TV Review: Terminator: The Sarah Connor Chronicles (2008-2009)

Original Run: January 13th, 2008 – April 10th, 2009
Created by: Josh Friedman
Directed by: various
Written by: various
Based on: The Terminator by James Cameron, Gale Anne Hurd
Music by: Bear McCreary
Cast: Lena Headey, Thomas Dekker, Summer Glau, Brian Austin Green, Garret Dillahunt, Shirley Manson, Richard T. Jones, Leven Rambin, Stephanie Jacobsen, Dean Winters, Dean Norris, Stephany Jacobsen, Busy Philipps, Theo Rossi, Chad L. Coleman

Sarah Connor Pictures, Bartleby Company, C2 Pictures, The Halcyon Company, Warner Bros. Television, Fox, 31 Episodes, 43 Minutes (per episode)

Review:

There are nearly a half dozen versions of what happens after Terminator 2: Judgment Day. Having seen all the sequels and reboots, I have to say, this is the best version of a sequel to the first two iconic films.

Now I haven’t seen the new movie that just came out, so I’ll have to see how that measures up once I get around to watching it. But the only real selling point for me is the return of Linda Hamilton as Sarah Connor.

But, if I’m being honest, I really like Lena Headey’s version of Sarah Connor after having finally seen this show.

Additionally, I also like Thomas Dekker’s John Connor, Summer Glau’s Terminator and the inclusion of Kyle Resse’s brother Derek, as played by Brian Austin Green, who I loved in this.

The cast is pretty solid, all around. Richard T. Jones did fantastic, as did Garret Dillahunt, who actually gets better as the show rolls on. I really thought that Dean Winters was a scene stealer in the episodes he was in though. I actually wish we would’ve gotten to see Winters more but then again, I wish this show could have survived beyond just a half season and one full season.

While this is an hour long drama show made for network television, it didn’t get bogged down by too much of the slice of life stuff. That did exist in the show but each episode had a purpose, was well paced and structured and you never felt like the characters were safe. There was always danger, they had to move a lot and thankfully, we didn’t get Summer Glau’s Terminator evolving into a happy homemaker, which was something I worried about before actually watching the show.

The Sarah Connor Chronicles builds off of the established mythos quote well and it explores some really interesting territory that none of the films have explored. There is a rogue liquid metal Terminator (played by Shirley Manson of the band Garbage), who is trying to build an anti-Skynet. You also have multiple timelines and different versions of characters that pop up. There was just a lot of neat angles the show took that we never get a real payoff to, as the second seasons ended on a cliffhanger that was never resolved.

This was a fantastic show that sadly didn’t get the longevity it needed to complete its story. Granted, everything could’ve gone to shit but I think that it probably would’ve been satisfying to see it all play out. Well, at least more satisfying than all the other attempts at a Terminator 3.

Rating: 8.75/10
Pairs well with: the first two Terminator films.

Documentary Review: Lovecraft: Fear of the Unknown (2008)

Release Date: July 24th, 2008 (Comic-Con International Independent Film Festival)
Directed by: Frank H. Woodward
Cast: Ramsey Campbell, John Carpenter, Guillermo del Toro, Neil Gaiman, Stuart Gordon, S. T. Joshi, Caitlin R. Kiernan, Andrew Migliore, Robert M. Price, Peter Straub

Wyrd, 24 Frames, BintFilm, 90 Minutes

Review:

I didn’t know if there was a good documentary on H.P. Lovecraft but I felt like I wanted to watch one, so I found this. Luckily enough for all those who are interested, it is streaming for free on YouTube. Granted, that could change at any moment.

What’s great about this is that it is a pretty legit and well produced documentary. It features several notable people between Neil Gaiman, Guillermo del Toro, John Carpenter, Stuart Gordon, Peter Straub and others.

This goes through all the motions like you’d expect it to, as it discusses Lovecraft’s childhood, the things that shaped him and then it delves deep into his work and what it meant to people, primarily those being interviewed.

Overall, this is pretty standard, even though it definitely doesn’t feel like some hastily thrown together extra for a random horror box set. It’s a documentary created to stand on its own and it does quite well.

All of the interviewees did a good job providing stories, context and discussing how Lovecraft has influenced their creations.

It’s definitely worth checking out for fans of Lovecraft’s work, the stories he’s inspired or even just his film adaptations like Re-Animator, From Beyond, Dagon and more.

Rating: 7.5/10
Pairs well with: H.P. Lovecraft film adaptations, as well as other documentaries about great literary figures.

TV Review: Ultraman Mebius: Side Story (2008-2009)

Original Run: 2008 – 2009
Created by: Tsuburaya Productions
Directed by: various
Written by: various
Cast: Keiichi Nanba, Motomu Kiyokawa, Shunji Igarashi, Makoto Miyoshi, Masaki Nishina, Ai Saikawa, Daisuke Watanabe, Kenta Uchino, Misato Hirata, Minoru Tanaka, Takeshi Kusao, Hiroya Ishimaru, Seizō Katō, Hisao Egawa, Daisuke Gōri, Ryōichi Tanaka, Hideyuki Hori, Hideyuki Tanaka, Jirō Dan, Kohji Moritsugu, Susumu Kurobe

Tsuburaya Productions, 5 Episodes, 13-26 Minutes (per episode)

Review:

While these five episodes were originally released as three separate stories, for their American streaming release, they were bundled together as five 13 to 26 minute episodes under the name Ultraman Mebius: Side Stories.

The first episode was originally released as a 13 minute short called Ultraman Mebius: Hikari Saga, episodes two and three were a two-parter titled Ultraman Mebius: Armored Darkness, while the final two episodes were another two-parter, Ultraman Mebius: Ghost Reverse.

All three stories take place after the Ultraman Mebius television show and serve as the official conclusion to Mebius’ story, even though he’s appeared in other Ultraman films and shows since these were released. But in any event it’s the finale for the normal human characters that fans came to love in the Mebius show.

Overall, this was pretty cool to see, as it’s been a while since I watched Ultraman Mebius and this made me properly nostalgic for it. So I guess it really did its job in that regard. And frankly, I would have watched this just after I saw Mebius but it wasn’t available in the US until just recently.

This, like many Ultraman events, was full of multiple Ultramen and multiple villains, many of whom played a major part in the Mebius mythos over the show’s 50 episodes.

The special effects and tone are exactly what one should expect from an Ultraman special event of the time. It truly looked like an extension of the show and could honestly just be five episodes tacked on at the end and most people wouldn’t know the difference.

I thought that the effects were a wee bit better than the norm but this probably had a bigger budget per episode than the television show that had to be more frugal due to the scale of the production.

If you like Ultraman Mebius, I don’t see any reason why you wouldn’t enjoy this, especially the Armored Darkness story.

Rating: 7/10
Pairs well with: the Ultraman Mebius show and other Ultraman movies and specials.

 

Film Review: The Spirit (2008)

Also known as: Will Eisner’s The Spirit (poster title)
Release Date: December 25th, 2018
Directed by: Frank Miller
Written by: Frank Miller
Based on: The Spirit by Will Eisner
Music by: David Newman
Cast: Gabriel Macht, Eva Mendes, Sarah Paulson, Dan Lauria, Paz Vega, Jaime King, Scarlett Johansson, Samuel L. Jackson

OddLot Entertainment, Lionsgate, 103 Minutes

Review:

“I’m gonna kill you all kinds of dead.” – The Spirit

I really wanted to like this. I really did. But alas, it was as bad as everyone has said. That doesn’t mean it’s all bad but even the positives couldn’t save it. I’ll explain.

To start, I really liked the visuals for the most part. It’s very similar in style to Sin City. In fact, it feels like a spinoff of it, even though it has no real connection to it, other than the visual style and the director, Frank Miller, who directed some of the scenes in Sin City. However, in the previous film, Miller also played third fiddle behind all-stars Robert Rodriguez and Quentin Tarantino.

The opening to this movie was really strong. The scenes of The Spirit running from rooftop to rooftop during the credits was fantastic. Initially, I also liked the score. It did, however, sound like it was trying really hard to channel the feel of Danny Elfman’s work on the 1989 Batman score.

That being said, the score did end up being a problem for me, though.

While it started off cloning Elfman, it was inconsistent throughout the picture. It would get jazzy at times, like it was trying to accent the noir look of the picture and then it seemed like it was mimicking Ennio Morricone’s spaghetti western scores, primarily those used in the Sergio Leone films of the ’60s. The score just had multiple personality disorder and none of it seemed wholly originally, it just seemed like homages to other things that don’t necessarily fit well together.

Then there is the plot itself. I do like the origin story of The Spirit and how it ties to the villain, The Octopus. But apart from that, everything else seemed overly stylized, ridiculously hokey and nothing was fluid. The film felt like a bunch of scenes sewn together without any regard for pacing or a consistent tone.

Humor was used a lot in this movie and most of it just doesn’t work. Everyone feels like a caricature and therefore, is lacking any real depth. Without depth, you don’t care about them, can’t relate to them and don’t even find them to be all that interesting. Sure, The Octopus changes his look in nearly every scene and he usually looks cool but when doesn’t Samuel Jackson look cool? Also, when doesn’t Scarlett Johansson look stunning? Here, she always looks great but she delivers her lines like she’s dead. I don’t blame her for that, I blame Miller’s script and his direction.

The only actor I actually liked in this was Dan Lauria. His role here felt tailor made for his personality. But I’ve always loved Lauria since The Wonder Years and I thought it was cool seeing him essentially play the Commissioner Gordon of this movie, even if he felt more like Harvey Bullock.

The Spirit lures you in with its credit sequence and its overall look but after about twenty minutes, you grow tired and bored of it. The humor is bizarre, the tone is confusing, the music is distracting and the actors deliver their lines like they’re in a film that should be lampooned on Mystery Science Theater 3000.

It’s no wonder why there was never a sequel to this, even if the ending leaves things open for one.

Rating: 4.75/10
Pairs well with: the Sin City and 300 films.

Film Review: Step Brothers (2008)

Release Date: July 25th, 2008
Directed by: Adam McKay
Written by: Will Ferrell, Adam McKay, John C. Reilly
Music by: Jon Brion
Cast: Will Ferrell, John C. Reilly, Richard Jenkins, Mary Steenburgen, Adam Scott, Kathryn Hahn, Rob Riggle, Ken Jeong, Phil LaMarr, Seth Rogen, Horatio Sanz

Relativity Media, The Apatow Company, Mosaic Media Group, Gary Sanchez Productions, Columbia Pictures, 98 Minutes, 106 Minutes (unrated cut)

Review:

“I wanna roll you up in a little ball and shove you up my vagina… You could just live there, it’s warm and it’s cozy… Oh I’d just walk around with you in there and just knowing, whenever I feel a little tickle or scratch it’s your hair on my vagina!” – Alice

Full disclosure, I’m not a huge Will Ferrell fan. I did like him on Saturday Night Live, in an era where the show was good, and I do like his chemistry with John C. Reilly. But still, that’s not enough to make this film work for me.

The problem is that Will Ferrell’s comedies have a few jokes that land but they’re usually lost in a sea of misses. And really, most of his jokes have been recycled to death and predate him.

I do like a lot of stupid comedies but Ferrell’s don’t do much to help that genre evolve. He relies on low brow humor and by milking the same cow that the worst comedians have been milking for decades. He just makes his movies zanier, which I guess is supposed to make them funnier.

Now I mostly liked this film the first time that I saw it but it’s not something that I ever needed to watch again. Also, from a narrative standpoint, nothing that happens here matters or holds any sort of weight. There really isn’t much of a story, there’s just a plot thread set up to weave together a bunch of fart and dick jokes. Also, there’s the obligatory over the top profanity because yelling out “fuck” in the middle of a joke’s delivery makes it funnier or something.

I don’t want to sound like I’m shitting on the guy or this movie but by the time that this did come out, his shtick really ran dry for me. Although, I do have friends that adore this movie for some reason.

It is funny in parts and the two leads have charm and always seem to work well off of one another. However, Reilly has proven he’s a much better actor than this and he’s actually superior to Ferrell in regards to his comedic roles.

I don’t know, this is just a stupid film to me. It doesn’t have a lot of replay value and I have to deduct points off of any movie that has Rob Riggle in it. When people were boycotting the NFL because of freedom of expression being un-American, I was boycotting it because Rob Riggle was hired to work on a Sunday pregame show.

Anyway, I really like and respect Mary Steenburgen, so I’ll say that she’s a beaming light of sunshine and positivity in this but I really don’t need to ever watch this again because I saw this movie before it was even made.

Rating: 5/10
Pairs well with: other Will Ferrell movies and “bro” comedies of the ’00s and ’10s.

Film Review: Punisher: War Zone (2008)

Also known as: The Punisher 2, The Punisher: Welcome Back, Frank (working titles)
Release Date: December 4th, 2008 (United Arab Emirates)
Directed by: Lexi Alexander
Written by: Art Marcum, Matt Holloway, Nick Santora
Based on: The Punisher by Gerry Conway, Ross Andru, John Romita Sr.
Music by: Michael Wandmacher
Cast: Ray Stevenson, Dominic West, Julie Benz, Colin Salmon, Doug Hutchinson, Dash Mihok, Wayne Knight

Valhalla Motion Pictures, MHF Zweite Academy Film, SGF Entertainment Inc, Lionsgate Films, Marvel Studios 103 Minutes

Review:

“God be with you, Frank.” – Priest, “Sometimes I would like to get my hands on God.” – Frank Castle

Well, my memory of this film was better than what it actually is now that I’ve seen it again, ten years later.

It has a big problem and really, it’s that it’s boring. Yeah, the action stuff is pretty damn good and badass but all the filler in-between is just uninteresting and really f’n derivative.

Now I do like Stevenson as Frank Castle. I think he looks the part more than any other actor who has been in the role. However, he’s missing the charm of Thomas Jane even if he makes up for it with a much needed harder edge. I mean, I also liked Dolph Lundgren’s version of Frank Castle but that 1989 movie really wasn’t up to snuff and he didn’t even have a skull on his chest.

The only real problem with Stevenson and it’s not his fault, is that he is just very one-dimensional. But the script was written without Frank Castle feeling all that human. But I get it, even in the comics he’s typically a quiet badass that doesn’t let people into his orbit on any sort of emotional level. I just feel that the character, in a cinematic sense, should fall somewhere between Ray Stevenson and Thomas Jane. And that’s something that probably needed to be done at the script level.

Lexi Alexander did fine behind the camera from a visual standpoint and also handled the action sequences nicely. The big battle in the hotel at the end was fun to watch and that early scene where the Punisher murders the mob in their mansion was fantastic. Granted, spinning upside down from a chandelier was a bit stupid, as one of the thugs outside of his line of sight could’ve got in a head shot. Unless the mob has the accuracy of Star Wars Stormtroopers.

This movie just makes me sad though. It had the makings of something that could have been a great Punisher film but it fell flat in just about every regard outside of the action. Plus it had parkour in it, which is just a silly form of freestyle walking. I respect the athleticism but people pushing for it to be an Olympic sport need a lobotomy.

Anyway, if you just want a lot of awesome and senseless violence, this will be right up your alley. Unfortunately, you spend a lot of time waiting around for it between those high octane scenes.

Rating: 6.25/10
Pairs well with: The other Punisher movies from 1989 and 2004, as well as the current TV show.

Film Review: The Strangers (2008)

Also known as: The Faces (script title)
Release Date: May 29th, 2008 (Russia)
Directed by: Bryan Bertino
Written by: Bryan Bertino
Music by: Tomandandy
Cast: Liv Tyler, Scott Speedman, Gemma Ward, Kip Weeks, Laura Margolis, Glenn Howerton

Vertigo Entertainment, Mandate Pictures, Intrepid Pictures, Rogue Pictures, 86 Minutes, 88 Minutes (unrated cut)

Review:

“Since we’ve been here, I haven’t heard a dog bark… or a car pass. Nothing. Just us and them.” – James Hoyt

This was a film ruined by its marketing, which is why I never wanted to see it in the theater ten years ago and only decided to finally check it out because it was on Netflix and less than 90 minutes.

But the reason this film was ruined for me before I even saw it was due to one of the trailers where Liv Tyler’s character asks the psychos, “Why are you doing this to us?” And one of them simply says, “Because you were home.”

That killed this picture for me because I knew that those lines were the big reveal of the “mystery” within the film. The shocker moment; the money shot. And I also knew that if I saw this film, that answer was all I was going to get. So I didn’t need to see it, really. Because I’ve already seen home invasion and psycho slasher movies a billion times.

A user review on IMDb refers to this as “stupid people being tormented by stupid killers” and that’s probably the best description of this that there is.

This was a poorly written plot where it relied completely on the psychos just having good luck. It also made them have unnatural stealth abilities, which can only be explained if they were ex-Navy SEALs or trained in the ninja arts.

But seriously, the psychos were stupid, the victims were stupid and I kind of just wanted an asteroid to smash the house and kill them all.

Look, you have two people, holed up in a house with a shotgun and a shitload of shells. Outside are just three people armed with handheld tools from the family shed. How in the hell do you not just blow their f’n brains out in 2 minutes and order a pizza while waiting for the cops to show up.

And then, the only person to get their brains blown out was Dennis from Always Sunny, who just dropped in to say “hey”.

This movie was so painfully stupid that it hurt me physically.

There isn’t much else to say about it, really.

Rating: 4/10
Pairs well with: Probably the sequel I have no interest in seeing, as well as VacancyYou’re Next and the modern remake of The Last House On the Left.