Original Run: March 21st, 2021 – April 4th, 2021 Created by: Adam McKay, Todd Schulman, Nancy Abraham, Lisa Heller, Cullen Hoback, Alina Solodnikova, Tina Nguyen Directed by: Cullen Hoback Cast: various
I have HBO Max but I didn’t even know this was out there until Joe Rogan was talking to Zuby about it on his podcast. Granted, I also didn’t know what the hell Q was until a few months before the 2020 presidential election when you couldn’t escape mention of it on Twitter, a platform I still use because apparently I’m into torture and pig vomit limited to 280 characters.
Because of all the hoopla regarding Q, especially over the last twelve months, I figured I should watch this to learn more about what it is, why it is, how it is and the people that are connected to it. It’s become this strange, cultish, conspiratorial phenomenon and whether you agree with any of it or not, it’s still pretty fucking fascinating.
Being that this was put out by HBO, I was skeptical about it, as I wasn’t sure how objective and unbiased it would be. And frankly, that’s a real issue that I have with most documentaries these days that deal with political and/or social issues.
I ended up seeing this as pretty objective, though. It let all sides of the story that participated, clearly give their points of view on QAnon and everything surrounding 8Chan and its effect on the world of social media, American politics and the minds of those caught within its orbit.
That being said, this did feel more like a documentary about 8Chan than Q and QAnon. Sure, this does try to solve the mystery about who Q is and even though it does try to point to someone in the documentary, the viewer is still allowed to take the evidence presented and draw their own ideas and theories. But, at the same time, does it even really matter who it is?
All in all, I thought this was well-made, well-edited, well-paced after the first two episodes and it was hard to turn off and not watch in a single sitting. In a lot of ways, I guess this became my Tiger King for this year.
In the end, I don’t think this came close to solving this mystery but it was an entertaining journey and pretty damn informative, overall.
Release Date: September 23rd, 2020 Directed by: Jonah Tulis, Blake J. Harris Based on:Console Wars: Sega, Nintendo, and the Battle That Defined a Generation by Blake J. Harris Music by: Jeff Beal Cast: various
Circle of Confusion, CBS Television Studios, Legendary Television, Paramount+, 92 Minutes
“Whenever you’re at war, you always hit the guy in the mouth as hard as you can. If you can’t hit him hard, you might as well not even fight. That’s the attitude in real war and it’s the attitude in business. You’ve gotta be prepared to take on the competition and win.” – Paul Rioux
When I was a kid in the early ’90s, I was all about Sega Genesis. Sure, I liked some of the games on Super Nintendo when it came out but Genesis was just my cup of tea from the speed, the graphics, the sound and the game selection.
However, I was also growing up and by middle school age, I wasn’t into the kiddie games.
This documentary tells the story of how Sega emerged as a video game powerhouse in the United States in a time when Nintendo owned the vast majority of the market share. Sega didn’t care, though, and they went all in, creating a system that was much more impressive than the 8-bit Nintendo Entertainment System and honestly, better than Nintendo’s rebuttal, which was the Super Nintendo.
There’s no hate here, though. I truly loved both systems but Genesis had the edge for me.
Anyway, this was well put together, well researched and it features interviews with the majority of the key players in this story.
Rivalries in business are great and for preteen me, this was the greatest business rivalry I could ever care about. Video games were a huge part of my life.
So seeing all these key people talk about this rivalry now is pretty f’n cool. There’s so much I didn’t know about the behind the scenes stuff because I was a kid and all I cared about was being entertained by the games I loved.
Well, I was also pretty thoroughly entertained by this documentary.
Also known as: No Good Deed Goes Unpunished (working title), The Very Excellent Mr. Crocodile Dundee, Mr. Dundee (alternative titles) Release Date: July 17th, 2020 (Australia, New Zealand – Internet) Directed by: Dean Murphy Written by: Robert Mond, Dean Murphy Music by: John Foreman Cast: Paul Hogan, Rachael Carpani, Jacob Elordi, Chevy Chase, John Cleese, Olivia Newton-John, Reginald VelJohnson, Wayne Knight, Paul Fenech, Shane Jacobson, Kerry Armstrong, Charlotte Stent, Luke Hemsworth, Jim Jefferies, Costas Mandylor, Nancy O’Dell
“He’s back, whether he likes it or not.” – tagline
I grew up loving Paul Hogan, which is honestly why I even watched this in the first place. I certainly wasn’t lured in by the trailer or the 4.9 out of 10 on IMDb. But Hogan is a hell of a cool guy and I wanted to give this a shot because I immensely enjoy Crocodile Dundee I and II.
Needless to say, I thought that this was better than a 4.9 but not by a large margin. I enjoyed it, mostly, but it isn’t something that I’ll probably ever watch again. It was certainly better than the mostly terrible Crocodile Dundee III but a hair beneath Hogan’s Almost An Angel.
That being said, it’s nice spending time with Hogan again, as well as some of the other people he brought into this movie like Reginald VelJohnson, John Cleese, Wayne Knight, Chevy Chase and Olivia Newton-John. It’s also chock full of cameos from a lot of Australian celebrities and other friends of Hogan’s.
The plot sees Hogan playing himself and I guess it’s a lot like an episode of Curb Your Enthusiasm where the actor playing himself constantly screws up in every situation. For the most part, though, Hogan means well and not to offend but he either doesn’t fully understand the situation he’s in or someone else is a complete asshole but Hogan is blamed for it – like when the nun gets knocked out, which was due to Hogan protecting himself from an object thrown by a raging imbecile.
Most of the gags are still amusing, even if you see them coming from a mile away.
I thought that was is just a charming and lighthearted picture because of Paul Hogan. But honestly, there’s not much reason to watch it more than once and you should already have a love for its star.
Release Date: September 1st, 2020 (online premiere) Directed by: Marc Ostrick Written by: Marc Ostrick Music by: Danny Mordujovich Cast: Bama Babii, Erica Solitaire Chappell, Della Dane, Nikki Knightly, Sizi Sev
Ostrick Productions, 80 Minutes
Man, this was excruciating to watch. Not because of the subject matter, by any means, but because the production was amateurish as hell and I kind of found it shocking that Starz would even distribute this. Then again, Starz’s self-produced documentaries have rarely, if ever, been all that good.
I actually wanted a peek into the lives of the girls, here. I worked as a bodyguard and as security in the adult industry in my early twenties. I met a lot of cool and interesting people back then and with that, was expecting some pretty solid personal stories in this.
The problem wasn’t really the girls featured, as much as it was the presentation itself.
This is sloppily edited and most of it was shot like they were making videos for TikTok. Half of the movie is just strippers smoking weed talking about their pets and pointless, boring shit. Do strippers and adult entertainers not really party or have a good time, anymore? I mean, I know that they do but the director seemed to pick the worst days to capture these girls lives.
I know that this was made in an effort to show the real personas of these women but it failed to captivate or even hold my attention.
Honestly, as someone who worked in that industry, I’ve got to wonder if the director was just like all those random dudes that would come into the strip clubs and porn events I worked at, trying to butter up the girls, convincing them they were legit photographers and producers that wanted to use them for a big project. These dudes were a dime a dozen and while most adult entertainers have heard this shit a zillion times, some still gave out their phone numbers.
Also known as: Cruella de Vil (working title) Release Date: May 18th, 2021 (Hollywood premiere) Directed by: Craig Gillespie Written by: Dana Fox, Tony McNamara, Aline Brosh McKenna, Kelly Marcel, Steve Zissis Based on:The Hundred and One Dalmatians by Dodie Smith Music by: Nicholas Britell Cast: Emma Stone, Emma Thompson, Joel Fry, Paul Walter Hauser, Emily Beecham, Kirby Howell-Baptiste, Mark Strong, John McCrea
Gunn Films, Marc Platt Productions, Walt Disney Pictures, 134 Minutes
“They say there are five stages of grief. Denial, anger, bargaining, depression, and acceptance. We’ll I’d like to add one more… revenge.” – Cruella de Vil
Cruella is two movies trying to be one movie. Hell, maybe it’s even three movies.
That being said, I do like the film in spite of my better judgment but I’ll explain why while also pointing out the myriad of things wrong with it.
To start, this is just another soulless attempt at Disney trying to cash-in on an old, beloved franchise by making a live action adaptation of some part of it. In the case of this film, it’s a “prequel” of sorts to the 101 Dalmatians franchise. Like some other live action adaptations Disney has done, as of late, this tries to tell the origin story of one of the studio’s most famous villains. But really, this just shows how Disney is out of ideas and how it really keeps trying to inject identity politics into everything it touches now.
Additionally, this is basically trying to capitalize off of the success of 2019’s Joker by taking it’s general concept, switching genders, switching franchises, not going for an R rating and trying to pass it off as something fresh, cool and unique. Let’s also ignore that Warner Bros., who put out Joker, have also put out three movies with his psycho, villain, girlfriend Harley Quinn.
Also, this shows modern Disney’s problem with morality. In almost everything the studio puts out now, it gives audiences situations where it’s obvious that their writers don’t understand the basic concept of good versus evil. I’ve seen this in all the Disney+ Marvel shows and they also did it twice with Maleficent in her two live-action movies that try to justify her villainous behavior and make her the tragic victim.
Cruella is a mess and to be honest, I don’t know where to start with it and I’m not going to cover all of its problems other than to say that the biggest problem of all is that Disney very clearly wanted this to be a “girl power” movie and wanted it to work no matter what, so they forced it into existence without much thought in regards to story, character development, logic and again, morality.
So looking at the story, this movie just does things because it needs the story to work with the studio’s agenda remaining intact. It insults the intelligence of viewers with intelligence and hopes that they don’t start asking questions as the film tries to rush from point-to-point.
Like why does Estella/Cruella essentially have a dual personality? Why did the villain lady agree to see Estella’s mother during an opulent ball the poor mother had no business at? How did Estella get to the fountain in London on her own? Why is Estella as Cruella suddenly a complete bitch to her best friends? Why do the friends stick around? Why does villain lady not recognize Cruella’s posse when they’re front and center at every fucking public troll? Why did Cruella never actually hate the Dalmatians and basically adopts them? Why was her necklace a key to a box that revealed her secret identity that a stranger had and why was the adoptive mother given the secret key necklace when she knew the truth, anyway? There’s a lot more but I’ll leave it at that.
A lot of those questions tie directly to the problem with character development. But honestly, it’s like this movie completely ignores who Cruella de Vil was in the original animated films and even those Glenn Close live-action movies. Cruella is 100 percent evil. She’s a woman that wants to kidnap puppies, kill them and make clothes out of them.
In this movie, we just have a chick with a temper that discovers that the boss she idolizes is the same woman that had her dogs push her mother off of a cliff. Cruella never hates the dogs, though. She kidnaps them to upset her rival and she jokes about making a handbag out of them but by the end of the film, they’re part of her entourage like her own non-Dalmatian mutt.
Now I can suspend disbelief in Estella/Cruella having a dual personality without much explanation but Estella is a pretty kind person that loves her friends, who are essentially her adoptive family. So with that, it’s hard to believe that she would suddenly be a cold bitch to them and just treat them like low level henchmen. Additionally, why the fuck would these two guys, who grew up with her, take her shit? I’d ask if they’re that cucked but I know the answer is “yes” when this is a modern Disney movie.
Moving on to the logic problem, I’ve already kind of hit on that point with the other issues but it is a problem for this film when a viewer isn’t the type of person to just take what’s being spoon-fed to them from sequence-to-sequence. This movie moves at a pace too quick for the casual viewer to really think too deeply about the details and that’s deliberate. It’s similar to how the Disney Star Wars movies are, in that they just quickly move from one thing to the next thing without allowing you to take in the details and ask questions. Again, Disney just needs the story to work to make their point, even if it’s not logical and a bit of a mess.
As far as morality goes, this wants you to cheer this woman, who is doing bad things because the story’s villain is worse. But what you really have is two villains. Still, Disney doesn’t fully commit to the bit because in 2021, you can’t have this woman killing puppies or even implying as such, other than her throwaway joke that immediately draws the ire of her two best friends.
What we end up with is a character that shows the audience that it’s okay to be a vengeful, selfish bitch, as long as you don’t go completely bad. What completely bad is, I don’t know, but neither does Disney. And at the end of the film, you’re left with a character that still really isn’t Cruella de Vil, she’s just some stylish punk rock chick that destroyed her rival and took her empire because the story needed to end, I guess.
Now after all that, if you’re still here, you’re probably assuming that I hate this movie. Well, I don’t. I still liked it in spite of all its problems, which shows me that this could have been a great film on its own, apart from being tied to the 101 Dalmatians franchise and carrying Disney’s woke message.
Had this not been forcibly tied to the Cruella character and just been a movie about a woman who discovers her idol murdered her mother, we could’ve had a really good movie about two feuding fashion industry rivals.
Emma Stone and Emma Thompson are absolutely superb in this and without them, this movie probably would’ve been total shit. But damn are they good, especially in the scenes they’re in together. Additionally, all the other key actors are great and it kind of makes me sad that they didn’t have a script or story that could’ve maximized their talents even better.
I also loved the style of this movie. It primarily takes place in 1970s London, has a punk rock edge to it, but it also takes from 1920s-1940s fashion and architecture, mixes that in, giving the film an unique, somewhat otherworldly, but “lived in” feel. It’s a visual feast and I got lost trying to absorb the details of it all.
In the end, I wish this was just it’s own movie, not tied to a preexisting franchise. I wish it tried to make more logical sense and developed its characters better. It had all these things working for it but Disney’s soulless overproduction of everything it puts out derailed what could’ve been the best film they’ve produced in years.
At this point, though, Disney doesn’t care about quality. They only care about their agenda and the bottom line. But we’re now getting to the point where their agenda will start diminishing that bottom line, regardless of what the Disney owned media wants you to believe with their puff pieces and excuses.
I nearly went to Woodstock ’99. In retrospect, I’m glad I missed this disaster but honestly, it would’ve still been an insane experience that stuck with me for the rest of my life, assuming I wasn’t one of the people that died an unfortunate death caused by a myriad of reasons.
This documentary really dives deep into those reasons and exposes the levels of mismanagement, poor decisions, poor conditions, riotous musical lineup, sexual assaults, overpriced everything and the angsty temperament of the youth at the time.
I think that this does a decent job of throwing out a lot of accusations and theories and then analyzes them, allowing the viewer to come to their own conclusions. Granted, many of the talking heads try to steer the conversation in their own ways.
All things considered, this was still a really well put together documentary that covered a hell of a lot of ground in under two hours. Plus, there’s a lot of information that I don’t think was readily available or reported on at the time. With all the pieces laid out, this was intriguing and fairly fascinating.
The nearly two hours flew by and I was kind of surprised when it started to wrap up. I’ve got to give credit to the filmmakers for the pacing, editing and keeping this thing as engaging as it was from start-to-finish.
I feel like we’re in an era where documentaries spend more time beating a dead horse and force feeding you their agenda without all the facts. It’s refreshing that this seemed to just lay it all on the table and let you ponder all of it freely.
Release Date: August 4th, 2020 Directed by: Sung Jin Ahn Written by: J.M. DeMatteis Based on:Deathstroke by Marv Wolfman, George Perez Music by: Kevin Riepl Cast: Michael Chiklis, Chris Jai Alex, Sasha Alexander
Berlanti Productions, Blue Ribbon Content, DC Entertainment, 87 Minutes
I was a bit stoked when I saw that there was an animated Deathstroke film on HBO Max. It came out a year ago and I’m assuming it was initially on DC Universe before that got swallowed up and absorbed by the newly launched HBO Max, which is sort of a central hub of all the content Warner Bros. associated streaming services hosted before converging into one thing.
Anyway, I was pretty underwhelmed by this. That’s not surprising, as DC animated features are a mixed bag. Some are really meh but some are very, very good. Most of them meet somewhere in the middle but this one does fall closer to the meh side of that pendulum.
While I liked that Michael Chiklis voiced Slade Wilson a.k.a. Deathstroke, the film was kind of a bore. It featured a couple C-list villains for Deathstroke to tie-up with but it also leaned into his personal life and his family, which I feel like has been explored to death in comics and other mediums already.
Frankly, I just kind of wanted Deathstroke in his anti-hero role, going up against impossible odds to take down a serious baddie. I wanted some dark, black-ops shit. While I guess this does send him on shadow missions of some degree, it just never really grabbed me.
There’s a television series of Deathstroke: Knights & Dragons, so I’m not sure if this is a sequel to it or a prequel. Maybe this is just a condensed version of a larger story. Either way, it’s kind of sloppy and boring.
Original Run: June 9th, 2021 – current Created by: Michael Waldron Directed by: Kate Herron Written by: various Based on: Marvel Comics Music by: Natalie Holt Cast: Tom Hiddleston, Owen Wilson, Sophia Di Martino, Sasha Lane, Gugu Mbatha-Raw, Wunmi Mosaku, Eugene Cordero, Tara Strong (voice), Jack Veal, DeObia Oparei, Richard E. Grant, Jonathan Majors, Jaimie Alexander (cameo), Chris Hemsworth (cameo, voice)
I’ll start this by saying that I mostly liked Loki but it was really a very mixed bag with a lot of wasted time on unimportant shit but it also established a kind of cool and interesting new pocket of the Marvel Cinematic Universe that will have much larger implications on the rest of the franchise going forward.
With that, Loki seems like it actually effected the larger MCU in a way that other Disney+ shows like WandaVision and The Falcon and the Winter Solider tried to do but failed at. Or I should say that they did make some changes but they seem a lot less meaningful in regards to what fans will actually care about in the future.
Loki‘s changes to the larger landscape appear to be pretty f’n major. Plus, it looks like we’re getting Kang the Conqueror and have already met a version of him in the finale. Considering that Kang is one of my all-time favorite Marvel villains, I’m glad that he is now being introduced and in a way that doesn’t just waste him like other major baddies such as Red Skull and The Mandarin.
I do have to point out one major flaw, though, and that’s the fact that Loki often times felt like a side character in his own show. Maybe calling the show “Loki” was a mistake and they could’ve used a more creative title while letting it be known that he was heavily featured in it. But marketing is marketing, I guess.
For the most part, I enjoyed the cast in this. I loved the chemistry between Tom Hiddleston and Owen Wilson, which had to carry the first two episodes. Additionally, I enjoyed Sophia Di Martino as the female variant of Loki. Granted, this show felt much more about establishing her going forward, as Disney (no surprise) is pushing really hard for diversity in the future of the MCU, regardless of the source material they’re pulling from.
While it’s true that there have been female Lokis in the comics, those stories are very different, as are those characters. However, the way that they introduced this change in this show, works for this universe and honestly, I’m not opposed to it and in the end, I like this variant of Loki. I also like that she choses to be referred to as Sylvie, as she wants to distance herself from her past.
The biggest issue I have with this show is that it wasted a lot of time and had way too much filler. If all that stuff was whittled down and condensed, this could’ve just been a movie and maybe it should have been and I think Hiddleston’s Loki probably deserved his own film by this point.
Still, I liked some of the concepts and ideas explored in this. The biggest high point for me was the fifth of the six episodes, which showed a bunch of Loki variants, one of which featured veteran actor Richard E. Grant in the original comic book costume from the ’60s. As a true Florida Man, I also enjoyed the alligator Loki.
The final episode was too drawn out, like the show, but I like how things ended, how the future of the MCU is sort of a clean slate and the fact that Kang has been pulling some major strings throughout its history. It’s sort of the reset the franchise needs following Avengers: Endgame.
However, even with a clean slate, I’m pretty sure that the future of the MCU is going to be massively disappointing. But honestly, Endgame is sort of where my brain jumped off of the train. I’m going to take everything with a grain of salt in this phase and beyond.
Release Date: February 12th, 2021 Directed by: Kevin Lewis Written by: G. O. Parsons Music by: Émoi Cast: Nicolas Cage, Emily Tosta, Ric Reitz, Chris Warner, Kai Kadlec, Christian Del Grosso, Caylee Cowan, Terayle Hill, Jonathan Mercedes, David Sheftell, Beth Grant
JD Entertainment, Landafar Entertainment, Landmark Studio Group, Baffin Media LTD, Saturn Films, Screen Media Films, 88 Minutes
“He’s not trapped in there with them. They’re trapped in here with him.” – Liv
Nic Cage has been doing some pretty cool things over the last few years. Just in the realm of horror, he starred in Mandy and Color Out of Space. Now, he’s also starred in Willy’s Wonderland, a balls out, hunt the monsters, action/horror flick that is most definitely inspired by the video game series Five Nights at Freddy’s.
The story sees Nic Cage hit tire spikes in his badass muscle car. To get it fixed, he has to volunteer to clean up an old family restaurant and entertainment center that is populated by large animatronic characters. Once inside, the animatronic characters come to life and have to kill.
All the while, a teen girl and her friends are driven to burn the place down, as many people have died inside and the whole place exists due to an evil small town secret. Her adopted mother is actually the town sheriff and is in league with the killer creatures, alongside the establishment’s owner and the guy that runs the local car repair shop.
Nic Cage isn’t going to go down lightly, however, as he immediately gets to work on not only cleaning up the property but also cleaning up the monsters. This is a “no fucks given” Nic Cage of the highest caliber. While he actually doesn’t speak throughout the film and has odd OCD ticks, he shows no fear and brings hell to these monsters, who are caught off guard by this guy who won’t run away from them but will instead run at them.
This movie just gets right to its point rather quickly and that point is to just be a hard hitting, unrelenting, badass horror movie where the audience can just lose themselves in the film and escape the real world for nearly 90 minutes.
This is also over the top and unapologetic about what it is, which is damn refreshing in the modern era.
At the end of the day, Willy’s Wonderland isn’t a great movie by any stretch but it is still a fun and entertaining one that should make both horror and action fans pretty happy.
Also known as: Suicide Squad 2 (informal title) Release Date: July 28th, 2021 (France) Directed by: James Gunn Written by: James Gunn Based on:Suicide Squad by John Ostrander Music by: John Murphy Cast: Margot Robbie, Idris Elba, John Cena, Joel Kinnaman, Sylvester Stallone, Viola Davis, Jai Courtney, Peter Capaldi, David Dastmalchian, Daniela Melchior, Nathan Fillion, Michael Rooker, Flula Borg, Mayling Ng, Pete Davidson, Sean Gunn, Stephen Blackehart, Jennifer Holland, Alice Braga, Taika Waititi, Pom Klementieff (cameo, uncredited), Lloyd Kaufman (cameo, uncredited)
Atlas Entertainment, DC Comics, DC Entertainment, 132 Minutes
“You know the deal: successfully complete the mission and you get ten years off your sentence. You fail to follow my orders in any way, and I detonate the explosive device in the base of your skull.” – Amanda Waller
Going into this, based off of the trailers, I wasn’t expecting much. Also, even though I like Margot Robbie as Harley Quinn, I hated the first Suicide Squad and her Birds of Prey movie. That being said, this was pretty damn fantastic and it’s probably my favorite comic book movie since Infinity War, which I can’t believe is already three years old.
I’d also say that this was the best DC Comics film since Christopher Nolan’s Dark Knight trilogy ended in 2012.
The cast was perfect and out of the core characters, I liked all of them. In fact, seeing a few of them die was actually kind of hard and it was in those moments that I realized how personally attached I had become to them and this story.
James Gunn was the perfect choice for directing this and frankly, I like that he was allowed to go for an R-rating and didn’t have to make it “kid friendly” like his two Guardians of the Galaxy movies. With that, this was able to be closer to Gunn’s pre-Marvel movies where there was great, stylized violence, no punches pulled, colorful language and the sort of balls out awesomeness that you could never tap into while making a movie for Disney.
This film is also a great example of how to properly subvert expectations. The opening sequence completely shakes thing up and throws multiple major curveballs at the audience. The film continues to do this, throughout, and with that, it’s probably the least predictable and paint-by-numbers blockbuster movie to come out in a very long time.
The movie doesn’t just subvert expectations for the hell of it, it does it to make the picture better and more engaging. This is a now rare occasion of a filmmaker having love for the material and his fans, as opposed to what guys like Rian Johnson and Kevin Smith have turned into.
Gunn wants to make great, entertaining movies and he genuinely wants his audience to leave the theater happy. I wish there were more James Gunns than talent drained directors who blame fans’ “toxicity” for holding them accountable when they fail.
Another difference between Gunn’s films and many of the others that exist in the same genre, is that there is a real, genuine passion in Gunn’s work and it is very apparent. He still loves making these movies and it shows in a way that transcends his films and becomes infectious with his audience.
In this movie, he understood these characters and the tone that was needed to make this all work. The movie is badass, violent and over the top. It’s also funny, tells a very human story and also makes you sympathize with the film’s big bad in the end.
Since this just came out, I don’t want to spoil too much of the plot details and wreck the experience for those who haven’t seen this yet. There are a lot of cool twists to the plot that should just be experienced.
In the end, this set out to achieve a certain thing and it greatly exceeded that thing, at least from my point-of-view. It’s a fun and entertaining, action-packed spectacle that has cemented itself as one of the best superhero movies of this era. At this point, I’d also consider it to be my favorite movie of 2021, thus far.