Release Date: April 5th, 2019 (Cleveland International Film Festival)
Directed by: Roman Chimienti, Tyler Jensen
Written by: Michael Beard, Clint Catalyst, Leo Herrera, Justin Lockwood
Music by: Alexander Taylor
Cast: Mark Patton, Robert Englund, Jack Sholder, David Chaskin, Robert Rusler, Marshall Bell, Kim Myers, Clu Gulager, JoAnn Willette, Linnea Quigley
The End Productions, 99 Minutes
I was pretty excited to check this out when I first saw the trailer pop up. I’m a big fan of the Nightmare On Elm Street franchise and I was probably one of the few that actually liked the second movie, before everyone else figured out how “gay” it was.
Granted, I kind of saw the film’s gay subtext for myself and despite this documentary claiming that the gay innuendo was widely known when this came out, I don’t recall many people talking about it until the late ’90s or so. Then again, I was also a young kid and didn’t reach my teen years until the ’90s, so maybe my peers were a bit behind in picking up on the cues.
Anyway, I actually thought that this was just sort of meh. I wouldn’t call this documentary a disappointment but it just didn’t live up to the hype around it and to my own excitement after first hearing about it.
I guess the thing I liked most about it was that I finally got to see what became of Mark Patton, who sort of fell off the face of the Earth for a long time because of what he perceived as backlash from this picture and because he felt that it somewhat exposed him as being gay in a time when there was still a lot of misinformation and fear of AIDS, as well as a lot of homophobia in mainstream Hollywood.
Most importantly, this really goes into Patton’s personal life, showing the viewer what hardships he went through during and after this film. I don’t want to give too much away, as this is worth watching for those who also love the Elm Street movies.
It was also cool seeing the cast of the second Elm Street movie finally reunite after all these years. It’s obvious that Patton’s cast mates cared for him and had missed him during his self-imposed exile from the business.
Overall, this was a decent piece on the man and his life but I wish it would’ve gotten more into the movie itself and actually tried to show it more as a somewhat beloved film by a small minority of Elm Street fans. It was the most bizarre and weird of the Elm Street pictures and that’s without looking at the subliminal homophobia that was written into the script.
Pairs well with: other recent horror movie documentaries.
I actually hated this game as a kid. I didn’t really understand what you were supposed to do and it wasn’t made clear within the game. The similar Friday the 13th made some sense and ultimately, I figured out how to beat it.
Well, I fully grasp this game now, thanks to skimming over an online walkthrough, which weren’t available in the late ’80s. So now I’ve played through this and beat it and have more of an appreciation for it, even if it is a pretty flawed game.
I’d actually say that I prefer this a bit more than Friday the 13th but it still isn’t as great as an A Nightmare On Elm Street game could’ve been in the 8-bit realm. However, it is better than most licensed games based on larger properties.
My main gripe with this is that there isn’t much difference between the real world and the dream world. I love that you can play in both but I find the real world to be more of a pain in the ass, even if the enemies seem somewhat weaker. But why are there zombies, monster snakes and giant rats in the real world? Is Elm Street next to a zoo that did insane lab experiments and then released them on the suburbs?
That being said, this game lacks creativity. What sucks about that, is that A Nightmare On Elm Street is a franchise full of some of the most creative slasher movies ever made. I don’t think anyone can really deny that.
Granted, this offers up more boss battles than Friday the 13th, which only really has two. However, the boss battles in this game primarily consist of disembodied pieces of Freddy Krueger floating around a screen or being attached to a chain like Chain Chomps from the Super Mario games.
When you do actually fight Freddy in his normal form, the boss battle is pretty underwhelming.
Additionally, the level design isn’t great and the game is pretty repetitive.
Still, this isn’t a bad way to waste about an hour of your time. While it’s damn difficult, it’s not unbeatable and it does give you a sense of accomplishment once you toss Freddy’s bones into the furnace.
Pairs well with: the Friday the 13th game for the original Nintendo.
Release Date: April 27th, 2010 (Hollywood premiere)
Directed by: Samuel Bayer
Written by: Wesley Strick, Eric Heisserer
Based on: characters created by Wes Craven
Music by: Steve Jablonsky
Cast: Jackie Earle Haley, Kyle Gallner, Rooney Mara, Katie Cassidy, Thomas Dekker, Kellan Lutz
New Line Cinema, Platinum Dunes, Warner Bros., 95 Minutes
This film has been out for seven years and I really didn’t want to see it. I’m a massive fan of the original film and some of its sequels. More importantly, I am a bigger fan of Robert Englund and how he has played the character of Freddy Krueger over his 19-year and 8 film span. Englund was Freddy and Freddy was Englund.
However, if you absolutely had to recast the role, which they didn’t have to, Jackie Earle Haley isn’t a bad choice. The thing is, this was a role doomed for failure because it belonged to Robert Englund.
The character had also become increasingly more funny and campy, as the original series pumped out yearly installments. While Haley’s Krueger has a good one-liner or two, it just doesn’t have the impact and hilarity of Englund’s infamous one-liners. But that isn’t Haley’s fault. This was just a stupid film, that similarly to the Friday the 13th remake, a year prior, didn’t really understand the magic behind its predecessors.
The film is horribly acted, completely lacks suspense and has no originality. This remake steals all the cool shit from the original 1984 film and does it all over again with shitty CGI and unimaginative execution. Watch the original film’s scene where Freddy starts to come through the bedroom wall and then watch that same scene in this 2010 version. One is terrifying and feels real, the other feels like an unfinished cutting room floor scene of the Sandman from Spider-Man 3.
Kate Mara’s always depressing sister plays Nancy and completely lacks everything that made Heater Langenkamp great in that role. The kid who plays the Johnny Depp role is useless and pointless, Black Canary form Arrow essentially plays Tina from the original but they changed her name. Her death scene also treads the exact same water as the original but does it poorly and doesn’t add in anything new.
Also, Freddy, in this film, is a straight up child rapist. While that was implied in the sixth film (Freddy’s Dead) of the original film series, I never really accepted that after it took six films to make that point. Plus, Freddy’s Dead was mostly atrocious and added a bunch of crap to the mythos that didn’t need to be there, ala Jason Goes To Hell.
This movie is garbage. It brings nothing new to the table and it’s execution and creativity don’t even come close to the original Wes Craven directed masterpiece. Pretty sad, considering this film had a much larger budget to work with and the future of the franchise was riding on it being successful.
In the seven years since, there has not been a sequel and talk about Elm Street is nonexistent. Granted, it will eventually get rebooted again. I just hope that the next attempt isn’t soulless crap like this was.
Release Date: August 15th, 2003
Directed by: Ronny Yu
Written by: Damian Shannon, Mark Swift
Based on: characters created by Wes Craven, characters created by Victor Miller
Music by: Graeme Revell
Cast: Robert Englund, Monica Keena, Kelly Rowland, Jason Ritter, Chris Marquette, Lochlyn Munro, Ken Kirzinger, Katharine Isabelle, Zack Ward, Brendan Fletcher, Robert Shaye
New Line Cinema, Crystal Lake Entertainment, 97 Minutes
I have now reviewed all of the Friday the 13th and A Nightmare On Elm Street films, excluding remakes. I have finally gotten to the end of the ride, where the big main event that everyone always wanted to see, finally happened. The showdown of the immortals! Freddy vs. Jason!
For some reason, this film disappointed fans of both franchises. I’ve never really been sure why, other than complaints about the use of CGI having less of an effect than the practical effects of the 1980s used in Freddy’s dream sequences. Yeah, it does feel less organic visually but the spirit is still there and the emotional tone was perfect.
The plot is pretty well done, as it brings together both of these worlds and merges them into one thing. Freddy Krueger gets into Jason’s mind while he is wandering Hell and poses as his mother, telling Jason to go to Springwood to start killing the teenage population. If the teens live in fear, Freddy can manifest in their minds once again. Pretty good setup and it created an interesting scenario that saw Jason stalking teens in Freddy’s neighborhood.
I wasn’t a fan of Kane Hodder not being cast as Jason Voorhees. Ken Kirzinger did a solid job as Jason but the character was missing those Hodder mannerisms that became iconic over his four film run as the character.
Robert Englund was fantastic as Krueger, especially after a nine year hiatus following the more serious New Nightmare. This was Freddy back at his comedic and sinister best. And even though he only has one kill in this entire movie, the comedic effect of Jason beating him to the punch with kills was entertaining and added a cool dynamic to these horror icons’ relationship.
Monica Keena is fucking gorgeous in this movie and she was a good lead. She overacted in some scenes and screamed ridiculously too often but she was one of the better teenage characters out of any of these films. Jason Ritter was okay but it was cool seeing John Ritter’s kid get a shot in Hollywood. Kelly Rowland was atrocious as Kia, the nerd kid was boring and the rest of the supporting cast were ripoffs of popular actors of the time, most notably a poor man’s Jack Black and a horrible wannabe Jay from Jay & Silent Bob fame. Also, there was a heroic deputy that knew about Jason Voorhees. His character was a wasted opportunity where they could have brought back Tommy Jarvis from the fourth, fifth and sixth Friday the 13th films. It would’ve been cool to see Jason finally get his revenge on Tommy.
I don’t think that Ronny Yu was the best choice for director. He wasn’t bad but some of the action sequences were too Hong Kong and just felt weird and out of place. There were lots of shots where things would go into a strange slow motion pace with the visuals blurred and obscured – probably to hide things and keep the budget down. It wasn’t a style consistent with either film series and it became distracting.
As far as the Freddy vs. Jason battle, it happens twice in the film: once in the dream world and another in the real world. The ending is also open ended and ambiguous. You could argue that either monster won and in the end, they both survive anyway.
Unfortunately, there were no sequels after this for a joint film or solo films for either monster. Years later they both got remade with inferior films. It’d be nice to see them get a good reinvention in the future or to just pick up these films where Freddy vs. Jason left off. Although, Robert Englund says he will never play Freddy Krueger again, as he is a lot older than he was when he started in 1984.
Release Date: October 14th, 1994
Directed by: Wes Craven
Written by: Wes Craven
Based on: characters by Wes Craven
Music by: J. Peter Robinson
Cast: Robert Englund, Heather Langenkamp, John Saxon, Miko Hughes, Tracy Middendorf, David Newsom, Fran Bennett, Wes Craven, Robert Shaye, Marianne Maddalena, Sam Rubin, Sara Risher, Nick Corri, Tuesday Knight, W. Earl Brown
New Line Cinema, 112 Minutes
Wes Craven’s New Nightmare is a sequel of sorts to the original series but it is also a standalone film. Reason being, it is supposed to exist in the real world, as Freddy Krueger evolves from being a monster on the screen to manifesting in the real world to terrorize Heather Langenkamp, the actress who played Nancy in the first and third films in the series.
The film is a reinvention of the Freddy Krueger mythos. This is why I am reviewing it as its own thing.
Freddy enters our world, after being killed off in the film series. He needs fear to exist and if no one is making movies, he will evolve beyond them. The premise is bizarre but it gives the franchise a bit more originality and energy to give the audience something compelling and new.
For some reason, Freddy has evolved physically, as well. His scars are very different, he sometimes wears a trench coat and he no longer wears a glove, as his claws have grown organically out of his hand. Additionally, he now has a razor on his thumb. He looks more primal overall but I’m not a big fan of the trench coat.
The film also feels more serious than any of the previous chapters. The ante is upped creatively and it brings more realism to a horror fantasy.
Langenkamp was great, playing herself and having to deal with her child being terrorized and her husband being murdered. Her husband in the film was played by her real life husband.
As for the kid, Miko Hughes was stellar. He was a good child actor in a time when many weren’t. Also, he is the youngest potential victim Freddy has ever gone after on screen.
There are less deaths than normal but the real world feel adds more to those scenes. There is just something sinister and wrong in the scene where the young kid sees his babysitter dragged across the ceiling and gutted by Krueger. Robert Englund as Freddy, was at his evil best.
Watching Heather have to protect her very young son from a monster she unknowingly helped create, is more interesting and emotional than watching another slasher film full of mostly unlikable teens getting slaughtered for the umpteenth time.
I don’t know if a sequel to this could have ever materialized and been as good. It was best that this formula only lasted for a single film. And ultimately, it was a really good film.
A Nightmare On Elm Street IV: The Dream Master (1988):
Release Date: August 19th, 1988
Directed by: Renny Harlin
Written by: Brian Helgeland, Scott Pierce, William Kotzwinkle
Based on: characters by Wes Craven, Bruce Wagner
Music by: John Easdale, Craig Safan
Cast: Robert Englund, Lisa Wilcox, Danny Hassel, Tuesday Knight, Brooke Theiss, Andras Jones, Toy Newkirk, Ken Sagoes, Rodney Eastman, Robert Shaye
New Line Cinema, Smart Egg Pictures, Heron Communications, 93 Minutes
The Dream Master is the most successful film of the original series of six. I believe it is because it took the formula of Dream Warriors and then upped the ante and shot it more like a 1980s MTV music video in a time when MTV ruled the world and teenagers’ minds.
It is a colorful film with great editing and visuals. It opened the door for director Renny Harlin to go on and have a pretty big film career.
While Dream Warriors is my favorite film of the series, this one is right behind it. The dream sequences are very imaginative even the few that are a bit cheesy. But, at this point, the franchise was serving up more cheese and laughs than utter dread. Sure, Freddy was still sinister and evil but he had fully become the character everyone was cheering for.
Robert Englund was stellar as usual and he had great chemistry with his new foil, Alice (played by Lisa Wilcox).
This film sees Alice gain the powers of her friends as they die. Whatever their talents are, she has them all by the end of the movie, giving her more ammunition when taking on Freddy. She also knows how to control her dreams in a way that others before her weren’t able to do. She is Krueger’s perfect nemesis. Ultimately, where Nancy is the godmother of all the Elm Street children, Alice is their unrelenting protector.
I love this movie. It was also the last of the good films in the series.
A Nightmare On Elm Street V: The Dream Child (1989):
Release Date: August 11th, 1989
Directed by: Stephen Hopkins
Written by: Leslie Bohem, John Skipp, Craig Spector
Based on: characters by Wes Craven, Bruce Wagner, William Kotzwinkle, Brian Helgeland
Music by: Jay Ferguson
Cast: Robert Englund, Lisa Wilcox, Danny Hassel, Beatrice Boepple, Whit Hertford, Kelly Jo Minter, Erika Anderson, Nicholas Mele
New Line Cinema, Smart Egg Pictures, Heron Communications, 96 Minutes
Alice is back. This time she’s pregnant. Freddy wants the baby in an effort to resurrect himself. Essentially, we have the A Nightmare On Elm Street version of Rosemary’s Baby.
I was glad to see Alice and her boyfriend Dan return but overall, this film sucked.
There were a few good dream sequences, mainly the one where the kid gets sucked into the comic book. Also, the force feeding death to Greta was pretty well done and stomach churning – literally.
While this film tries to give Freddy Krueger more backstory, it chips away at the mystery too much. They revisit the nun mother plot from the third film and expand on it. All this ties it to the baby plot thread.
This film was also toned down in its color palate and just feels and looks really bland after the MTV-esque Dream Master.
It is mostly a sterile film with little to add to the series. Considering they got Alice back, they wasted an opportunity. Additionally, the writers completely disregarded the fact that she had the ability to get her friends’ skill sets. She ran around like a bad ass, which was fine, but she didn’t have the magic about her character that was there in the previous installment.
Freddy’s Dead: The Final Nightmare (1991):
Release Date: September 13th, 1991
Directed by: Rachel Talalay
Written by: Michael DeLuca, Rachel Talalay
Based on: characters by Wes Craven
Music by: Brian May
Cast: Robert Englund, Lisa Zane, Shon Greenblatt, Lezlie Deane, Yaphet Kotto, Breckin Meyer, Ricky Dean Logan, Johnny Depp, Tom Arnold, Roseanne Barr, Alice Cooper, Robert Shaye
New Line Cinema, 89 Minutes
This is, by far, the worst film in the series. While Freddy’s Revenge was a weird piece of work, it had so many redeeming factors. This film, truly has none.
The mythos is completely fucked up, similar to what happened to Jason Voorhees around the same time with Jason Goes to Hell. Freddy now has a daughter, he is now cemented as a child molester – which was just implied before, he had a normal family with a nice house but murdered his wife in front of his daughter and none of it made much sense or added anything interesting.
The film fast forwards to ten years into the future where all the Elm Street kids are dead and Freddy needs the last kid to go out and lead others to him. The fact that Freddy just assumes that kids will make it back there, doesn’t make any sense either.
Also, there are barely any kids in this film. Only three of them die. There are also too many survivors in the end.
Most of the dream sequences are completely retarded. For instance, the one where the kid is trapped in the video game is more of a cartoon and looks nothing like video game graphics. Also, the game play makes no sense. It was clearly devised by someone who never played a game before.
The drug use parts were also written by someone who clearly never smoked weed. Weed doesn’t make you hallucinate like LSD. But in this movie it did. Sure, you could write that off as Freddy making the kid trip when he got drowsy but it still doesn’t make much sense given the scenario.
The film is capped off by an atrocious 3D sequence through Freddy’s brain. It serves no purpose to the story and just makes the film look more ridiculous when played back over twenty years later on a 2D screen.
I hate this movie. Freddy wasn’t killed by the heroine of this film, he was killed by shitty execution, shitty writing and a shitty director.