. But I don’t think that the stupid, pretentious, cutesy pie title was the only problem with the movie.
To start, I’ve never seen a motion picture be so self unaware. It tries so hard to be edgy, cool and original all while being a poor attempt at making a Deadpool movie for girls. It’s pretty obvious how blatantly this is trying to channel the Deadpool mojo that it deflates anything good within the picture.
Additionally, while this is visually stunning, overly vivid with a giallo style color palate, the choppy editing and amateur shot framing makes this feel like a 109 minute music video. And like all big studio movies that are trying to be cool, the music isn’t even that good, as it recycles exactly the same type of tunes you’d expect from yesteryear while also sprinkling in awful modern covers of classic hits that don’t really work. In short, it’s predictable as fuck.
When it comes to the characters, other than Harley Quinn, this film doesn’t really understand any of them. Who the fuck wrote this? Have they read a comic about any of these characters? I’m supposed to believe that this Cassandra Cain will eventually become a Batgirl? Not to be an asshole but they made her look like Rose Tico cosplaying as Short Round. That’s not the actresses fault, just like it wasn’t Kelly Marie-Tran’s fault that Rose Tico looked like a frumpy baked potato with the dumbest, most unappealing haircut in Star Wars history.
But look at this film’s version of Roman Sionis a.k.a. Black Mask, a villain I have always loved. This is absolutely not who that character is. Granted, I enjoyed Ewan McGregor in this, as well as the character, but he didn’t need to be Black Mask, he could’ve just been an eccentric Gotham City mob boss. There is nothing about him that even resembles Black Mask, other than he puts on a Black Mask for about ten minutes before taking it off again.
Ewan McGregor was the best thing in this film, which is funny when you think about it, as this had a very clear agenda. But I’ll get to that further into this review.
On top of that, Victor Zsasz wasn’t Zsasv, Black Canary wasn’t Black Canary, Renee Montoya was only about halfway there and the Huntress was sort of accurate but completely unlikable and awkward.
Beyond that, this is a movie that doesn’t seem to know what it wants to say. Well, it is very clear that it wants to communicate that all men are pieces of shit, as every single man in this movie are portrayed as pieces of shit, even the fatherly old Asian guy that lets Harley live upstairs.
So the man hate is clear, which is odd because no matter how hard this movie tries to appeal to women, it’s audience was still mostly men. But this is typical of the agenda-driven Hollywood nowadays. But hey, maybe this COVID-19 shit will be a wake up call for studios to actually give a shit about what their audiences want. Probably not, though, as their heads are so far up their ass that they are on a steady diet of their own shit.
The part of the message that isn’t clear is that this can’t decide between whether or not women should stick together or fuck each other over and go solo. I guess teaming up is all fun when you’re sticking it to the patriarchy but once the men are out of the way, they just act like the men they were trying to beat. It’s childish, boring, predictable and lame.
And like all things in entertainment that have this sort of pro-feminist agenda, the story wants to preach self-confidence and self-reliance but then it constantly has its characters telling each other that they’re cool and how much they are all each other’s besties. Is this what women are? Not in my experience but what do I know, I have a penis.
Anyway, confident, self-sufficient and badass women don’t need constant reassurance that they’re cool and likable. That’s not what confident, self-sufficient and badass is. But that’s what this movie is teaching the young girls who may see this picture.
For the first third of this film, I was really happy with its pacing and thought that it was flying by. But then, once you get to the part where the story starts jumping around in the timeline (another way it was trying to be Deadpool), things just went off the rails and the film became sloppy. There was no reason to do this and frankly, it’s one of the things I didn’t like about Deadpool. After this whole section of the film, the pacing didn’t pick up or recover and everything became a slog to get through.
I think that a lot of the problem with this movie is that it hired an inexperienced director. This is something that had the potential to be a massive franchise, featuring a big star playing a character that is one of the most popular in all of pop culture. But the studio didn’t take this seriously enough, so why should any of us?
It also didn’t help that the director, before this came out, was bragging about the heroes not using guns (they do) and just kicking the patriarchy’s ass. She also admitted to not being a fan of comics.
Maybe it’s time for these companies to start hiring creatives that know the material, are passionate about it and thus, want to make the best representation of what these characters and stories should be.
And they wonder why box office numbers were already decreasing before COVID-19.
Rating: 4.5/10 Pairs well with: the other lackluster DC Comics movies of recent memory.
Release Date: January 21st, 2017 (Sundance) Directed by: Brett Haley Written by: Marc Basch, Brett Haley Music by: Keegan DeWitt Cast: Sam Elliott, Laura Prepon, Krysten Ritter, Nick Offerman, Katharine Ross, Ali Wong, Cameron Esposito
Northern Lights, Park Pictures, Houston King Productions, The Orchard, 93 Minutes
The Hero finally came out in a theater near me. I had anticipated seeing this since first hearing about it when it played at Sundance in January. Anything with Sam Elliott in the lead is worth checking out and the rest of the small cast is made up of people I love, so I has hoping for something exceptional.
Well, the film is not exceptional but it was still somewhat enjoyable.
The Hero is an American independent drama in its most common form. The story is lighthearted but serious, there is personal tension and everything feels genuine but is sort of cookie cutter and predictable. Unfortunately, from a narrative standpoint, there just isn’t much to sink your teeth into.
The thing that prevents the film from being a total waste is the cast. It’s as if the main character was tailor made for Elliott and it is one of his best performances of all-time, which says a great deal, but the script around his performance just isn’t there to support him.
Laura Prepon, who plays Elliott’s love interest, is also fantastic in this but her character needed a bit more and sadly, the conversations between her and Elliott weren’t as well written as they should have been. This is also the case with Elliott’s scenes with his daughter, played by Krysten Ritter, and his ex-wife, played by the great Katharine Ross. None of the dialogue really had the weight and meaning that it needed.
The high point of the film, at least for me, was seeing Elliott reunited with Nick Offerman, who played his best friend and weed dealer. Elliott and Offerman had a good and hilarious chemistry in the episodes where they appeared together on Parks and Recreation. Their friendship feels real and it is always good seeing either of these guys get a beefy role in the movies. While Offerman only appears in three or four parts, its those scenes that seem to be the best in this picture, maybe because their chemistry and real life friendship cuts through the mediocre script.
The Hero is worth a watch if you like the people in it. It just kind of sucks that they didn’t have something more intimate and well-written to play off of each other. It is a film full of great talent in front of the camera but not a project worthy of their efforts.