Film Review: Superman II (1980)

Release Date: December 4th, 1980 (Australia)
Directed by: Richard Lester, Richard Donner (uncredited)
Written by: Mario Puzo, David Newman, Leslie Newman
Based on: Superman by Jerry Siegel, Joe Shuster
Music by: Ken Thorne
Cast: Gene Hackman, Christopher Reeve, Ned Beatty, Jackie Cooper, Margot Kidder, Valerie Perrine, Terence Stamp, Susannah York, Jack O’Halloran, Marc McClure, Sarah Douglas, Marlon Brando (appears only in the Richard Donner Cut)

Film Export A.G., Dovemead Limited, International Film Productions, Warner Bros., 127 Minutes (original cut), 116 Minutes (Richard Donner Cut)

Review:

“Come to me, son of Jor-El, kneel before Zod!” – General Zod

In all honesty, I like Superman and Superman II just about the same. II gets a bit of an edge though just because I like the story better and the threat in the film is a credible threat, as it pits Superman against an adversary that matches his power level.

While I love Lex Luthor, the character, and I also love the mind versus might rivalry, the Gene Hackman version of the character just doesn’t hit the right mark. Don’t get me wrong, I enjoy Hackman and his character in these movies but he doesn’t feel like the Lex of the comics I grew up with. He is to Luthor what Cesar Romero was to the Joker. He’s damn entertaining and enjoyable but he’s lacking the darkness that’s needed to truly be villainous.

General Zod, however, is an incredible opponent. He was created for this film series but he was so damn good that he would go on to be in the comics. Terence Stamp really brought some much needed testosterone to the table and his minions, played by Sarah Douglas and Jack O’Halloran, were pretty cool villains as well. Man, I was crushing hard on Sarah Douglas when I was a kid.

I also really liked the romance in this movie and usually I don’t care about that crap in these sort of films. I just like how Clark and Lois’ relationship blossomed and how it was really tested and pushed Superman into having to make an incredibly hard decision, which he then had to try and fix because saving the world is his destiny, even if that means he can’t love a human. Yeah, the story around this was actually weird and nonsensical but the point of it and the challenge made me accept it.

Getting back to Lex Luthor though, his role in this film seemed pretty pointless. Once again, he was the top billed star but it’s like they had nothing for him to do. He breaks out of prison, leaves poor Otis behind, breaks into Superman’s house and then aligns himself with Zod, who didn’t need Luthor’s help at all, let’s be honest. Luthor is just sort of wedged into the film just because they had to have a name as big as Gene Hackman’s, after Marlon Brando’s Jor-El was killed off in the first picture. I should note that Brando did film footage for the film but he wanted more money than the producers were willing to pay, so it was edited out of the final cut. He does appear in the Richard Donner cut of the film though.

This chapter in the Superman movie saga is a great extension of what the first movie was. Really, they just feel like two halves of a whole. The movies did a lot of their filming simultaneously because the producers knew there would be a sequel. Some of the filming on II got put on hold though, as it was holding up the production of I and the studio wanted to make sure it wasn’t going to miss its Christmas time release. There was a lot of conflict, behind the scenes, and Richard Donner was fired after directing most of II. He wasn’t given credit for his work and Richard Lester took over. Lester would also go on to direct the terrible Superman III, showing that he wasn’t as skilled as Donner. On a side note, the Richard Donner Cut was released years later, which most people seem to enjoy more.

Despite the backstage politics, this still ended up being my favorite film in the franchise.

Rating: 8.5/10
Pairs well with: Superman: The Movie, the 1980 Flash Gordon.

Film Review: Ghosts of Mars (2001)

Also known as: John Carpenter’s Ghosts of Mars (complete title)
Release Date: August 24th, 2001
Directed by: John Carpenter
Written by: John Carpenter, Larry Sulkis
Music by: John Carpenter
Cast: Ice Cube, Natasha Henstridge, Jason Statham, Pam Grier, Clea DuVall, Joanna Cassidy, Robert Carradine, Wanda De Jesus, Peter Jason

Storm King Productions, Screen Gems, 98 Minutes

Review:

“…Friday night, the whole place should be packed. A whole twelve hours before sun up and there’s money to burn, whores to fuck and drugs to take.” – Melanie Ballard

Well, this was the only John Carpenter film I had never seen. That is, until now. I just remember that when it was coming out, I thought it looked terrible. My friends that did see it only confirmed my reservations about it and in fact, they were harsher on this film than I expected. So I never really wanted to give it a watch but hey, I review movies and this was on my Starz app, so I figured I’d torture myself for 98 minutes.

I wouldn’t quite say that it was torture though. It was stupid enough to entertain me but it didn’t do much to excite me. And it’s not like John Carpenter did anything wrong, it’s just that this proved that his style had become dated. Had this script been shot by him in the late ’80s, this could have been a film that was remembered more fondly because it would’ve fit that era better.

A big issue with it though, is its reliance on poorly shot and constructed miniatures, very confined sets and going the digital route in places where practical effects would’ve probably worked better. Also, it definitely lacks in the violence department, at least in what one should expect from a Carpenter film.

It’s also kind of a boring movie, for the most part. The villains are pretty shitty and this is really just a movie with space zombies that understand how to use primitive weapons. Also, the main villain just looked like any generic horror monster from the late ’90s that was trying to be a scarier version of Marilyn Manson but just ended up looking like a goth kid without a good Halloween costume.

The acting in this is terrible too. Ice Cube can do better but he really just plays himself and dialed it in. Natasha Henstridge was okay and at least believable in her role but she looked bored. Statham was pointless in this, as was Clea DuVall, who can deliver a good performance when given the right role.

This isn’t an unwatchable movie but I can’t recommend it. I think that most people will actually hate it, even though I found it okay enough to kill 98 minutes during a tropical depression.

Rating: 3.5/10
Pairs well with: Later John Carpenter films, as well as other films from the era that dealt with Mars: Red Planet and Mission to Mars.

Comic Review: Dark Nights: Metal

Published: June 12th, 2018
Written by: Scott Snyder
Art by: Greg Capullo

DC Comics, 204 Pages

Review:

I didn’t read this as it came out. I also was much more frugal about how much I spent on comics at the time. I’m less frugal now, as I’m spending more time reviewing them. And to be honest, while this is $30 for the collected edition at my local comic shop, I found this on a brief Comixology sale for $5.99. So at that price, I figured I’d give it a go. If I ended up really liking it, I would’ve gone back to buy the single issues. But I didn’t really like it all that much. I’ll explain.

To start, I typically like Scott Snyder’s writing, especially in regards to anything with Batman in it. As far as Greg Capullo goes, he is one of my favorite artists of the last few decades. So seeing them reunite for this was definitely a selling point, even if what I knew about the project’s story didn’t peak my interest.

The biggest problem with Metal is the same problem with most mega events in comics, it is chock full of so many characters that the plot loses fluidity and the story seems to placate more to wedging in as many cameos as possible, as opposed to keeping the train on the rails.

This wasn’t a bad idea for a story but it should have been kept fairly simple. People just kept showing up on nearly every page, though, and it becomes distracting. New twists and turns are thrown in as often as characters and this just loses its focus. It also introduces a whole horde of villains, most of whom will just be one-offs in this story anyway. But this reads more like a sketchbook than a coherent story. What I mean by that, is that this feels like Capullo trying to fit in every cool design that he wasn’t able to wedge into Spawn throughout his run on the book in the ’90s.

Another thing I didn’t like was how wordy this was. While there are good action scenes, sometimes these characters felt like they weren’t surrounded by villains but instead, were surrounded by word balloons, trying to wedge their way into the panels and asphyxiate the characters. The word balloons were the real villains of the story. At least, that should be a twist whenever this gets a sequel.

I did like how the ending looked into the future as a way to tell you what stories would be coming out from DC Comics over the following year. But, at the same time, this was disappointing to some degree, as a main reason why I picked this up was to see the introduction of DC’s “New Age of Heroes”. I always see mentions that this is where they debuted but their appearance here is limited to one panel where we see into the future.

Anyway, this at least kept my attention over the six issues, even if they felt like twelve due to the dialogue and having so much detail to drink in. I wouldn’t say that this is a waste of time and I can see where this will be a lot of people’s cup of tea. It just wasn’t my cup of tea, really. But I also don’t regret reading it simply because I liked seeing Capullo have fun and get really creative with the art and character design.

Rating: 6/10
Pairs well with: Any other DC Comics mega event of the last decade or so.

Film Review: Mortal Kombat (1995)

Release Date: July 13th, 1995 (Argentina, Israel)
Directed by: Paul W.S. Anderson
Written by: Kevin Droney
Based on: Mortal Kombat by Midway Games
Music by: George S. Clinton, various
Cast: Linden Ashby, Cary-Hiroyuki Tagawa, Robin Shou, Bridgette Wilson, Talisa Soto, Christopher Lambert, Peter, Jason, Frank Welker (voice)

Threshhold Entertainment, New Line Cinema, 101 Minutes

Review:

“Challenging Goro eh? You weren’t supposed to fight him now. Are you that eager to die?” – Shang Tsung

This is the epitome of poorly aged films.

But let’s be honest, Mortal Kombat was never a great film or even a very good one. People that still seem to love it, do so because of nostalgia. Either that or they just have incredibly poor taste. I’m someone that watches a lot of bad movies because I’ll review just about anything but I found this picture to be almost unwatchable in 2018.

I loved the Mortal Kombat game when it first came out but I’ll be honest, this movie didn’t do much for me, even if I threw quarters into the arcade game like a pervert at a Times Square peep show in the ’70s.

While this didn’t initially seem as bad as the Street Fighter movie that came out a year earlier, I feel that Street Fighter is just so cheesy in the right ways that I actually enjoy it more and would watch it again. As far as Mortal Kombat, I don’t want to see this film again, ever.

Granted, I’ll watch the sequel because I’ve never actually seen it and I heard that it’s so bad that you have to see it to believe it. The thing is, I would have liked this movie better if it was as terrible as what people say about the sequel. This is just mundane and a cornucopia of terrible ’90s cliches.

I have always liked Bridgette Wilson though. I wish she’d still make movies but since marrying Pete Sampras circa 2000, she hasn’t done much. Actually, her most recent credit is ten years-old now. She was one of my ’90s crushes though, so I’ve always got a soft spot for her, even though she’s mostly been in pretty mediocre movies.

As much as I like Christopher Lambert, but really only because of the original Highlander, he’s fucking awful in this. Raiden’s lines are atrocious but that’s not Lambert’s fault, this script is a hot mess. And frankly, he doesn’t do a fucking thing in this film except look more like Gandalf the White than the actual Raiden character.

I don’t understand why Johnny Cage is the one that kills Goro. Cage is a lame ass character and always has been. Although, using him to do the spot with the dick punch was pretty solid.

The worst thing about this film, however, is the ridiculous special effects. I guess Goro looked good for the time and for the limited budget this had but all the magic shit was beyond terrible. The scenes with Scorpion were laughably bad, even for 1995. Then you had the animated demon dragon things that looked like they were ripped out of a 3D PC game from 1991. Also, there is incredibly obvious green screen work. The scene where Shang Tsung sucks the soul out of a warrior and into his own eye literally made me laugh out loud like a drunken hyena.

I think that the main reason that this film didn’t work for me is that it tried to be a real live action adaptation of the game. Certain things work in a game that won’t work in a live action movie. For instance, Liu Kang’s special kick came off as forced and cringy.

In 1995, I wanted this to be good. I kind of figured out, from the trailer, that it wouldn’t be. So I went into the film with low expectations. It’s a good thing I did.

I should also point out that the soundtrack was fucking stupid but honestly, I could go on about that for 1000 words and I don’t want to pull that Band-aid off. I just remember walking by the Taekwondo gym in the mall around 1996 and seeing toddlers flailing around throwing sloppy kicks to the theme song at full blast. That’s the moment where I knew I didn’t want kids.

Rating: 4/10
Pairs well with: Other mediocre but mostly crappy movies based off of fighting games: Mortal Kombat: AnnihilationStreet FighterStreet Fighter: The Legend of Chun-LiTekken and Tekken 2: Kazuya’s Revenge.

Comic Review: Green Arrow: The Outsiders War

Published: November 6th, 2013 – May 7th, 2014
Written by: Jeff Lemire
Art by: Andrea Sorrentino

DC Comics, 157 Pages

Review:

This is the biggest story arc in Jeff Lemire’s run on Green Arrow.

This was also pretty damn intense. But as Lemire’s run on the title rolls on, I have developed a love/hate relationship with it.

For one, I’m not entirely sure of why this version of Oliver Queen lives in Seattle as opposed to Star City and it’s never really been explained within Lemire’s stories. It’s a weird setting for a DC title and maybe trying to ground this in some sort of gritty reality is why they use a real world city but Seattle is hardly some dark and gritty metropolis like Star City has been in the past.

Also, this started bringing in characters and concepts from the TV show Arrow. I’m not sure if that’s because this came out just after the show started and was at its height in popularity but the comic doesn’t need to follow the show or be a comic book version of the show. That show is its own thing and what works on TV isn’t always what works in comics, and vice versa. This is why the show has changed some things but Lemire’s run is adopting some of those changes and characters. But it is also an attempt to make this more accessible to the fans that have only watched the TV series.

The stuff between Oliver and Komodo is really good though. I like the Komodo character, what he represents and how he’s completely altered the course of Oliver’s life.

I like the mystical elements of the story, as well, and it reminds me of old school Iron Fist comics in a lot of ways.

The best thing about Lemire’s run on Green Arrow isn’t Lemire though, at least not for me. The best thing is the art. Andrea Sorrentino has such a unique and incredible style that it breathes more life into these tales. His ability to showcase action in new and exciting ways is really refreshing.

All in all, this is fun if you are a fan of the character, whether through the comics or just from the television series.

Rating: 7.75/10
Pairs well with: The other story arcs in the Jeff Lemire run on Green Arrow.

Film Review: G.I. Joe: The Rise of Cobra (2009)

Also known as: Dark Sky: First Strike (fake working title), G.I. Joe (Czech Republic, Japan, Spain)
Release Date: July 27th, 2009 (Tokyo premiere)
Directed by: Stephen Sommers
Written by: Stuart Beattie, David Elliot, Paul Lovett, Michael B. Gordon, Stephen Sommers
Based on: G.I. Joe: A Real American Hero by Hasbro
Music by: Alan Silvestri
Cast: Adewale Akinnuoye-Agbaje, Christopher Eccleston, Joseph Gordon-Levitt, Lee Byung-hun, Sienna Miller, Rachel Nichols, Ray Park, Jonathan Pryce, Said Taghmaoui, Channing Tatum, Arnold Vosloo, Marlon Wayans, Dennis Quaid, Karolína Kurková, Brendan Fraser, Kevin J. O’Connor, Gerald Okamura, Grégory Fitoussi

Spyglass Entertainment, Di Bonaventura Pictures, Hasbro Studios, Sommers Company, Paramount Pictures, 118 Minutes

Review:

“Technically, G.I. Joe does not exist, but if it did, it’d be comprised of the top men and women from the top military units in the world, the alpha dogs. When all else fails, we don’t.” – General Hawk

*Let me preface this by saying this review will have a massive amount of profanity. You have been motherfucking warned.

Directed by Stephen Sommers, a man that shouldn’t be allowed to touch a camera after The Mummy Returns and Van Helsing, this movie is a massive piece of shit and a huge disappointment to any fans of G.I. Joe: A Real American Hero, whether in cartoon or comic book form.

I don’t know where to start, as everything about this is bad but I have to point out the biggest issue with it and that’s the fact that it has no idea what G.I. Joe is, who these characters are or why any of this is awesome and really hard to fuck up. That is, unless you’re just someone that doesn’t give a flying fuck about the property your adapting and just see it as nothing more than a cash cow with a massive amount of built-in merchandise already attached to it.

Frankly, Hasbro needs to respect their own properties more and stop whoring them out to anyone willing to write stories and make movies and shows based on them. They’ve forgotten what their core brands represent and why they resonate with people. Between this film and the live action Transformers movies and that awful Jem film, Hasbro needs to get their shit together.

Anyway, they couldn’t have chosen a worse director than Stephen Sommers. Okay, they could’ve gotten Uwe Boll, but his film probably would’ve at least been fun and ridiculous for the right reasons.

What I hate the most about this is that none of the characters apart from the ninjas, are even close to who they are in the cartoon series or the comics. For fuck’s sake, Larry Hama wrote amazing comic stories that all could have translated well to screen. The cartoons even had some great epics mixed in that could have been adapted. Stephen Sommers and his staff of a half dozen writers couldn’t come up with a single scene in a two hour film’s script that represented anything close to what was great about the source material.

One of my favorite characters, the Baroness, wasn’t even close to what her character is. She is an incredible character with a great backstory and is really, the most vicious member of Cobra. Here, she is just a brainwashed American girl that can’t be the badass she should be because she’s got a hard on for Channing Tatum the whole picture and turns back into a good guy and helps defeat Cobra. What in the holy fuck?! This is the goddamned Baroness we’re talking about!

It’s not just her though, Cobra Commander was a joke, Destro was boring, Duke was lame, Ripcord was annoying and Scarlett was so terribly uncharacteristic that she should have just been named Ginger Brainy Girl.

In one of the biggest action sequences in the film, we get Duke and Ripcord running around Paris in generic Iron Man suits. Why? Those suits never existed once in any G.I. Joe continuity that I’ve ever seen and I’ve read and seen everything. This was a poor attempt at trying to piggy back off of the success of Iron Man a year earlier. But, Sommers, this isn’t a Marvel film, it’s G.I.-fucking-Joe!

Also, in the big finale, Cobra Commander tries to destroy the Joes by blowing up the ice shelf above them. What does ice do in water people? It fucking floats! So how in the hell does the ice come crashing down like boulders in the goddamned ocean? How?!

But there’s still so much more wrong with this motion picture.

Why does Snake Eyes have fucking lips?! He’s a ninja in a ninja mask. He doesn’t need rubber lips. His head looks like it was ripped from a full size sex doll.

Why does Duke have to be restrained from punching a hologram? It’s a fucking hologram!

How does Ripcord’s jet plane go from Moscow to Washington in just a few minutes? How?!

I mean, there are a lot of other stupid things in this film too but you probably get the point by now.

G.I. Joe: The Rise of Cobra was an expensive movie, given to a four year-old, mentally challenged kid, that just wants to play with his G.I. Joe toys in the bathtub. I’m talking about Stephen Sommers, for the record. And while that may sound harsh, it’s not as harsh as Sommers was to this beloved franchise. Fuck this guy, he’s one of the worst directors of the last two decades.

I never wanted to see this film again but I suffered through it just to review it. The sequel to this was actually better but still far from great. Hasbro needs to stop whoring out their properties unless they can learn how to vet these filmmakers better. Seriously, Hasbro, G.I. Joe is a franchise deserving of a great motion picture. Hell, I’ll make it. I can certainly do better than this film and I know these characters because I’ve spent over 35 years with them.

Seriously, Hasbro. Call me.

Rating: 2.75/10
Pairs well with: It’s sequel, as well as the crappy live action Transformers movies.

Comic Review: Ultimate Comics Spider-Man, Vol. 3

Published: January 30th, 2014
Written by: Brian Michael Bendis
Art by: David Marquez, Kaare Kyle Andrews

Marvel Comics, 171 Pages

Review:

The last collection in this series left you hanging, wondering what was going to happen in regards to Miles Morales being blackmailed by his Uncle Aaron into helping him take out the Scorpion and build his own criminal empire. Uncle Aaron is the famous Spidey villain the Prowler and of course, Miles is just getting his feet wet as the new Spider-Man.

This starts off with a massive bang that changes Miles’ life forever. I don’t want to spoil it but I’ll just say that up to this point, Miles has never been in a situation where the responsibilities of being Spider-Man have been more real and hit as close to home.

The rest of the book deals with a massive battle that sees Miles team up with the Ultimates, who are the Marvel Ultimate universe’s version of the Avengers. He convinces Captain America to let him join, despite his age, but this leads to him being a soldier in a violent war against Hydra. Even for Marvel and for Spider-Man, this is so unbelievable that it just doesn’t work, at all. Despite how good Miles is and where his heart is at, anyone who would send a thirteen year-old to war is an insane person. I’m looking at you Captain America, also the president of the United States in this continuity. But really, I’m looking at Brian Michael Bendis who wrote this asinine and preposterous storyline. I mean, seriously, what the fucking fuck?!

This isn’t Robin helping Batman or some New Mutants adventure, this is an all out war for America between the Ultimates, S.H.I.E.L.D. and Hydra. Professor X never sent Boom Boom to face off with Apocalypse. Batman never sent Robin into an Arkham Asylum riot without proper training.

Additionally, the big war was a massive distraction to the larger arc here, which is Miles becoming Spider-Man and finding himself in that role. This was one giant speed bump in this series but I hope that things come back down to Earth in the volume after this one.

I really liked this series, up to this point. This didn’t just jump the shark, it jumped an ocean full of sharks.

Rating: 5.5/10
Pairs well with: The other early Mile Morales Spider-Man stories. Also, Spider-Men I and II and Spider-Verse.