Release Date: July 11th, 2008 (Latvia) Directed by: Howard McCain Written by: Dirk Blackman, Howard McCain Music by: Geoff Zanelli Cast: Jim Caviezel, Sophia Myles, Jack Huston, Ron Perlman, John Hurt, Aidan Devine
Ascendant Pictures, Rising Star Productions, VIP Medienfonds 4 GmbH & Co. KG, The Weinstein Company, Virtual Studios, 115 Minutes
“If you truly believe that you write the tale of your life, then the end is up to you.” – Freya
This movie came and went and I didn’t know about its existence until recently. But when I saw that this film was about an alien humanoid crashing into the Viking era with a very deadly alien cargo, I had to give it a watch.
This movie is like Predator meets Skyrim where the monster that must be hunted down is an insanely deadly beast.
The cast in this is also really damn good from its star Jim Caviezel to Sophia Myles, Jack Huston, Ron Perlman and the legendary John Hurt, who plays the Viking king in this film’s old world community.
This was a manly fucking movie that was just pure badass and a lot of fun. It’s action packed, deals with a pair of alpha males having to bro up and unite and the special effects are pretty damn decent. Also, the monster is strange but absolutely terrifying and seemingly unbeatable with the limitations of Viking technology.
What’s cool about this is the level of danger, the insane odds and how the heroes have to outwit and outlast the pissed off monster.
Outlander isn’t great but it’s a hell of a lot of fun and just a cool fucking movie that offers up real escapism and thrills.
The only real negative is that it should’ve probably been trimmed down to 90-95 minutes.
Rating: 7/10 Pairs well with:Pathfinder, Solomon Kane, The 13th Warrior and The Eagle.
Also known as: Batman Begins 2 (working title), Rory’s First Kiss, Winter Green (fake working titles) Release Date: July 14th, 2008 (Buenos Aires & New York City premieres) Directed by: Christopher Nolan Written by: Jonathan Nolan, Christopher Nolan, David S. Goyer Based on: characters by DC Comics Music by: Hans Zimmer, James Newton Howard Cast: Christian Bale, Michael Caine, Gary Oldman, Morgan Freeman, Heath Ledger, Aaron Eckhart, Maggie Gyllenhaal, Cillian Murphy, Nestor Carbonell, Eric Roberts, Anthony Michael Hall, Ritchie Coster, Michael Jai White, Colin McFarlane, Tom “Tiny” Lister, William Fichtner, David Dastmalchian
DC Comics, Syncopy, Legendary Entertainment, Warner Bros., 152 Minutes
“Don’t talk like one of them. You’re not! Even if you’d like to be. To them, you’re just a freak, like me! They need you right now, but when they don’t, they’ll cast you out, like a leper! You see, their morals, their code, it’s a bad joke. Dropped at the first sign of trouble. They’re only as good as the world allows them to be. I’ll show you. When the chips are down, these… these civilized people, they’ll eat each other. See, I’m not a monster. I’m just ahead of the curve.” – The Joker
I was a bit apprehensive about revisiting this for the first time in a long time. The reason being, is that I remembered it as being perfect and it was the movie I saw in the theater more times than any other. But with so much time passing, I had worried that my take on it now could have soured a bit.
I’m glad to say that it didn’t, as this is still a masterpiece of crime fiction and social commentary.
As far as superhero films go, I still think that this is the greatest one ever made. I think a lot of that has to do with the realistic approach of the film and just how real and plausible it comes across even though it features a man in a bat costume and a criminal in clown makeup. Not to mention a guy with half his face burnt off and some wonky sci-fi gadgets like the incredibly high-tech sonar surveillance computer.
This is a film where just about everything went right. It was a perfect storm of great writing, great direction, great acting, stellar cinematography and an incredible musical score.
It was well balanced between action and drama and even with its somewhat lengthy running time, there isn’t a wasted moment in the film. Every scene has meaning and every scene does exactly what it needs to without dilly dallying and slowing the pacing down. At the same time, the timing is impeccable and this film perfectly creates tension when it needs to. The whole film is about escalation and the final product is a perfectly curated example of that.
It’s sad and tragic that Heath Ledger died before this was released. It would’ve been cool for him to have seen the final product and to have enjoyed the fanfare and praise his performance as The Joker got. It’s hands down one of the best performances of that decade and even though his death gave the role an added level of mystique and importance, it stands on its own as one of the greatest villain portrayals in motion picture history.
Additionally, I also really liked Ledger’s version of The Joker, as he kind of did his own thing with the character and it forced Nolan to kind of portray the character differently than what was originally intended. And while it might not be a perfect adaptation of the comic book Joker, which no film has done thus far, it kind of exists as its own, great thing and it added so much to this already stellar trilogy.
My only real complaint about the film was how growl-y Bale’s Batman voice was. I much preferred his voice in Batman Begins and I think most people did, as well. I’m not the only person to point this out and in fact, it sort of became a social meme after the movie’s release.
That being said, the Batman voice doesn’t wreck the film and I still think it’s a damn near perfect movie that transcended the superhero genre, forever changed it and hasn’t yet been eclipsed regardless of some of the superb comic book movies that have been released since.
Rating: 10/10 Pairs well with: the other two films in The Dark Knight Trilogy.
Also known as: Bond 22 (working title), B22 (promotional abbreviation) Release Date: October 29th, 2008 (London Film Festival) Directed by: Marc Forster Written by: Paul Haggis, Neal Purvis, Robert Wade Based on: James Bond by Ian Fleming Music by: David Arnold Cast: Daniel Craig, Olga Kurylenko, Mathieu Amalric, Gemma Arterton, Giancarlo Giannini, Jeffrey Wright, Judi Dench, David Harbour, Jesper Christensen, Rory Kinnear, Alfonso Cuaron (cameo), Guillermo del Toro (voice)
Eon Productions, Columbia Pictures, Metro-Goldwyn-Mayer, 106 Minutes
“They say you’re judged by the strength of your enemies.” – James Bond
Quantum of Solace is a weird James Bond movie that seemed like it was trying to reinvent the franchise, tonally, after it already went through a major stylistic overhaul in the superb, previous film, Casino Royale.
I think that the director, Marc Forster, took a lot of creative license and the film suffers for that. Something that is part of a franchise, should have certain standards that keep the film cohesive and consistent with the other chapters in the larger, decades long, body of work.
I don’t necessarily blame Forster, as the studio may have been really keen on altering the Bond franchise following the immense success of Casino Royale. Plus, Forster wasn’t a guy known for action movies, he is known more for his dramatic, artsy films like The Kite Runner, Stranger Than Fiction, Stay, Finding Neverland and Monster’s Ball. And if I’m being honest, his other major action film, World War Z, really missed the mark too. But, personally, I really like most of Forster’s dramatic work and he is typically a great visual storyteller. I think that is probably why he was given a shot with this film, as Eon Productions possibly wanted an actual visionary to come in and freshen things up even further.
However, the problem with his action direction is almost immediately apparent in this film, as the opening scene features what should be a really fantastic sequence but it’s destroyed by quick, choppy edits that make it pretty hard to follow. It’s like a rapid paced mess of wasted, expensive shots, all of which deserved more than a split second of screen time knowing the level of craftsmanship and work that went into setting up those shots.
This issue carries over into all the other action scenes though and this is a hard movie to watch and absorb during these moments, which are aplenty.
Apart from that, the film also feels incomplete. It feels like two-thirds of a Bond movie were slapped together as best as the studio could salvage and then released with the hope that it would just be a hit, capitalizing off of the great movie before it.
For those who might not know, this film was made during the time of a big writers strike in Hollywood. When the strike happened, for better or worse (definitely worse), all writers stopped working. So it’s possible that the script was unfinished and for fear of losing money and being delayed, the studio just shoved this into the filming stage. It’s hard to really place blame on anyone due to the situation but the end result was a really lackluster Bond film and the worst one of the Daniel Craig era. Granted, there is still one more Craig-led film, which is slated to come out whenever this COVID-19 crap passes.
Quantum of Solace isn’t terrible; it’s just okay. Frankly, it’s almost forgettable other than the plot threads that tie it to the reemergence of the villainous SPECTRE organization.
Rating: 7.25/10 Pairs well with: the other James Bond films of the Daniel Craig era.
Original Run: January 20th, 2008 – September 29th, 2013 Created by: Vince Gilligan Directed by: various Written by: various Music by: Dave Porter Cast: Bryan Cranston, Anna Gunn, Aaron Paul, Dean Norris, Betsy Brandt, RJ Mitte, Bob Odenkirk, Giancarlo Esposito, Jonathan Banks, Laura Fraser, Jesse Plemons, Steven Michael Quezada, Charles Baker, Matt Jones, Krysten Ritter, Mark Margolis, Michael Bowen, Bill Burr, Raymond Cruz, Jere Burns, John de Lancie, Larry Hankin
High Bridge Entertainment, Gran Via Productions, Sony Pictures Television, AMC, 62 Episodes, 43-58 Minutes (per episode)
I came to the Breaking Bad party pretty late but after multiple seasons of people raving about it, I ended up binging through it all just before the last season premiered.
I also almost quit the show, as the beginning of the first season drags. But once I got to the end of Season One, everything just sort of clicked and I was hooked. But even then, I thought that it would be good but that it would slowly lose steam, as all shows do and eventually, I wouldn’t care about it.
Breaking Bad did something that almost no other show has been capable of doing, though. It continued to improve and get better as it rolled on.
Just when you thought the show reached its peak, it’d throw a curveball or shock you in a way that television shows before this were never able to do. And most importantly, it either gave you satisfying resolutions to plot threads or it subverted expectations and actually gave you something better and surprising.
Frankly, I hate the “subvert their expectations” bullshit that creatives in Hollywood seem to be clinging onto because 99 percent of the time, it’s just an indicator that they’re out of ideas and their only solution is to take a big shit and go, “Ha! You fans didn’t see that coming! I’m a genius! Adore me!”
No. Breaking Bad subverts expectations and gives the viewer something better. And it didn’t just do this once or twice, it did it quite often and it was consistently really fucking good at it. More than anything, that’s what made this show so great.
Additionally, very extreme things happen on the show but it never jumps the shark or takes you out of reality. Everything feels real and plausible and it does a superb job in staying grounded and not taking a turn for the ridiculous, as many shows have done that started out really strong.
I’d have to say that the best thing about this, though, is the cast. Everyone, top to bottom, is perfection.
Almost every character in the show starts at one end of the spectrum and finds a way to make it to the opposite side. All of this happens slowly and naturally. Characters you like become ones you despise and ones you might not have liked become lovable. There are secondary characters that stay the same throughout but many of them are there to be measuring sticks, to show you how every main character evolves in their own way over five seasons.
I know that there has been a ton of hype about this show for years but it is one of the few that lived up to it and actually, in my opinion, exceeded it. Breaking Bad is as close to a perfect show that you can get for a crime drama with neo-western and neo-noir flavors.
Rating: 10/10 Pairs well with: other modern crime dramas but this is the best of the lot.
Also known as: Rambo IV (unofficial title), Rambo IV: End of Peace, Rambo IV: In the Serpent’s Eye, Rambo IV: Pearl of the Cobra, Rambo: To Hell and Back, John Rambo, Rambo: First Blood Part IV (working titles) Release Date: January 23rd, 2008 (Kuwait) Directed by: Sylvester Stallone Written by: Art Monterastelli, Sylvester Stallone Based on: characters by David Morrell Music by: Brian Tyler Cast: Sylvester Stallone, Julie Benz, Paul Schulze, Matthew Marsden, Graham McTavish, Tim Kang, Rey Gellegos, Jake La Botz, Maung Maung Khin, Ken Howard
“You know what you are… what you’re made of. War is in your blood. Don’t fight it. You didn’t kill for your country. You killed for yourself. God’s never gonna make that go away. When you’re pushed, killing’s as easy as breathing.” – John Rambo
This was a film that I never knew I wanted until I saw the trailer for it back in 2007. But after the success of Stallone’s return as Rocky Balboa in Rocky Balboa, a decades late Rambo sequel felt like a natural follow up, creatively speaking.
I assumed the Rambo character, like Rocky, was long gone. I figured that someone would eventually just do a shitty remake. But no, we got this, a legit sequel and one of the most intense action films of its decade.
Rambo is super violent, supremely extreme and it doesn’t just feel like a throwback to ’80s action movies, it feels like a fucking throwback to ’70s gore porn exploitation! I’m not even sure what Stallone or the other executives were thinking but this movie was like a big “fuck you” to the Hollywood status quo, who ruined action and horror by forcing every genre filmmaker to keep their art neutered for PG-13 audiences.
This is the best Rambo movie since the original: First Blood. It, like the other films, has a message and a point to it, as it draws attention to just how shitty the decades long genocide was in Burma. It’s unapologetic in how it displays the sadistic nature of the fascist dictatorship and its treatment of its citizens. Since the movie, things have improved in Burma (actually officially called Myanmar).
In fact, the film was banned there by the government. However, it was eventually disturbed via bootlegs by the resistance, hoping to use it as anti-military propaganda. It also went on to inspire the people in the country, who adopted some of the film’s most notable lines in their battle cries. Learning of all this, Stallone said, “That, to me, is one of the proudest moments I’ve ever had in film.”
I point that out because some people have wondered as to whether or not things in Burma were as bad as the movie portrayed. Also, it shows that Hollywood can make a difference and inspire change when it addresses real world problems and doesn’t get fixated on faux bourgeois identity politics or being overly fixated on trashing the other end of the political spectrum most of them subscribe to.
The film’s story is pretty simple: a group of missionaries charter Rambo’s boat in Thailand. They want to go up the river into Burma to deliver aid to the people there. Rambo reluctantly agrees. The missionaries eventually get captured and Rambo goes back to Burma with a group of mercenaries to bring war to some of the worst humans on the planet.
If you thought that previous Rambo films were too violent, then you might want to skip this film. This is insanely violent but when the villains are as evil as they are in this movie, it feels gratifying to see them literally blasted to bloody chunks.
Also, Stallone feels completely at home in the John Rambo character; like no time has passed and he’s been living in Rambo’s head for twenty years, waiting to get out. For die hard fans of the film series, this more than makes up for a twenty year gap between the third film and this one.
It’s a short, quick and badass motion picture. It’s also one of the best that Stallone, himself, has directed.
Rating: 8.5/10 Pairs well with: the other Rambo movies, as well as other ’80s and early ’90s Stallone movies.
Original Run: January 13th, 2008 – April 10th, 2009 Created by: Josh Friedman Directed by: various Written by: various Based on:The Terminator by James Cameron, Gale Anne Hurd Music by: Bear McCreary Cast: Lena Headey, Thomas Dekker, Summer Glau, Brian Austin Green, Garret Dillahunt, Shirley Manson, Richard T. Jones, Leven Rambin, Stephanie Jacobsen, Dean Winters, Dean Norris, Stephany Jacobsen, Busy Philipps, Theo Rossi, Chad L. Coleman
Sarah Connor Pictures, Bartleby Company, C2 Pictures, The Halcyon Company, Warner Bros. Television, Fox, 31 Episodes, 43 Minutes (per episode)
There are nearly a half dozen versions of what happens after Terminator 2: Judgment Day. Having seen all the sequels and reboots, I have to say, this is the best version of a sequel to the first two iconic films.
Now I haven’t seen the new movie that just came out, so I’ll have to see how that measures up once I get around to watching it. But the only real selling point for me is the return of Linda Hamilton as Sarah Connor.
But, if I’m being honest, I really like Lena Headey’s version of Sarah Connor after having finally seen this show.
Additionally, I also like Thomas Dekker’s John Connor, Summer Glau’s Terminator and the inclusion of Kyle Resse’s brother Derek, as played by Brian Austin Green, who I loved in this.
The cast is pretty solid, all around. Richard T. Jones did fantastic, as did Garret Dillahunt, who actually gets better as the show rolls on. I really thought that Dean Winters was a scene stealer in the episodes he was in though. I actually wish we would’ve gotten to see Winters more but then again, I wish this show could have survived beyond just a half season and one full season.
While this is an hour long drama show made for network television, it didn’t get bogged down by too much of the slice of life stuff. That did exist in the show but each episode had a purpose, was well paced and structured and you never felt like the characters were safe. There was always danger, they had to move a lot and thankfully, we didn’t get Summer Glau’s Terminator evolving into a happy homemaker, which was something I worried about before actually watching the show.
The Sarah Connor Chronicles builds off of the established mythos quote well and it explores some really interesting territory that none of the films have explored. There is a rogue liquid metal Terminator (played by Shirley Manson of the band Garbage), who is trying to build an anti-Skynet. You also have multiple timelines and different versions of characters that pop up. There was just a lot of neat angles the show took that we never get a real payoff to, as the second seasons ended on a cliffhanger that was never resolved.
This was a fantastic show that sadly didn’t get the longevity it needed to complete its story. Granted, everything could’ve gone to shit but I think that it probably would’ve been satisfying to see it all play out. Well, at least more satisfying than all the other attempts at a Terminator 3.
Rating: 8.75/10 Pairs well with: the first two Terminator films.
Release Date: July 24th, 2008 (Comic-Con International Independent Film Festival) Directed by: Frank H. Woodward Cast: Ramsey Campbell, John Carpenter, Guillermo del Toro, Neil Gaiman, Stuart Gordon, S. T. Joshi, Caitlin R. Kiernan, Andrew Migliore, Robert M. Price, Peter Straub
Wyrd, 24 Frames, BintFilm, 90 Minutes
I didn’t know if there was a good documentary on H.P. Lovecraft but I felt like I wanted to watch one, so I found this. Luckily enough for all those who are interested, it is streaming for free on YouTube. Granted, that could change at any moment.
What’s great about this is that it is a pretty legit and well produced documentary. It features several notable people between Neil Gaiman, Guillermo del Toro, John Carpenter, Stuart Gordon, Peter Straub and others.
This goes through all the motions like you’d expect it to, as it discusses Lovecraft’s childhood, the things that shaped him and then it delves deep into his work and what it meant to people, primarily those being interviewed.
Overall, this is pretty standard, even though it definitely doesn’t feel like some hastily thrown together extra for a random horror box set. It’s a documentary created to stand on its own and it does quite well.
All of the interviewees did a good job providing stories, context and discussing how Lovecraft has influenced their creations.
It’s definitely worth checking out for fans of Lovecraft’s work, the stories he’s inspired or even just his film adaptations like Re-Animator, From Beyond, Dagon and more.
Rating: 7.5/10 Pairs well with: H.P. Lovecraft film adaptations, as well as other documentaries about great literary figures.
While these five episodes were originally released as three separate stories, for their American streaming release, they were bundled together as five 13 to 26 minute episodes under the name Ultraman Mebius: Side Stories.
The first episode was originally released as a 13 minute short called Ultraman Mebius: Hikari Saga, episodes two and three were a two-parter titled Ultraman Mebius: Armored Darkness, while the final two episodes were another two-parter, Ultraman Mebius: Ghost Reverse.
All three stories take place after the Ultraman Mebius television show and serve as the official conclusion to Mebius’ story, even though he’s appeared in other Ultraman films and shows since these were released. But in any event it’s the finale for the normal human characters that fans came to love in the Mebius show.
Overall, this was pretty cool to see, as it’s been a while since I watched Ultraman Mebius and this made me properly nostalgic for it. So I guess it really did its job in that regard. And frankly, I would have watched this just after I saw Mebius but it wasn’t available in the US until just recently.
This, like many Ultraman events, was full of multiple Ultramen and multiple villains, many of whom played a major part in the Mebius mythos over the show’s 50 episodes.
The special effects and tone are exactly what one should expect from an Ultraman special event of the time. It truly looked like an extension of the show and could honestly just be five episodes tacked on at the end and most people wouldn’t know the difference.
I thought that the effects were a wee bit better than the norm but this probably had a bigger budget per episode than the television show that had to be more frugal due to the scale of the production.
If you like Ultraman Mebius, I don’t see any reason why you wouldn’t enjoy this, especially the Armored Darkness story.
Rating: 7/10 Pairs well with: the Ultraman Mebius show and other Ultraman movies and specials.
Also known as: Will Eisner’s The Spirit (poster title) Release Date: December 25th, 2018 Directed by: Frank Miller Written by: Frank Miller Based on:The Spirit by Will Eisner Music by: David Newman Cast: Gabriel Macht, Eva Mendes, Sarah Paulson, Dan Lauria, Paz Vega, Jaime King, Scarlett Johansson, Samuel L. Jackson
OddLot Entertainment, Lionsgate, 103 Minutes
“I’m gonna kill you all kinds of dead.” – The Spirit
I really wanted to like this. I really did. But alas, it was as bad as everyone has said. That doesn’t mean it’s all bad but even the positives couldn’t save it. I’ll explain.
To start, I really liked the visuals for the most part. It’s very similar in style to Sin City. In fact, it feels like a spinoff of it, even though it has no real connection to it, other than the visual style and the director, Frank Miller, who directed some of the scenes in Sin City. However, in the previous film, Miller also played third fiddle behind all-stars Robert Rodriguez and Quentin Tarantino.
The opening to this movie was really strong. The scenes of The Spirit running from rooftop to rooftop during the credits was fantastic. Initially, I also liked the score. It did, however, sound like it was trying really hard to channel the feel of Danny Elfman’s work on the 1989 Batman score.
That being said, the score did end up being a problem for me, though.
While it started off cloning Elfman, it was inconsistent throughout the picture. It would get jazzy at times, like it was trying to accent the noir look of the picture and then it seemed like it was mimicking Ennio Morricone’s spaghetti western scores, primarily those used in the Sergio Leone films of the ’60s. The score just had multiple personality disorder and none of it seemed wholly originally, it just seemed like homages to other things that don’t necessarily fit well together.
Then there is the plot itself. I do like the origin story of The Spirit and how it ties to the villain, The Octopus. But apart from that, everything else seemed overly stylized, ridiculously hokey and nothing was fluid. The film felt like a bunch of scenes sewn together without any regard for pacing or a consistent tone.
Humor was used a lot in this movie and most of it just doesn’t work. Everyone feels like a caricature and therefore, is lacking any real depth. Without depth, you don’t care about them, can’t relate to them and don’t even find them to be all that interesting. Sure, The Octopus changes his look in nearly every scene and he usually looks cool but when doesn’t Samuel Jackson look cool? Also, when doesn’t Scarlett Johansson look stunning? Here, she always looks great but she delivers her lines like she’s dead. I don’t blame her for that, I blame Miller’s script and his direction.
The only actor I actually liked in this was Dan Lauria. His role here felt tailor made for his personality. But I’ve always loved Lauria since The Wonder Years and I thought it was cool seeing him essentially play the Commissioner Gordon of this movie, even if he felt more like Harvey Bullock.
The Spirit lures you in with its credit sequence and its overall look but after about twenty minutes, you grow tired and bored of it. The humor is bizarre, the tone is confusing, the music is distracting and the actors deliver their lines like they’re in a film that should be lampooned on Mystery Science Theater 3000.
It’s no wonder why there was never a sequel to this, even if the ending leaves things open for one.
Rating: 4.75/10 Pairs well with: the Sin City and 300 films.
Release Date: July 25th, 2008 Directed by: Adam McKay Written by: Will Ferrell, Adam McKay, John C. Reilly Music by: Jon Brion Cast: Will Ferrell, John C. Reilly, Richard Jenkins, Mary Steenburgen, Adam Scott, Kathryn Hahn, Rob Riggle, Ken Jeong, Phil LaMarr, Seth Rogen, Horatio Sanz
Relativity Media, The Apatow Company, Mosaic Media Group, Gary Sanchez Productions, Columbia Pictures, 98 Minutes, 106 Minutes (unrated cut)
“I wanna roll you up in a little ball and shove you up my vagina… You could just live there, it’s warm and it’s cozy… Oh I’d just walk around with you in there and just knowing, whenever I feel a little tickle or scratch it’s your hair on my vagina!” – Alice
Full disclosure, I’m not a huge Will Ferrell fan. I did like him on Saturday Night Live, in an era where the show was good, and I do like his chemistry with John C. Reilly. But still, that’s not enough to make this film work for me.
The problem is that Will Ferrell’s comedies have a few jokes that land but they’re usually lost in a sea of misses. And really, most of his jokes have been recycled to death and predate him.
I do like a lot of stupid comedies but Ferrell’s don’t do much to help that genre evolve. He relies on low brow humor and by milking the same cow that the worst comedians have been milking for decades. He just makes his movies zanier, which I guess is supposed to make them funnier.
Now I mostly liked this film the first time that I saw it but it’s not something that I ever needed to watch again. Also, from a narrative standpoint, nothing that happens here matters or holds any sort of weight. There really isn’t much of a story, there’s just a plot thread set up to weave together a bunch of fart and dick jokes. Also, there’s the obligatory over the top profanity because yelling out “fuck” in the middle of a joke’s delivery makes it funnier or something.
I don’t want to sound like I’m shitting on the guy or this movie but by the time that this did come out, his shtick really ran dry for me. Although, I do have friends that adore this movie for some reason.
It is funny in parts and the two leads have charm and always seem to work well off of one another. However, Reilly has proven he’s a much better actor than this and he’s actually superior to Ferrell in regards to his comedic roles.
I don’t know, this is just a stupid film to me. It doesn’t have a lot of replay value and I have to deduct points off of any movie that has Rob Riggle in it. When people were boycotting the NFL because of freedom of expression being un-American, I was boycotting it because Rob Riggle was hired to work on a Sunday pregame show.
Anyway, I really like and respect Mary Steenburgen, so I’ll say that she’s a beaming light of sunshine and positivity in this but I really don’t need to ever watch this again because I saw this movie before it was even made.
Rating: 5/10 Pairs well with: other Will Ferrell movies and “bro” comedies of the ’00s and ’10s.