Also known as: Hannibal 4, Young Hannibal: Behind the Mask, The Lecter Variations (working titles) Release Date: February 7th, 2007 (France) Directed by: Peter Webber Written by: Thomas Harris Based on:Hannibal Rising by Thomas Harris Music by: Ilan Eshkeri, Shigeru Umebayashi Cast: Gaspard Ulliel, Gong Li, Rhys Ifans, Dominic West, Kevin McKidd, Richard Brake
Young Hannibal Productions, Carthago Films S.a.r.I., Dino De Laurentiis Company, The Weinstein Company, Metro-Goldwyn-Mayer, 121 Minutes
“Rudeness is an epidemic” – Hannibal Lecter
One of the Hannibal films has to be the worst and well, this is it.
I thought that it was incredibly boring and really, really underwhelming. So much so, I figured that there was no way that Hannibal Lecter’s creator, Thomas Harris, had anything to do with this. So I was a bit taken aback when I saw that Thomas Harris wrote this script, based off of his own novel.
In his defense, I don’t think that this is particularly bad but it just didn’t feel like it was the same Hannibal Lecter that I’ve now known for decades.
The acting in this was pretty middle of the road but Rhys Ifans was probably the best performer in this, as the story’s primary antagonist. Ifans is always damn good, though, so this should go without saying.
I guess after seeing this, I just realized that we didn’t need a Hannibal origin story. We know he’s fucked up and this actually takes some of the character’s mystery away. Okay, maybe it takes a lot of that mystery away. I liked his background just being casually hinted at and that we, the audience, had to fill in the blanks with our own mind.
I wasn’t a big fan of these characters, their motivations or any of this.
Ugh… there really just isn’t much else to say. This was boring with bland performances and it didn’t feel, at all, connected to the title character.
Release Date: October 28th, 2005 (Saw II), October 27th 2006 (Saw III), October 26th, 2007 (Saw IV), October 24th, 2008 (Saw V), October 23rd, 2009 (Saw VI), October 29th, 2010 (Saw VII), Directed by: Darren Lynn Bousman (Saw II-IV), David Hackl (Saw V), Kevin Greutert (Saw VI-VII) Written by: Leigh Whannell, Darren Lynn Bousman, James Wan, Patrick Melton, Marcus Dunstan, Thomas Fenton Based on:Saw by James Wan, Leigh Whannell Music by: Charlie Clouser Cast: Tobin Bell, Shawnee Smith, Costas Mandylor, Betsy Russell, Cary Elwes, Leigh Whannell, Dina Meyer, Donnie Wahlberg, Lyriq Bent, Erik Knudsen, Franky G, Angus Macfadyen, Bahar Soomekh, Mark Rolston, Julie Benz, Sean Patrick Flanery, Glenn Plummer, Beverly Mitchell, Meagan Good,
I wasn’t a fan of the Saw franchise after the original movie. In fact, I quit with the third film and haven’t watched any of them since that one debuted in theaters. Jigsaw died in that one and so I was fine moving on, as well.
After revisiting the first one to review, I figured I would just power through the original string of sequels since they were all on HBO Max.
Since these are all pretty dreadful, blend together in a convoluted clusterfuck and are almost indistinguishable from one another, by the time I got to the end of the fourth movie, I decided just to review them all together. So I pushed through all six of these movies over a weekend and what a miserable experience it was.
The second film is at least a new situation from the first but it also set the stage for what would generally be the formula going forward, which sees a group of people locked in a secret location, having to pass tests in an effort to survive and not be murdered by Jigsaw’s traps.
The third film sees an abducted doctor forced to keep Jigsaw alive, as long as she can. Meanwhile, her husband has to work his way through a test and others are brutalized.
Film four through seven are just rehashes of everything we’ve already seen. Sure, there are different characters with different sins that they have to atone for in Jigsaw’s game. However, we have one Jigsaw successor, then another, then his ex-wife who is also working for him and eventually we discover that the Cary Elwes doctor character from way back in the first movie, has been assisting all along too.
The first film was great because it had a stellar twist at the end. Each picture after it, though, tries to outdo it and ultimately, fails at trying to replicate the shock of the original film’s closing moments.
In fact, with each new plot twist, big reveal and eye-opening flashback, the overall story gets more and more complicated to the point that you really can’t follow any of it and I don’t think the filmmakers even cared about consistency and logic because they were pumping these things out, annually, in an effort to make hundreds of millions off of each movie, all of which cost a slight fraction of that.
Saw after the success of the first one became a soulless, heartless, pointless cash cow. It was pushed as far as it could go and it ultimately diminished what the first movie had built and the reputation it deservedly earned.
I also hate the visual style of these films. They look like a ’90s industrial music video, everything is choppily and rapidly edited and they’re overwhelmed by more violent, shrill, jarring flashbacks than my ‘Nam vet uncle on LSD.
The musical score is also overbearing a lot of the time. It’s like this series has one theme playing throughout the movie and when crazy, violent shit pops up, they simply raise the volume.
Additionally, outside of Tobin Bell, these things are terribly acted. As much as I like Bell as Jigsaw in spite of this shitty series, even his presence runs its course midway through this series. He basically just becomes this prop in each film for the writers and directors to hang their stinky ass ideas on.
People may want to point to other long-running horror franchise and call them pointless cash cows too but most of the movies in the Elm Street, Friday the 13th, Halloween, etc. franchises were at least fun and entertaining.
There is nothing fun about these movies. They’re just full of miserable people who do miserable things, trapped in a miserable situation that only extends their misery and the misery of the audience. I don’t know why people kept going to see these for seven fucking annual installments. But then again, some people really, really liked Limp Bizkit, JNCO jeans and Jerry Springer.
Saw II – Rating: 5/10 Saw III – Rating: 5.5/10 Saw IV – Rating: 4.25/10 Saw V – Rating: 4/10 Saw VI – Rating: 4/10 Saw VII – Rating: 4.25/10
Also known as: Raging Fuzz, Blue Fury (working titles), Bubblin’ Fuzz, Dead Right, Feelin’ Fuzzier (fake working titles) Release Date: February 13th, 2007 (London premiere) Directed by: Edgar Wright Written by: Edgar Wright, Simon Pegg Music by: David Arnold Cast: Simon Pegg, Nick Frost, Jim Broadbent, Paddy Considine, Timothy Dalton, Bill Nighy, Edward Woodward, Bill Bailey, Olivia Colman, Julia Deakin, Kevin Eldon, Martin Freeman, Paul Freeman, Rafe Spall, Stephen Merchant, Steve Coogan (uncredited), Peter Jackson (uncredited), Cate Blanchett (uncredited), Edgar Wright (uncredited), Garth Jennings (uncredited)
Working Title Films, StudioCanal, Universal Pictures, 121 Minutes
“I may not be a man of God, Reverend, but I know right and I know wrong and I have the good grace to know which is which.” – Nicholas Angel, “Oh, fuck off, grasshopper. [Reverend Shooter pulls out a pair of derringers from his cassock]” – Reverend Philip Shooter
The moment this movie finished in the theater, I had a massive smile on my face and it stuck with me for days. Once it was gone, I went back to the theater to go see this picture again.
This is still my favorite Edgar Wright movie and revisiting it now just solidified that. For what it is, it is pretty close to perfect.
It features Simon Pegg and Nick Frost at their absolute best, as a duo. After two seasons of the television show Spaced and 2004’s cult classic Shaun of the Dead, these two guys had evolved into a perfect pair, where each half compliments the other and together they make a much better whole.
That being said, if there was ever a film from Edgar Wright’s Three Flavours Cornetto Trilogy that deserved a sequel, it’s this one. I doubt it will get a sequel but it perfectly represents the buddy cop genre and those films are perfect for sequelization. Just look at Lethal Weapon, Bad Boys, Rush Hour, etc.
Anyway, this is just great from top-to-bottom. It has a stacked cast featuring several of my favorite British people, it has a solid, surprising story, superb action sequences and the sort of buddy cop camaraderie that you and your primary school homies used to try and emulate while playing cops on the playground.
Despite all the other great things Pegg and Frost have done, this feels like the roles they were born to play. And honestly, I almost feel the same way about Timothy Dalton in this, as he’s so damn good that he’s perfect.
Hot Fuzz is just a hilarious, balls out action flick. Once you get to the action packed finale, things escalate in ways you’d never expect and at the same time, this never jumps the shark. It just has the perfect balance of comedy, action and ridiculousness.
Not only is this my favorite of Wright’s films, it is also one of my favorite movies of its decade.
Rating: 9.25/10 Pairs well with: other Edgar Wright comedies, as well as his television show Spaced.
Release Date: March 25th, 2007 (Dallas International Film Festival) Directed by: Seth Gordon Written by: Seth Gordon Music by: Craig Richey Cast: Steve Wiebe, Billy Mitchell, Walter Day
Large Lab, Picturehouse, Dendy Cinemas, 79 Minutes
“I don’t drink, I don’t smoke, I don’t do drugs. I play video games, which I think is a far superior addiction to any of those other ones.” – Adam Wood
Back when this came out in 2007, I was enthralled by it. In fact, I bought the DVD and watched it quite a bit, which is strange for me in that it’s a documentary.
However, this true story is just as good as a great work of fiction. Sometimes life is stranger than fiction or at least, more interesting than it.
In the case of Donkey Kong rivals Steve Wiebe and Billy Mitchell, we were given something so human, endearing and intriguing that it rivaled the best films of its year of release. Strangely, it didn’t even get nominated by the Academy for Best Documentary.
I guess movies about middle-aged dudes playing retro video games isn’t as politically and socially starved for as movies about dolphins, rainforests and some old, hermit dude that spent his entire life crafting a violin out of garbage. No, this is actually more important than all of that as it shows the triumph of the human spirit and how even a regular Joe can overcome the odds and topple a giant and a system that’s working against him.
Steve Wiebe is a hero and you truly get a sense of that while watching this. On the flipside of that, Billy Mitchell is one hell of a villain and his personality and charisma rivals that of the greatest heel managers in professional wrestling history. At the same time, looking passed all of Mitchell’s shady shenanigans, you can’t not help but like the guy. He’s f’n charming and he’s doing his damnedest to protect his legacy, even if that means cheating and using his power and influence to great advantage.
This is just a fantastic story about a guy that is great at something, finally stepping up to get recognized for it, while the man who feels threatened by him, does everything he can to hold him down. Who will win? You have to watch this and find out.
The King of Kong is heartwarming and heartbreaking at different points. But most importantly, it is one of my favorite documentaries ever made.
Rating: 9.25/10 Pairs well with: other video game/gaming documentaries like Chasing Ghosts and Special When Lit.
Also known as: Trick or Treat (alternative spelling) Release Date: December 9th, 2007 (Butt-Numb-A-Thon Film Festival) Directed by: Michael Dougherty Written by: Michael Dougherty Music by: Douglas Pipes Cast: Dylan Baker, Rochelle Aytes, Anna Paquin, Brian Cox, Quinn Lord, Lauren Lee Smith, Britt McKillip, Jean-Luc Bilodeau, Samm Todd, Leslie Bibb, Tahmoh Penikett, Brett Kelly
Bad Hat Harry Productions, Legendary Entertainment, Warner Bros., 82 Minutes
“Werewolves, zombies and demons of every variety. They’ve all descended on the normally sleepy town of Warren Valley, OH. Where the holiday and all of its strange traditions are taken very seriously. It’s only 8:00 and the streets are already packed with costumed visitors. Some to show off, others to blend in, but all to celebrate the magical night of Halloween. The one night a year where we can pretend to be the scariest thing we think of.” – Reporter
It’s been a hell of a long time since I last watched Trick ‘r Treat and I was a bit surprised that I hadn’t reviewed it yet, as this is already the fourth Halloween season since Talking Pulp started. Not to mention all my other blogs that predate this one where reviewing movies was part of the regular output.
I like this movie quite a bit, especially because it truly is a love letter to Halloween and while we have a lot of horror movies in the universe, we don’t have enough that feel like they’re Halloween specific.
This is an anthology but all the stories are connected and happen in the same town on the same night. The plots overlap a bit and the movie is shown out of order ala Pulp Fiction but it isn’t hard to put the pieces together and it keeps you guessing as the multiple plot threads develop.
My only real complaint about the film is that it felt like it needed one more story thrown in to help pad out the running time and to take the picture to the next level. It’s short, moves really quick and the flick ends before you’re really ready to say goodbye to it. But I guess that’s also a testament to how entertaining it is.
I had always hoped that this would’ve kicked off a franchise of annual or semi-annual Halloween anthologies that exist in this same universe. Michael Dougherty, the film’s writer and director, has said he’s wanted to make more but it’s been thirteen years since this was originally shown and not much has happened since.
Well, Dougherty did do another holiday themed horror movie with 2015’s Krampus and I did enjoy that as well. But still, this deserves more love, more chapters and with that, I feel like it could evolve into a franchise strong enough to rival John Carpenter’s Halloween series.
Rating: 7.5/10 Pairs well with: other horror anthologies, as well as movies about Halloween.
Also known as: El vengador fantasma (several Spanish speaking countries) Release Date: January 15th, 2007 (Ukraine) Directed by: Mark Steven Johnson Written by: Mark Steven Johnson Based on: Johnny Blaze by Roy Thomas, Gary Friedrich, Mike Ploog Music by: Christopher Young Cast: Nicolas Cage, Eva Mendes, Wes Bentley, Sam Elliott, Donal Logue, Peter Fonda, Brett Cullen, Rebel Wilson
“Any man that’s got the guts to sell his soul for love has got the power to change the world. You didn’t do it for greed, you did it for the right reason. Maybe that puts God on your side. To them that makes you dangerous, makes you unpredictable. That’s the best thing you can be right now.” – Caretaker
Even though 2003’s Daredevil received pretty bad reviews, under-performed and left most moviegoers feeling disappointed, it’s director was still given the character of Ghost Rider to adapt into another live-action Marvel movie.
While I liked the Director’s Cut of Daredevil for the most part, Ghost Rider is an atrocious motion picture from top-to-bottom. Honestly, this came out when Nicolas Cage seemed to run out of gas and saw his career trending downward fast. Honestly, this and its sequel could’ve been the nail in the coffin.
This is terribly acted, except for the scenes with Sam Elliott and the minimal appearances by Peter Fonda. They can’t save the rest of the movie, however, as Cage, Eva Mendes and Wes Bentley don’t really seem to give a shit about anything. Even Donal Logue severely under-performed and he’s a guy that I tend to expect a lot from, as he’s proven, time and time again, that he’s a more than capable actor with good range and convincing performances.
The special effects can’t save the film either, as they’re generally pretty generic mid-’00s CGI shit. Hell, the villains don’t look the way they’re supposed to look and it just adds to this movie’s cheapness.
It’s a vapid, shit film, a complete waste of time and could only be upstaged in its awfulness by its even worse sequel.
I guess I’ll have to review that flaming turd soon.
Rating: 3.5/10 Pairs well with: its sequel and other terrible comic book adaptations of the era.
Also known as: P.O.T.C. 3 (promotional abbreviation), Pirates 3 (informal short title), Pirates of the Caribbean 3 (working title) Release Date: May 19th, 2007 (Anaheim premiere) Directed by: Gore Verbinski Written by: Ted Elliott, Terry Rossio Based on:Pirates of the Caribbean by Walt Disney, characters by Ted Elliott, Terry Rossio, Stuart Beattie, Jay Wolpert Music by: Hans Zimmer Cast: Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush, Stellan Skarsgård, Bill Nighy, Chow Yun-fat, Jonathan Pryce, Jack Davenport, Kevin R. McNally, Lee Arenberg, Mackenzie Crook, Naomie Harris, Tom Hollander, Keith Richards
Second Mate Productions, Jerry Bruckheimer Films, Walt Disney Pictures, 169 Minutes, 128 Minutes (censored Chinese version)
“You will listen to me! Listen! The other ships will still be looking to us, to the Black Pearl, to lead, and what will they see? Frightened bilgerats aboard a derelict ship? No, no they will see free men and freedom! And what the enemy will see, they will see the flash of our cannons, and they will hear the ringing of our swords, and they will know what we can do! By the sweat of our brow and the strength of our backs and the courage in our hearts! Gentlemen, hoist the colors!” – Elizabeth Swan
One of the three films had to be the worst one of the original trilogy and well, this is it. Regardless of that fact, it’s still one hell of an adventure movie that hits the right notes and sends these characters off with a well-deserved bang.
Had this been the actual end, people would’ve had a much brighter and appreciative view of the Pirates of the Caribbean film franchise. However, Disney’s gotta be Disney and they couldn’t leave well enough alone and stop while they were ahead.
Regardless of the films that followed, this was a close to prefect ending to the original three pictures and it brings everything full circle in a great way and finished the job of developing the main characters stupendously, making them some of the greatest characters in motion picture history, especially in regards to blockbuster cinema.
Johnny Depp’s Captain Jack Sparrow is just as good as ever but the real treat of this movie is seeing the story of Will Turner and Elizabeth Swan come to a close. Sure, they have a cameo years later, but this really ends their story, as I’m assuming the cameo won’t lead to anything now that Disney wants to do a female reboot of the franchise. *cough* Good luck with that, Disney.
I liked seeing how the characters of Will and Elizabeth evolved from children in the beginning of the first movie, to a solid, badass couple that essentially saved the oceanic world by the end of this picture. It’s especially great seeing how perfect Elizabeth evolved, as she leaves this chapter as an incredibly strong, independent woman that an entire armada saw as a real leader.
The original Pirates trilogy should be a primer on how to make a great female character that isn’t a cookie cutter Mary Sue. Maybe J. J. Abrams and Rian Johnson should’ve watched these films before farting out the Disney Star Wars trilogy.
Anyway, this is the most over-the-top, insane Pirates movie of the lot but it all leads to an incredible final battle that sees the Black Pearl and the Flying Dutchman go to all out war while being sucked down into Calypso’s maelstrom a.k.a. a massive whirlpool.
I also really liked how they explored Bill Nighy’s Davy Jones even more, getting into his personal turmoil that shaped him into a monster and set him off on an extremely dark path. His story is handled with such great care, though, that it’s hard not to relate to him and his pain. But it’s also fantastic finally seeing him meet his end.
Additionally, I loved how this movie built up the already established mythos and expanded the Pirates universe pretty immensely. I didn’t necessarily dig every new thing they tried to do but it worked for this story and how it ended.
The thing that hits me the hardest in these films, however, is the story of James Norrington. What a fantastic and spectacular character arc! The guy goes through so much over the course of the three films, trying to do what he thinks is right, only to sacrifice himself, quite selflessly and courageously, for the woman he loves but knows he can never have. I fucking love that guy and he doesn’t get enough respect due to how he’s never really the biggest thing onscreen.
In the end, this is one solid movie (and trilogy) that is probably much better than it should have been. I have to tip my hat to Gore Verbinski’s superb direction, as well as just how great the actors were. I wish we could have more Pirates movies as good as the first three but that ship has most assuredly sailed.
Rating: 9.25/10 Pairs well with: the other Pirates of the Caribbean movies, especially the original trilogy.
Also known as: 3 (trailer title) Release Date: April 3rd, 2007 (Uruguay) Directed by: Sam Raimi Written by: Sam Raimi, Ivan Raimi, Alvin Sargent Based on:Spider-Man by Stan Lee, Steve Ditko Music by: Christopher Young Cast: Tobey Maguire, Kirsten Dunst, James Franco, Rosemary Harris, Thomas Haden Church, Topher Grace, Bryce Dallas Howard, J.K. Simmons, Bill Nunn, Elizabeth Banks, Ted Raimi, Bruce Campbell, Dylan Baker, Elya Baskin, James Cromwell, Willem Dafoe (cameo), Cliff Robertson (cameo), Joe Manganiello (cameo)
Marvel Entertainment, Laura Ziskin Productions, Columbia Pictures, 139 Minutes, 137 Minutes (Editor’s Cut)
“Whatever comes our way, whatever battle we have raging inside us, we always have a choice. My friend Harry taught me that. He chose to be the best of himself. It’s the choices that make us who we are, and we can always choose to do what’s right.” – Peter Parker
While this wasn’t as bad as I remembered, there are still some things that are very off about this picture.
Starting with a positive, I do like the visual tone of this film the best out of the trilogy. It abandoned that overly copper, sunset look the other ones had and most of the film takes place at night or in normal daylight.
However, the improvements in the visual look are overshadowed by the film’s very shoddy CGI effects. It’s kind of baffling but this is the worst looking film of the three when it comes to digital effects. I’m not sure if the studio cut some corners or were rushed but most action heavy CGI sequences looked like a video game. It was distracting and pulled you out of the magic.
I think it’s possible that they overextended themselves in trying to include both Venom and The Sandman, as it’s damn near impossible to create those characters, in all their glory, without the use of CGI. In fact, their battles in the film needed to be larger than life spectacles.
Now the problem isn’t the use of either villain but it’s the use of both of them at the same time. Plus, Harry Osborn also becomes the new Green Goblin.
This picture suffers across the board because trying to wedge in three villains just didn’t work from a narrative standpoint and it forced the effects artists to focus their efforts into multiple effects heavy characters.
Now the film did a superb job with The Sandman’s story and if this movie just focused on him, it could’ve actually been incredible. The Sandman gets thrown to the side at multiple points throughout the movie though, as they then have to rush through Venom’s origin in the most half-assed way possible. Then they have to deal with Harry and his Goblin thing, Peter and Mary Jane’s relationship issues, introducing Gwen Stacy and even having Peter turn into an emo douche because I guess that’s what the Venom symbiote does in the movie universe.
The narrative is disjointed as hell but where it’s good, it’s great. But every time you really get into a portion of the story, it shifts gears or throws something stupid at you. The misfires and shifts are pretty maddening, especially when there are things in the film that work and come across as spectacular. It’s like you can see the real love for these characters rise up like cream to the top but then the filmmakers stir the coffee again. By the third act, they just keep throwing hot coffee in your face.
In a nutshell, this is a clusterfuck but it’s a clusterfuck that has greatness in it. I still like the movie despite its massive flaws and for fans of Harry Osborn, his journey comes to a beautiful end. With it, the film hits you right in the feels, as you feel the pain that Peter and Mary Jane share over the loss of their dear friend and how wrecked their own relationship has become.
The film does leave you with some hope but the ending is still kind of a downer. Granted, they planned a followup (or three) to this film but those movies never happened.
In the end, this movie was a weird end to the film series. I know it wasn’t intended to be the send off for these characters but it left the film series in a strange, uncertain place. I would’ve liked to have seen this cast get to make at least one more picture but that ship has sailed.
Maybe a comic book sequel could work but with the comic industry being in the shitter, waiting to be flushed, that’s probably wishful thinking. Plus, they’ve already rebooted the film series twice since this came out.
Rating: 7.5/10 Pairs well with: the other two films in this mostly great series.
Also known as: Highlander 5 (working title) Release Date: February 6th, 2007 (Russian DVD premiere) Directed by: Brett Leonard Written by: Mark Bradley, Steven Kelvin Watkins Music by: George Kallis Cast: Adrian Paul, Peter Wingfield, Jim Byrnes, Thekla Reuten, Cristian Solimeno
“I’ll be 314 three weeks from next Tuesday, I’m only a wee lad compared to Giovanni and Methos.” – Reggie Weller
Out of five Highlander films, four of them are shit. This one is the shittiest of them all. Maybe that’s why it was the last and why even though this was the first part of a planned trilogy, all those plans were cancelled.
I had never seen this movie and actually, I didn’t even know it existed until recently when I was reading up on the first film for my review of it. I wasn’t looking forward to rewatching any of the sequels but the thought of sitting through this fifth, mysterious film wasn’t doing my anxiety any favors.
I genuinely feel bad for Adrian Paul for being in this. It is a continuation of his story from the Highlander TV series, as well as following up Paul’s first film as the character, Highlander: Endgame.
Paul is definitely enjoyable as the Duncan MacCleod character and he’s clocked in more hours in the franchise than anyone. So it truly does suck that he had this total fucking turd as his swansong.
This is horrendously acted, atrociously directed and none of it makes sense. The dialogue is beyond despicable and listening to every scene play out is a feat of endurance that no human is capable of surviving. It’s monotone word salad where it feels as if the writers were just picking words out of a thesaurus at random. Since this was filmed in Lithuania, was it also written in English by Lithuanians that didn’t really know English outside of a few common phrases?
The special effects are also terrible and the worst in the franchise, which is impressive, as the first film predates this one by over twenty years.
All this time, I thought that the fourth film put the nail in the Highlander coffin. Nope. They were able to force one more in there.
Rating: 1/10 Pairs well with: staring into the asshole of a large buffalo with bovine viral diarrhea.
Also known as: Die Hard 4.0, Die Hard 4, Die Hard: Tears of the Sun, Die Hard 4: Die Hardest, Die Hard: Reset (working titles), WW3.com (original script title) Release Date: June 12th, 2007 (Tokyo premiere) Directed by: Len Wiseman Written by: Mark Bomback, David Marconi Based on:A Farewell to Arms by John Carlin; characters by Roderick Thorp Music by: Marco Beltrami Cast: Bruce Willis, Justin Long, Timothy Olyphant, Cliff Curtis, Maggie Q, Mary Elizabeth Winstead, Kevin Smith, Tim Russ
Cheyenne Enterprises, Dune Entertainment, Ingenious Film Partners, 20th Century Fox, 129 Minutes
“You know what you get for being a hero? Nothin’. You get shot at. You get a little pat on the back, blah, blah, blah, attaboy. You get divorced. Your wife can’t remember your last name. Your kids don’t want to talk to you. You get to eat a lot of meals by yourself. Trust me, kid, nobody wants to be that guy.” – John McClane
When this came out, I liked it but it didn’t quite blow me away in the same way as the original trilogy of films did. I haven’t seen this since it was in the theater, however, so I was pleasantly surprised by it this time around, as it was better than I remembered. I still wouldn’t put it on the same level as the first three but it is a much better action movie than the majority of action flicks since the turn of the millennium.
One thing that I like about this series, besides the awesomeness that is Bruce Willis, is that each film takes place in (or around) a different major city. The majority of this picture is set in Washington DC It gives it a fresh look but at the same time, it has the same problem that a lot of the more modern action flicks have and that’s that it looks too polished.
While metropolitan DC is cool, it is kind of a sterile and generic looking city when away from the famous monuments and iconic government buildings. Also, I don’t think that the film really utilized how batshit crazy DC’s streets are in that there are big diagonal avenues that cut through the standard grid system that most large American cities have.
I typically get annoyed by Justin Long after about five minutes. However, there are a few films where he is really good and this is one of him. While he starts to grate on you pretty early on, he grows as a character and you end up really liking him. But like other Die Hard characters, he’s sadly a one-off and doesn’t ever return to fuck shit up with John McClane again.
Side note: I’d love a spinoff of John McClane sidekicks meeting up at a John McClane sidekick convention that is taken over by terrorists and they have to team-up without McClane there. That’ll never happen but a kid can dream. But if anyone ever gets the comic book publishing rights to the Die Hard franchise, this should be a miniseries.
Anyway, Timothy Olyphant is a decent villain but he just isn’t on the level of the villains from the three previous films. I actually found Maggie Q’s character to be more interesting and engaging but she’s sort of just thrown away in the second act, which is just used as fuel to make Olyphant go over the edge and sort of self-sabotage his own plan due to wanting revenge specifically on McClane.
Additionally, as good as most of this film is, it jumps the shark once John McClane has to fight a fucking F-35 fighter jet around a maze of bridges. Is it badass? Sure, but it is also so far removed from the rest of the picture that it’s no longer grounded in reality and feels more like some bonkers Michael Bay bullshit. Then I also remembered that this was directed by the guy behind the Underworld films, which really feels like a weird fit when you think about it.
Still, this is a good, solid way to waste a few hours with some mindless action and a character that has become beloved in American culture.
This is definitely weaker than the three previous entries but that doesn’t make it a bad movie. It’s really good, has a good pace and just gives you more of John McClane being an absolute badass.
Rating: 8.25/10 Pairs well with: the other Die Hard movies, as well as other Bruce Willis action films.