Release Date: January 8th, 1993 Directed by: Mark Jones Written by: Mark Jones Music by: Kevin Kiner, Robert J. Walsh Cast: Warwick Davis, Jennifer Aniston, Mark Holton, Deep Roy (stunts)
Trimark Pictures, 92 Minutes
“[the Leprechaun talks to himself while sitting over his pot of gold] Ah! Try as they will, and try as they might, who steals me gold won’t live through the night.” – Leprechaun
I think that this is the one remaining “slasher” franchise that I have left to review. While I don’t specifically see these as slasher movies, the majority of the world deems them as such.
These are very similar in that they feature a murderous monster picking people off throughout the film but the Leprechaun uses magical methods and creativity more than simply picking up sharp objects and decorating the floor with the meat and fluids of his victims.
This is an odd series and I actually thought it improved, to a point, with its sequels. That being said, this one is the dullest in the franchise but I still enjoy it.
The main thing I like about these movies, which are far from great, is Warwick Davis. He’s awesome as the Leprechaun and his one-liners make me laugh, as he gleefully torments and murders those he believes stole his gold.
As far as the rest of the cast in this film goes, it’s only really notable for being Jennifer Aniston’s most prolific role before she exploded with fame a year later on Friends.
There’s not a whole lot to say about this chapter other than that it kicked off a cheap-to-make horror franchise that started getting the straight-to-VHS treatment by the third film. However, this is still amusing because of the title character.
Rating: 5.25/10 Pairs well with: the other Leprechaun movies starring Warwick Davis.
Release Date: April 23rd, 1993 Directed by: Ted Demme Written by: Seth Greenland, Doctor Dré, Ed Lover Music by: Michael Wolff, Nic. tenBroek, various Cast: Doctor Dré, Ed Lover, Badja Djola, Cheryl “Salt” James, Colin Quinn, Denis Leary, Bernie Mac, Bill Bellamy, Terrence Howard, Richard Gant, Guru, Ice-T, Larry Cedar, Jim Moody, Joe Lisi, Karen Duffy, Roger Robinson, Richard Bright, Rozwill Young, Vincent Pastore, Caron Bernstein, Kim Chan, Ken Ober, B-Real, Ad-Rock, Apache, Bow-Legged Lou, Bushwick Bill, Busta Rhymes, Chi-Ali, CL Smooth, Pete Rock, Del the Funkee Homosapien, D-Nice, Dres, Eric B., Fab 5 Freddy, Flavor Flav, Freddie Foxxx, Heavy D, House of Pain, Humpty Hump, Kid Capri, Kris Kross, KRS-One, Leaders of the New School, Melle Mel, Monie Love, Naughty by Nature, Penny Hardaway, Phife Dawg, Queen Latifah, Run-DMC, Scottie Pippen, Sandra “Pepa” Denton, Stretch, Yo Yo, Da Youngsta’s
De Passe Entertainment, Thomas Entertainment, New Line Cinema, ,,, Minutes
“You fucked me! You fucked me! You might as well kiss me ’cause you’re fucking me!” – Sgt. Cooper
I’m one of the few people that saw this in the theater back in 1993 and honestly, I’m one of the few that saw it in my theater, as there were only three of us on opening night.
Still, I was stoked to see it, as I was a weekly viewer of Yo! MTV Raps at the time and the thought of Ed Lover and Doctor Dré in their own movie featuring dozens of rappers had my fourteen year-old self pretty damn excited.
The film also features Fab 5 Freddy and T-Money from Yo!, as well as some top up and coming comedians from the era like Bernie Mac, Denis Leary and Colin Quinn.
Now this isn’t specifically a well acted movie but it doesn’t need to be, as it is a buddy cop comedy made to appeal to teenagers that had a love of hip-hop. That being said, Lover and Dré were great, their chemistry shined through and their comedic timing was superb.
In a lot of ways, I saw the duo as their generation’s Abbott & Costello but unfortunately, they weren’t able to do anymore movies beyond this one. That’s kind of a shame, as they would’ve only gotten better but at the same time, Yo! MTV Raps was cancelled only two years later, ending a great era for hip-hop fans, which I feel had a lasting negative impact on hip-hop music going forward.
What makes this so fun to watch, especially now, is that it shows me how pure hip-hop still was in 1993 before it devolved into the overly corporate bullshit it became. This came out in a time where rappers still had real shit to say and a lot of the music was simply about having a good time or expressing positive messages. Sure, we all love the gangsta shit too but this film mainly features the East Coast side of the classic hip-hop era at its peak. There’s something magical about seeing all these guys in their prime, many of whom we have lost since then.
The bulk of the story revolves around Lover and Dré being failed barbers and having to join the police force to pay their rent. What they don’t know is that there is a sinister scheme afoot in their part of Harlem that leads to their beloved mentor and father figure being murdered for his real estate. This sets the pair off on trying to solve the mystery, even though they aren’t detectives and the police force doesn’t want them to be anything more than basic beat cops.
Along the way, they run into countless rappers, some of which have larger roles and most of which just have cameos. What’s weird about adding all these rappers in is that none of it seems forced or out of place. All the cameos are well handled and it’s kind of amazing that they actually got so many people in this movie.
The film is directed by the late Ted Demme, who was instrumental in bringing Yo! MTV Raps to the small screen. He would go on to direct a pretty good handful of films before his death, most notably Blow.
Additionally, this is written by Lover and Dré, which is probably why everything feels so natural, as they essentially play themselves in the film and they already head good relationships with all the other people in the movie, specifically the dozens of rappers.
This certainly isn’t a movie that’s going to resonate with those outside of my generation, who didn’t already have a love for East Coast hip-hop of the early ’90s, but it’s still pretty funny and these guys had incredible charisma and natural chemistry.
Rating: 6.75/10 Pairs well with: other hip-hop comedies of the ’80s and ’90s.
Also known as: Shootfighter (unofficial shorter title) Release Date: May 5th, 1993 Directed by: Patrick Alan Written by: Judd B. Lynn, Larry Feliz Jr., Pete Shaner Music by: Joel Goldsmith Cast: Bolo Yeung, Maryam d’Abo, James Pax, William Zabka, Michael Bernardo, Martin Kove, Edward Albert
ANA Productions, 100 Minutes
As a pretty hardcore Karate Kid fan, it’s probably kind of nuts that I hadn’t seen this film until now. Reason being, for those unaware, is that it reunites the two antagonists from that film (and the Cobra Kai television series) by featuring both William Zabka and Martin Kove.
This also stars martial arts legend and intimidating badass, Bolo Yeung. And what’s really interesting about Bolo’s role in this, is that he is a good guy! He’s actually the sensei of the two young guys that enter a martial arts tournament put on by a madman criminal.
In a way, it’s also strange seeing Zabka play a good guy, as he became famous playing bullies in ’80s teen movies.
This movie came out during the height of fighting games in video arcades across the world. It was also the height of low budget, usually straight-to-VHS martial arts flicks. So the story isn’t too dissimilar from that of a classic fighting game. In fact, the two heroes feel like they’re loosely based on and inspired by Ryu and Ken from the Street Fighter video game series.
I like the heroes here, though. They have a good chemistry and camaraderie and I actually like cheering for Zabka, even though I was always pro-Cobra Kai anyway… sorry, LaRusso.
I don’t usually watch these type of movies and expect to be impressed by them. I tend to like them quite a bit, regardless. However, I was impressed by the action and fight choreography in this. While it’s not the most exceptional martial arts action you’ll ever see, it was on par with the best action coming out of low budget US martial arts flicks from this era.
Also, the tone and style of the film is really good and it feels like a fighting game come to life. I wish my fourteen year-old self would’ve rented this back in 1993 because he would’ve probably loved it and watched it as often as he watched early Van Damme movies, as well as the American Ninja series.
I dug this, a lot. I’m also glad that there’s a sequel because I plan on checking it out in about a week, as I work through my queue.
Rating: 6.5/10 Pairs well with: its sequel, as well as other early-to-mid-’90s martial arts flicks.
Also known as: JP (promotional abbreviation) Release Date: June 9th, 1993 (Washington D.C. premiere) Directed by: Steven Spielberg Written by: Michael Crichton, David Koepp Based on:Jurassic Park by Michael Crichton Music by: John Williams Cast: Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough, Bob Peck, Martin Ferrero, BD Wong, Samuel L. Jackson, Wayne Knight, Joseph Mazzello, Ariana Richards, Miguel Sandoval, Whit Hertford
“Yeah, but, John, if the Pirates of the Caribbean breaks down, the pirates don’t eat the tourists.” – Dr. Ian Malcom
I think it might be hard for younger people to understand the hype around Jurassic Park when it came out. For me, it came out in the summer between middle school and high school but I spent most of my eighth grade year listening to my science teacher enthusiastically rave about the novel it was based on. In fact, she offered up extra credit for those of us who read the book and did a report on it, which I did. I liked the book better, FYI.
Anyway, I think that I may have been just a hair too old for this movie to have had the same effect on me as it did younger people in my life. For those born just after the Star Wars films had their theatrical releases, this was their Star Wars. And while I liked it, quite a lot, I do feel like the movie is a bit overrated.
Now I still think it’s damn solid and a fun movie but the story seems pretty basic, overly simplistic and just there to show off what Industrial Light and Magic could do with CGI effects. In that regard, this is a masterpiece of its time and without this film, we wouldn’t have gotten anymore Star Wars films, as this was the real test that George Lucas wanted in order to see if he could make more space movies in the way that he had always envisioned.
This led to the Special EditionStar Wars movies, which I thought were cool to see but I still preferred the unaltered originals. But then those movies led to the Prequel Trilogy and a bunch of other effects heavy films to follow.
Getting back to this film, though, it kind of recycles the best animal horror elements of Steven Spielberg’s Jaws but makes the monster a bunch of dinosaurs and shifts the man-eating to land.
Overall, this is less horrific than Jaws and it isn’t really categorized as “horror” even though it very much is. But I guess marketing it as such, kind of hurts trying to sell it to the public as a family adventure movie. Now if they had put (or left) some actual gore in it, I probably would’ve dug it more as a kid but then parents would’ve been outraged and this might not have become a massive franchise.
The film is really good and probably Spielberg’s best from the ’90s, after Schindler’s List, of course.
It was well cast and the main players are all pretty great, as they created iconic roles that seem to leave a void when they aren’t included in the Jurassic movies after this one. This was, in fact, the only film to feature the Jurassic Holy Trinity of Jeff Goldblum, Sam Neill and Laura Dern.
This one also feels the most special, as it was the first. It’s probably the best too but I really need to watch the second and third, as it’s been years.
Top to bottom, this is just fun, energetic, doesn’t have a dull moment and you find yourself getting lost in it. It’s a good movie to turn your brain off to and it’s still one of the greatest popcorn movies of its time.
Rating: 8/10 Pairs well with: the other Jurassic Park/World films.
Also known as: Roger Rabbit: Trail Mix-Up (alternative title) Release Date: March 12th, 1993 Directed by: Barry Cook Written by: Rob Minkoff, Barry Cook, Mark Kausler, Patrick A. Ventura Music by: Bruce Broughton Cast: Charles Fleischer, Kathleen Turner, Lou Hirsch, April Winchell, Corey Burton, Frank Welker
Amblin Entertainment, Walt Disney Pictures, Buena Vista Pictures, 8 Minutes
“Jeepers Baby Herman, you had me worried. I almost dropped a log back there.” – Roger Rabbit
Like the two Roger Rabbit shorts before this one, Trail Mix-Up was paired with a theatrically released Disney film. In the case of this short, it played before 1993’s A Far Off Place, which was a safari movie starring a young Reese Witherspoon and Maximilian Schell, who I know best from his role as the villainous Dr. Hans Reinhardt from 1979’s The Black Hole.
This short feels like a step up from the previous one, as the art looks better with more emphasis on shadows and shading and it felt a bit more fluid.
Additionally, I liked the setting and the gags in this one better, as it sees Roger chasing Baby Herman through the woods and ultimately ends up in a dangerous lumber mill.
However, this one was probably cheaper to produce as it doesn’t feature live-action elements like the previous two and the 1988 feature film. They try to play that off with some art trickery at the end, where it sort of breaks the fourth wall but it does so without actual human actors.
Overall, this was more of the same but when “the same” is a good formula, why change it too much?
Rating: 8/10 Pairs well with: other Roger Rabbit shorts, as well as the fill-length Who Framed Roger Rabbit.
Also known as: Godzilla vs. Super-Mechagodzilla (alternative English title) Release Date: December 11th, 1993 (Japan) Directed by: Takao Okawara Written by: Wataru Mimura Music by: Akira Ifukube Cast: Masahiro Takashima, Ryoko Sano, Megumi Odaka, Yusuke Kawazu, Daijiro Harada, Kenji Sahara
Toho Co. Ltd., 108 Minutes
“The year is 1992 A.D… In order to try to counter the threat posed to the planet’s survival by Godzilla, Japan’s Counter-G Bureau recruited the most brilliant scientific brains in the world to build a fighting machine. The first machine was called Garuda, but its fighting capabilities were limited. A far more powerful machine was required. They salvaged a robot from the future, Mecha-King Ghidorah, in order to study its advanced technology. Its components were used to build a weapon to fight Godzilla. They called it Mechagodzilla.” – Narrator
I never disliked the Heisei era of Godzilla, although it’s never really hit the mark for me like the Showa stuff has. Although, revisiting these movies has been a fun experience and I think that their legacy has grown on me more over the years, as this film and the ones before it, were really exciting and really took this often times hokey franchise and made them edgier and darker without sacrificing the soul of the series.
These movies still feel like Godzilla movies in the best way but they feel a bit more grown up in how they don’t present the title character as a friendly monster looking out for Japan. They tap more into the sentiment of the original 1954 picture and keep him as a threat, even though he isn’t as bad as some of the more dangerous and deadly Heisei era kaiju.
In this tale, we see the Japanese government use the future tech left over from the defeated Mecha-King Ghidorah to create their own super powered, heavily armored defense kaiju: Mechagodzilla. I liked this approach to this era’s creation of the iconic monster and that it was cooler than just having Mechagodzilla being the superweapon of a hostile alien race. I also like that Kenji Sahara, a Toho legend, got to be in the cockpit of the mecha-kaiju.
This chapter in the Heisei universe also gives us its version of Rodan. I really love Rodan in this and not just because he’s one of my favorite monsters but because they make him so much more badass and dangerous. It also adds in an extra element, as this isn’t simply a Godzilla versus Mechahgodzilla film. It has more layers than that and the monsters and their own stories are well-balanced and come together wonderfully.
That being said, I actually got mad at how brutal Rodan’s defeat was. But it was effective in showing how powerful and dangerous that this version of Mechagodzilla is before the final showdown. And from the Mechagodzilla vs. Rodan fight to the Mechagodzilla vs. Godzilla finale, the last half hour or so of this movie was superb and featured some of the best kaiju footage of the entire film series.
We also get the introduction of Godzilla Junior, here, which thankfully, wasn’t a modernization of the Minya character. Instead, this monster was human-sized and had the general look of Godzilla, as opposed to resembling the Pillsbury Doughboy after a bad kitchen fire. Godzilla Junior would go on to be more important to the film series, as it rolled out its final two movies after this one.
All in all, this is a pretty awesome Godzilla flick with everything you’d probably want from one. Great action, decent acting, great effects for its time and it still has that Toho magic.
Rating: 7.5/10 Pairs well with: other Godzilla films from the Heisei era.
Release Date: February 26th, 1993 Directed by: Joel Schumacher Written by: Ebbe Roe Smith Music by: James Newton Howard Cast: Michael Douglas, Robert Duvall, Barbara Hershey, Rachel Ticotin, Frederic Forrest, Tuesday Weld, Lois Smith, Michael Paul Chan, Raymond J. Barry, Steve Park, D. W. Moffett, Vondie Curtis-Hall
“Is that what this is about? You’re angry because you got lied to? Is that why my chicken dinner is drying out in the oven? Hey, they lie to everyone. They lie to the fish. But that doesn’t give you any special right to do what you did today. The only thing that makes you special is that little girl.” – Sergeant Prendergast
Being that Joel Schumacher just passed away, I wanted to watch one of his films that I really like that I hadn’t seen in a really long time. I saw a lot of people online talking about Falling Down and it immediately moved to the top of my list in my head of Schumacher films, I have yet to review.
I have a sort of love/hate relationship with Schumacher’s work. There’s a few films I’m not too keen on but the ones I like, I really like. This being one of them.
Also, with everything insane that’s going on in the world in 2020, this actually seems kind of topical, 27 years later.
The story, for those who don’t know, is about a man who just simply loses his shit in a world that always seems to be working against him. As his day rolls on, shit keeps escalating to a point where he ends up feeling like he has to have a legit Old West style showdown with a cop on a pier.
What’s great about this movie is that the main character keeps crossing the line but their is a weird nobility in his actions and when he comes across people who are worse than him, he doesn’t really hesitate on taking them down. He takes out a shitty gang, kills a Nazi piece of shit but ultimately causes damage to his loved ones and some people who just happened to get caught in the crossfire of his meltdown.
This is a smart, layered picture with a lot of angles to it. It’s superbly acted by Michael Douglas and Robert Duvall, who plays the cop trying to stop the main character. It’s also the cop’s last day as a Los Angeles detective.
While the story shows the main character do bad things, it does a great job of justifying these things in his mind and to the audience, as everyone can relate to the sort of bullshit and pressure he has to deal with in this movie. However, the film also checks the main character’s ass and challenges him to see through his rage and to actually look for the silver lining.
Movies don’t really do this anymore, as in current times, they seem to just focus on the one side of the story they want to tell, as opposed to trying to get the audience to relate to multiple sides. This is smartly written and masterfully directed.
Now it’s not perfect but it doesn’t need to be. It’s just about a guy pushed to the point of a mental breakdown, who has some deep seeded issues in his past, that we only get hints of. In the end, he gives up and pushes the forces challenging him to take him out. But even in that last act, he shows that he’s not simply a bad, madman.
Falling Down is a tragedy. It’s a story about a beaten down human spirit that tried to play ball by the rules but always felt like the world was coming down on him. At some point or another, I think we’ve all felt that way.
Rating: 8.75/10 Pairs well with: other drama and crime films by Joel Scumacher, as well as dramas starring Michael Douglas.
Release Date: November 19th, 1993 Directed by: John Lafia Written by: John Lafia Music by: Joel Goldsmith Cast: Ally Sheedy, Lance Henriksen, Frederic Lehne, Robert Costanzo, John Cassini, J.D. Daniels, William Sanderson, Frank Welker (voice)
Roven-Cavallo Entertainment, New Line Cinema, 87 Minutes
“When you think of guard dogs, you first think of German Shepherds: they are smart, lethal… but not good enough. Now we developed the new Emax3000. They are totally obsolete.” – Doctor Jarret
This used to be one of those late night guilty pleasures of mine, as it used to be a film that you’d find on cable at like three in the morning. When I used to be a night shift security guard, this was in constant rotation. Granted, I haven’t really seen it since then, so I figured I’d revisit it, as I noticed it was streaming on Starz.
Man’s Best Friend is far from great but it’s that sort of ’90s horror/sci-fi cheese that I love. Plus, it has Lance Henriksen in it as an evil scientist, so that automatically gives it a few extra points in the cool category.
The story is about a reporter/activist that breaks into an animal lab to expose whatever weird experiments may be going on there. She discovers a big dog that takes a liking to her and she decides to keep him as a pet. Shortly after that, Max, the dog, stops a potential rapist/purse thief and the woman feels a real bond with the dog.
As the audience, we discover that the dog is a total, murderous bastard well before the woman does. Henriksen’s Dr. Jarret is also on the hunt for the dog, as he knows what kind of murderous rampage that will most likely ensue.
If I’m being honest, this is a pretty dumb and predictable movie but that also doesn’t mean it’s not enjoyable. I actually still like it quite a bit and it’s just solid, mindless schlock starring a really cool dog.
Additionally, it doesn’t need to employ too many special effects but when it does, they all work pretty well and I can’t really shit on the film in that regard.
Rating: 6/10 Pairs well with: other sci-fi horror from the early ’90s, as well as the 1979 comedy with a similar premise, C.H.O.M.P.S.
Also known as: National Lampoon’s Loaded Weapon 1 (complete title) Release Date: February 5th, 1993 Directed by: Gene Quintano Written by: Don Holley, Gene Quintano, Tori Tellem Music by: Robert Folk Cast: Emilio Estevez, Samuel L. Jackson, Kathy Ireland, Frank McRae, Tim Curry, William Shatner, Jon Lovitz, Lance Kinsey, Denis Leary, F. Murray Abraham, Danielle Nicolet, Beverly Johnson, Ken Ober, Bill Nunn, Lin Shaye, James Doohan, Erik Estrada, Larry Wilcox, Corey Feldman, Whoopi Goldberg, Paul Gleason, Phil Hartman, Richard Moll, J. T. Walsh, Rick Ducommun, Vito Scotti, Charles Napier, Charles Cyphers, Denise Richards, Allyce Beasley, Joyce Brothers, Charlie Sheen, Robert Shaye, Chirstopher Lambert (deleted scene), Bruce Willis (uncredited)
National Lampoon, 3 Arts Entertainment, New Line Cinema, 84 Minutes
“Nice weather? You think we’re having… nice weather? I guess you didn’t lose the only one that meant anything in your life. I guess you don’t feel burned out by the human misery and despair perpetrated by the criminal vermin that infest every pore of this decaying city, forcing you to guzzle cheap wine and cheaper whiskey to dull the pain that shatters your heart, rips at your soul, and keeps your days forever gray. What flavor Icee you got today?” – Colt
Regular readers of this site probably already know that I’m not a big fan of parody movies outside of Mel Brooks’ work. However, ever now and again, I discover a parody film that is actually quite good.
I never saw National Lampoon’s Loaded Weapon 1 because I didn’t have much interest, even when it came out in 1993 and I was a huge Lethal Weapon fan. These films tend to be predictable, lame and lowest common denominator humor. While this is pretty low brow and a bit predictable, it wasn’t lame and it was actually really well done and executed.
I think this stands above other films like it because it has a really solid cast with several heavy-hitters that just commit to the material so convincingly, it makes everything work. You buy into the goofy jokes and the absurdity of it all and frankly, Emilio Estevez and Samuel L. Jackson had good chemistry. I wouldn’t say that it was on the level of Mel Gibson and Danny Glover but they played off of each other nicely and looked like they were having a blast playing these characters.
WIlliam Shatner and Tim Curry were both enjoyable as villain characters. Shatner went into this with no fucks given and it just made his performance that much more entertaining. I loved his accent, his facial expressions and the guy isn’t just a sci-fi legend, he’s a master of comedic timing.
This ridiculous film is just a lot of fun. If you like buddy action films and have a sense of humor, you’ll probably dig this.
Rating: 6.75/10 Pairs well with: the Lethal Weapon films and the dozen other movies this parodies, as well as other parody films of the time.
Release Date: March 12th, 1993 Directed by: Tamra Davis Written by: Chris Rock, Nelson George, Robert LoCash Music by: John Barnes, various Cast: Chris Rock, Allen Payne, Deezer D, Phil Hartman, Chris Elliot, Charlie Murphy, Khandi Alexander, Art Evans, Theresa Randle, Willard E. Pugh, Rachel True, Richard Gant, Stoney Jackson, J.D. Daniels, LaWanda Page, Tommy Davidson (uncredited), Shirley Hemphill (cameo), Issac Hayes (cameo), Ice-T (cameo), Halle Berry (cameo), Ice Cube (cameo), Flavor Flav (cameo), Shaquille O’Neal (cameo), Eazy-E (cameo), Butthole Surfers (cameo)
“You ain’t tough. There are real some kids out there that are going to kick your narrow ass. You ain’t from the street, I’m from the street. And only somebody who wasn’t would think it was something to glorify.” – Albert, Sr.
When I reviewed Fear of a Black Hat several months ago, I brought up how similar these two movies were and how one may be ripping off the other. I also said that I preferred that one slightly but now, after revisiting CB4 for the first time in quite a long time, this picture just slightly takes the cake.
I think that over time, my memories downplayed how clever this movie was. While Fear of a Black Hat is more gritty and certainly more indie, CB4 feels like it has a better grasp on the material and it is much more refined and is a better complete body of work.
While some of the jokes and gags, almost thirty years later, may be over some people’s heads now, I still think that this aged well and it carries a good positive message. The gist of what the film tries to communicate is still very apparent, despite outdated references to a time when rap music was much better than whatever this modern mumble rap garbage is today.
Chris Rock was great in this and I have to say, it’s my favorite picture where he is the star. He’s relatable, he’s likable and his character is very human despite getting lost in the glamour, glitz and bullshit of trying to make it in the early ’90s rap game. Ultimately, even if his spirit is corrupted, it’s the goodness within himself (and his two best friends) that wins out and makes things right in the end.
One thing I really loved about this movie was the music. While most of it is parody of what was the gangsta rap of its era, it’s all really damn good. I actually owned the soundtrack in my teen years and used to bump it quite regularly.
Even though this came out very early in Chris Rock’s career, I still feel as if it is his magnum opus as an actor, comedian and writer. Sure, he’s always been funny but something about CB4 just felt like it was real personal for him and it’s something that truly comes out when you watch the film.
Rating: 8/10 Pairs well with: a movie that’s very similar, Fear of a Black Hat.