Also known as: Code 3, Code 3-A (working titles), Criminal Brigade (Portugal)
Release Date: June 8th, 1950
Directed by: Richard Fleischer
Written by: Gerald Drayson Adams, Earl Felton, Robert Leeds, Robert Angus
Music by: Roy Webb, Paul Sawtell
Cast: Charles McGraw, Adele Jergens, William Talman
RKO Radio Pictures, 67 Minutes
“You should see her workin’ clothes. Imagine a dish like this married to a mug like Benny McBride… the naked and the dead.” – Ryan
Richard Fleischer would go on to have a heck of a career. However, he first rose to prominence in the late ’40s and early ’50s when he turned his attention towards directing a string of film-noir pictures.
Armored Car Robbery is just one of four really solid noirs that Fleischer did. The other three being The Clay Pigeon, His Kind of Woman (he was uncredited for this one) and The Narrow Margin. I’ve reviewed all of these except for His Kind of Woman but I plan to revisit it soon.
This film teams up two classic noir heavyweights: Charles McGraw and William Talman. It also features Adele Jergens, who isn’t the most alluring femme fatale in noir history but still has a very strong presence and a certain beauty that seems more authentic and real than just some insanely beautiful dame slithering around her prey.
The plot sees a criminal named Purvis (Talman) recruit Benny to help him rob an armored car at Wrigley Field (the old Los Angeles one, not the famous Chicago one). Benny’s wife has been two-timing him and the man she has been sleeping with is Purvis, although Benny doesn’t know this at the time. The robbery goes sideways due to a passing police patrol. A cop is murdered in the getaway and the criminals escape. The dead cop’s partner, Lt. Jim Cordell (McGraw), makes it his personal mission to bring these criminals to justice. With all the pressure, the criminals become paranoid and things start to fall apart.
Armored Car Robbery is very typical of the RKO visual style in regards to their crime pictures. It feels like a gritty and edgy RKO picture, which for fans of classic film-noir, should be a very strong positive.
One problem with the film is that there was a better armored truck robbery a year earlier called Criss Cross. The stories themselves are different but it is hard to not review this film without citing the earlier one. That one was a Robert Siodmak picture and starred Burt Lancaster and Dan Duryea. While that film shouldn’t take anything away from this one, if you’ve seen Criss Cross first, this movie can’t help but feel a bit derivative.
The things that make this film work though are the talented cast, the direction of Fleischer and the crisp, high contrast visual style.
Pairs well with: Richard Fleischer’s The Clay Pigeon, His Kind of Woman and The Narrow Margin.