Also known as: The Cars That Eat People (US alternative title), Cars (Germany, Norway), Killing Cars (France)
Release Date: May, 1974 (Cannes)
Directed by: Peter Weir
Written by: Peter Weir, Keith Gow
Music by: Bruce Smeaton
Cast: John Meillon, Terry Camilleri, Kevin Miles, Bruce Spence, Chris Haywood
Royce Smeal Film Productions, Salt-Pan, The Australian Film Development Corporation, 91 Minutes, 74 Minutes (cut version)
“As to our youth, they are idle. They are lazy. The need to work! As that American President said, eh, what was his name? Roosevelt. Roosevelt, yes. The New Deal! Build! They have got to work!” – The Mayor
This Aussie film is a strange little bird.
It’s a very dry, black comedy about a small village that causes car accidents in order to strip cars of their parts and to use the accident victims for weird medical experiments.
Writer and director Peter Weir came up with the idea while driving through the French countryside. He thought the road he was on was full of strange warning signs and found it odd how villages were sprinkled along the stretch of his rural journey.
I think that this film has a real place in history not because of its overall quality but because of its influence on other films that made more of a cultural impact, the original Mad Max for instance, which borrows some of this film’s ideas but executes them better. And then later on, the sequels would borrow some of the post-apocalyptic automobile designs from this picture. Most notably, the spiky cars that were used in 2015’s Mad Max: Fury Road.
This film also sprinkles in a bit of horror and sci-fi with a pinch of Bruce Spence, who would go on to be in two Mad Max films, as well as Star Wars: Episode III – Revenge of the Sith, The Lord of the Rings: The Return of the King and Matrix Revolutions.
This is a moderately amusing film but a lot of the comedy doesn’t hit. This could be because the humor is very Australian and some things might not translate, culturally. Also, it is a pretty dated movie when seen through modern eyes.
From a narrative standpoint, this explores some neat ideas but doesn’t really deliver on them. Although the mayhem in the final sequence was pretty enjoyable, as the town’s angry teens in post-apocalyptic cars overrun the big annual festival.
I wouldn’t call this a great movie and it’s almost forgettable, other than the fact that it influenced movies that are better than it.
Pairs well with: other Peter Weir films and then the original Mad Max, as it has some minute similarities.